DOCSLIB.ORG

What's New @ Midem 2013?

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
What's New @ Midem 2013? AS OF 4 JANUARY 2013 Follow us on Download the app Contents Introduction What’s new @ Midem 2013? They will be at Midem Visionary Monday Music [the core music industry] Tech [start-ups & app developers] Brands [brands & ad agencies] Artists [artists & bands] Classical & Jazz music Concerts [Midem festival, Midem off & Midem classical embassy] Special events 2 Introduction Music beats in people‟s hearts and is set to beat louder. Be part of Midem & the community leveraging music to connect with its audience. What is Midem? Midem is a part of the Reed MIDEM company, leader in the organisation of international b2b events. Launched in 1967, Midem is an international yearly event, dedicated to the opinion leaders and decision makers of the music industry. It‟s the place where music makers, cutting-edge technologies, brands and talent come together to enrich the passionate relationship between people and music, transform audience engagement and form new business connections. Music, brands and technologies interact together in new ways: People today love music more than ever, and they engage with it in new ways Seven of the top ten Twitter accounts are musicians A third of all YouTube videos are music-related 74% of music fans and 67% of labels agree that more fans will buy directly from the artists (Music Support Here, 2011) Over 5 million artists now meet, engage and transact over online communities* 97% of people think that music can strengthen their brand (Sounds Like Branding, 2010) 91% of consumers accept or are positive about brand involvement in music entertainment and culture (Frukt, 2011) *Audiolife, Bandcamp, Billboard Pro, CD Baby, GigMaven, Headliner.fm, Hello Music, Indaba Music, RegioActive.de, ReverbNation, Sonicbids, Soundcloud, SoundExchange, Songkick, ... Key sectors at Midem 2013: Music: the core music industry Tech: start-ups & app developers Brands: brands & ad agencies Artists & bands Midem 2012 in figures: 6,950 delegates 48 national pavilions 3,300 companies 184 start-ups 75 countries 80 gigs 338 journalists 600 artists 114 workshops & conferences 305 key selected speakers 3 What’s new @ Midem 2013? → 2 new Content Areas BRAND CENTRAL (Riviera Hall) sponsored by MINI and GUVERA Brand Central is the place to learn all about the music & brands ecosystem. It offers a tailor-made learning programme run by industry experts to better understand the synergy between music and brands. Events will include: Marketing competition Training sessions / workshops Music pitch sessions How-to-sessions Music & brands case studies Meet the speakers CLASSICAL DISCUSSION LOUNGE (Riviera Hall) The Classical Discussion Lounge is the place where interactive conversations between professionals from the classical & jazz music world and the audience happen. 2 renowned moderators: James Jolly, Editor-in-chief, Gramophone & Presenter, BBC Radio 3, and Andrew McGregor, Presenter, BBC Radio 3 3 sessions per day Topics: distribution, recording, new business models, social networking, artists & repertoire... → Continuous Training in Marketing (DIF) Midem and LexisNexis Formations organise a 12-hour training programme in marketing for French music industry professionals, with courses on social networking, direct-to-fan and innovative marketing. For more info on this programme, click here (in French) In partnership with 4 They will be @ Midem 2013 CORE MUSIC INDUSTRY Music Labels: Act Music+ Vision In-Akustik Red Bull Records Avex Kontor Records Sony Music Entertainment Beggars Group Lasgo Chrysalis Soulfood Music Distribution Bertus Magic Records Treto Uvo Cooking Vinyl Membran Entertainment Group Under-Kamouf Records Countdown Media Ministry of Sound Universal Music Group David Gresham Mpova 4x4 Warner Music ECM Records Musicland/Music Marnew Zebralution Fujipacific Musikwelt Tonträger H‟Art Musikvertrieb Mute Music Publishers: BMG Imagen One Media Publishing Bucks Group Kobalt Music Group Rudi Schedler Musikverlag Budde Records Little H Music+Media Schott Music Daniel Glass Publishing Melodie der Welt Sony/ATV Music Publishing Entertainment One Mushroom Music Publishing Universal Music Publishing GLM Music Nichion (50 years anniversary) Wintrup Musikverlag Hebbes Music Group Nothing Hill Music Group Industry Bodies: AFDAS GVL Sabam AIM IAEL Sacem APRA ICIC SCPP BITKOM IMMF SIAE BPI IMZ Spedidam BUMA/STEMRA Initiative Musik SPPF CISAC Jazz & World Partners SUISA CNV MPAJ UKTI DMV Music Centre Slovakia VUT GEMA PPL GFOEM PRS For Music Federal Ministry of Economics & Technology (Germany) Ministry of Culture & Communication (France) Ministry of Culture and Sport (Finland) Ministry of Foreign Affairs & Foreign Trade (Finland) Promoters: Management: A.S.S. Concert 1 Promotion Girlie Action Media Marketing & Management CTM Eventim Made In Baltics Management Eliette & Hebert von Karajan Zeentrum Neu Management Karsten Jahnke Konzertdirektion Storm Music Management Konzerthaus Vienna The Animal Farm Live Nation Entertainment... Unicum Management, Publishing & Consulting Whitesmith Entertainment... 