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Nakayama Hakudo ( Feb
Nakayama Hakudo ( feb. 1872 - 14 dic. 1958 ) (Biografia in breve) Nakayama è nato nel 1872 a Kanazawa Città , Ishikawa , in Giappone . Si trasferisce a Tokyo all'età di 19 anni ed entra nella Dōjō di Negishi Shingorō della Shindo Munen-ryu. Negli anni Nakayama è diventato il maestro di Shindo Munen-ryu kenjutsu . Ha insegnato presso il Yushinkan Dojo, nei pressi di Korakuen a Tokyo, e ha preparato molti dei migliori spadaccini del suo tempo. Era un amico personale di Morihei Ueshiba fondatore del metodo Aikido, e lui senz’altro ha contribuito a favorire e organizzare il matrimonio tra Nakakura Kiyoshi e la figlia di Ueshiba, Matsuko. È stato anche il maestro di molti studenti di Ueshiba Minoru Mochizuki, promotore del Yoseikan dojo. Nakayama ha anche insegnato kendo e Iaido a Gigo Funakoshi, terzo figlio di Gichin Funakoshi fondatore del karate Shotokan, che ha dato con lo Iai un sapore più giapponese al Karate di suo padre, migliorandolo con l'aggiunta del kendo e di esercizi di allenamento basati sullo Iaido ed ha migliorato le tecniche basandole sulla sua formazione della via della spada. Verso la metà degli anni 1920, Nakayama era uno dei più famosi spadaccini in Giappone, ed è stato nominato capo della commissione che ha redatto il piano di studi della spada per la Toyama Military Academy. e per questo è considerato da molti come il padre di Toyama Ryu. Kimura Shoji ha scritto nel 1926: "L'etica della spada, il signor Nakayama vuole chiarire, che l’uso della spada non è da interpretare come una aggressione e una uccisione. -
Omori Sogen the Art of a Zen Master
Omori Sogen The Art of a Zen Master Omori Roshi and the ogane (large temple bell) at Daihonzan Chozen-ji, Honolulu, 1982. Omori Sogen The Art of a Zen Master Hosokawa Dogen First published in 1999 by Kegan Paul International This edition first published in 2011 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © The Institute of Zen Studies 1999 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 10: 0–7103–0588–5 (hbk) ISBN 13: 978–0–7103–0588–6 (hbk) Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original copies may be apparent. The publisher has made every effort to contact original copyright holders and would welcome correspondence from those they have been unable to trace. Dedicated to my parents Contents Acknowledgements Introduction Part I - The Life of Omori Sogen Chapter 1 Shugyo: 1904–1934 Chapter 2 Renma: 1934–1945 Chapter 3 Gogo no Shugyo: 1945–1994 Part II - The Three Ways Chapter 4 Zen and Budo Chapter 5 Practical Zen Chapter 6 Teisho: The World of the Absolute Present Chapter 7 Zen and the Fine Arts Appendices Books by Omori Sogen Endnotes Index Acknowledgments Many people helped me to write this book, and I would like to thank them all. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
About Zen Bu Kan
About Zen Bu Kan Zen Bu Kan is an iaido dojo of the Muso Jikiden Eishin Ryu lineage located in Salt Lake City, Utah. Zen Bu Kan was started by Jules Harris Sensei. Having studied in New York, Harris Sensei moved to Utah to study Zen at the renowned Kanzeon Zen Center in Salt Lake City. A scholar, warrior, and spiritual leader; Harris Sensei taught without thought of personal gain, only to pass on the lineage. He moved back East, to Pennsylvania, to further his spiritual studies. Zen Bu Kan is now led by his students Jason Hankins Sensei and Dick Beckstead Sensei. More recently, Zen Bu Kan has begun to teach kendo under the direction of Robert Stroud Sensei, 7th dan renshi. Stroud Sensei leads a dojo in Boise, Idaho, and serves as a kendo mentor and instructor to Zen Bu Kan’s sensei. Iaido students at Zen Bu Kan begin by learning the basic fundamentals of iaido. Having learned the fundamentals, students then begin to learn the twelve Seitei kata. The Seitei kata are the standard by which iaido practitioners (iaidoka) world-wide begin their training and upon which they are tested. Eventually, students move on to learn the Omori-Ryu and Muso Jikiden Eishin Ryu kata. Zen Bu Kan does not operate for profit and is solely supported by its students at cost. This allows the school to keep the price of tuition to a minimum, but it also means that the school is heavily dependant upon its students to remain in operation. The students form both the body and the support staff of the school. -
Setsubun (節分)—February 3Rd
