DOCSLIB.ORG

Youtube Brandcast [2012-Present]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Youtube Brandcast [2012-Present] goodsense.nyc CREATIVE & PRODUCTION SERVICES makes good sense. We love to create and execute events. We're all about big ideas, and creative collaboration. We create events that tell stories, market brands, position new products, and resonate with target audiences. GOOD SENSE & COMPANY is a creative and production agency that designs and manages live events for some We’re a full-service agency that provides whatever kind of service our of the biggest corporate and nonprofit entities in the clients need, from simple AV for a single event to a full-scale, world. multi-million dollar production. From the start, we've been tasked with large-scale, visionary projects, and we refined our craft, working on high-stakes, high-profile events: award shows, A-list concerts and GOOD SENSE & COMPANY is founded on the multi-venue festivals. complementary partnership of Jared Siegel and Joshua Cicerone. The company model is based on their own We love design that has meaning and purpose. We approach each archetypal dynamic: diplomat and agitator, dreamer and project as an exploration into the goals and aesthetics of the technician. For over a decade they have produced live company, brand, or product in need. We love new technology and events together, leading a team of talented individuals bring it in when and where it makes sense within a design. Our core that love to put on a good show. philosophy is focused on making our clients look good. We take one-off projects but where we truly thrive is in our long-term relationships. Regardless of project scope, we support all our clients with the same level of creativity, attention, and thought. CLIENTELE* GOOD SENSE & COMPANY has proudly taken zero investment and is privately held between the founders who have solely nourished the agency to its current success. We pride ourselves on a 90% return rate on client business, which serves as testament on our ability to deliver. * PARTIAL TRIBECA FILM FESTIVAL [2002-PRESENT] YOUTUBE BRANDCAST [2012-PRESENT] YOUTUBE BLACK FANFEST [2018] YOUTUBE ONSTAGE [2018] SAMSUNG presents “EVENING FOR THE REST OF US” [2017] BACARDÍ x KENZO DIGITAL: “WE ARE THE NIGHT” [2016] GOOD WORK YOUTUBE FANFEST [2016] ROBIN HOOD FOUNDATION: “NIGHT FOR NYC” [2016] UNIVERSAL MUSIC @ SXSW [2016] Highlights from a selection of recent projects we’re proud of. TRIBECA DISRUPTIVE INNOVATION AWARDS [2012-PRESENT] GOOGLE I/O AFTERHOURS [2015] FACEBOOK + U.N. “WE THE PEOPLES” PAVILION [2015-2016] FACEBOOK: POPUP INNOVATION EXHIBIT [2015] BUD LIGHT WHATEVER USA [2014] COCA COLA PAVILION @ SOCHI OLYMPICS [2014] YOUTUBE SPACE NY: LAUNCH CELEBRATION [2014] TRIBECA FILM FESTIVAL 2002-PRESENT The Good Sense Founders have had a personal stake in the Tribeca Film Festival (TFF) since its inaugural year. 16 years and 17 festivals later, we are proud to include them among our flagship clients. Good Sense handles the design and production for a majority of TFF’s gala film premieres and special events. In addition to red carpet screenings, niche panel conversations, free public events, media stunts and exclusive music events, Good Sense is responsible for the look and functionality of TFF’s Creative the Hub at Spring Studios, where coders, creators and futurist storytellers showcase an exciting lineup of tech-driven events and installations. Live music continues to play a prominent part in the TFF lineup. From the uptown Beacon Theatre to the Tribeca Performing Arts Center, we’ve produced film-oriented music events featuring Elton John, Herbie Hancock, Alicia Keys, Nas, Damon Albarn, The National, Bob Weir, Juliette Lewis, Joan Jett, Green Day and Tony Bennett. CREATIVE DIRECTION & PRODUCTION DESIGN PRODUCTION MANAGEMENT & TECHNICAL DIRECTION