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Frank Mcguinness's the Match
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The Match Box by Frank McGuinness: programme note for Galway International Arts Festival Author(s) Lonergan, Patrick Publication Date 2015 Publication Lonergan, Patrick. (2015). The Match Box by Frank Information McGuinness: programme note for Galway International Arts Festival Galway International Arts Festival Programme. Publisher Galway International Arts Festival Link to publisher's http://www.giaf.ie/ version Item record http://hdl.handle.net/10379/6740 Downloaded 2021-09-25T22:02:29Z Some rights reserved. For more information, please see the item record link above. Frank McGuinness’s The Match Box “Grief softens the mind,” says Shakespeare’s great character Queen Margaret – it makes people “fearful and degenerate”. There’s only one valid response to such feelings, she claims: “Think on revenge and cease to weep.” In making those remarks, Margaret places herself in a long line of heroines whose desire for revenge is both glorious and horrifying. Her precursors are figures like Sophocles’ Electra and Euripides’ Hecuba; her ancestors include Hester Swayne in Marina Carr’s brutal By the Bog of Cats. All of those women choose vengeance over grief - and in doing so they go beyond good and evil, committing terrible acts that we can nevertheless understand and perhaps even admire. The plays that dramatize their stories are thus both mythic and intimate: they reveal aspects of the human condition that we all recognize (much as we might prefer not to), and they show how one person’s decisions can unravel a family, a society, or an entire world. -
The Gallery Press
The Gallery Press The Gallery Press’s contribu - The Gallery Press has an unrivalled track record in publishing the tion to the cultural life of this first and subsequent collections of poems by now established Irish country is ines timable. The title poets such as Eiléan Ní Chuilleanáin, Eamon Grennan, ‘national treasure’ is these days Michael Coady, Dermot Healy, Frank McGuinness and Peter conferred, facetiously for the Sirr . It has fostered whole generations of younger poets it pub - most part, on almost any old lished first including Ciaran Berry, Tom French, Alan Gillis, thing — person or institution — Vona Groarke, Conor O’Callaghan, John McAuliffe, Kerry but The Gallery Press truly is an Hardie, David Wheatley, Michelle O’Sullivan and Andrew enterprise to be treasured by the Jamison . It has also published seminal career-establishing titles nation. by Ciaran Carson, Paula Meehan, Nuala Ní Dhomhnaill, — John Banville Justin Quinn, Seán Lysaght and Gerald Dawe . The Press has published books by Seamus Heaney, Paul Muldoon and John Banville and repatriated authors such as Brian Friel, Derek Peter Fallon’s Gallery Press is the Mahon and Medbh McGuckian who previously turned to living fulcrum around which the London and Oxford as a publishing outlet. swarm ing life of contemporary Irish poetry rotates. Fallon’s is a Gallery publishes the work of Ireland’s leading women poets truly extraordinary Irish life, and and playwrights including Eiléan Ní Chuilleanáin, Nuala Ní it goes on still, unabated. Dhomhnaill, Medbh McGuckian, Michelle O’Sullivan, Sara — Thomas McCarthy, Irish Berkeley Tolchin, Vona Groarke, Ailbhe Ní Ghearbhuigh, Literary Supplement Aifric MacAodha and Marina Carr . -
Precursors, the Environment and the West in Seamus Heaney’S “Postscript”
Estudios Irlandeses, Issue 13, March 2018-Feb. 2019, pp. 69-81 __________________________________________________________________________________________ AEDEI Precursors, the Environment and the West in Seamus Heaney’s “Postscript” Ross Moore Independent scholar, Belfast Copyright (c) 2018 by Ross Moore. