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Justin Quinn | The Gallery Press http://www.gallerypress.com/authors/o-to-z/justin-quinn/ HOME ABOUT US NEWS NEW TITLES 2013 AUTHORS CONTACT US SHOP Justin Quinn Justin Quinn was born in Dublin in 1968 and educated at Trinity College. He teaches at the University of Western Bohemia and the Charles University in the Czech Republic. He has written two critical monographs on American poetry, and his most recent book of criticism is the Cambridge Introduction to Modern Irish Poetry (2008). He also translates Czech poetry and From the Interior: Selected Poems 1995-2005 by Petr Borkovec appeared from Seren in 2008. Early collections of poetry are The ‘O’o’a’a’ Bird (1995) and Privacy (1999), both from Carcanet. He has published three collections with The Gallery Press, Fuselage (2002), Waves and Trees (2006) and Close Quarters (2011). At present he is working on translations of the Czech poet Bohuslav Reynek, and writing a critical book on transnational poetry. Read ‘Café Slavia’ by Justin Quinn Close Quarters A TLS Book of the Year, 2011 For the first time since his debut in 1995 Justin Quinn in this, his fifth collection, turns his careful gaze on Ireland, from the 1980s to the present, and especially on Blackrock in County Dublin where he grew up. €11.95 pb €18.50 hb Also available Sites of Interest Literary Festivals Drama Sites Categories Aosdána Cúirt International Festival of Amateur Drama Council of Ireland New Titles 2013 Culture Fox Literature Amateur Drama League of Ireland New Titles 2011 IASIL Dromineer Literary Festival Irish Playography New Titles 2012 Ireland Literature Exchange Dublin Writers Festival Irish Theatre Magazine Poetry Irish Writers' Centre Éigse Michael Hartnett Drama John Hewitt Society Kilkenny Arts Festival Prose Metre Poetry Magazine Kinsale Arts Week Irish/from the Irish Munster Literature Centre Mountains to Sea Festival Fiction Poetry Book Society Strokestown International Poetry Translations Festival Poetry Ireland Signed Limited Editions West Cork Literary Festival Poetry School Yeats International Summer School 1 of 2 21/02/2013 22:30 Justin Quinn | The Gallery Press http://www.gallerypress.com/authors/o-to-z/justin-quinn/ Publishing Ireland Seamus Heaney Centre for Poetry The Heaney Centre The Poetry Business Tigh Filí Cultural Centre Tower Poetry Verbal Arts Centre Go To Top Copyright © 2013 The Gallery Press | Home | About Us | Contact Us | Terms and Conditions | Privacy Statement 2 of 2 21/02/2013 22:30.

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The Gallery Press
The Gallery Press The Gallery Press’s contribu - The Gallery Press has an unrivalled track record in publishing the tion to the cultural life of this first and subsequent collections of poems by now established Irish country is ines timable. The title poets such as Eiléan Ní Chuilleanáin, Eamon Grennan, ‘national treasure’ is these days Michael Coady, Dermot Healy, Frank McGuinness and Peter conferred, facetiously for the Sirr . It has fostered whole generations of younger poets it pub - most part, on almost any old lished first including Ciaran Berry, Tom French, Alan Gillis, thing — person or institution — Vona Groarke, Conor O’Callaghan, John McAuliffe, Kerry but The Gallery Press truly is an Hardie, David Wheatley, Michelle O’Sullivan and Andrew enterprise to be treasured by the Jamison . It has also published seminal career-establishing titles nation. by Ciaran Carson, Paula Meehan, Nuala Ní Dhomhnaill, — John Banville Justin Quinn, Seán Lysaght and Gerald Dawe . The Press has published books by Seamus Heaney, Paul Muldoon and John Banville and repatriated authors such as Brian Friel, Derek Peter Fallon’s Gallery Press is the Mahon and Medbh McGuckian who previously turned to living fulcrum around which the London and Oxford as a publishing outlet. swarm ing life of contemporary Irish poetry rotates. Fallon’s is a Gallery publishes the work of Ireland’s leading women poets truly extraordinary Irish life, and and playwrights including Eiléan Ní Chuilleanáin, Nuala Ní it goes on still, unabated. Dhomhnaill, Medbh McGuckian, Michelle O’Sullivan, Sara — Thomas McCarthy, Irish Berkeley Tolchin, Vona Groarke, Ailbhe Ní Ghearbhuigh, Literary Supplement Aifric MacAodha and Marina Carr .
