Mendocino Music Festival

Total Page:16

File Type:pdf, Size:1020Kb

Mendocino Music Festival NON-PROFIT ORG. U.S. POSTAGE PAID CPS Post Office Box 1808 • Mendocino, CA 95460 tickets on sale March 31, 2014 — mendocinomusic.org Tickets start at $12 for most concerts music festival mendocino 707.937.4041 •mendocinomusic.org 28th Season n July 12 - 26, 2014 July 12-26, Welcome! Welcome to the 28th Mendocino Music Festival! Please join us for glorious music in an extraordinary variety of genres — symphonic, chamber, opera, jazz, big band, bluegrass, celtic, country rock, and more. Whatever your musical tastes, prepare to be delighted. And what more inspiring location for listening than the edge of the Pacific Ocean — surrounded by ancient redwoods, uncrowded state parks, award-winning wineries, cozy inns, art galleries, and world class restaurants? A celebration of music… to which the world is invited! Nicholas Wilson – nwilsonphoto.com Nicholas Wilson – nwilsonphoto.com Nicholas Susan Waterfall Allan Pollack Associate Artistic Director Artistic Director Take A Look! A CAPPELLA ...................... 4 CHAMBER MUSIC ..........8, 10 ORCHESTRA .............3, 9, 10 ART SONGS ....................... 8 COUNTRY ROCK ................. 7 PIANO SERIES .......3, 5, 6, 10 BACHFEST ......................3-5 FLAMENCO ........................ 4 SPECIAL EVENTS ............. 11 BLUEGRASS ................... 4, 7 JAZZ .....................6, 7, 9, 10 FESTIVAL CELTIC ............................... 5 OPERA ............................... 6 CALENDAR ....................... 12 HOW TO ONLINE mendocinomusic.org BY PHONE Call 707.937.4041 ORDER IN PERSON The Festival Box Office is open 10 am - 4 pm MAIL (seat selection not available) Send inside back TICKETS weekdays at 45100 Main Street beginning cover form to: Mendocino Music Festival, March 31. PO Box 1808, Mendocino, CA 95460 We gratefully acknowledge the following sponsors for their support and generosity A Special Thanks to Brian Coughlan, Brochure Sponsor California State Parks • Alegria Oceanfront Inn and Cottages • Linda and Fedele Bauccio • Donna and William Burke • Goldeneye Winery • Kathryn and John Hughes • Judy and Bob Mathey • North Coast Brewing Company • Linda and Joel Tejada • Bink Winery • Nicholas Wilson Photography • Out of this World • Shirley Issel • Moira and Bruce Conzelman, Harmonique Wines • Deborah and Steven Farmar • Olivia and Charles Hasty • Harvest Market • Nancy Kleiber • Wells Fargo • Bernice Greene • Karen and Jim Havlena • Janet Morris and Fred Martin • Barbara Barkovich • Pamela Hudson Real Estate • Roederer Estate • Barbara Faulkner and Steve Acker • KOZT-The Coast • KWINE & MAX • KZYX & Z • MacCallum House Inn & Restaurant • Savings Bank of Mendocino County • S Squared Art Productions • Anonymous Donors of the Community Foundation of Mendocino Performances for 2014 Season JULY 12 ❱ 8:00 PM TENT CONCERT HALL Nicholas Wilson – nwilsonphoto.com Festival Orchestra with BACHFEST Stephen Prutsman This Susan Waterfall Production is a four-day celebration and exploration of A celebratory Opening Night: Mozart Piano Concerto in C minor the Life and Art of J. S. Bach. July 13 - 16. Historian Bob Winn, noted played by Stephen Prutsman, Conga del fuego by Marquez, A beer authority Jay R. Brooks, pianist Carolyn Steinbuck, violinist Jeremy Cohen, Summer Evening at the Boonville Fair by Allan Pollack. cellist Burke Schuchmann, flutist Mindy Rosenfeld, pianist