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. Being the final poem in Heaney’s 1996 collection The Spirit Level, situates the poem “Postscript” significantly in Heaney’s poetic oeuvre. The collection was Heaney’s first to be published after winning the Nobel Prize for literature, it was also his first published amidst the changed social and political context following the 1994 paramilitary ceasefires in Northern Ireland. Here, I will explore the manner in which “Postscript” interacts with previous work by Heaney. Looking closely at the language, imagery and procedures of the poem, I argue that the poem embodies a fundamental shift in Heaney's approach to the natural environment but that this change is reliant on poetic procedures which Heaney had come to trust early in his career. Heaney's descriptive precision and openness to the “marvellous” combine to produce a uniquely effective poem. “Postscript” treats the natural world and the human subject in a manner atypical of Heaney's procedures yet stands among his most accomplished work. I will consider the manner in which Heaney's poem simultaneously exists “post” the “scripts” of literature mythologizing the West of Ireland while remaining in close dialogue with perhaps the most famous of these: Yeats's poem “The Wild Swans at Coole”. -
Konec a Začátek
OBSAH: Martin Fibiger o V. Páralovi Josef Peřina o multietnicitě severních Čech Alois Burda 20 o Petru Ulrychovi 2000 Rozhovor s J. Janáčkovou Dvakrát LITERÁRNÍ OBTÝDENÍK Dvě století 30. listopadu 20 Kč ruské literatury v podlost.“ Na Teigově příkladu pak Pe- Štefan Švec routka ukazuje osud avantgardních uměl- ců, kteří spojili svůj život s komunistickou o O. Březinovi Konec a začátek stranou, ale od třicátých let naráželi na to, že totalitární myšlení této instituce nebylo lze spojit s proklamovanou svobodou umělce a koncepcí avantgardního umění, Václav Smitka hlásícího se k tradici francouzské moderny a („Karel Teige byl jedním z těch mužů, kte- Nejstarší literární ří nevěděli, co dělají, když se hlásili ke ko- munismu. Pokud ještě vládla demokracie, ustavičně se mu zdálo, že není dost svobo- dokument v jazycev jazyce dy. Ale když nastalo, co přivolával, jeho a literatuře poslední kalný pohled viděl policisty, kteří o sebevraždě ho přišli zatknout“), ale zdůrazňuje i jeho odpovědnost za to, že toto totalitární myš- Ústí nekončí, rové nad ruskou literaturou „nové vlny“, je lení, vedoucí k potlačování svobody, po- však dobře, že na sympoziu zazněly rov- máhali zakrýt svou kultivovaností, svým Z archivu PNP: něž příspěvky absolventů PF UJEP: por- charizmatem: „Málokdo získal pro komu- Ústí nezačíná a literatuře trét Jiřího Muchy v pojetí Jiřího Jonáka nismus tolik přívrženců mezi vzdělanci jako Publikační S největší pravděpodobností se dá kon- a citlivá úvaha Hany Burešové o Janu Teige. (...) On více než kdo jiný svou oso- statovat, že kdyby nedošlo k odchodu lite- Hančovi. Tři pohostinné dny v Ústí nad bou pomáhal zastřít, že komunismus přiná- rární historičky a kritičky Dobravy Molda- Labem, spojené i s vlastivědnou exkurzí ší převahu hrubosti a nevzdělanosti (...).“ možnosti nové z Prahy do Ústí nad Labem, jen stěží do oseckého kláštera a do duchcovského V závěru nekrologu pak vzdává Teigemu by se tamější Pedagogická fakulta UJEP zámku, se staly argumentem o prospěšnos- i poctu: „(...) tento tvrdohlavý komunista (kde tč. -
The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England . -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Revisiting Irish poetic modernisms Author(s) Whittredge, Julia Katherine Publication date 2011-03 Original citation Whittredge, Julia Katherine, 2011. Revisting Irish Poetic Modernisms. PhD Thesis, University College Cork. Type of publication Doctoral thesis Link to publisher's http://library.ucc.ie/record=b2006564~S0 version Access to the full text of the published version may require a subscription. Rights © 2011, Julia Katherine Whittredge http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Pages 25-346 have been restricted Item downloaded http://hdl.handle.net/10468/324 from Downloaded on 2021-10-01T07:01:51Z Revisiting Irish Poetic Modernisms Dissertation submitted in candidacy for the degree of doctor of philosophy at the School of English, College of Arts, National University of Ireland, Cork, by Julia Katherine Whittredge, MA Under the Supervision of Professor Patricia Coughlan and Professor Alex Davis Head of Department: Professor James Knowles March 2011 Over years, and from farther and nearer, I had thought, I knew you— in spirit—I am of Ireland. Thomas MacGreevy, “Breton Oracles” 2 For John 3 ACKNOWLEDGEMENTS Thanks to my parents for their encouragement, endless support, love, and for sharing their own love of books, art and music, for being friends as well as amazing parents. And for understanding my love for a tiny, rainy island 3,000 miles away. Thank you to my sister, Em, for her life-long friendship. Her loyalty and extraordinary creative and artistic talent are truly inspiring. -