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Konec a Začátek
OBSAH: Martin Fibiger o V. Páralovi Josef Peřina o multietnicitě severních Čech Alois Burda 20 o Petru Ulrychovi 2000 Rozhovor s J. Janáčkovou Dvakrát LITERÁRNÍ OBTÝDENÍK Dvě století 30. listopadu 20 Kč ruské literatury v podlost.“ Na Teigově příkladu pak Pe- Štefan Švec routka ukazuje osud avantgardních uměl- ců, kteří spojili svůj život s komunistickou o O. Březinovi Konec a začátek stranou, ale od třicátých let naráželi na to, že totalitární myšlení této instituce nebylo lze spojit s proklamovanou svobodou umělce a koncepcí avantgardního umění, Václav Smitka hlásícího se k tradici francouzské moderny a („Karel Teige byl jedním z těch mužů, kte- Nejstarší literární ří nevěděli, co dělají, když se hlásili ke ko- munismu. Pokud ještě vládla demokracie, ustavičně se mu zdálo, že není dost svobo- dokument v jazycev jazyce dy. Ale když nastalo, co přivolával, jeho a literatuře poslední kalný pohled viděl policisty, kteří o sebevraždě ho přišli zatknout“), ale zdůrazňuje i jeho odpovědnost za to, že toto totalitární myš- Ústí nekončí, rové nad ruskou literaturou „nové vlny“, je lení, vedoucí k potlačování svobody, po- však dobře, že na sympoziu zazněly rov- máhali zakrýt svou kultivovaností, svým Z archivu PNP: něž příspěvky absolventů PF UJEP: por- charizmatem: „Málokdo získal pro komu- Ústí nezačíná a literatuře trét Jiřího Muchy v pojetí Jiřího Jonáka nismus tolik přívrženců mezi vzdělanci jako Publikační S největší pravděpodobností se dá kon- a citlivá úvaha Hany Burešové o Janu Teige. (...) On více než kdo jiný svou oso- statovat, že kdyby nedošlo k odchodu lite- Hančovi. Tři pohostinné dny v Ústí nad bou pomáhal zastřít, že komunismus přiná- rární historičky a kritičky Dobravy Molda- Labem, spojené i s vlastivědnou exkurzí ší převahu hrubosti a nevzdělanosti (...).“ možnosti nové z Prahy do Ústí nad Labem, jen stěží do oseckého kláštera a do duchcovského V závěru nekrologu pak vzdává Teigemu by se tamější Pedagogická fakulta UJEP zámku, se staly argumentem o prospěšnos- i poctu: „(...) tento tvrdohlavý komunista (kde tč.
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The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England .
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UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Revisiting Irish poetic modernisms Author(s) Whittredge, Julia Katherine Publication date 2011-03 Original citation Whittredge, Julia Katherine, 2011. Revisting Irish Poetic Modernisms. PhD Thesis, University College Cork. Type of publication Doctoral thesis Link to publisher's http://library.ucc.ie/record=b2006564~S0 version Access to the full text of the published version may require a subscription. Rights © 2011, Julia Katherine Whittredge http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Pages 25-346 have been restricted Item downloaded http://hdl.handle.net/10468/324 from Downloaded on 2021-10-01T07:01:51Z Revisiting Irish Poetic Modernisms Dissertation submitted in candidacy for the degree of doctor of philosophy at the School of English, College of Arts, National University of Ireland, Cork, by Julia Katherine Whittredge, MA Under the Supervision of Professor Patricia Coughlan and Professor Alex Davis Head of Department: Professor James Knowles March 2011 Over years, and from farther and nearer, I had thought, I knew you— in spirit—I am of Ireland. Thomas MacGreevy, “Breton Oracles” 2 For John 3 ACKNOWLEDGEMENTS Thanks to my parents for their encouragement, endless support, love, and for sharing their own love of books, art and music, for being friends as well as amazing parents. And for understanding my love for a tiny, rainy island 3,000 miles away. Thank you to my sister, Em, for her life-long friendship. Her loyalty and extraordinary creative and artistic talent are truly inspiring.
