What Charm, What Inimitable and Rich Musical Imagery

Total Page：16

File Type：pdf, Size：1020Kb

NAXOS NAXOS “What charm, what inimitable and rich musical imagery! … What interest, novelty, and independence!” (Tchaikovsky on Grieg) The leading Scandinavian composer of his time and the principal advocate for Norwegian music, Grieg came to the forefront of international attention through works such as his Piano Concerto and his incidental music for Peer Gynt. This 2-CD set includes excerpts from the most frequently performed and recorded works of Grieg, including his songs, orchestral music, and instrumental music. Compact Disc 1 1 Holberg Suite Preludium 2 Lyric Pieces, Book 1 Arietta 3 Violin Sonata No. 3 Allegro molto ed appassionato 4 Peer Gynt Solveig’s Song 5 Lyric Pieces, Book 3 Little Bird 6–8 Peer Gynt Suite No. 1 Morning • Anitra’s Dance • In the Hall of the Mountain King 9 String Quartet No. 1 Romanze: Andantino–Allegro agitato 0–! Two Elegiac Pieces Heart Wounds • Last Spring @ Lyric Pieces, Book 5 March of the Trolls # 6 Songs, Op. 25 A Swan $ Lyric Pieces, Book 2 Berceuse %–^ Two Melodies Norwegian • The First Meeting & Three Orchestral Pieces from Sigurd Jorsalfar Homage March Compact Disc 2 1 Lyric Pieces, Book 8 Wedding Day at Troldhaugen 2 5 Songs, Op. 60 On the Water 3 Cello Sonata in A minor Allegro agitato 4 Lyric Pieces, Book 5 Notturno 5 Peer Gynt Suite No. 2 Ingrid’s Lament 6 Lyric Pieces, Book 3 Butterfly 7 Violin Sonata No. 2 in G major Allegro animato 8 Lyric Pieces, Book 3 To the Spring 9 Symphonic Dances Allegro moderato e marcato 0 Lyric Pieces, Book 9 Cradle Song ! Melodies of the Heart I Love But Thee @ Lyric Pieces, Book 7 Brooklet # 6 Songs, Op.48 A Dream $ Piano Concerto in A minor Allegro moderato 8.552123-24 8.552123-24 8.552123-24 ISBN 1-84379-220-6 ൿ 1990-2003 Naxos Rights International Ltd Ꭿ 2006 Naxos Rights International Ltd Cartoon: John Minnion www.naxos.com.

Copy Link

Recommended publications

The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Mon, Aug 23, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 12:02 Wagner Die Meistersinger: Selections Chicago 05288 BMG 63301 090266330126 (for orchestra) Symphony/Reiner 00:14:3208:54 Handel Concerto in D English 04894 Archiv 453 451 028945345123 Concert/Pinnock 00:24:26 34:44 Chopin Piano Concerto No. 2 in F Weissenberg/Paris 01070 EMI 69036 077776903620 minor, Op. 21 Conservatory Orchestra/Skrowaczew ski 01:00:40 11:01 Vivaldi Lute Concerto in D, RV 93 Isbin/Pacifica Quartet 13728 Cedille 190 735131919029 01:12:4125:17 Brahms Cello Sonata No. 1 in E minor, Mork/Grimaud 07246 DG 0006904 028947757191 Op. 38 01:38:5819:54 Rachmaninoff Caprice bohemien, Op. 12 Vancouver 03341 CBC 5143 059582514320 Symphony/Comissiona 02:00:2209:26 Geminiani Concerto Grosso in C minor, La Petite 01027 DHM 77010 054727701023 Op. 2 No. 5 Bande/Kuijken 02:10:4834:32 Mozart String Quintet In G minor, K. Beyer/Melos Quartet 01130 DG 419 773 028941977328 516 02:46:2012:15 Bach Trio Sonata in C, BWV 1037 Ida & Ani 12237 CMNW n/a n/a Kavafian/McDermott 03:00:0503:37 Ippolitov-Ivanov Procession of the Sardar from Philadelphia 03983 Sony 62647 074646264720 Caucasian Sketches Orchestra/Ormandy Classical 03:04:4256:53 Schubert Octet in F for Strings & Winds, Fine Arts Quartet/NY 04503 Boston 143 n/a D. 803 Woodwind Quintet Skyline 04:03:0535:15 Raff Symphony No. 10 in F minor, Basel Radio 08615 Tudor 786 761991107862 Op. 213 "In Autumn" Symphony/Travis 1 04:39:2009:45 Strauss Jr.