and conductor Stephen Prutsman with the Festival Chamber Players. BACHFEST DAY 1 BACHFEST DAY 2 JULY 13 ❱ 3:00 PM TENT CONCERT HALL JULY 14 ❱ 3:00 PM PRESTON HALL Bach and Beer Bach at the Keyboard Multi-media lecture with historian Susan Waterfall and Carolyn Bob Winn, noted beer authority Steinbuck discuss and perform Jay R. Brooks, and Susan 2-Part Inventions, Italian Concer- Waterfall: Life in early 18th c. to, C minor Partita, 6 Voiced Germany, an overview of Bach’s Ricercare from Musical Offering. life, and beer-making in Bach’s time. Beer tasting and quodlibets! Susan Waterfall Carolyn Steinbuck 28th Season July 12 - 26, 2014 n 3 PERFORMANCES FOR 2014 SEASON – Mendocino Music Festival JULY 13 ❱ 8:00 PM TENT CONCERT HALL BACHFEST DAY 3 Claire Lynch Band: Taking JULY 15 ❱ 3:00 PM MENDOCINO Bluegrass to New Heights PRESBYTERIAN CHURCH The Unaccompanied Suites Claire Lynch wows with brilliant picking, a gorgeous voice, and sophisticated, seemingly spontaneous composition. Nicholas Wilson – nwilsonphoto.com Nicholas JULY 14 ❱ 8:00 PM TENT CONCERT HALL Solo works for violin, flute, and cello in the beautiful acoustic Juncal Street: Homage to the ambience of Mendocino’s historic Presbyterian Church. Flamenco Tradition JULY 16 ❱ 3:00 PM PRESTON HALL Three-time Isadora Duncan Nominees for Most Outstand- A Cappella Fever ing Music, Ensemble and In- Local men’s Acafellas, women’s In the Mix, women’s trio River, and dividual Performance, Juncal SATB Sine Nomine sing music from four centuries, everything from Street draws global inspira- do-wop, to gospel, to hit tunes from the ‘40s, to madrigals. tion from contemporary art and dance. The singers in A Cappella Fever all were inspired by the House Jack's workshop last year. As House Jacks member Deke Sharon put it, “You want to touch people's hearts, grab their souls, and take them on a wild roller coaster ride through truth and beauty.” “ The Festival is an enormous joy, which so enriches our life on the coast. It’s always a sad day when the tent comes down at season’s end. ” — Nancy and Charles, Mendocino, CA 4 n Mendocino Music Festival PERFORMANCES FOR 2014 SEASON – Mendocino Music Festival JULY 16 ❱ 8:00 PM TENT CONCERT HALL “ After a leisurely drive through Anderson Valley, Musical Offering and Prutsman I arrive for my stay at Alegria Inn. I was told right away that an Irish band would rehearse soon in Plays Bach the living room and I was welcome. As the only guest, I was amazed to find myself with five master musicians as they tuned instruments and decided on their set for that evening’s performance.” — Brian, Carmel JULY 17 ❱ 8:00 PM TENT CONCERT HALL April Verch Band: Extravagant Susan Waterfall explores the significance of Musical Offering, and Step-Dancing Style from Canada Stephen Prutsman plays and conducts the Festival Chamber Players in the Clavier Concerto in D minor. JULY 17 ❱ 3:00 PM PIANO SERIES PRESTON HALL Robert Schwartz Robert Schwartz plays Mozart Sonata in B flat K. 570, Mendels- sohn Songs without Words (Selected) and Brahms Sonata in F minor Op. 5. A Celtic band with North American roots music, the April Verch Band dazzles audiences with fantastic fiddling, great songwriting, and step dancing. 