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Cambridge University Press 978-0-521-84673-8 - The Cambridge Introduction to Modern Irish Poetry, 1800-2000 Justin Quinn Frontmatter More information The Cambridge Introduction to Modern Irish Poetry, 1800–2000 Over the last two centuries, Ireland has produced some of the world’s most outstanding and best-loved poets, from Thomas Moore to W. B. Yeats to Seamus Heaney. This introduction not only provides an essential overview of the history and development of poetry in Ireland, but also offers new approaches to aspects of the ﬁeld. Justin Quinn argues that the language issues of Irish poetry have been misconceived and re-examines the divide between Gaelic and Anglophone poetry. Quinn suggests an alternative to both nationalist and revisionist interpretations and fundamentally challenges existing ideas of Irish poetry. This lucid book offers a rich contextual background against which to read the individual works, and pays close attention to the major poems and poets. Readers and students of Irish poetry will learn much from Quinn’s sharp and critically acute account. Justin Quinn is Associate Professor of English and American Studies at the Charles University, Prague. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-84673-8 - The Cambridge Introduction to Modern Irish Poetry, 1800-2000 Justin Quinn Frontmatter More information Cambridge Introductions to Literature This series is designed to introduce students to key topics and authors. Accessible and lively, these introductions will also appeal to readers who want to broaden their understanding of the books and authors they enjoy. r Ideal for students, teachers, and lecturers r Concise, yet packed with essential information r Key suggestions for further reading Titles in this series: Christopher Balme The Cambridge Introduction to Theatre Studies Eric Bulson The Cambridge Introduction to James Joyce Warren Chernaik The Cambridge Introduction to Shakespeare’s History Plays John Xiros Cooper The Cambridge Introduction to T.
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Poetic Genre Blackwell Companions to Literature and Culture
A Companion to Poetic Genre Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post - canonical texts, orientating the beginning student in new ﬁ elds of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the ﬁ eld. Published Recently 58. A Companion to the Arthurian Literature Edited by Helen Fulton 59. A Companion to the Modern American Novel 1900 – 1950 Edited by John T. Matthews 60. A Companion to the Global Renaissance Edited by Jyotsna G. Singh 61. A Companion to Thomas Hardy Edited by Keith Wilson 62. A Companion to T. S. Eliot Edited by David E. Chinitz 63. A Companion to Samuel Beckett Edited by S. E. Gontarski 64. A Companion to Twentieth - Century United States Fiction Edited by David Seed 65. A Companion to Tudor Literature Edited by Kent Cartwright 66. A Companion to Crime Fiction Edited by Charles Rzepka and Lee Horsley 67. A Companion to Medieval Poetry Edited by Corinne Saunders 68. A New Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 69. A Companion to the American Short Story Edited by Alfred Bendixen and James Nagel 70. A Companion to American Literature and Culture Edited by Paul Lauter 71. A Companion to African American Literature Edited by Gene Jarrett 72. A Companion to Irish Literature Edited by Julia M.