GRAPHIC & SCENIC DESIGN CONSTRUCTION DRAWINGS & SITE LAYOUT LIGHTING & AUDIO DESIGN SCRIPT WRITING & SHOW DIRECTION CONTENT CREATION & ASSET MANAGEMENT STAGE MANAGEMENT & SHOW CALLING Tribeca Film Festival | 2002-present Spring Studios: TFF Creative Hub Tribeca Film Festival | 2002-present YOUTUBE BRANDCAST 2012-PRESENT DIGITAL NEWFRONT presented by GOOGLE The largest and most successful of the “Digital Newfronts” currently sweeping the media market. Capitalizing on a new breed of online celebrities and the most diverse collection of original content under one umbrella, Google and YouTube aim to set a new standard for dynamic content presentations. Good Sense & Company is proud to have produced the first seven installments of Brandcast (2012-2018), and is currently in pre-production for the 2019 show. SHOW PRODUCTION DESIGN [STAGING+SCREENS] PRODUCTION MANAGEMENT & TECHNICAL DIRECTION STAGE MANAGEMENT & SHOW DIRECTION CONSTRUCTION DRAWINGS & SITE LAYOUT TALENT MANAGEMENT & HOSPITALITY YouTube Brandcast 2018 YouTube Brandcast 2017 YouTube Brandcast 2016 YouTubeYouTube Brandcast Space NY 2015 | Launch Celebration YouTube Brandcast 2014 YouTube Brandcast 2013 YouTube Brandcast 2012 YOUTUBE BLACK FANFEST 2018 | HOWARD UNIVERSITY, DC Diverse Creators from the YouTube universe came together for a festival-style concert at Howard University, showcasing some of the most influential minority talent on the platform. A red carpet spectacle gave way to an electrifying 2-hour concert. Comedy skits, soulful vocals and high-energy dancers were in abundance as the internet phenoms performed for an amped up Homecoming crowd. The Howard University Marching Band kicked off the show, which featured musical performances by Ari Lennox, Ceradi and Jhené Aiko, comedy from KevOnstage and TPindell, interactive hijinks from Dormtainment (who hosted the show) and even a spoof game show called Family Feud Noir. Surprise and spectacle--such as a “durag cannon” firing headwear into the crowd and a mega, en masse “Swag Surf” finale--made the night memorable. CREATIVE DIRECTION & PRODUCTION DESIGN PRODUCTION MANAGEMENT & TECHNICAL DIRECTION GRAPHIC & SCENIC DESIGN CONSTRUCTION DRAWINGS & SITE LAYOUT LIGHTING & AUDIO DESIGN SCRIPT WRITING & SHOW DIRECTION CONTENT CREATION & ASSET MANAGEMENT STAGE MANAGEMENT & SHOW CALLING PRINT & DIGITAL MARKETING ASSETS TALENT MANAGEMENT & HOSPITALITY YouTube Black Fanfest 2018 YOUTUBE ONSTAGE @ VIDCON 2018 JUNE 2018 | ANAHEIM CONVENTION CENTER & ARENA YouTube OnStage brought together some of the internet’s most notable names - including Marshmello, Liza Koshy, Mike Tompkins, and Collins Key - for an entertaining, postmodern variety show. Stage design done in collaboration with David Korins Design; screen content design by LA Made Creative and Obscura Digital. The 90-minute concert spectacle at VidCon was sponsored by LEGO Systems and Sony Pictures Animation’s “Hotel Transylvania 3: Summer Vacation.” Various activations brought these partnerships to life; highlights include an oversized “Play Button” made out of LEGOs, and a miniature replica of the stage made of LEGOs, complete with LEGO versions of all the performing talent. Meanwhile, YT Creator Andrew Huang hosted guests in the REBRICKULOUS Recording Studio, where artists collaborated on musical compositions performed using LEGO instruments. CREATIVE DIRECTION & PRODUCTION DESIGN PRODUCTION MANAGEMENT & TECHNICAL DIRECTION GRAPHIC & SCENIC DESIGN CONSTRUCTION DRAWINGS & SITE LAYOUT LIGHTING & AUDIO DESIGN SCRIPT WRITING & SHOW DIRECTION CONTENT CREATION & ASSET MANAGEMENT STAGE MANAGEMENT & SHOW CALLING PRINT & DIGITAL MARKETING ASSETS TALENT MANAGEMENT & HOSPITALITY YouTube OnStage 2018 SAMSUNG presents AN EVENING FOR THE REST OF US On the evening of March 29, hours after unveiling the Galaxy S8 to the world, Samsung presented "An Evening for