5 ARTISTS AT MIDEM Archive Jamal Edwards Asaf Avidan Julia Nunes Balthazar Lang Lang Birdy Hunt Lou Doillon Brisa Roché Madness C2C Mark Hoppus (Blink-182) DJ Spooky (Paul D. Miller) Schiller (Christopher von Deylen) Drunken Tiger The Ting Tings (Jules de Martino & Katie White) TECH COMPANIES 88TC88 Internet Media Services Samsung Electronics Amazon Jamendo Snowite AMG Disk Kollector SoundCloud BandPage Kontor New Media Tail Music Consulting DDEX LyricFind The Next Web Deezer Microsoft Transparency Eventbrite Ministry of Sound Vevo Fandistro Moozar Webdoc Finetunes Next Big Sound Yala Music Google Play Omnifone Yodem Guvera Pandora YouTube HTC Rovio Yozik People to watch : All Midemlab finalists! BRANDS & AD AGENCIES Activision Grey Ogilvy & Mather American Express Havas Opel BETC Heineken International Red Bull Media House The Coca-Cola Company HTC Samsung Electronics DDB Chicago MINI Swarovski Dove (Unilever) Moxie Tribal DDB Ford Nike Wieden+Kennedy SPONSORS 6 Visionary Monday 28 January 2013 DISRUPTIVE CREATIVITY At Visionary Monday, artists, music industry leaders, entrepreneurs, marketing and technology innovators share their vision, best practices and tips that are immediately applicable to the business. Learn how to thrive in this transforming marketplace, straight from the pioneers of change. For more info: midem.com KEYNOTE SPEAKERS Lang Lang, Classical Pianist (China) At Midem, the superstar pianist and cultural icon Lang Lang will take to the stage to discuss how talent, technology and brand partnerships have contributed in exposing his music to a broad community while disrupting the classical music world. John Hayes, EVP & CMO, American Express (USA) Discover the reasons behind the launch of American Express‟ “Unstaged” concert series and hear from American Express CMO‟s John Hayes on how to build a true brand around talented artists and how to monetise its content in this context. More keynote speakers to be announced OTHER KEY PERSONALITIES ATTENDING VISIONARY MONDAY Robert Ashcroft, CEO, PRS for Music (UK) Rémi Babinet, Chairman, Global Creative Director, BETC, Managing Director, Havas (France) TJ Kang, SVP of Media Services, Samsung Electronics (USA/South Korea) Johan Lagerlöf, CEO, X5 Music (Sweden) Paul Mascarenas, CTO, Ford (USA) Ian C Rogers, CEO, Topspin (USA) Jean-Noël Tronc, CEO, Sacem (France) OTHER SESSIONS Visionary Monday also welcomes Debates – interactive panels discussing hot topics around the music ecosystem, Insight sessions – where key data, consumer trends and engagement strategies are revealed, Highlight sessions will announce the winners of the Midemlab, the Midem hack day and the Marketing competitions. 7 Music [the core music industry] The music industry meets at Midem: Labels, publishers, established artists and independent bands, all meet at Midem to share ideas and engage in dialogue. FEATURED SPEAKERS OF VISIONARY MONDAY Robert Ashcroft, CEO, PRS for Music (UK) Jean-Noël Tronc, CEO, Sacem (France) SPEAKING AT MIDEM... MIDEM MUSIC SUMMITS: All you need to know Midem Music Summits highlight key aspects of the global music scene, including segments dedicated to publishers, authors‟ societies and lawyers. 2013‟s partners are: CISAC (the International Confederation of Societies of Authors and Composers), IAEL (the International Association of Entertainment Lawyers) and ICMP (The Global Voice of Music Publishing). Topics include: What you need to know in 2013 – The legal update for entertainment and technology Masterclass – Negotiating a branding deal How creative counsel supports growth and innovation in the entertainment industry GRD, it‟s started! Collective rights management in Europe 8 MIDEM ACADEMY: Education and business acceleration Midem Academy provides concrete and practical skills through courses on music industry 101, entrepreneurship and marketing. Midem Academy offers several training and networking formats in order to deliver interactive education and focused business acceleration. The programme is designed to be highly interactive and relevant, with high profile experts engaging with the audience, sharing their knowledge and providing practical advice. In partnership with Berklee College of Music, Sciences Po Paris and IMPALA/WIN A complete course with 3 modules: Music industry 101: . What is the new record business? . International publishing for non-publishers . Traditional and new revenue streams Entrepreneurship: . The anti-360