28th Season July 12 - 26, 2014 n 5 PERFORMANCES FOR 2014 SEASON – Mendocino Music Festival JULY 18 ❱ 3:00 PM PIANO SERIES JULY 19 ❱ 3:00 PM PRESTON HALL PRESTON HALL Kathleen Grace Band: Paul Hersh American Jazz, Rock, and Folk A favorite of the Festival, Kathleen Grace returns with her own band and her own songs that fuse the musical language of jazz with the storytelling of the American folk tradition. Nicholas Wilson – nwilsonphoto.com Nicholas Paul Hersh returns with son violinist Stefan Hersh to explore Beethoven’s last violin and piano sonatas. “ The Mendocino Music Festival gives us the perfect reason to make the drive to the beautiful Mendocino coast, to experience the calm, the beauty, and the cool sea air, but especially, to hear the music. World class performances by world class musicians in a tent on the headlands. Among our favorite moments include the two piano version of John Adams “Hallelujah Junction,” a Bartok piano concerto that shook the floor boards, a symphony by Mahler, and performances by young musicians who are just making their first big marks on the international music scene. What could be better than that? For so many years, the JULY 18 ❱ 8:00 PM TENT CONCERT HALL Festival has nourished us and enriched our lives. Opera Don Giovanni This summer, why not step away from the world and join us in Mendocino for Music at the edge of Fully-staged opera on a grand scale: Mozart’s Don Giovanni, the world. complete with lovely damsels, evil seducers, and a spooky ghost. ” — Daniel and Susan, Menlo Park, CA 6 n Mendocino Music Festival PERFORMANCES FOR 2014 SEASON – Mendocino Music Festival JULY 19 ❱ 8:00 PM TENT CONCERT HALL JULY 20 ❱ 2:00 PM TENT CONCERT HALL Festival Big Band with Chris Hillman and Kim Nalley: Homage to Herb Pedersen: Legends of Aretha Franklin Country Rock This astonishing jazz singer, with an enormous vocal range and technical ability, sings Aretha like you can’t imagine. Country rock legend Chris Hillman (Byrds, Flying Burrito Brothers) teams up with his buddy Herb Pedersen (Desert Rose Band) to play their own blend of bluegrass, folk and country. JULY 20 ❱ 8:00 PM TENT CONCERT HALL POCO: The Encore Concert One of the first and longest lasting country-rock groups, with roots in Buffalo Springfield, POCO will perform its farewell concert in Mendocino. Nicholas Wilson – nwilsonphoto.com Nicholas 28th Season July 12 - 26, 2014 n 7 PERFORMANCES FOR 2014 SEASON – Mendocino Music Festival JULY 21 ❱ 3:00 PM TENT CONCERT HALL JULY 22 ❱ 8:00 PM TENT CONCERT HALL Calder Quartet Frederica von Stade Called “outstanding” and “superb” by the New York Times, the In this recital with pianist Calder Quartet will perform Thomas Adès Arcadiana, Leoš Janáček Miles Graber, von Stade String Quartet No.2 “Intimate Letters,” and Franz Schubert String will sing songs by composers Quartet No.14 in D minor, D. 810 “Death and the Maiden.” including Ned Rorem, Jake Heggie, Aaron Copeland, and Frances Poulenc. “ We thought that if this little community could be home to such a high quality Festival, we might make it our home too! ” — Sandy and Guenter, Mendocino, CA 8 n Mendocino Music Festival PERFORMANCES FOR 2014 SEASON – Mendocino Music Festival JULY 23 ❱ 3:00 PM PRESTON HALL JULY 23 ❱ 8:00 PM TENT CONCERT HALL Suzanna Smith and Kenny Festival Orchestra with Washington: Superheroes of the David McCarroll Bay Area Jazz Scene A lush, romantic concert: Sibelius Vi- olin Concerto played by David McCarroll, Rachmaninoff Sym- phony No.
Recommended publications
  • Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives.
    [Show full text]
  • We Will Rock You”
    “We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns.
