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Current Review Edvard Grieg: Complete Symphonic Works Vol. III aud 92.669 EAN: 4022143926692 4022143926692 Gramophone (Mike Ashman - 2013.09.01) Aadland's Cologne Radio Grieg survey continues The first two discs in this 'Complete Symphonic Works' series (10/11, 11/11) were outstanding. This third is wholly exceptional. The presence of the overture In Autumn and the Old Norwegian Romance with Variations gives the programme a Beechamesque feel. But Aadland and his astonishingly well-integrated German ensemble – by this I mean that they are guided into a natural-sounding Nordic style – need fear nothing by way of competition, not even from the RPO's dream woodwind section. Aadland's Romance – unlike Beecham's it is complete and not marginally reorchestrated – becomes a kind of Norwegian Enigma Variations avant la lettre, mixing a large degree of symphonic seriousness with wit and Griegian nostalgia. The demonstration-class recording showcases a weight and colour of orchestration that puts this Grieg score in the correct but rarely considered position of contemporary to Strauss's early orchestral masterworks. A piece that (sssh, even on the two Beecham recordings) can sound bloated and occasional claims a place here alongside, indeed anticipates, the disguised turn-of-the-century unnamed symphonies of Rachmaninov, Elgar and the like. A similar seriousness but never overblown grandeur informs In Autumn. Aadland has already shown us in this cycle that he is good at correctly scaling miniatures both in joy and in grief. He seconds those achievements here in the characterisation of the Lyric Suite and the Sigurd Jorsalfar music, while the five minutes of Klokkeklang ('Bell-ringing') become a spooky shadow of the BØyg's music in Peer Gynt (eagerly awaited in this series). A compulsively playable record, hugely recommended. page 1 / 1 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de.

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Christianialiv
Christianialiv Works from Norway’s Golden Age of wind music Christianialiv The Staff Band of the Norwegian Armed Forces The second half of the 19th century is often called the “Golden Age” of Norwegian music. The reason lies partly in the international reputations established by Johan Svendsen and Edvard Grieg, but it also lies in the fact that musical life in Norway, at a time of population growth and economic expansion, enjoyed a period of huge vitality and creativity, responding to a growing demand for music in every genre. The Staff Band of the Norwegian Armed Forces (to use its modern name) played a key role in this burgeoning musical life not just by performing music for all sections of society, but also by discovering and fostering musical talent in performers and composers. Johan Svendsen, Adolf Hansen, Ole Olsen and Alfred Evensen, whose music we hear on this album, can therefore be called part of the band’s history. Siste del av 1800-tallet er ofte blitt kalt «gullalderen» i norsk musikk. Det skyldes ikke bare Svendsens og Griegs internasjonale posisjon, men også det faktum at musikklivet i takt med befolkningsøkning og økonomiske oppgangstider gikk inn i en glansperiode med et sterkt behov for musikk i alle sjangre. I denne utviklingen spilte Forsvarets stabsmusikkorps en sentral rolle, ikke bare som formidler av musikkopplevelser til alle lag av befolkningen, men også som talentskole for utøvere og komponister. Johan Svendsen, Adolf Hansen, Ole Olsen og Alfred Evensen er derfor en del av korpsets egen musikkhistorie. The Staff Band of the Norwegian Armed Forces / Ole Kristian Ruud Recorded in DXD 24bit/352.8kHz 5.1 DTS HD MA 24/192kHz 2.0 LPCM 24/192kHz + MP3 and FLAC EAN13: 7041888519027 q e 101 2L-101-SABD made in Norway 20©14 Lindberg Lyd AS 7 041888 519027 Johan Svendsen (1840-1911) Symfoni nr.
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TCNJ Orchestra Repertoire • Bach
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Edvard Grieg (1843 - 1907)
EDVARD GRIEG (1843 - 1907) When Edvard Grieg grew up, Bergen was a small and busy European town. All through its past as a Hanseatic city, Bergen had established a net of connections that made it the only continental Norwegian city. The main business was the trade with fish and other products typical for the coast. There was a close contact with the rest of Europe, a fact that is easily retraceable in the origin of the bergener. Most of the families within the city limits had ancestors in Denmark, Germany, Scotland, England, the Netherlands and other European nations. Bergen was also a meltingpot for the population along the Norwegian coast. Edvard Griegøs family was a typical Bergen- family: His great grandfather Alexander Greig (later changed to Grieg) came to the city from Cairnbulg close to Aberdeen in Scotland in the 1770s. He founded the family business, which was trade with dried fish and lobster across the North sea. The raising of a child in a bourgeois family in the 19th century Norway often included teaching of music or other forms of art. Edvard Grieg´s grandparents were active in the society of music "Musikkselskapet Harmonien", one of the worlds oldest orchestras, founded in 1765. Edvard Grieg was also so lucky to have the best piano teacher in Bergen as a mother. Gesine Hagerup had studied at the musicconservatory in Hamburg, Germany, an education that usually was offered only to men. She played with "Harmonien" and at chamber music concerts in Bergen. CHILDHOOD AND YOUTH Edvard Grieg was born in Bergen 15th of June 1843, in the family´s house in Strandgaten 152.