Load more

Recommended publications
  • Song Pack Listing
    TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like
    [Show full text]
  • KATEGORIE / GENRE LAND BIBLIOGRAPHISCHE ANGABEN Verlag Ersch
    Ersch. KATEGORIE / GENRE LAND BIBLIOGRAPHISCHE ANGABEN Verlag SIGNATUR -jahr DOKU Mali Vogel, Susan : Living memory. Prince Street Pictures 2003 AP 19734 V878DVD DOKU Deutschland Knopf, Eva : Majubs Reise. 2013 AP 44910 M234DVD DOKU / Diawara, Manthia : Neues afrikanisches Kino.- Afrika Prestel 2010 AP 44970 D541DVD Interview München [u.a.] (Begleit DVD zum Buch) DOKU Sudan Müller, Ray : Leni Riefenstahl - Der Traum von Afrika. EuroVideo 2003 AP 49400 M946DVD DOKU Südafrika Rogosin, Lionel : Coffret Lionel Rogosin 1 On the Bowery.- Paris Carlotta Films 2010 AP 49400 R735DVD-1 SPIEL Südafrika Rogosin, Lionel : Coffret Lionel Rogosin 2 Come back, Africa.- Paris Carlotta Films 2010 AP 49400 R735DVD-2 Rogosin, Lionel : Coffret Lionel Rogosin 3 Good times, wonderful DOKU Afrika Carlotta Films 2010 AP 49400 R735DVD-3 times.- Paris DOKU Sahara/Sahel region Herzog, Werner : Wodaabe. 0 AP 51164 W838DVD SPIEL Frankreich Bouchareb, Rachid : Tage des Ruhms.- Stuttgart Ascot Elite Home Entmt 2008 AP 51400 B752DVD SPIEL Mali Cissé, Souleymane : Yeelen.- Ennetbaden Trigon-Film 2009 AP 51400 C579 Y4-DVD SPIEL Äthiopien Gerima, Haile : Teza.- Ennetbaden Trigon-Film 2010 AP 51400 G369 T3DVD DOKU Südafrika Hirsch, Lee : Amandla!.- [London] Metrodome 2009 AP 51400 H669DVD SPIEL Frankreich Kassovitz, Mathieu : La haine.- Paris Studio Canal 2006 AP 51400 K19DVD DOKU Afrika Schmerberg, Ralf : Hommage à noir.- New York Palm Pictures 1999 AP 51400 S347 H7DVD SPIEL Senegal Sembène, Ousmane : Mandabi.- New York New Yorker Films Artwork 2005 AP 51400 S471DVD SPIEL England/Nigeria Nwandu, Adaora : Rag tag.- [Studio City, CA] Ariztical Entmt 2010 AP 52000 R144DVD DOKU USA Blank, Les : J'ai été au bal.- El Cerrito, CA.
    [Show full text]
  • Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues
    Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues Jesús Muñoz Morcillo1*, Klemens Czurda*, Andrea Geipel**, Caroline Y. Robertson-von Trotha* ABSTRACT: This article provides an overview of the web video production context related to science communication, based on a quantitative analysis of 190 YouTube videos. The authors explore the main characteristics and ongoing strategies of producers, focusing on three topics: professionalism, producer’s gender and age profile, and community building. In the discussion, the authors compare the quantitative results with recently published qualitative research on producers of popular science web videos. This complementary approach gives further evidence on the main characteristics of most popular science communicators on YouTube, it shows a new type of professionalism that surpasses the hitherto existing distinction between User Generated Content (UGC) and Professional Generated Content (PGC), raises gender issues, and questions the participatory culture of science communicators on YouTube. Keywords: Producers of Popular Science Web Videos, Commodification of Science, Gender in Science Communication, Community Building, Professionalism on YouTube Introduction Not very long ago YouTube was introduced as a platform for sharing videos without commodity logic. However, shortly after Google acquired YouTube in 2006, the free exchange of videos gradually shifted to an attention economy ruled by manifold and omnipresent advertising (cf. Jenkins, 2009: 120). YouTube has meanwhile become part of our everyday experience, of our “being in the world” (Merleau Ponty) with all our senses, as an active and constitutive dimension of our understanding of life, knowledge, and communication. However, because of the increasing exploitation of private data, some critical voices have arisen arguing against the production and distribution of free content and warning of the negative consequences for content quality and privacy (e.g., Keen, 2007; Welzer, 2016).