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Jefferson Holdridge Cv
JEFFERSON HOLDRIDGE English Dept. Wake Forest University P.O. Box 7387 Reynolda Station Winston-Salem, NC, 27109-7387 Ph: 336-758-3365 email: [email protected] EDUCATION University College Dublin, Dublin, Ireland (1991-97). Ph.D. in Anglo-Irish Literature (supervisor, Prof. Declan Kiberd; external examiner, Prof. Terence Brown). Thesis on Yeats, the beautiful and the sublime, entitled Those Mingled Seas. University College Dublin, Dublin, Ireland (1986-1988). M.A. in Anglo-Irish Literature. 1st class honors (supervisor, Prof. Augustine Martin; external examiner, Prof. A. N. Jeffares). Thesis on Irish and English literature of the 1890s entitled Prayers Out of the Canon. San Francisco State University, San Francisco, CA (1979-1983). B.A. in English. Also concentrated on Greek and Roman mythology and literature. School of Irish Studies, Dublin, Ireland (1981-1982). Undergraduate study of the history, language, folklore and literature of Ireland. TEACHING AND RESEARCH EXPERIENCE Wake Forest University, Winston-Salem, North Carolina (2002-present). Associate Professor of English and Director of Wake Forest University Press. Duties include teaching undergraduate and graduate courses on Irish literature from the 18th century to the contemporary periods, teaching intensive writing courses, introduction to literature surveys, and first-year seminars, as well as supervising WFU Press. General duties as Director of Wake Forest University Press: editing, acquisitions and management. University College Dublin, Dublin, Ireland (1997-2000). Faculty of Arts Fellow in Department of Modern English. Lectured on Modernism/Postmodernism and on 18th-century to contemporary Anglo-Irish literature, ran seminars for postgraduates, taught 3rd-year tutorials, and supervised M.A. theses in Anglo-Irish literature.
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Minor Transnational Writing in Ireland
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 18 (2016) Issue 4 Article 5 Minor Transnational Writing in Ireland Borbála Faragó Central European University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Modern Literature Commons, and the Other Arts and Humanities Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Faragó, Borbála. "Minor Transnational Writing in Ireland." CLCWeb: Comparative Literature and Culture 18.4 (2016): <https://doi.org/10.7771/1481-4374.2944> This text has been double-blind peer reviewed by 2+1 experts in the field.
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Vol. 27, No. 1 (Spring 2003)
The Wallace Stevens Journal Volume 27 Number 1 Spring 2003 Special Issue The Poetics of Place in the Poetry of Wallace Stevens Contents Introduction: A Personal Reflection —John N. Serio 3 “A Moving Part of a Motion”: Place as Poesis in Stevens’ Poetry of the Earth —Carol H. Cantrell 7 The Westwardness of Everything: Irishness in the Poetry of Wallace Stevens —Daniel Tobin 27 Places for the Future to Come: Wallace Stevens and Frank Lloyd Wright —Michael Beehler 49 Family and Place in Wallace Stevens —Justin Quinn 65 Wallace Stevens’ “An Ordinary Evening in New Haven”: The “Inescapable Romance” of Place —Keith Manecke 80 Place and Nothingness in the Poetry of Wallace Stevens —Robert Pack 97 Place and Poetry in Stevens’ “The Rock” —Karen Helgeson 116 Two Photographs of Wallace Stevens by Charles Henri Ford —Erik La Prade 132 Poems 136 Reviews 143 Current Bibliography 157 Cover Wallace Stevens’ House 118 Westerly Terrace, Hartford, Conn. Pen-and-ink drawing by Brigham P. Fay The Wallace Stevens Journal EDITOR John N. Serio POETRY EDITOR ART EDITOR BOOK REVIEW EDITOR Joseph Duemer Kathryn Jacobi George S. Lensing EDITORIAL ASSISTANTS EDITORIAL BOARD Maureen Kravec Milton J. Bates A. Walton Litz Hope Steele Jacqueline V. Brogan James Longenbach Robert Buttel Glen MacLeod Eleanor Cook Marjorie Perloff TECHNICAL ASSISTANT Alan Filreis Joan Richardson Sue Campbell B. J. Leggett Melita Schaum George S. Lensing Lisa M. Steinman The Wallace Stevens Society, Inc. PRESIDENT ADVISORY BOARD John N. Serio Milton J. Bates Joseph Duemer Owen E. Brady Kathryn Jacobi Robert Buttel George S. Lensing David M. Craig A.