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GRIEG, Edvard Hagerup (1843-1907)
BIS-SACD-1391 SURROUND DSD Recording Total playing time: 74'36 GRIEG, Edvard Hagerup (1843-1907) Sigurd Jorsalfar, Op. 22 (1872) (Edition Peters) 34'31 Incidental music to the play by Bjørnstjerne Bjørnson 1 I. Introduction to Act I. Molto Andante e maestoso 2'10 2 II. Borghild’s Dream. Poco andante – Allegro agitato 3'42 3 III. At the Matching Game. Allegretto semplice 3'38 4 IV. The Northland Folk*°. Allegro moderato e molto energico 5'58 5 V. Homage March. Allegro molto – Allegretto marziale 9'17 6 VI. Interlude I. Allegretto tranquillo 1'45 7 VII. Interlude II. Allegretto marziale – Maestoso 3'34 8 VIII. The King’s Song*. Poco Andante – Vivace – Molto Andante e maestoso 4'07 *Håkan Hagegård, baritone ° Male voices from the Bergen Philharmonic Choir, Seim Songkor and Kor Vest 9 Landkjenning, Op. 31 (1872, rev. 1881) (Edition Peters) 6'30 for baritone, male choir and orchestra. Text: Bjørnstjerne Bjørnson Håkan Hagegård, baritone Male voices from the Bergen Philharmonic Choir, Seim Songkor and Kor Vest 10 Bergliot, Op. 42 (1871, orch. 1885) (Edition Peters) 18'37 Melodrama for declamation and orchestra. Text: Bjørnstjerne Bjørnson Gørild Mauseth, narrator 2 11 Sørgemarsj over Rikard Nordraak, EG 117 (1866) (Edition Peters) 7'49 (arranged for orchestra [1907] by Johan Halvorsen) 12 Den Bergtekne, Op. 32 (1877-78) (Wilhelm Hansen) 5'37 for baritone and orchestra. Text: traditional Norwegian Håkan Hagegård, baritone Bergen Philharmonic Orchestra conducted by Ole Kristian Ruud The music on this Hybrid SACD can be played back in Stereo as well as in 5.0 Surround sound.
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Edvard Grieg's Orchestral Style
Bjarte Engeset: EDVARD GRIEG’S ORCHESTRAL STYLE - a conductor’s point of view Good morning, everybody! Edvard Grieg (1843–1907) wrote the following after he had performed his Norwegian Peasant Dances (Slåtter) op. 72: I played them with all my love and all my troll magic. 1 Jeg spillede dem med al den Kjærlighed og Troldskab, jeg ejede. In the written introduction to Slåtter he uses similar word pairs describing the music: «their combination of nice and pure grace with bold power and untamed ferocity».2 In such associative word pairings, close to value-laden concepts like God and Devil, Culture and Barbarism, Grieg reveals his aesthetics. I therefore use this contrastive sentence as disposition for this study of Grieg’s universe of orchestral sonorities: [1] «Love» (Colour) «A World of Sonorities» «The Path of Poetry» «Imbued with the one great Tone» «The transparent Clarity» «This Natural Freshness» «Troll magic» (Contour) «Rhythmical Punctuation» «Brave and bizarre Phantasy» «The Horror and Songs of the Waterfall» These symbol loaded bars from Night Scene in Peer Gynt op. 23, depicts in a condensed way this universe: Example 1: Night Scene (Peer Gynt op. 23), bb. 19–23. [2] Grieg here links very different colours. The first augmented chord is dominated by a stopped horn note marked fp, floating into a soft and bright A-major chord marked pp, with a typical sound of two flutes and two clarinets. We are entering a world rich of associations and contrast. Grieg had a great concern for the element of sound colour, so the lack of research in this particular field is both surprising and motivating.