Setsubun (節分)—February 3rd Overview: The festival of Setsubun—when people throw soybeans at demons—follows closely on the heels of New Year’s. The word setsubun means “changing of the seasons,” so there are actually four setsubun a year on the day before each new season begins. But because of the importance of the New Year in the Japanese calendar, the setsubun directly before the start of spring was by far the most important and is currently the only one widely celebrated in Japan. When seasons change, people are at their most vulnerable to influenza, colds, or other ailments. The rituals for the festival of Setsubun are meant to purge ones house and surroundings of all bad things and to keep disease and misfortune at bay. Before switching to the Gregorian calendar in the Meiji period (1868-1912), Japan’s annual rituals were closely based on the Chinese calendar. Setsubun falls around the time of the lunar New Year and was originally part of the New Year’s celebrations. In China and Japan, many people believe that misfortunes are caused by demons, or oni. The practice of purging ones house of oni was originally a New Year’s Eve ritual in China, and this was adopted in Japan, along with Buddhism in the 8th century. But the question remains, why were soybeans thought to have the power to drive the demons away? To find an answer, we must go back in time and look at Chinese numerology, where many concepts come in fives to correspond to the five elements—wood, water, fire, metal, and earth. -
Religions of Japan
Religions of Japan RELI 246 / EAST 253 Spring 2009 • T/R 9:30–10:52 a.m. • RCHM 018 Professor James Mark Shields • COLE 11 • #71336 • [email protected] Office hours: T/R 2:30–4:00 p.m., also by appointment Japan is today a major world power, having risen like a phoenix from the ashes of defeat in World War II to challenge the US and Western powers for economic and cultural, if not political supremacy. Japan is also a nation with a long and storied past, notable in particular for its ability to assimilate foreign ideas and values, whether they be Indian, Chinese or Western. Although Japanese society today is, at least on first glance, largely secular, the legacy of the Japanese religious traditions still plays a role in shaping beliefs and behaviors, and knowledge of these traditions remains crucial for any deep understanding of Japanese culture. This course provides an introduction to the religious traditions of Japan through study of their origins, basic beliefs, practices and values, historical development, as well as their interaction and involvement in Japanese politics, culture and society, and with one another. We will focus especially on Shinto and the various forms of Japanese Buddhism, though attention will also be given to the impact of Confucianism, Daoism, Christianity, and the so-called New (and ‘New New’) Religions. Along the way, we will cover such topics as: weird and wacky Shinto creation myths; medieval Buddhist court culture and Sohei warrior monks; the mysticism of Kukai, as well as his legendary posthumous status as Kobo Daishi; Shugendo mountain asceticism; popular social reformers Gyogi and Ippen; Pure Land art and visions of Buddhist paradise; the risqué poems of Zen eccentric Ikkyu; Zen koans and “emptiness”; the appeal of Zen to the samurai class; the rise and fall of Christianity in Japan; the involvement of both Shinto and Buddhism with modern Japanese nationalism; the religious terrorism of Aum Shinrikyo; and the status of religion in contemporary “secular” Japan. -
Outline Attractions
Outline Fujioka City is situated in the south-western part of Gunma and within 90 km of the Greater Tokyo Metropolitan Area. The city has been on an important transportation hub as the Kan-Etsu, Joshin-Etsu, and Kita-kanto Expressways run through it. However, it is also a place of outstanding natural beauty. There is Shimokubo Dam at the southern tip of the city which supplies water to Tokyo and its surrounding prefectures. Beautiful flowers grow throughout the year in Fujioka including cherry blossoms in spring and the Japanese wisteria, which is the city flower. Fujioka City also has cherry trees that bloom in fall and winter. In the middle of winter, Sakurayama Park will be covered with pink cherry blossoms, which have been designated as a national site of scenic beauty and a natural monument. Fujioka is an old city, and you will find many places of historic interest. They include Nanakoshiyama kofun (burial mounds) and Takayama-sha, a training facility of an advanced sericultural industry back in the 1880's. Also, remains of kiln that baked clay figures and roofing tiles for the provincial monastery is found and the technical know-how used here has been passed on to become the city's specialty, now known as Fujioka roofing tiles. As merger of Onishi Town in 1 January 2006, Fujioka became the city in present. Attractions ◆ Lake Takenuma The 4.3 km circumference of Lake Takenuma is surrounded by about 1,000 cherry trees. These trees are appropriately known as "the thousand cherry trees of Takenuma" and have become one of the most well-known cherry-blossom viewing spots in the city. -