    [Show full text]
  • Barrow-In-Furness, Cumbria
    BBC VOICES RECORDINGS http://sounds.bl.uk Title: Barrow-in-Furness, Cumbria Shelfmark: C1190/11/01 Recording date: 2005 Speakers: Airaksinen, Ben, b. 1987 Helsinki; male; sixth-form student (father b. Finland, research scientist; mother b. Barrow-in-Furness) France, Jane, b. 1954 Barrow-in-Furness; female; unemployed (father b. Knotty Ash, shoemaker; mother b. Bootle, housewife) Andy, b. 1988 Barrow-in-Furness; male; sixth-form student (father b. Barrow-in-Furness, shop sales assistant; mother b. Harrow, dinner lady) Clare, b. 1988 Barrow-in-Furness; female; sixth-form student (father b. Barrow-in-Furness, farmer; mother b. Brentwood, Essex) Lucy, b. 1988 Leeds; female; sixth-form student (father b. Pudsey, farmer; mother b. Dewsbury, building and construction tutor; nursing home activities co-ordinator) Nathan, b. 1988 Barrow-in-Furness; male; sixth-form student (father b. Dalton-in-Furness, IT worker; mother b. Barrow-in-Furness) The interviewees (except Jane France) are sixth-form students at Barrow VI Form College. ELICITED LEXIS ○ see English Dialect Dictionary (1898-1905) ∆ see New Partridge Dictionary of Slang and Unconventional English (2006) ◊ see Green’s Dictionary of Slang (2010) ♥ see Dictionary of Contemporary Slang (2014) ♦ see Urban Dictionary (online) ⌂ no previous source (with this sense) identified pleased chuffed; happy; made-up tired knackered unwell ill; touch under the weather; dicky; sick; poorly hot baking; boiling; scorching; warm cold freezing; chilly; Baltic◊ annoyed nowty∆; frustrated; pissed off; miffed; peeved
    [Show full text]
  • March 2010 Newsletter Society of Austin
    The GILBERT & SULLIVAN FEBRUARY / MARCH 2010 NEWSLETTER SOCIETY OF AUSTIN PRESIDENT’S MESSAGE Kathryn Saar – An employee of the Texas Department of Housing and Community Affairs who specializes in affordable by Libby Weed housing; is trained in grant writing and strategic planning; has The evening of January 11 was a positive entertained us at G&S musicales with her lovely soprano voice start to a new year for Austin G&S. It was Libby Weed – Principal/Academic Vice President at Brentwood good to have several new-to-our-Society Christian School; educated in educational administration and folks, along with a great group of familiar English literature; has served for several years on the board and faces. After our brief business meeting, we has sung in the chorus of shows in past years held a sing-along that ended up with just about everyone helping to raise the roof. Dave Wieckowski – In financial management at Whole Foods Market; came to G&S through an organization that provides The business portion of the meeting included reports on our accounting assistance to non-profits; plays several musical sound financial condition and on our membership, which has instruments and performed with his son Brian in our last Pinafore grown since Iolanthe . Then we elected the following people to Ingrid Yaple – Born in the Netherlands; has a political science our board: degree; has served on several homeowners’ association boards; is a Christopher Buggé – Analytical chemist who co-founded a self-employed grant writer who provides invaluable assistance
    [Show full text]
  • "MAX" KREH August, September 1993 Interviewed by Gerald Caplan Videographed by Leslie Caplan
    June 2015 | Sivan-Tamuz 5775, Vol. LXX, No. 5 Next event June 18th SJF Sponsors FEDx Networking Series Are you a lo- Steve Greenberg, SJF President, Effingham County. The participants cal Jewish pro- talked about the establishment of the were a great mix of young adults and fessional who new series: “The goal of the series is more mature community members; would like to to bring speakers and information some were people who were new to build a stronger that are not normally available, and the community and others were life- Candle Lighting Times business com- use the opportunity to educate our long residents of Savannah. Partic- Friday, June 5 8:10pm munity and at Jewish community about the broader ipants networked over food (heavy the same time Savannah and regional non-profit and hors d’oeuvres) and drinks (beer & Friday, June 12 8:13pm David Herskovits strengthen the business communities. FederationX wine) from 5:30—6:15pm and then Friday, June 19 8:15pm impact of our will be a venue to connect people of sat down to hear Jake Shapiro speak. Friday, June 26 8:17pm Jewish community in the world all ages, backgrounds and interests, All were all captivated by Jake’s Friday, July 3 8:17pm around us? Whether you are a recent and help establish relationships go- energy, his great enthusiasm for Friday, July 10 8:15pm college graduate or a seasoned busi- ing forward. We have timed the pro- making films and doing business in ness owner, an associate or a senior grams to address busy schedules.