The Rest of Us," heralding modern-day content creators who often make films with nothing but a phone and a laptop. The event was designed to embody the anarchic "Do What You Can't" philosophy of YouTube star Casey Neistat, featured in Samsung's buzzworthy 2017 Oscars commercial. Casey and other top online creators, including Franchesca Ramsey, Shantell Martin and Max Joseph, gave the packed Lincoln Center crowd a sneak peek at Samsung's newest products, while inspiring them through conversations with notable maverick director Spike Jonze and comedian Tracy Morgan. In true "Do What You Can't" fashion, Good Sense & Co. was given just two weeks to create original video content for the show, while helping to develop the ROS and taking on stage management and show directing duties onsite. The event was a milestone for the Good Sense CONTENT DPT, who painted a majestic 60' x 60' LED canvas with crisp, beautiful imagery. CONTENT CREATION SHOW DEVELOPMENT STAGE DIRECTION TALENT MANAGEMENT BACARDÍ x KENZO DIGITAL present “WE ARE THE NIGHT” BACARDÍ got more than they expected when they tapped artist Kenzo Digital to create their weirdest and wildest Halloween party yet. The centerpiece of the party, NOCTURNAL AWAKENING, was an immersive environment that utilized cutting edge technology to create an exciting visual assault on the senses. DJs Swizz Beatz and Mark Ronson provided a soundtrack for guests that included Baz Luhrmann, Emily Ratajkowski, Kehinde Wiley and Alicia Keys. Most of the 1000+ guests came to party in full costume, adding another surreal layer to the already-outrageous atmosphere. NOCTURNAL AWAKENING was part interactive art installation, part cinematic soundstage. Over 400 party guests experienced the live multi-sensory journey through mirrored rooms and infinite bat swarms, an inverted night chamber, down the abyss (a pitch black 16' tunnel slide) into a snowy winter forest, where they were magically transformed into a giant holographic bat. The labyrinthian
Load more

Recommended publications
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Front of House Master Song List
    CURRENT ROTATION CONTEMPORARY DANCE Love on Top – Beyoncé 24K Magic – Bruno Mars Moves Like Jagger – Maroon 5 All About That Bass – Meghan Trainor Mr. Saxobeat – Alexandra Stan All of Me – John Legend No One – Alicia Keys American Boy – Estelle & Kanye West OMG – Usher Applause – Lady Gaga One Kiss – Calvin Harris, Dua Lipa Bang Bang – Jessie J, Ariana Grande, Nicki Minaj Only Girl (in the World) – Rihanna Blurred Lines – Robin Thicke On the Floor – Jennifer Lopez Boom Clap – Charlie XCX Party In The USA – Miley Cyrus Born This Way – Lady Gaga Party Rock Anthem – LMFAO Break Free – Ariana Grande Perm – Bruno Mars California Gurls – Katy Perry Poker Face – Lady Gaga Cake By The Ocean – DNCE Raise Your Glass – Pink Call Me Maybe – Carly Rae Jepsen Rather Be – Clean Bandit ft. Jess Glynn Can’t Feel My Face – The Weeknd Roar – Katy Perry Can’t Hold Us – Macklemore & Ryan Lewis Rock Your Body – Justin Timberlake Can’t Stop The Feeling – Justin Timberlake Rolling in the Deep – Adele Cheap Thrills – Sia Safe and Sound – Capital Cities Cheerleader – OMI Sexy Back – Justin Timberlake Closer – Chainsmokers ft. Halsey Shake It Off – Taylor Swift Club Can’t Handle Me – Flo Rida Shape of You – Ed Sheeran Confident – Demi Lovato Shut Up and Dance With Me – Walk the Moon Counting Stars – OneRepublic Single Ladies – Beyoncé Crazy – Gnarls Barkley Sugar – Maroon 5 Crazy In Love / Funk Medley – Beyoncé, others Suit & Tie – Justin Timberlake Despacito – Luis Fonsi ft. Justin Bieber Take Back the Night – Justin Timberlake DJ Got Us Falling in Love Again – Usher That’s What I Like – Bruno Mars Don’t Stop the Music – Rihanna There’s Nothing Holding Me Back – Shawn Mendez Domino – Jessie J This Is What You Came For – Calvin Harris ft.