[Show full text]
Christianialiv
Christianialiv Works from Norway’s Golden Age of wind music Christianialiv The Staff Band of the Norwegian Armed Forces The second half of the 19th century is often called the “Golden Age” of Norwegian music. The reason lies partly in the international reputations established by Johan Svendsen and Edvard Grieg, but it also lies in the fact that musical life in Norway, at a time of population growth and economic expansion, enjoyed a period of huge vitality and creativity, responding to a growing demand for music in every genre. The Staff Band of the Norwegian Armed Forces (to use its modern name) played a key role in this burgeoning musical life not just by performing music for all sections of society, but also by discovering and fostering musical talent in performers and composers. Johan Svendsen, Adolf Hansen, Ole Olsen and Alfred Evensen, whose music we hear on this album, can therefore be called part of the band’s history. Siste del av 1800-tallet er ofte blitt kalt «gullalderen» i norsk musikk. Det skyldes ikke bare Svendsens og Griegs internasjonale posisjon, men også det faktum at musikklivet i takt med befolkningsøkning og økonomiske oppgangstider gikk inn i en glansperiode med et sterkt behov for musikk i alle sjangre. I denne utviklingen spilte Forsvarets stabsmusikkorps en sentral rolle, ikke bare som formidler av musikkopplevelser til alle lag av befolkningen, men også som talentskole for utøvere og komponister. Johan Svendsen, Adolf Hansen, Ole Olsen og Alfred Evensen er derfor en del av korpsets egen musikkhistorie. The Staff Band of the Norwegian Armed Forces / Ole Kristian Ruud Recorded in DXD 24bit/352.8kHz 5.1 DTS HD MA 24/192kHz 2.0 LPCM 24/192kHz + MP3 and FLAC EAN13: 7041888519027 q e 101 2L-101-SABD made in Norway 20©14 Lindberg Lyd AS 7 041888 519027 Johan Svendsen (1840-1911) Symfoni nr.
[Show full text]
Grieg's Influence on Hanka Schjelderup Petzold
The International Edvard Grieg Society Grieg Conference in Copenhagen 2011 Grieg’s influence on Hanka Schjelderup Petzold Hikari Kobayashi Introduction Hanka Schjelderup Petzold (1862–1937) was the sister of Gerhard Schjelderup, a Norwegian composer and music critic. She arrived in Japan in 1909 to teach the piano and singing at the Tokyo Music School and lived there until her death1. Nurturing prominent Japanese musicians, she performed at concerts and received good reviews. Although she played an important role in the sphere of music in Japan, her achievements have not been researched extensively. The Schjelderup family and Edvard Grieg shared a deep bond. Over a hundred letters were exchanged between Gerhard Schjelderup and Grieg. In addition, Gerhard wrote a biography of Grieg2. Leis Schjelderup, Gerhard’s and Hanka’s sister, painted a portrait of Grieg, and there was a time when Grieg was captivated by her charms. Moreover, Hanka had personal correspondence with Grieg: her two letters to Grieg are preserved at the Bergen Public Library3. Therefore, she may have sensed a strong familiarity with Grieg’s music. Purpose of the presentation This presentation aims to investigate the influence of Grieg on Hanka Schjelderup Petzold and to examine how her music activities influenced the reception of Grieg’s music in Japan. I will focus on her performances of Grieg’s music after she arrived in Japan in 1909. 1 In 1949, the Tokyo Music School became the Faculty of Music at the Tokyo National University of Fine Arts and Music. 2 Gerhard Schjelderup, Edvard Grieg og hans værker [Edvard Grieg and his works], Copenhagen: Gyldendal, 1903.