    [Show full text]
  • Classical Music Radio Stations
    Concerts from Home French National Orchestra https://www.youtube.com/watch?v=Sj4pE_bgRQI&feature=youtu.be #LAOAtHome: Opera Happy Hour https://www.youtube.com/watch?v=Mx6EEe9FkMg&feature=youtu.be LA Phil at Home https://www.youtube.com/playlist?list=PL7dQ19jsdStWuxLyQYNV4q-LmY5-uZExd Vengerov and friends from home https://youtu.be/nmwWNa4xunE Relaxation music from BGM https://www.youtube.com/channel/UCQINXHZqCU5i06HzxRkujfg #OurHouseToYourHouse from the Royal Opera House https://www.youtube.com/watch?v=cJQNl7D0AbQ Fly On The Wall series of behind-the-scenes videos of classical musicians https://www.youtube.com/channel/UCV0qOEWWrQ550s_BvUvGzWA/playlists OPERA A Comprehensive List of All Opera Companies Offering Free Streaming Services Right Now https://operawire.com/a-comprehensive-list-of-all-opera-companies-offering- free-streaming-services-right-now/ Met Opera free daily streaming http://tiny.cc/MetOpera Full Opera Performances | by EuroArts https://www.youtube.com/playlist?list=PLBjoEdEVMABIWxD- YGUwbjI2GY_uj51pV MAJOR RECORDING LABELS DeccaClassics https://www.youtube.com/user/DeccaMusicGroup/playlists Deutsche Grammophon https://www.youtube.com/channel/UC34DbNyD_0t8tnOc5V38Big ECM Records https://www.youtube.com/user/ECMRecordsChannel/playlists Harmonia Mundi https://www.youtube.com/user/harmoniamundivideo/playlists Nonesuch Records https://www.youtube.com/user/nonesuchrecords/playlists Sony Classical https://www.youtube.com/user/sonyclassicaluk/videos WORLD PHILHARMONICS Berliner Philharmoniker https://www.digitalconcerthall.com/en/home
    [Show full text]
  • THE VISUAL STRATEGIES of ECM RECORDS By
    IMAGE AND SOUND: THE VISUAL STRATEGIES OF ECM RECORDS by ERIK HOLM B.A., The University of Saskatchewan, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Fine Arts ) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 2001 © Erik Bjorn Holm, 2001 in presenting this thesis in partial fulfilment of the requirements for an advanced degree at the university of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives, it is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. rtment of ^H^Vf, l/lWl Art A T^crf y The university of British Columbia Vancouver, Canada Date \ Abstract Commercial recordings - CDs, LPs - are familiar objects. However, discussion about them has often attempted to conceal the fact that, as communicating objects, recordings pose special problems due to the fact that they unite text, image, and sound in a material commodity. This thesis examines the role of the visual in the production, circulation and use of recordings. The album cover is the primary category of study, with an emphasis on its functioning in relation to the recording as a sonic and material commodity. The label ECM, a German company which has been producing recordings since 1969, provides the main focus in this analysis.
    [Show full text]
  • Narrativa Fílmica E Internet Desconstrução Fílmica E Interatividade
    Escola das Artes da Universidade Católica Portuguesa Mestrado em Som e Imagem Narrativa Fílmica e Internet Desconstrução Fílmica e Interatividade Cinema e Audiovisual 2014/2015 Nuno Miguel Rodrigues Meneses Professor Orientador: Carlos Sena Caires Setembro de 2015 Narrativa Fílmica e Internet – Desconstrução Fílmica e Interatividade Dedicatória Aos meus pais que sempre me apoiaram e me deram todas as ferramentas para ser feliz. À minha irmã que desde que nasceu me critica e me faz ser melhor. A todos os meus amigos que me obrigaram a escrever em vez de ver filmes e jogar computador. I Narrativa Fílmica e Internet – Desconstrução Fílmica e Interatividade Agradecimentos O agradecimento maior vai para a minha família, que sempre me apoiou em todos os aspetos. Aperceber-se que se tem um filho que quer ser artista não deve ser fácil, mas eles fizeram-no como se o fosse. À minha família devo tudo. Desde às despesas que causei às emoções que sentimos. Um muito obrigado a todos, em especial à mãe, pai e irmã. Não posso também deixar de agradecer ao professor Carlos Sena Caires que me conduziu na investigação e me fez perceber que a melhor maneira de começar é fazer. Agradeço ainda a todos os outros que estiveram direta ou indiretamente envolvidos nesta dissertação, ou que contribuíram para o seu sucesso. II Narrativa Fílmica e Internet – Desconstrução Fílmica e Interatividade Resumo Nos últimos anos o Cinema tem sofrido inúmeras alterações e evoluções. Quer através do seu desenvolvimento tecnológico, quer através da perceção e interpretação do público das histórias contadas. A tecnologia evolui, assim como a sensibilidade e compreensão artística das plateias.