    [Show full text]
  • C.Olumbia Wallace· Rubin Cuba
    C.OLUMBIA WALLACE· NOVEM~.J:;:.~, 1968 •• VOL. 4, NO. 20' RUBIN ': ~ CUBA THE MOVEMENT PRESS 1- B"LI' n~Tr: ! I v '" n.-\ '- t 55 COLTON STREET 'u. s. PC!S-;·;'.G:~ ; SAN FRANCISCO, CA. ! p ,e.. ID I 94103 /1. ".0" ;:-,allcl~~o. ~:dIY. : --_._---------PcrrnJt ~to. gt;O~ ! TODAY IS NOVEMBER 5TH GIRIOTERS CHARGED WITH SAIGON, (LNS)--Six black soldiers, ac­ cused of starting a riot August 30 in MURDER WASN'T THERE SOMETHING an Army stockade 15 miles noth of Sai­ gon, have been charged with the mur- der of a white prisoner, according to a report in the NEW YORK TIMES. The charge grew out of an incident I WAS SUPPOSED TO DO? in the Long Bhin Jail (fondly known as LBJ) ill which 65 persons, including ,PANTHER CUBS five guards, were injured. Military po­ Well, we wuz all settin around the MOVEMENT office, lice used tear gas to break up the dis­ By Pink Panther turbance. jawin and just carryin on, popping pills so we could put An Army spokesman said the mur­ out this issue..•when in runs Two- Finger Luke who does JACKSON, MO. (Special to LNS)--The dered man had been beaten with a shovel. Panther Cubs saw their first action in The names of the victim and the accused our typesettin and says, "Isn't' next month November Mississippi today. A work gang of black are being withheld pending the filing slaves from some county or state prison of formal charges of court martial. 5 and shouldn't we say something about those elections-? was being driven down the Hinds County Sure of course we says, cuz we're a political news­ , road where Panther Cubs "Huey" and "Malcolm" live.
    [Show full text]
  • Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
    DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111....
    [Show full text]
  • Theatricality, Voyeurism, and Molière's Misanthrope: Yesterday and Today
    Spring 2004 _41 Theatricality, Voyeurism, and Molière's Misanthrope: Yesterday and Today Jesse Dickson The pleasures of eyeing other people are in many ways common to the seventeenth century and the present, although certain of yesterday's pleasures have tumed into today's embarrassments. In this light, I will view the theatrical economy of Molière's 1666 The Misanthrope in performance, from the perspective of the actors and then of the spectators, to compare their visual relationships, then and today. I share the view of many literary historians that in his satire of both aristocratic and bourgeois orders Molière sets his sights on their various theatrical behaviors, "the histrionic bases of individual and social identity.'" Indeed, The Misanthrope shows different characters play acting for other, spectating characters, and makes us laugh at the narcissistic and often hollow society of the theatrum mundi. However, in this literary view the characters strut about within the confines of the stage, behind the footlights, and the milieu they portray is mostly outside the theater walls, in court and salon. This perspective is somewhat constricting for my purpose. I propose to shift the theatrical frame by focusing on the visual relations between the actors and their immediate audience, relations peculiar to Molière's Palais Royal Theater in the latter part of the seventeenth century. The goal, and my desire, are to reestablish the theatrical dynamic of the period in its specificity, having its own pleasures, its own psychological and ideological