[Show full text]
Edvard Grieg Arranged by Jeff Bailey
String Orchestra TM TEPS TO UCCESSFUL ITERATURE Grade 2½ S S L SO361F • $7.00 Edvard Grieg Arranged by Jeff Bailey Gavotte (from Holberg Suite, Op. 40) Correlated with String Basics, Book 2, page 14 SAMPLE Neil A. Kjos Music Company • Publisher 2 Steps to Successful Literature presents exceptional performance literature - concert and festival pieces - for begin- ning to intermediate string orchestras. Each piece is correlated with a specific location in String Basics – Steps to Success for String Orchestra Comprehensive Method by Terry Shade, Jeremy Woolstenhulme, and Wendy Barden. Literature reinforces musical skills, concepts, and terms introduced in the method. Sometime, a few new concepts are included. They are officially e score. The Arranger Jeff Bailey is a graduate of Old Dominion University with a bachelor’s degree in music composition and University of Virginia with a master of arts in music. He has been teaching middle school string orchestra since 1999, first in Chesterfield Public Schools in Richmond, VA, and currently in Virginia Beach Public Schools. Jeff’s teaching philosophy includes the integration and education of classical music in his middle school orchestra classrooms and often arranges music to support his curriculum. His arrangements and original works have been performed with much acclaim throughout his home state. In addition, he has composed soundtrack music for instructional videos. Jeff has been a performing rock and jazz musician for over three decades, both on guitar and bass. He lives in Virginia Beach, Virginia with his wife and three children. Basics About the Composition Gavotte (from Holberg Suite Op. 40) can be described as charming, warm, lilting, graceful, and enchanting.
[Show full text]
Current Review
Current Review Edvard Grieg: Complete Symphonic Works Vol. III aud 92.669 EAN: 4022143926692 4022143926692 Gramophone (Mike Ashman - 2013.09.01) Aadland's Cologne Radio Grieg survey continues The first two discs in this 'Complete Symphonic Works' series (10/11, 11/11) were outstanding. This third is wholly exceptional. The presence of the overture In Autumn and the Old Norwegian Romance with Variations gives the programme a Beechamesque feel. But Aadland and his astonishingly well-integrated German ensemble – by this I mean that they are guided into a natural-sounding Nordic style – need fear nothing by way of competition, not even from the RPO's dream woodwind section. Aadland's Romance – unlike Beecham's it is complete and not marginally reorchestrated – becomes a kind of Norwegian Enigma Variations avant la lettre, mixing a large degree of symphonic seriousness with wit and Griegian nostalgia. The demonstration-class recording showcases a weight and colour of orchestration that puts this Grieg score in the correct but rarely considered position of contemporary to Strauss's early orchestral masterworks. A piece that (sssh, even on the two Beecham recordings) can sound bloated and occasional claims a place here alongside, indeed anticipates, the disguised turn-of-the-century unnamed symphonies of Rachmaninov, Elgar and the like. A similar seriousness but never overblown grandeur informs In Autumn. Aadland has already shown us in this cycle that he is good at correctly scaling miniatures both in joy and in grief. He seconds those achievements here in the characterisation of the Lyric Suite and the Sigurd Jorsalfar music, while the five minutes of Klokkeklang ('Bell-ringing') become a spooky shadow of the BØyg's music in Peer Gynt (eagerly awaited in this series).