IAIDO, JODO and NITEN Manual
CLASSICAL MARTIAL ARTS CENTRE IAIDO, JODO AND NITEN Manual Welcome to CMAC.webloc 1 TorontoToronto CentralCentral RegionRegion Hasu Dojo 2 Table of Contents Table of Contents ..................................................................... 3 Belt Tying Procedures ......................... Error! Bookmark not defined. The Care and Use o f the Kobudo Uniform .................................... 6 THE PRACTICE UNIFORM .......................................................................................... 6 PUTTING ON THE UNIFORM ...................................................................................... 6 Folding the Hakama .................................................................. 7 Tying the Obi ........................................................................... 8 Tying t he Hakama ..................................................................... 9 Introduction to Sei Tei Gata Iaido ............................................ 11 Iaido, Kendo, and the Japanese Sword ...................................................................... 11 Brief History of Modern Sword Practice ...................................................................... 11 Father of Modern Swordsmanship .............................................................................. 12 History of the Sei Tei Gata .......................................................................................... 13 Bibliography ............................................................................................................... -
Life in Kyoto WINTER 2021
2020 冬 2021 kokoka Life In Kyoto Winter Life & Cultural Information Newsletter Publisher : Kyoto City International Foundation https://www.kcif.or.jp/en Series My Favorite Kyoto Walking in Kyoto - a view from the heavens Tymur Sandrovych (Ukraine) If somebody asks me what my best memory about Kyoto is, I would reply that I had it not IN the city, but rather OVER it. I don't remember for sure when exactly this happened, most probably about seven or eight years ago. I was in an airplane flying from Tokyo to some European city, and the route, for the reasons not very clear to me, was not made via the Sea of Japan and then through the continent and the north of Russia. This time, the flight was being performed from Tokyo to Western Japan, and then, via the Korean peninsula. I am writing about this so extensively, because at one point, while looking through the window, it came to my mind that what I could see was strangely familiar to me: a wide delta where two rivers were creating one, a bridge very Author close to it, mountains far in the north from this delta, several spots with numerous trees around them, and a very big green rectangle somewhere to the south-west from the delta. While looking at this space, I realized that what I could see was actually Kyoto, the area close to Demachiyanagi station. All the places full of trees were shrines, while the big green rectangle must be Kyoto Gyoen (I always call it "Go-sho" - a former Imperial palace). -
Japan Its History Arts and Literature Volume 6
LIBRARY UNIVERSITY OF CALIFORNIA SAN DIEGO Oriental S>erie0 AMBASSADORS' EDITION Limited to Seven hundred fifty numbered and registered copies ,/ /7 of which this is No. / ,.r DiSTOin ^RTS, \M> LIT Mil \ it C VPTAIN F. BR1 J. B. MILLET COMPANY BOSTON AM> TOKYO JAPAN ITS HISTORY, ARTS, AM) LITERATURE CAPTAIN F. BRINKLEY J. B. MILLET COMPANY BOSTON AND TOKYO COPYRIGHT, 1902, AND 1910 By J. B. MILLET CO. ENTERED AT STATIONERS I1VLL, LONDON, ENGLAND THE PLIMPTON PRESS [W D O] NORWOOD M VS.s U S A CONTENTS CHAPTER I Page FESTIVALS I CHAPTER II OBSERVANCES AND PASTIMES . 32 CHAPTER III OBSERVANCES AND PASTIMES (Continued] 78 CHAPTER IV THE HISTORY OF COMMERCE IN JAPAN 125 CHAPTER V THE HISTORY OF COMMERCE IN JAPAN (Continued} . 