    [Show full text]
  • MATCH: a POST-MODERN LOVE STORY by JULIE ELIZABETH STRASSER a Thesis Submitted to the Graduate School-Camden Rutgers, the State
    MATCH: A POST-MODERN LOVE STORY by JULIE ELIZABETH STRASSER A thesis submitted to the Graduate School-Camden Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Fine Arts Graduate Program in Creative Writing written under the direction of Ms. Lauren Grodstein, Associate Professor of English and Creative Writing, and Mr. Paul Lisicky, Assistant Professor of English and Creative Writing, and approved by _______________________________________________________ Ms. Lauren Grodstein, Graduate Director of Creative Writing ________________________________________________________ Mr. Paul Lisicky, Assistant Professor of English and Creative Writing Camden, New Jersey October 2013 i THESIS ABSTRACT MATCH: A POST-MODERN LOVE STORY by JULIE ELIZABETH STRASSER Thesis Directors: Ms. Lauren Grodstein, Associate Professor of English and Creative Writing, and Mr. Paul Lisicky, Assistant Professor of English and Creative Writing Everyone looks for love, and in recent years, many more people are using online dating sites to help them find the perfect match. Match: A Post-Modern Love Story is my story of looking for love online, and finding it with Dave, whom I married in 2011. ii DEDICATION For Dave, who is my heart. iii TABLE OF CONTENTS Title Page……………………………………………………………………………………….……i Abstract……………………………………………………………………………………...………ii Dedication…………………………………………………………………………………...…..…iii Table of Contents…………………….……………………………………………..…………..…iv Match……………………………………………………………………………….…………..…..1 The Obligatory
    [Show full text]
  • Bam 2018 Annual Report
    BAM 2018 2 1ANNUAL REPORT 0 8 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—5 DanceMotion USASM, 32–33 GREETINGS Membership, 34—35 President & Board Chair Letter, 4 36—43 BAM Campus, 5 WHO WE ARE 6—35 BAM Board, 37 WHAT WE DO BAM Supporters, 38–41 2017 Next Wave Festival, 7–9 BAM Staff, 42–43 2018 Winter/Spring Season, 10–11 44—46 BAM Rose Cinemas, 12–17 NUMBERS First-run Films, 13 BAM Financial Statements, 45–46 BAMcinématek, 14–15 BAMcinemaFest, 16 47—50 HD Screenings, 17 THE TRUST BAMcafé Live | Also on BAM’s Stages, 18 BET Chair Letter, 48 BAM Hamm Archives, 19 BET Financial Statements, 49–50 Digital Media, 20 Education, 21–23 Humanities, 24–26 Visual Art, 27–28 Community, 29–31 Report covering July 2017—June 2018 2 TKTKTKTK Cover: 2017 Next Wave | Tanztheater Wuppertal Pina Bausch in The Rite of Spring | Photo: Stephanie Berger GREETINGS 3 TKTKTKTK Greetings2017 Next Wave | Olivier Py Sings Les Premiers Adieux de Miss Knife | Photo: Rebecca Greenfield Hello to friends new and old! The most recent year brought many Gabriel Kahane, Hofesh Shechter Company, in addition to screenings, featured engaging Chefer, Suzy Davis, Alexa Davidson Suskin, changes to BAM, but, at its core, Suzanne Bocanegra, and Rashaun Mitchell/ talks and special events with directors and Lorraine Lynch, and Emma Wolfe. we continue to grow as a home for Silas Riener/Charles Atlas. New productions collaborators, and first-run features entertain adventurous artists, audiences, and ideas. came from near and far, including Matthew audiences of all ages and interests.