[Show full text]
TCNJ Orchestra Repertoire • Bach
TCNJ Orchestra Repertoire • Bach - Brandenburg No. 1 • Bach - Brandenburg No. 3 for Strings • Bach: Brandenburg Concerto No.5 • Barber: 1st Essay for Orchestra • Bartók - Magyar Képek (Hungarian Pictures) • Bartók - Roumanian Dances • Beethoven: Symphony No. 5 • Beethoven: Symphony No.6 (Pastorale) • Beethoven - Coriolanus • Beethoven - Egmont • Beethoven - Fidelio • Beethoven - Piano Concerto No. 3 in C Minor • Beethoven - The Ruins of Athens • Beethoven: Choral Fantasie • Beethoven: Leonora No.3 • Beethoven: Violin Concerto in D • Bernstein - Candide • Bernstein - Symphonic Dances from West Side Story • Bizet - Carmen Suites 1 & 2 • Bizet - Jeux d'Enfants • Britten - Soirées Musicales Op. 9 • Bruch Violin Concerto No.1 in E minor Op.26 • Castelnuovo Tedesco - Concerto in D (Guitar) • Chabrier - Espana • Chabrier: Habanera • Chaminade - Concertino for Flute and Orchestra • Copland - Billy the Kid • Copland - Rodeo • Creston - Accordion Concerto • De Falla - Scenes and Dances from the "Three Cornered Hat" • Debussy - Petite Suite • Debussy - Prélude á l'après midi d'un Faune • Delius - The Walk to the Paradise Garden • Dvořák - Symphony No. 8 in G • Dvořák – Piano Quintet, Op. 81 • Dvořák: Symphony No.9 (From the New World) • Elgar: Cello Concerto in E minor • Elgar-Nimrod from 'The Enigma Variations' • Fauré - Bergamaster Suite • Fauré - Prelude from Pelleas and Melisande • Gershwin - Rhapsody in Blue • Gershwin: Cuban Overture • Ginestera - Danza del Trigo from "Estancia" • Glazunov-Violin Concerto in A Minor • Glinka - Russlan and Ludmilla • Gounod - Faust - Ballet Music • Grieg - Notturno from 'Lyric Suite' Op. 54 No. 3 • Grieg - Piano Concerto in A Minor Op 6 • Grieg - Triumphal March from "Sigurd Jorsalfar" • Haas- Sieben Klangräume • Haydn - Symphony No. 49 in F minor • Humperdink-Hansel and Gretel (Prelude) • Ives - The Unanswered question • Ives: Central Park in the Dark • Khachaturian: "Masquerade" Suite • Kodaly: Hary Janos • Lalo - Scherzo in D minor • Lalo: Le Roi d'Ys • Lecuona - Spanish Dances • Leighton – Festive • Mahler – Symphony No.
[Show full text]
Program Summer 2015 the Composers’ Homes
NO / ENG PROGRAM SUMMER 2015 THE COMPOSERS’ HOMES A PART OF EDVARD GRIEG MUSEUM TROLDHAUGEN HARALD SÆVERUD MUSEUM SILJUSTØL OLE BULL MUSEUM LYSØEN Index 4 Velkommen / Welcome 6 Edvard Grieg Museum Troldhaugen 8 Ole Bull Museum Lysøen 10 Harald Sæverud Museum Siljustøl 14 Program Lysøen 16 Fødselsdagskonsert og hagefest / Birthday concert and garden party at Troldhaugen 18 Konserter / Concerts Troldhaugen 20 Konsertbuss til lunsjkonsertene / Concert bus to the lunchtime concerts 22 Program Troldhaugen 37 My favorite Grieg Troldhaugen, Lysøen og Siljustøl er en del av KODE – Kunstmuseene i Bergen Lysøen Troldhaugen, Lysøen and Siljustøl is part of KODE – Art Museums of Bergen Sigurd Sandmo Siljustøl Museum Velkommen Welcome Bergen er en by full av musikkhistorie, og kunstnerhjemmene til Edvard Grieg, Ole Bull og Bergen is a city steeped in music history, and the homes of the composers Edvard Grieg, Harald Sæverud er en viktig del av byens kunst- og kulturliv. De er også historiske monumenter Ole Bull and Harald Sæverud are a vital part of the city’s artistic and cultural scenes. They are med fascinerende arkitektur og natur. Hagene og skogsområdene har historiske dimensjoner also historical monuments with their fascinating architecture and nature. The gardens and og byr på rike opplevelser for alle som tar seg tid. surrounding woods have historical dimensions that offer a wealth of nature experiences for those who take the time to explore them. I mai gjenåpnet vi Troldsalen, konsertsalen på Troldhaugen, etter en storstilt oppgradering. Beliggenheten, lyset og nærheten til Griegs eget landskap får mange til å mene at Troldsalen er In May we reopened Troldsalen, the concert hall at Troldhaugen, after comprehensive reno- verdens vakreste kammermusikksal.