    [Show full text]
  • ALBA – ECM Records Release 2477 April 2016
    Markus Stockhausen & Florian Weber - “Inside Out” ALBA – ECM records release 2477 April 2016 Short text (by ECM Records – please mention source!): Alba is the premiere recording of trumpeter Markus Stockhausen’s duo with pianist Florian Weber, a formation in existence for some six years now. Though very different in their connections to the language of jazz, both musicians share a deep interest in the process of creative expression: of looking inwards and outwards with intensity at things, for echoes, resonances, insights. Initially, the duo experimented with electronic sounds, also to create the “opening sounds” that have attracted Stockhausen since he first played with Rainer Brüninghaus’s trio in the early 1980s. But with Weber, the realization soon came that the duo sounded stronger playing acoustically. “Florian has this incredible touch and possibilities to modulate the sound of the piano. There are so many colours available”. Alba is Markus Stockhausen’s first ECM recording since Karta was released in 2000. Florian Weber, a German Jazz Critics prize winner who has played with Albert Mangelsdorff, Lee Konitz and many others, makes his ECM debut here. Long text (by ECM Records – please mention source!): Alba is the premiere recording of trumpeter Markus Stockhausen’s duo with pianist Florian Weber, a formation in existence for some six years now. Though very different in their connections to the language of jazz, both musicians share a deep interest in the process of creative expression: of looking inwards and outwards with intensity at things, for echoes, resonances, insights. The dramatic arc and palette of the duo’s music is wide, from the joyous melodic roll of “Befreiung” (Liberation) and refracted optimism of “Better World”, to the chill sobriety of “Die weise Zauberin” (The Wise Witch) and the intriguingly reflective cast of “Emilio” (written for Florian’s son).
    [Show full text]
  • Looking At, Through, and with Youtube Paul A
    Santa Clara University Scholar Commons Communication College of Arts & Sciences 2014 Looking at, through, and with YouTube Paul A. Soukup Santa Clara University, [email protected] Follow this and additional works at: https://scholarcommons.scu.edu/comm Part of the Communication Commons Recommended Citation Soukup, Paul A. (2014). Looking at, through, and with YouTube. Communication Research Trends, 33(3), 3-34. CRT allows the authors to retain copyright. This Article is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in Communication by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Looking at, with, and through YouTube™ Paul A. Soukup, S.J. [email protected] 1. Looking at YouTube Begun in 2004, YouTube rapidly grew as a digi- history and a simple explanation of how the platform tal video site achieving 98.8 million viewers in the works.) YouTube was not the first attempt to manage United States watching 5.3 billion videos by early 2009 online video. One of the first, shareyourworld.com (Jarboe, 2009, p. xxii). Within a year of its founding, begin 1997, but failed, probably due to immature tech- Google purchased the platform. Succeeding far beyond nology (Woog, 2009, pp. 9–10). In 2000 Singingfish what and where other video sharing sites had attempt- appeared as a public site acquired by Thompson ed, YouTube soon held a dominant position as a Web Multimedia. Further acquired by AOL in 2003, it even- 2.0 anchor (Jarboe, 2009, pp.