    [Show full text]
  • The 2021–2022 Season
    The 2021–2022 Season CLASSICAL SERIES Opening Night: Russian Masters Knight Theater October 15–17, 2021 Christopher Warren-Green, conductor Paul Huang, violin GLINKA Ruslan & Ludmila Overture TCHAIKOVSKY Violin Concerto SHOSTAKOVICH Symphony No. 9 Brahms Symphony No. 3 Knight Theater October 29–30, 2021 Roderick Cox, conductor Benjamin Beilman, violin BRAHMS Symphony No. 3 COLERIDGE-TAYLOR Violin Concerto KODÁLY Dances of Galánta Beethoven Symphony No. 4 Knight Theater November 19–20, 2021 Christopher Warren-Green, conductor Taylor Marino, clarinet PROKOFIEV Classical Symphony MOZART Clarinet Concerto BEETHOVEN Symphony No. 4 Handel’s Messiah Knight Theater December 3–5, 2021 Ian Watson, conductor Charlotte Master Chorale HANDEL Messiah Mahler’s Ninth Symphony Belk Theater January 14–15, 2022 Christopher Warren-Green, conductor MAHLER Symphony No. 9 Ravel Piano Concerto Knight Theater January 28–29, 2022 Jessica Cottis, conductor Stewart Goodyear, piano Lindsay Kesselman, soprano Jessie MONTGOMERY Strum RAVEL Piano Concerto in G major STRAVINSKY Circus Polka WEILL The Seven Deadly Sins Tchaikovsky’s Pathétique Belk Theater February 11–12, 2022 Kensho Watanabe, conductor TBA, piano Anna CLYNE Within Her Arms C. SCHUMANN Piano Concerto TCHAIKOVSKY Symphony No. 6 “Pathétique” Kabalevsky Cello Concerto No. 1 Belk Theater February 25–26, 2022 Paolo Bortolameolli, conductor 2 Christine Lamprea, cello Gabriela ORTIZ Téenek – Invenciones de Territorio KABALEVSKY Cello Concerto No. 1 John CORIGLIANO Symphony No. 1 90th Anniversary Celebration! Vaughn Williams Dona Nobis Pacem Belk Theater March 11–12, 2022 Christopher Warren-Green, conductor Sharleen Joynt, soprano Daniel Okulitch, bass-baritone Charlotte Master Chorale HOLST Walt Whitman Overture ARNOLD Four Scottish Dances VAUGHAN WILLIAMS Fantasia on a Theme by Thomas Tallis VAUGHAN WILLIAMS Dona Nobis Pacem Barber Violin Concerto Knight Theater March 25–26, 2022 Kwamé Ryan, conductor Jinjoo Cho, violin Errollyn WALLEN Mighty River BARBER Violin Concerto FRANCK Symphony in D minor Sibelius Symphony No.
    [Show full text]
  • 2011 Convention Program
    THE EVOLUTION OF OPERA Facing Change From the Fifteenth to the Twenty-first Century The 56th Annual Convention of the National Opera Association San Antonio, Texas January 6-9, 2011 THORNTON AD HERE THE EVOLUTION OF OPERA Facing Change From the Fifteenth to the Twenty-first Century The 56th Annual Convention of the National Opera Association Hilton Palacio del Rio Hotel San Antonio, Texas January 6-9, 2011 CONVENTION COMMITTEE Barbara Hill Moore, NOA Local Chair Gordon Ostrowski, NOA Vice President for Programs Julia Aubrey John Pfautz Ruth Dobson Catherine Payn George Shirley Kimberly Wolfenbarger Nakamoto Special Thanks to the University of Texas-San Antonio and Dr. William McCrary Program Index Wednesday and Thursday Events 3 Collegiate Opera Scene Program 5 Friday Events 8 Saturday Events 10 Legacy Gala Banquet 12 Roll of Honor 13 Sunday Events 14 Past Conventions 15 Past Presidents 16 Presenter Biographies 18 1 2 Wednesday, January 5th, 2011 12:00 PM-4:00 PM Meeting HACIENDA III NOA Executive Board and Board of Directors 4:30 PM OPENING NIGHT FIESTA El Mercado, San Antonio Thursday Morning, January 6th 8:00 AM to 5:00 PM Registration CONFERENCE CENTER LOBBY 8:00 AM to 5:00 PM Exhibits CONFERENCE CENTER FOYER 9:30 AM to 11:00 AM CORTE REAL ABC “Strategies for Casting in an Increasingly Visual Era” George Shirley, moderator Jonathan Pell, Dallas Opera Darren K. Woods, Fort Worth Opera David O’Dell, Amarillo Opera 11:00 AM to 12:45 PM EL MIRADOR Opening Ceremonies and Luncheon Welcome from President Elizabeth Vrenios Welcome from Vice President for Conventions Gordon Ostrowski Welcome from Convention Chair Barbara Hill Moore Memorials to Deceased NOA Colleagues John Douglas by Richard Crittenden Shirley Verrett by George Shirley OPENING ADDRESS "An Un-plugged Art Form in a Plugged-in World" Darren K.
    [Show full text]