[Show full text]
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
[Show full text]
8/11/2020 FOA CONCERT MPA MUSIC LIST - by Composer 1 2020-2021 (Approved 07/23/2020)
8/11/2020 FOA CONCERT MPA MUSIC LIST - By Composer 1 2020-2021 (Approved 07/23/2020) Class Music Code Title Composer Publisher Notes ** Note: This list is to be used for FOA 2020-2021 District & State Festivals. Unless otherwise specified in Performance notes all pieces are "Play All" BF 7066 Symphony in Eb (mvt. 1) Abel OX BS 6346 Ancient Song And Dance (Hebrew Dance, Op. 35, No. 1) Achron / McAllister KM BS 6041 Concertino for String Orchestra Adler SC / OOP BS 6292 Five Early American Tunes Adler BSM AS 8060 Pastoral for Strings Ahrendt LUD CS 4351 Cordoba Albeniz / Lipton FJH BF 7087 Sevilla Albeniz / McAlister LUD CS 4348 Concerto a Cinque, Op. 7, No. 1 Albinoni / Farrar-Royce ALFR BS 6007 Albinoni's Adagio Albinoni / Keiser CF CS 2062 Colonel Bogey March Alford / Christensen KM DF 3038 Swedish Rhapsody No. 1 Alfven / Isaac WYNN CS 2306 Swedish Rhapsody Alfven / Fishburn WJ BS 6347 Birds on a Wire Allen GMM BS 6303 Fire in the Forge Allen, T. GMM BS 6366 The Legend Of Big Ole (Amundson) Amundson KJOS BS 6322 Allegro Anderssen / McCashin FJH CS 2506 Childgrove Anonymous / Atwell LUD BS 6191 Symphonia de Navitate-String Symphony Anonymous / Blahnik API ES 1183 Sword Dance Arbeau / Phillips HE DF 3060 Danse des Ghazies, From the Ballet Suite, Op. 50a: Mvt 9 Arensky / Lopez BEL AS 8101 Suite for String Orchestra No. 5 Ariosti ANY BS 6220 Vespasian Overture Ariosti / Clark LM ES 1023 Campfire Suite Arnold HHP Mvts. 1&3 AF 9125a English Dances Set 1, Op. 27 Arnold CN Mvts.
[Show full text]
Det Norske Kammerorkester Gjennom 40 År
FESTSPILLENEFESTSPILLENE I BERGEN PROGRAM1 2017 I BERGEN KR 20 LOGEN TEATER LØRDAG 27. MAI Det Norske Kammerorkester gjennom 40 år Festspillene får offentlige tilskudd fra: Kulturrådet | Bergen kommune | Hordaland fylkeskommune Festspillambassadører: Aud Jebsen | Per Gunnar Strømberg Rasmussen v/Strømberg Gruppen | Ekaterina Mohn | Terje Lønne | Espen Galtung Døsvig v/EGD | Grieg Foundation | Yvonne og Bjarne Rieber v/Rika AS Hovedsamarbeidspartnere: BERGEN 24. MAI — 07. JUNI Redaksjon: Festspillene i Bergen / Design og konsept: ANTI Bergen, www.anti.as / INTERNATIONAL 2017 Trykkeri: Bodoni / Formgiving: Sandra Stølen / Foto forside: Mona Ødegaard FESTIVAL WWW.FIB.NO 1 FESTSPILLENE I BERGEN 3 2017 Det Norske Kammerorkester gjennom 40 år The Norwegian Chamber Orchestra through 40 Years LOGEN Lørdag 27. mai Saturday 27 May Kammerorkesteret jubilerer 40, Loud and Proud s. 06 Musikalsk galskap Mad Songs s. 12 Bach med Bugge Bach with Bugge s. 16 BALANSEKUNST Det Norske Kammerorkester feirer 40 år, og markerer det med hele tre konserter på én kveld under Festspillene. Gjennom fire I DNV GL er vi opptatt av sikkerhet, kvalitet og integritet. tiår har Kammerorkesteret dyrket den klassiske strykeklangen Våre ansatte jobber hver dag mot et felles mål: En sikker til fingerspissene og samtidig eksperimentert med uttrykks- og bærekraftig fremtid. Vår rolle består ofte i å balansere former og nye klangidealer. Denne kvelden i Logen tar de det næringslivets og samfunnets interesser – i hele verden. enda et steg videre og viser orkesterets musikalske spennvidde. Vi kaller det balansekunst. Her er alt fra hardcore barokk til samtid, storslått romantikk til intellektuell systematikk, og det dønn seriøse til den rene Vårt samarbeid med Festspillene, en av Norges ypperste galskap.