Transnational Ireland on Stage: America to Middle East in Three Texts
Transnational Ireland on Stage: America to Middle East in Three Texts Wei H. Kao Introduction: Between the Local and the Global on the Irish Stage Historically, the comprehensive Anglicisation of Ireland from the early nineteenth century, and the geopolitical location of Ireland in Europe, have laid the foundations for more Irish participation on the world stage. The rapid globalisation process, however, has not fully removed the frustration buried deep in the Irish psyche about the country still being in partition, but it has encouraged many contemporary playwrights to express concerns regarding other areas that are just as troubled as the state of their country, despite the fact that the Northern Ireland issue is not yet fully resolved. It is noteworthy that globalisation, as the continuation of nineteenth- and twentieth-century imperialism in a new form, not only carries forward the exercise of colonial incursion but facilitates the oppressively homogenising effects on the less advantaged Other. This is partly due to the rise of critical theory to ‘productively complicate the nationalist paradigm’ by embarking on transnationalism since the 1970s.1 One consequence of this was to prompt reevaluations of existing cultural productions, thus initiating cross-cultural and interethnic dialogues that had usually been absent in colonial and Eurocentric establishments, and prompting the public to envisage the Other across both real and imagined borders. Even more significantly, the meaning of a text starts to shift if it is studied in an international context, and this applies particularly to a text in which the characters venture into unexplored territories and impel ‘meaning [to] transform as it travels’.2 The transformation of meanings is further accelerated by intercultural encounters that are motivated by globalisation that interconnects individuals and societies around the world. -
Modern Irish Poetry, 1800–2000 Over the Last Two Centuries, Ireland Has Produced Some of the World’S Most Outstanding and Best-Loved Poets, from Thomas Moore to W
Cambridge University Press 978-0-521-84673-8 - The Cambridge Introduction to Modern Irish Poetry, 1800-2000 Justin Quinn Frontmatter More information The Cambridge Introduction to Modern Irish Poetry, 1800–2000 Over the last two centuries, Ireland has produced some of the world’s most outstanding and best-loved poets, from Thomas Moore to W. B. Yeats to Seamus Heaney. This introduction not only provides an essential overview of the history and development of poetry in Ireland, but also offers new approaches to aspects of the field. Justin Quinn argues that the language issues of Irish poetry have been misconceived and re-examines the divide between Gaelic and Anglophone poetry. Quinn suggests an alternative to both nationalist and revisionist interpretations and fundamentally challenges existing ideas of Irish poetry. This lucid book offers a rich contextual background against which to read the individual works, and pays close attention to the major poems and poets. Readers and students of Irish poetry will learn much from Quinn’s sharp and critically acute account. Justin Quinn is Associate Professor of English and American Studies at the Charles University, Prague. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-84673-8 - The Cambridge Introduction to Modern Irish Poetry, 1800-2000 Justin Quinn Frontmatter More information Cambridge Introductions to Literature This series is designed to introduce students to key topics and authors. Accessible and lively, these introductions will also appeal to readers who want to broaden their understanding of the books and authors they enjoy. r Ideal for students, teachers, and lecturers r Concise, yet packed with essential information r Key suggestions for further reading Titles in this series: Christopher Balme The Cambridge Introduction to Theatre Studies Eric Bulson The Cambridge Introduction to James Joyce Warren Chernaik The Cambridge Introduction to Shakespeare’s History Plays John Xiros Cooper The Cambridge Introduction to T. -
Contents Poetry Ireland Review 133