    [Show full text]
  • Biography Mark Ronson Is an Internationally Renowned DJ and Five-Time-Grammy-Award-Winning and Golden Globe-Winning Artist and P
    Biography Mark Ronson is an internationally renowned DJ and five-time-Grammy-Award-winning and Golden Globe-winning artist and producer. Ronson spent the first eight years of his life growing up in London, England. Having played guitar and drums from an early age, it wasn't until moving to New York City following his parents’ divorce, that he discovered DJ culture. At age 16, and already a fan of artists like A Tribe Called Quest, Run DMC and the Beastie Boys, Ronson began listening to mixtapes released by various hip hop DJs. Inspired, Ronson confiscated his step-father's vinyl collection and tried his hand at mixing. It was the first step in a career highlighted by work on a multi Grammy-winning album by Amy Winehouse, as well as his own Grammy-winning, global smash hit with Bruno Mars, "Uptown Funk." In the late 1990s into the early 2000s, the New York club scene was percolating with booming hip-hop and glitzy R&B. Ronson quickly earned himself a reputation through stints on the decks in downtown clubs before becoming the DJ of choice for many noteworthy parties. Hip-hop mogul Sean "P. Diddy" Combs hired Ronson to DJ his fabled 29th birthday bash. These and other high-profile gigs boosted Ronson's profile and connected him with other artists, many of whom were interested in collaborating. His first production gig came from British soul singer Nikka Costa and he found that his experience of working a club crowd informed his production skills. Fusing his eclectic turntable skills with his knowledge of musical instruments and songwriting, Ronson soon embarked on his first solo record.
    [Show full text]
  • Chance the Rapper's Creation of a New Community of Christian
    Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough.
    [Show full text]
  • Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues
    Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues Jesús Muñoz Morcillo1*, Klemens Czurda*, Andrea Geipel**, Caroline Y. Robertson-von Trotha* ABSTRACT: This article provides an overview of the web video production context related to science communication, based on a quantitative analysis of 190 YouTube videos. The authors explore the main characteristics and ongoing strategies of producers, focusing on three topics: professionalism, producer’s gender and age profile, and community building. In the discussion, the authors compare the quantitative results with recently published qualitative research on producers of popular science web videos. This complementary approach gives further evidence on the main characteristics of most popular science communicators on YouTube, it shows a new type of professionalism that surpasses the hitherto existing distinction between User Generated Content (UGC) and Professional Generated Content (PGC), raises gender issues, and questions the participatory culture of science communicators on YouTube. Keywords: Producers of Popular Science Web Videos, Commodification of Science, Gender in Science Communication, Community Building, Professionalism on YouTube Introduction Not very long ago YouTube was introduced as a platform for sharing videos without commodity logic. However, shortly after Google acquired YouTube in 2006, the free exchange of videos gradually shifted to an attention economy ruled by manifold and omnipresent advertising (cf. Jenkins, 2009: 120). YouTube has meanwhile become part of our everyday experience, of our “being in the world” (Merleau Ponty) with all our senses, as an active and constitutive dimension of our understanding of life, knowledge, and communication. However, because of the increasing exploitation of private data, some critical voices have arisen arguing against the production and distribution of free content and warning of the negative consequences for content quality and privacy (e.g., Keen, 2007; Welzer, 2016).