[Show full text]
Edvard Grieg (1843 - 1907)
EDVARD GRIEG (1843 - 1907) When Edvard Grieg grew up, Bergen was a small and busy European town. All through its past as a Hanseatic city, Bergen had established a net of connections that made it the only continental Norwegian city. The main business was the trade with fish and other products typical for the coast. There was a close contact with the rest of Europe, a fact that is easily retraceable in the origin of the bergener. Most of the families within the city limits had ancestors in Denmark, Germany, Scotland, England, the Netherlands and other European nations. Bergen was also a meltingpot for the population along the Norwegian coast. Edvard Griegøs family was a typical Bergen- family: His great grandfather Alexander Greig (later changed to Grieg) came to the city from Cairnbulg close to Aberdeen in Scotland in the 1770s. He founded the family business, which was trade with dried fish and lobster across the North sea. The raising of a child in a bourgeois family in the 19th century Norway often included teaching of music or other forms of art. Edvard Grieg´s grandparents were active in the society of music "Musikkselskapet Harmonien", one of the worlds oldest orchestras, founded in 1765. Edvard Grieg was also so lucky to have the best piano teacher in Bergen as a mother. Gesine Hagerup had studied at the musicconservatory in Hamburg, Germany, an education that usually was offered only to men. She played with "Harmonien" and at chamber music concerts in Bergen. CHILDHOOD AND YOUTH Edvard Grieg was born in Bergen 15th of June 1843, in the family´s house in Strandgaten 152.
[Show full text]
25 År Med Stor Musikk I Små
OSLO KAMMERMUSIKKFESTIVAL 25 ÅR MED VI INVITERER DEG TIL NYE MAGISKE ØYEBLIKK STOR MUSIKK 16.–24. AUGUST + 23. SEPTEMBER 2014 I SMÅ ROM FRA ROMMET DER LYDEN [ OPPSTÅR. INNI EN CELLO. [ INNHOLD ÅRETS KONSERTER 7 ÅRETS ARTISTER 36 HVA ER I GRUNNEN KAMMERMUSIKK? 71 AVKOPLING OG TILKOPLING 72 BETRAKTNINGER 74 TAKT OG TONE 87 PRAKTISK INFORMASJON 88 KART 90 KONSERTSTEDER 94 2 25 ÅR MED KAMMERMUSIKK I HOVEDSTADEN For 25 år siden skrev jeg følgende linjer i det festning og stilte Olavshallen og Slottskirken første programmet for Oslo Kammermusikk til disposisjon, var en viktig miljømessig ramme festival: skapt. «Det er en stor glede å kunne ønske Vi startet med tom bankkonto. Men troen publikum og musikere velkommen til den første på at vi gjorde noe viktig for norsk kulturliv bar kammermusikkfestivalen i Oslo. Bak prosjektet oss gjennom vanskelighetene som selvfølgelig står endel musikkglade mennesker som lenge dukket opp underveis. Vi hadde jo ikke gjort har ønsket å arrangere en festival til kammer dette før. Ingen hadde gjort dette før i Norge. musikkens pris, fordi dette er en del av Men jeg hadde selv gjestet slike festivaler musikklivet som nokså ufortjent har kommet både i Europa og USA, og visste at de hadde i skyggen av andre musikkformer på våre livets rett. breddegrader. I tillegg vet vi at mange kom ponister har skapt noen av sine beste verker nettopp innenfor kammermusikk, og vi vil gjøre vårt ytterste for å bringe videre en del av denne arven.» Jeg hadde noen måneder i forveien skrevet et brev – dette var før mailenes tid – til forsvars minister Johan Jørgen Holst og spurt ydmykt om vi kunne få holde noen konserter på Akershus festning.
[Show full text]