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Contents Poetry Ireland Review
Contents Poetry Ireland Review 115 Vona Groarke 5 editorial Frances Corkey Thompson 6 ciphers 7 traveller talk V P Loggins 8 of bats Ciarán Parkes 9 island Thomas Pirkle 10 homage to jean rhys Thomas McCarthy 11 review: michael longley, michael smith, pearse hutchinson Billy Ramsell 16 review: alyson hallett, sheenagh pugh, john burnside Martin Monahan 20 the kuleshov effect Monica Corish 22 wing mirror, butterfly Eoghan Walls 23 an x-ray vision on the train to glasgow 24 the religious impulse in a busted face 25 the horror Jessica Traynor 26 on sackville place 27 ikea sleep Catherine Phil MacCarthy 28 review: claire dyer, mary turley-mcgrath, noel king Biddy Jenkinson 31 v 31 cúram scríbhneora 31 fáinleoga sa ghréig Wendy Mooney 32 buying time Mícheál Ó hAodha 33 review: caitríona ní chléirchín, philip cummings, seán ó dúrois, derry o’sullivan, marcus mac conghail Proinsias Ó Drisceoil 37 review: somhairle macgill-eain, maoilios caimbeul Liam Ryan 42 the meadow Edward Doegar 43 two ku r_ in˜ci verses Jocelyn Page 44 every so often, a letter 45 he gathered things from the black hills’ trail David Wheatley 46 review: rosemary tonks, peter manson Miriam Gamble 50 review: zo ë skoulding, pascale petit, kerry hardie Leontia Flynn 53 the radio John Sewell 57 one day Richard Lambert 58 snow at the window 59 to the moon Andrew Deloss Eaton 60 the philosopher 61 men in water Maria Johnston 62 review: geoffrey hill James Aitchison 67 carseland diary Lucy Ingrams 68 today 69 august Dairena Ní Chinnéide 70 baineann Sien Deltour 71 interview: with eiléan ní chuilleanáin Jennifer A McGowan 83 the scale of things Dan O’Brien 84 the war reporter paul watson ..
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The Woman Gardener’: Transnationalism, Gender, Sexuality, and the Poetry of Blanaid Salkeld
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Contents Poetry Ireland Review 126
Contents Poetry Ireland Review 126 Eavan Boland 5 editorial Abayomi Animashaun 7 when lights go out in the village Anthony Caleshu 8 the creaturely amongst us are celebrating the advent of a vanquished species Enda Coyle-Greene 9 angel from montgomery Roderic Vincent 10 poem on a rainy birthday Raine Geoghegan 12 the greenhouse Louise C Callaghan 14 murmuration of starlings Rosie Lavan 15 review: martina evans, maria mcmanus Jenny Carla Moran 20 i live in the vanishing triangle Greg Delanty 22 monarch butterfly Janet Sutherland 23 dilapidations 1 Lucia Kenny 24 roots Milena Williamson 25 the outing John Greening 26 hyperion’s song of destiny John Noonan 27 hymn of innocence Nicholas Grene 28 review: derek mahon, peter fallon Marie Morrin 34 godmother Terry Doyle 36 gardening in mute Colin Pink 37 hopefully to dwell Ali Lewis 38 love poem to your self-sufficiency Gerard Smyth 39 idolatry Phil Kirby 40 landscape/portrait Lottie Limb 41 essay: blanaid salkeld Rachel Coventry 47 all metaphors are flawed Michael Dooley 48 solstice Orla Fay 49 poet in a train station bar Mary O’Donnell 50 doorways Niamh Nic Ghabhann 52 review: colm keegan, elaine feeney, denise blake Maria Isakova-Bennett 57 bregdan Medbh McGuckian 58 responses to weathering Mary Finn 60 on samos Thomas O’Grady 61 envoi Cecilia McGovern 62 crossovers Mary Shine Thompson 63 review: theo dorgan, matthew sweeney, eva bourke Mary Wilkinson 67 stroke Ruth Esther Gilmore 68 oystercatchers Jo Burns 69 as the saying goes, it goes too fast Justin Quinn 70 ivana lomová’s neorealist portrait
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