    [Show full text]
  • Wanna Be a Star Unit 6
    Unit Wanna be a star In this unit you are going to 6 talk about YouTube stars (Speaking A2) give advice (Speaking A2) write an argumentative text about the pros and cons of being a teenage millionaire (Writing B1) read biographies of different YouTube stars (Reading A2 / B1) listen to an interview with a teenage Yahoo millionaire (Listening B1) listen to three friends giving advice on feeling confident in a job interview (Listening A2 / B1) practise trouble-free grammar: Passive constructions (Language in use A2) boost your vocabulary: Engaging in small talk Warm-up Collocations with make, do, have Talking about teenage YouTube stars PewDiePie, Macbarbie07, LeFloid, Tyler Oakley and Sawyer Hartman are stars of a less traditional kind. They are part of the Generation YT (YouTube), attracting millions of subscribers and making lots of money. 1 Get in pairs and answer the following questions. Use the phrases from the LanguageBox. What do you use YouTube for? What are positive and negative aspects of YouTube? Who are YouTube stars and what do they do? How do they make money? Are you a subscriber of one or more YouTube channels? If yes, name them and say what you like about them. If not, what does a channel need to offer for you to subscribe? LanguageBox I use YouTube for listening / watching / getting … In my view the positive aspects of YouTube are … Talking about the negative aspects of YouTube, it can be said that … YouTube stars are … who … I have subscribed to … channels and my favourite is … because … I have not subscribed to any channel yet because … 2 Get in groups of three and answer the following questions.
    [Show full text]
  • Lust Demons (Feat. Jay Rock & Bj the Chicago Kid)
    Lust Demons (feat. Jay Rock & Bj the Chicago Kid) Ab-Soul Your body's calling Your body's calling (Gimme some of that, gimme some of that that) Your body's calling Your body's calling (Me) Your body's calling Your body's calling (Gimme some of that, gimme some of that that) Your body's calling Your body's calling me Alright, I know what you like, I know what you want I know what you need, I know how to put you out your misery A-B (dash) S-o-u-l Infinity when it comes to the possibilities Anytime you're in my vicinity And I'll beat it, yeah I'll beat it up, yeah I'll beat it up Just like it's my enemy, all night I can't resist, I need it like my pancreas If you dismiss and no give me kiss kiss, it'll be hard digesting it Gimme some of that, gimme some of that That sweet, that nasty, that gushy stuff Back it up til a nigga say that's enough Mirror on the ceiling, everything looking up Sweetie, I'm trying to get it in like a suite key Your skin like sweet tea, I need thee Look sweet thing, you remind me of my jeep, your body's calling She got work but I think she finna call in, cause I'm all in that thang And she probably think I'm in love the way I'm falling in that thang Soulo This drank here got me leaning This reefer keep on steaming And I believe that everything happens for a reason And girl you got me fiending I don't care about your religion Cause I just can't resist you God damn lust demonsLemme know Lemme know Lemme know Lemme know Lemme know Lemme know Lemme know Lemme know Lemme know...Rock, Rock Leaning like a motherfucker, I
    [Show full text]
  • Mark Ronson “Don't Leave Me Lonely” Featuring Yebba Out
    MARK RONSON “DON’T LEAVE ME LONELY” FEATURING YEBBA OUT NOW LISTEN HERE NEW ALBUM LATE NIGHT FEELINGS OUT JUNE 21ST [New York, NY – May 17, 2019] Today Academy, Grammy and Golden Globe-winning artist and producer, Mark Ronson, releases the third track “Don’t Leave Me Lonely” featuring Grammy-award winning artist, YEBBA, off his highly-anticipated fifth studio album, Late Night Feelings, out on June 21st via RCA Records. Listen here “Don’t Leave Me Lonely” showcases YEBBA’s powerhouse voice and is one of three songs in a suite where YEBBA is featured on Late Night Feelings. Pre-Order Late Night Feelings here. “Don’t Leave Me Lonely,” plus the previously released songs “Nothing Breaks Like A Heart” featuring Miley Cyrus and “Late Night Feelings” featuring Lykke Li will be available for instant download with any album pre-order. Late Night Feelings features collaborations with a diverse range of artists including Camila Cabello, Alicia Keys, Miley Cyrus, YEBBA, Lykke Li, Angel Olson, King Princess, The Last Artful, Dodgr, Diana Gordon, and Ilsey. Find complete album track listing below. Mark has described this album as a collection of “sad bangers,” and the new track, like much of the album, is emotionally complex and personal. “Don’t Leave Me Lonely” comes on the heels of the title track, “Late Night Feelings” which has over 12 million streams and debuted to rave reviews, with Consequence of Sound calling it a “scorching contender for this year’s “Song of the Summer” and The Fader adding that “The song grabs ahold of the duo's primal moonlit urges and spins 'em into disco oblivion.” The premiere single from the album was 2018’s global smash “Nothing Breaks Like A Heart” feat.