165 CHAPTER VI THE HISTORY OF COMMERCE IN JAPAN (Continued] . 194 APPENDIX 231 INDEX 269 ILLUSTRATIONS Page Danjuro Frontispiece Boys Playing Kotoro 32 A No Dancer in Costume 64 A Japanese Interior 128 Wayside Resting Place 192 Nimon lyemitsu Temple at Nikko 224 VI JAPAN ITS HISTORY ARTS AND LITERATURE Chapter I FESTIVALS " is a of festivals acts of " country ; worship the people call them, and they have their a JAPANcertainly foundation in religious observance, but so far as general revelry, feasting, and rejoicing are concerned, they present all the features of a fete, or even of a carnival. Annually or biennially the tutelary deities of a particular parish are taken out for an airing, and the whole of the parishioners participate in the picnic. That is the most accurate definition that can be briefly given of the omatsuri, to which Western writers have already devoted so many " pages of description. -
The Aiki Dojo
Awarded “Outstanding Cultural Organization” 50th Anniversary Southern California Japanese Chamber of Commerce. Recipient of the Brody Multi-Cultural Arts Grant 1988 Aikido Center of Los Angeles, LLC, 1211 N. Main Street, Los Angeles, CA 90012, Tel: (323) 225-1424 www.aikidocenterla.com The Aikido Center of Los Angeles The Aiki Dojo Direct Affiliation: Aikido World Headquarters, 17-18 Wakamatsu-cho, Shinjuku-ku, Tokyo, Japan Los Angeles Sword & Swordsmanship Society Kenshinkai Furuya Foundation April 2009 Volume XXVII Number 4 In This Issue… Evolution of Muso Shinden Ryu Part IV Do You Remember? by Gary Myers by David Ito Do You Remember? Iaido Chief Instructor Aikido Chief Instructor by David Ito…..……….…...Page 1 Nakayama Hakudo This year marks the 40th anniversary of the Evolution of Muso Shinden Ryu Founder’s passing and the second year of by Gary Myers.……………...Page 1 In the last article we discussed the Meiji pe- Sensei’s passing. As the years go by it grows riod headmasters of the Tanimura and Shi- easier to forget, which comes naturally be- Letter to Sensei momura branches of Muso Jikiden Eishin cause we are human; we get busy and life by J. Roberto M. Molina ......Page 2 Ryu. In this article we focus on the 20th cen- moves on. In Japan, memorial services are tury sword mas- generally held Sensei and Training ter Nakayama the first, third, by Leonard Manoukian…....Page 2 Hakudo. Ha- fifth, seventh, kudo was born 13th, 39th, 49th, Community in Ishikawa or 50th year, by Mark Ehrlich….………..Page 2 Prefecture in and memorial 1872. His fam- services for My Trip to Denver ily were retain- more than one by Michael Van Ruth………Page 3 ers for the great person become Maede samurai consolidated to Memorial Pictures……......Page 4 clan of that Obon in July or area. -
Numéro Spécial Minoru Mochizuki Le Temps, Invisible, Incompressible Mais Toujours Présent, Accompagne Le Cycle De La Vie
Numéro spécial Minoru Mochizuki Le Temps, invisible, incompressible mais toujours présent, accompagne le cycle de la vie. Pour chacun de nous ce cycle d’inégale longueur est inscrit dans ses registres où il forme un sillon plus ou moins profond. La mémoire est la gardienne de ce sillon. Par la force, cette mémoire associée à la profondeur de ce sillon peut permettre à ce dernier de rester à jamais ouvert et de faire œuvre d’immortalité. L’importance que j’attachais à l’image de cet homme, de ce grand maître du Budo japonais, fut – peut-être sans qu’il ne le sache vraiment – pour beaucoup dans mon entê- tement à vouloir préserver son “apport martial”, me conduisant ainsi à créer le 19 décembre 1974 un nouveau groupement d’Aiki nommé “CERA”, véritables fonts baptismaux de notre cher Aikibudo. Son nom est gravé en lettres d’Or dans le grand livre de notre histoire, aux cotés de celui de Jim Alcheik – in æternum – dont le décès prématuré modifia à jamais le cours de ma propre histoire et de celle de l’Aiki- do-jujutsu du Yoseikan, aboutissant à sa disparition progressive et à la naissance de l’Aikibudo et du Yoseikan-budo au sein desquels il perdure plus ou moins et sous divers aspects. Ainsi, la vie ne s’arrête jamais, elle est toujours là, présente, prête à resurgir ou à rebondir. La confiance c’est l’espoir et l’espoir c’est la vie. Alain Floquet Minoru Mochizuki, mon maître. Un enseignement fondé sur la justice, le partage, l’entraide et le respect des autres on arrière grand-père était de la classe des samouraïs, tout comme l’était ciant au fruit de son expérience sous le nom d’Aikido-jujutsu.