Contents Poetry Ireland Review 133 Colette Bryce 5 editorial Vona Groarke 7 under a tree, parked 8 daily news round-up 9 for now Ella Duffy 10 rumour Edward Larrissy 11 london, june 2016 Majella Kelly 13 the secret wife of jesus 15 fig Mícheál McCann 16 immanence 17 big city types Kimberly Reyes 18 stain in creases Kerry Hardie 20 insomnia in talbot street Damian Smyth 21 keats’s bed Tamara Barnett-Herrin 22 soft play 24 hi! is this for me? Thomas McCarthy 25 a meadow in july Bernard O’Donoghue 26 l’aiuola 27 the impulsator Siobhán Campbell 28 the outhouse Tim MacGabhann 29 morelia ghosts Grace Wilentz 32 essay: towards a first collection Katie Donovan 34 review: matthew sweeney, michael gorman, geraldine mills Hugh Haughton 38 essay: derek mahon Frank Farrelly 45 essay: towards a first collection Niamh NicGhabhann 47 review: pádraig j daly, eamon grennan, kerry hardie, julie o’callaghan Stephen Sexton 52 essay: towards a first collection Declan Ryan 54 review: alan gillis, justin quinn Proinsias Ó Drisceoil 58 review: seán ó ríordáin / greg delanty, fearghas macfhionnlaigh / simon ó faoláin Seosamh Ó Murchú 61 cogar caillí Bríd Ní Mhóráin 62 ialus Áine Ní Ghlinn 63 droim mo mháthar Ceaití Ní Bheildiúin 64 saolú mhongáin Simon Ó Faoláin 65 as an corrmhíol Máirtín Coilféir 66 ping Seán Lysaght 67 review: cathal ó searcaigh Maria Stepanova 70 from the body returns Maurice Riordan 74 gravel 75 mould 76 lumps David McLoghlin 77 independent commission for the location of victims’ silence Emily Middleton 78 misloaded Bryony Littlefair 80 typo -
Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great -
Canadian Association for Irish Studies 2019 Conference
CANADIAN ASSOCIATION FOR IRISH STUDIES 2019 CONFERENCE IRISH BODIES AND IRISH WORLDS May 29 – June 1 CONFERENCE PROGRAMME John Molson School of Business Conference Centre, 9TH Floor Concordia University 1450 Guy Street, Montreal, Quebec, H3G 1M8 We acknowledge that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. MAY 29, 2019 Graduate Student Master-Class with Kevin Barry and Olivia Smith 3:00 p.m. to 4:00 p.m. School of Irish Studies, McEntee Reading Room (1455 boul. De Maisonneuve West, H 1001) Registration & Opening Reception 5:00 p.m. to 6:15 p.m. School of Irish Studies, McEntee Reading Room & Engineering Lab (1455 boul. De Maisonneuve West, H 1001 & H 1067) Exclusive Preview – Lost Children of the Carricks A documentary by Dr. Gearóid Ó hAllmhuráin Opening words by His Excellency Jim Kelly Ireland’s Ambassador to Canada and Dr. André Roy Dean of the Faculty of the Arts and Science 6:45 p.m. to 8:30 p.m. (De Sève Cinema, 1400 Boulevard de Maisonneuve West, Ground Floor) MAY 30, 2019 Registration – 9:00 to 9:30 a.m. PANEL 1 – MORNING SESSION – 9:30 a.m. -
Jefferson Holdridge Cv
JEFFERSON HOLDRIDGE English Dept. Wake Forest University P.O. Box 7387 Reynolda Station Winston-Salem, NC, 27109-7387 Ph: 336-758-3365 email: [email protected] EDUCATION University College Dublin, Dublin, Ireland (1991-97). Ph.D. in Anglo-Irish Literature (supervisor, Prof. Declan Kiberd; external examiner, Prof. Terence Brown). Thesis on Yeats, the beautiful and the sublime, entitled Those Mingled Seas. University College Dublin, Dublin, Ireland (1986-1988). M.A. in Anglo-Irish Literature. 1st class honors (supervisor, Prof. Augustine Martin; external examiner, Prof. A. N. Jeffares). Thesis on Irish and English literature of the 1890s entitled Prayers Out of the Canon. San Francisco State University, San Francisco, CA (1979-1983). B.A. in English. Also concentrated on Greek and Roman mythology and literature. School of Irish Studies, Dublin, Ireland (1981-1982). Undergraduate study of the history, language, folklore and literature of Ireland. TEACHING AND RESEARCH EXPERIENCE Wake Forest University, Winston-Salem, North Carolina (2002-present). Associate Professor of English and Director of Wake Forest University Press. Duties include teaching undergraduate and graduate courses on Irish literature from the 18th century to the contemporary periods, teaching intensive writing courses, introduction to literature surveys, and first-year seminars, as well as supervising WFU Press. General duties as Director of Wake Forest University Press: editing, acquisitions and management. University College Dublin, Dublin, Ireland (1997-2000). Faculty of Arts Fellow in Department of Modern English. Lectured on Modernism/Postmodernism and on 18th-century to contemporary Anglo-Irish literature, ran seminars for postgraduates, taught 3rd-year tutorials, and supervised M.A. theses in Anglo-Irish literature.