    [Show full text]
  • Narrativa Fílmica E Internet Desconstrução Fílmica E Interatividade
    Escola das Artes da Universidade Católica Portuguesa Mestrado em Som e Imagem Narrativa Fílmica e Internet Desconstrução Fílmica e Interatividade Cinema e Audiovisual 2014/2015 Nuno Miguel Rodrigues Meneses Professor Orientador: Carlos Sena Caires Setembro de 2015 Narrativa Fílmica e Internet – Desconstrução Fílmica e Interatividade Dedicatória Aos meus pais que sempre me apoiaram e me deram todas as ferramentas para ser feliz. À minha irmã que desde que nasceu me critica e me faz ser melhor. A todos os meus amigos que me obrigaram a escrever em vez de ver filmes e jogar computador. I Narrativa Fílmica e Internet – Desconstrução Fílmica e Interatividade Agradecimentos O agradecimento maior vai para a minha família, que sempre me apoiou em todos os aspetos. Aperceber-se que se tem um filho que quer ser artista não deve ser fácil, mas eles fizeram-no como se o fosse. À minha família devo tudo. Desde às despesas que causei às emoções que sentimos. Um muito obrigado a todos, em especial à mãe, pai e irmã. Não posso também deixar de agradecer ao professor Carlos Sena Caires que me conduziu na investigação e me fez perceber que a melhor maneira de começar é fazer. Agradeço ainda a todos os outros que estiveram direta ou indiretamente envolvidos nesta dissertação, ou que contribuíram para o seu sucesso. II Narrativa Fílmica e Internet – Desconstrução Fílmica e Interatividade Resumo Nos últimos anos o Cinema tem sofrido inúmeras alterações e evoluções. Quer através do seu desenvolvimento tecnológico, quer através da perceção e interpretação do público das histórias contadas. A tecnologia evolui, assim como a sensibilidade e compreensão artística das plateias.
    [Show full text]
  • CMS.701S15 Final Paper Student Examples
    Current Debates In Digital Media Undergraduate Students Final Papers Edited by Gabrielle Trépanier-Jobin August, 2015 1 Table of Content Introduction Gabrielle Trépanier-Jobin CHAPTER 1 YouTube’s Participatory Culture: Online Communities, Social Engagement, and the Value of Curiosity By an MIT student. Used with permission. CHAPTER 2 Exploring Online Anonymity: Enabler of Harassment or Valuable Community-Building Tool? By an MIT student. Used with permission. CHAPTER 3 When EleGiggle Met E-sports: Why Twitch-Based E-Sports Has Changed By an MIT student. Used with permission. CHAPTER 4 Negotiating Ideologies in E-Sports By Ryan Alexander CHAPTER 5 The Moral Grey Area of Manga Scanlations By an MIT student. Used with permission. CHAPTER 6 The Importance of Distinguishing Act from Actor: A Look into the the Culture and Operations of Anonymous By Hannah Wood 2 INTRODUCTION By Gabrielle Trépanier-Jobin, PhD At the end of the course CMS 701 Current Debates in Media, students were asked to submit a 15 pages dissertation on the current debate of their choice. They had to discuss this debate by using the thesis/antithesis/synthesis method and by referring to class materials or other reliable sources. Each paper had to include a clear thesis statement, supporting evidence, original ideas, counter-arguments, and examples that illustrate their point of view. The quality and the diversity of the papers were very impressive. The passion of the students for their topic was palpable and their knowledge on social networks, e-sports, copyright infringment and hacktivism was remarkable. The texts published in this virtual booklet all received the highest grade and very good comments.