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Edvard Grieg Peer Gynt Suiten Nr.1&2
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NORTHERN CELLO Jean Sibelius Peteris Vasks ZOE KNIGHTON Four Pieces for Cello and Piano, Op
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September 25, 2018
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BIS-CD-1585 Inlay
BIS-SACD-1531 cover:f/b 11/10/06 13:51 Page 1 ole kristian Ruud BIS-SACD-1531 BIS-SACD-1531 Grieg copy:booklet 12/10/06 09:40 Page 2 GRIEG, Edvard Hagerup (1843-1907) Olav Trygvason, opera fragment, Op. 50 Text: Bjørnstjerne Bjørnson 34'10 1 Scene 1 7'46 2 Scene 2 14'59 3 Scene 3 11'22 4 Foran Sydens Kloster (At the Cloister Gate) 10'15 Op. 20 Text: Bjørnstjerne Bjørnson Six Songs with Orchestra 29'03 5 I. Solveigs Sang (Solveig’s Song), Op. 23 No. 19 Text: Henrik Ibsen 5'27 6 II. Solveigs Vuggevise (Solveig’s Cradle Song), Op. 23 No. 26 Text: Henrik Ibsen 4'00 7 III. Fra Monte Pincio (From Monte Pincio), Op. 39 No. 1 Text: Bjørnstjerne Bjørnson 4'58 8 IV. En Svane (A Swan), Op. 25 No. 2 Text: Henrik Ibsen 2'21 9 V. Våren (Last Spring), Op. 33 No. 2 Text: A.O. Vinje 8'17 10 VI. Henrik Wergeland, Op. 58 No. 3 Text: John Paulsen 3'30 11 Ved Rondane (In the Hills), Op. 33 No. 9 Text: A.O. Vinje 3'03 arranged by Johan Halvorsen TT: 77'38 Solveig Kringelborn soprano [1, 4] · Ingebjørg Kosmo mezzo-soprano [2, 4] Trond Halstein Moe baritone [1, 2] · Marita Solberg soprano [5-11] Bergen Philharmonic Choir [1-3] chorus-master: Håkon Matti Skrede Kor Vest (Bergen Vocal Ensemble) [1-3] chorus-master: Håkon Matti Skrede Voci nobili [4] chorus-master: Maria Gamborg Helbekkmo Bergen Philharmonic Orchestra Ole Kristian Ruud conductor 2 BIS-SACD-1531 Grieg copy:booklet 12/10/06 09:40 Page 3 eks sanger med orkester (Six Orchestral Songs) artist uniting himself with nature, in which nature or is a selection of some of Grieg’s ﬁnest songs.
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“New Beginnings” Series! I Am Extremely Excited to Be Able to Work with This Ensemble
““NewNew Beginnings”Beginnings” Welcoming Dr. Jeffrey Jacobsen to the podium Saturday, November 12, 2011 at 7:00 p.m. West Middle School West Middle Avenue Binghamton, NY 13905 2011 - 2012 Season Annual STMTA Concert Sunday, March 4, 2012 - 3:00 p.m. West Middle School Auditorium, Binghamton, NY Repertoire will include: Beethoven - Egmont Overture Chaminade - Concertino Bloch - Suite Hebriaique Dvorak - Slavonic Dances Featuring 2011 Southern Tier Music Teacher Association Concerto Winners - Emily Bartz, flute Amanda Schmitz, viola Spring Concert May 5, 2012 - 7:00 p.m. Sarah Jane Johnson Church, Johnson City, NY Repertoire will include: Hailstork - Intrada Wagner - Siegfried Idyll Moulds - Egloga Kalinnikov - Symphony No. 1 in G For more information on the BCO, please visit: BinghamtonCommunityOrchestra.org BCO Angels BCO Angels (June 2010 to present) (June 2010 to present) Major Contributors Don Brister Sponsors Friends ($500 & over) (in memory of ($50-$99) (Up to $49) Linda Best Leonard Levine) George & Sally Akel Kyle Brown Alicia & Karl Kuehn Gerald & Judith Cavanaugh Bruce & Nanette Borton Norman & Dorthy Burns Ron & Carol Miles Gary & Mary Cole Karen Goodman George Cowburn Barry & Joanne Peters Laura & Robert Crounse Steven & Laura Hine Greta Dodson John & Grace Roossien Robin DeSantis Joanne Kieffer Ruth Fisher Mary A. Diegert Herbert & Janet Landow Herbert B. Haake Paul & Alison Dura Hanna Toni Norton Emma Hall Karl Frandke Corrine O’Leary Richard Heinrich Benefactors Donald & Julia Gaster Cayenna Ponchione Susan Hesse ($300 -$499) Don & Sharon Gould Lana Rouff Gloria Larson Jeff Barker & Carol Smith The Gregory Keeler Family Kent & Heather Struck Dennis Leipold & Jane Shear Cecily O’Neil Annette Krohn Marianne Wallenburg Joanne Maniago Lee & Julian Shepherd Harry & Betty Lincoln Kathleen Williams Dr.
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