    [Show full text]
  • The Multi-Layered Transnationalism of Fran Palermo Ewa Mazierska And
    Article The multi-layered transnationalism of Fran Palermo Mazierska, Ewa Hanna and Kránicz, Bence Available at http://clok.uclan.ac.uk/21230/ Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Kránicz, Bence (2017) The multi-layered transnationalism of Fran Palermo. Popular Music History, 10 (3). pp. 241-261. ISSN 1740-7133 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1558/pomh.35325 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk The Multi-layered Transnationalism of Fran Palermo Ewa Mazierska and Bence Kránicz Abstract Fran Palermo is an indie band based in Budapest which started performing in 2011, initially as a cover band, and so far produced over 30 original songs and 2 LPs, ‘Fran Palermo’ and ‘Razzle Dazzle’, in 2015 and 2016 respectively, to a significant critical acclaim. Its current line-up includes eight musicians, with Henri Gonzalez, a musician of Cuban and Spanish descent, being its leader. This article considers the transnational character of Fran Palermo’s work in the context of the history of pop-rock in Hungary and Eastern Europe at large, arguing that it does not fit the prevailing narrative of Eastern European music as imitator of a Western idiom.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Berjaya Celebrates Tun Dr. Mahathir Mohamad's 90Th
    Berjaya Corporation Berhad’s Quarterly Newsletter - Issue 3, 2015 KDN No : PP 7432/02/2013(031932) BERJAYA CELEBRATES TUN DR. MAHATHIR MOHAMAD’S 90TH BIRTHDAY WITH A NIGHT OF STARS Berjaya Corporation Berhad’s founder, Tan Sri Dato’ Seri Vincent Tan and Chairman/CEO, Dato’ Sri Robin Tan hosted a joint birthday celebration for Tun Dr Mahathir Mohamad and Tun Dr Siti Hasmah on 24 July 2015. Themed “A Night of Stars”, the 90th birthday celebration revolved around movies from the 20s up to the current year. About 1,000 guests turned up for the celebration. Group photo after the cake-cutting ceremony. Tan Sri Dato’ Seri Vincent Tan and Dato’ Sri Robin Tan with the birthday couple at the photo booths. (continued on page 2) Cover Story Berjaya celebrated a few award wins in the 3rd quarter. tail lights, leather seats, Mazda Connect car connectivity Congratulations to Kenny Rogers Roasters, 7-Eleven system and a 9-speaker Bose keyless entry system. Malaysia, and U Mobile for their respective wins at the 2015 Putra Brand Awards. Congratulations also to Kenny Berjaya Youth collaborated with EcoCentric Transitions to Rogers Roasters for winning the Social Media Excellence build an edible garden at the Sivananda children’s home Award at the World Bloggers and Social Media Awards in Batu Caves, Selangor. Besides being a meaningful 2015, and 7-Eleven for winning the BrandLaureate pastime, the edible garden gives the children the Brand Excellence in Retail award. Berjaya Corporation opportunity to learn about sustainable living. Berhad received the Asia Best Employer Brand Award at the 6th Asia Best Employer Brand awards 2015.
    [Show full text]
  • Emília Barna and Tamás Tófalvy (2017). Made in Hungary: Studies in Popular Music, 1St Ed
    HStud 31(2017)2 285–294 DOI: 10.1556/044.2017.32.1.12 EMÍLIA BARNA AND TAMÁS TÓFALVY (2017). MADE IN HUNGARY: STUDIES IN POPULAR MUSIC, 1ST ED. NEW YORK: ROUTLEDGE, 192. Reviewed by Adam Havas Now that the Hungarian volume of the Routledge Global Popular Music Series, Made in Hungary: Studies in Popular Music (Barna and Tófalvy, 2017) has come out, popular music scholarship has clearly arrived at a new stage in Hungary. The collection of fourteen studies on the historical development, sociological approaches and musicology of Hungarian popular music embraces half a century, from postwar state socialism to contemporary issues associated with a wide range of topics. The contributors, affi liated with universities of the most important intel- lectual centers in the country, such as Budapest, Debrecen, and Pécs, are trained in various disciplines from sociology to musicology, history, communication and philosophy, thus the reader encounters not only an array of issues discussed in the chapters, but diff erent angles of investigation depending on the above listed disciplinary practices. The creation of the colorful panorama off ered by the chapters was guided by the editorial principle of making clear the context for international audiences pre- sumably unfamiliar with the country-specifi c social and cultural factors shaping the scholarly discourse within this fi eld. For that reason, the historical narrative of popular music research also plays an important role in the book, which aims to cover the major fi gures, issues and contexts of its subject matter. From an insider perspective, as the author of the current review is a member of the Hungarian IASPM community, it is remarkable that the volume also strength- ens the identity of this relatively small and fragmented research community of Hungarian scholars who dedicate themselves to this often neglected, quasi-legit- imate research area, shadowed by “grand themes” such as social stratifi cation, poverty or even classical music research.
    [Show full text]