    [Show full text]
  • Song Artist/Performed By
    SONG ARTIST/PERFORMED BY Africa Toto Ain’t Nobody Chaka Khan All About That Bass Megan Trainor All Star Smash Mouth All You Need Is Love The Beatles At Last Etta James Beneath Your Beautiful Labrinth, ft. Emeli Sande Blackbird The Beatles Blinding Lights The Weeknd Bohemian Rhapsody Queen Boys Will Be Boys The Ordinary Boys Brown Eyed Girl Van Morrison Call Me Maybe Carly Rae Jepsen Chelsea Dagger The Fratellis Crazy In Love Beyonce Dancing In The Moonlight Toploader Despacito Luis Fonsi, ft. Daddy Yankee Don’t Stop Believing Journey Don’t Stop Me Now Queen Don’t You Want Me The Human League Eye Of The Tiger Survivor Fascination Alphabeat Forget You CeeLo Green Girls Just Want To Have Fun Cyndi Lauper God Only Knows The Beach Boys Hallelujah Leonard Cohen Happy Pharrell Williams Havana Camila Cabello Hello Adele Help! The Beatles High Hopes Panic! At The Disco Hit Me Baby One More Time Britney Spears I Got You (I Feel Good) James Brown I’m A Believer The Monkees I Want You Back The Jackson 5 Jump Van Halen Just Dance Lady Gaga Little Things One Direction Living On A Prayer Bon Jovi Locked Out Of Heaven Bruno Mars Message In A Bottle The Police Mr Blue Sky Electric Light Orchestra Mr Brightside The Killers Perfect Ed Sheeran Rather Be Clean Bandit Rolling In The Deep Adele Ruby The Kaiser Chiefs Sandstorm Darude September Earth, Wind & Fire Seven Nation Army The White Stripes Shake It Off Taylor Swift Shotgun George Ezra Shut Up And Dance Walk The Moon Signed, Sealed, Delivered Stevie Wonder Sir Duke Stevie Wonder Skyfall Adele Sk8er Boi
    [Show full text]
  • Univerza V Ljubljani Fakulteta Za Družbene Vede
    UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Sabina Čarman YouTube kot promocijsko orodje za amaterske glasbene izvajalce Diplomsko delo Ljubljana, 2013 UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Sabina Čarman Mentor: izr. prof. dr. Peter Stanković YouTube kot promocijsko orodje za amaterske glasbene izvajalce Diplomsko delo Ljubljana, 2013 Najprej se zahvaljujem svojemu mentorju izr. prof. dr. Petru Stankoviću. Hvala mami, očetu, sestri in fantu za podporo. Hvala tudi mami in atu, ki sta mi stala ob strani. Hvala, ker ste verjeli vame in me spodbujali. YouTube kot promocijsko orodje za amaterske glasbene izvajalce YouTube predstavlja tehnologijo, ki poleg nalaganja video vsebin omogoča interakcijo med njegovimi uporabniki in pripadanje skupnosti. Na tej platformi je prisotnih mnogo amaterjev, predvsem glasbenih izvajalcev. Ti so začeli nalagati video vsebine na YouTube zaradi želje po osvojitvi nove tehnologije, nekateri pa so v tem odkrili posel. Obstajajo dejavniki, ki so omogočili, da so nekateri uporabniki YouTube-a izstopili iz množice in postali prepoznani. Z analizo najbolj gledanih kanalov amaterskih glasbenih izvajalcev sem prišla do dejavnikov, ki so tem glasbenikom omogočili prepoznavnost. Ugotovila sem, da poleg nalaganja video vsebin, kjer ti uporabniki pojejo neavtorske skladbe, pomaga pri prepoznavnosti čim večja interakcija z drugimi uporabniki, sodelovanje z drugimi amaterskimi glasbenimi izvajalci ter objavljanje bolj osebnih video vsebin, kjer se amaterski glasbeni izvajalec približa občinstvu. Ni več pomembno, da si lastnik televizijskega kanala ali kateregakoli drugega medija, ampak je poudarek na ustvarjanju vsebin navadnega človeka, ki ima dostop do kamere oz. naprave, ki omogoča snemanje, ter interneta. Posledično se občinstvo, ki je bilo prej pasivno, spreminja v aktivno in prihaja do novega načina produkcije in distribucije, ki daje amaterju moč, da pove svojo plat zgodbe.
    [Show full text]