The 2021–2022 Season
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Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
Barrow-In-Furness, Cumbria
BBC VOICES RECORDINGS http://sounds.bl.uk Title: Barrow-in-Furness, Cumbria Shelfmark: C1190/11/01 Recording date: 2005 Speakers: Airaksinen, Ben, b. 1987 Helsinki; male; sixth-form student (father b. Finland, research scientist; mother b. Barrow-in-Furness) France, Jane, b. 1954 Barrow-in-Furness; female; unemployed (father b. Knotty Ash, shoemaker; mother b. Bootle, housewife) Andy, b. 1988 Barrow-in-Furness; male; sixth-form student (father b. Barrow-in-Furness, shop sales assistant; mother b. Harrow, dinner lady) Clare, b. 1988 Barrow-in-Furness; female; sixth-form student (father b. Barrow-in-Furness, farmer; mother b. Brentwood, Essex) Lucy, b. 1988 Leeds; female; sixth-form student (father b. Pudsey, farmer; mother b. Dewsbury, building and construction tutor; nursing home activities co-ordinator) Nathan, b. 1988 Barrow-in-Furness; male; sixth-form student (father b. Dalton-in-Furness, IT worker; mother b. Barrow-in-Furness) The interviewees (except Jane France) are sixth-form students at Barrow VI Form College. ELICITED LEXIS ○ see English Dialect Dictionary (1898-1905) ∆ see New Partridge Dictionary of Slang and Unconventional English (2006) ◊ see Green’s Dictionary of Slang (2010) ♥ see Dictionary of Contemporary Slang (2014) ♦ see Urban Dictionary (online) ⌂ no previous source (with this sense) identified pleased chuffed; happy; made-up tired knackered unwell ill; touch under the weather; dicky; sick; poorly hot baking; boiling; scorching; warm cold freezing; chilly; Baltic◊ annoyed nowty∆; frustrated; pissed off; miffed; peeved -
March 2010 Newsletter Society of Austin
The GILBERT & SULLIVAN FEBRUARY / MARCH 2010 NEWSLETTER SOCIETY OF AUSTIN PRESIDENT’S MESSAGE Kathryn Saar – An employee of the Texas Department of Housing and Community Affairs who specializes in affordable by Libby Weed housing; is trained in grant writing and strategic planning; has The evening of January 11 was a positive entertained us at G&S musicales with her lovely soprano voice start to a new year for Austin G&S. It was Libby Weed – Principal/Academic Vice President at Brentwood good to have several new-to-our-Society Christian School; educated in educational administration and folks, along with a great group of familiar English literature; has served for several years on the board and faces. After our brief business meeting, we has sung in the chorus of shows in past years held a sing-along that ended up with just about everyone helping to raise the roof. Dave Wieckowski – In financial management at Whole Foods Market; came to G&S through an organization that provides The business portion of the meeting included reports on our accounting assistance to non-profits; plays several musical sound financial condition and on our membership, which has instruments and performed with his son Brian in our last Pinafore grown since Iolanthe . Then we elected the following people to Ingrid Yaple – Born in the Netherlands; has a political science our board: degree; has served on several homeowners’ association boards; is a Christopher Buggé – Analytical chemist who co-founded a self-employed grant writer who provides invaluable assistance -
"MAX" KREH August, September 1993 Interviewed by Gerald Caplan Videographed by Leslie Caplan
June 2015 | Sivan-Tamuz 5775, Vol. LXX, No. 5 Next event June 18th SJF Sponsors FEDx Networking Series Are you a lo- Steve Greenberg, SJF President, Effingham County. The participants cal Jewish pro- talked about the establishment of the were a great mix of young adults and fessional who new series: “The goal of the series is more mature community members; would like to to bring speakers and information some were people who were new to build a stronger that are not normally available, and the community and others were life- Candle Lighting Times business com- use the opportunity to educate our long residents of Savannah. Partic- Friday, June 5 8:10pm munity and at Jewish community about the broader ipants networked over food (heavy the same time Savannah and regional non-profit and hors d’oeuvres) and drinks (beer & Friday, June 12 8:13pm David Herskovits strengthen the business communities. FederationX wine) from 5:30—6:15pm and then Friday, June 19 8:15pm impact of our will be a venue to connect people of sat down to hear Jake Shapiro speak. Friday, June 26 8:17pm Jewish community in the world all ages, backgrounds and interests, All were all captivated by Jake’s Friday, July 3 8:17pm around us? Whether you are a recent and help establish relationships go- energy, his great enthusiasm for Friday, July 10 8:15pm college graduate or a seasoned busi- ing forward. We have timed the pro- making films and doing business in ness owner, an associate or a senior grams to address busy schedules. -
C.Olumbia Wallace· Rubin Cuba
C.OLUMBIA WALLACE· NOVEM~.J:;:.~, 1968 •• VOL. 4, NO. 20' RUBIN ': ~ CUBA THE MOVEMENT PRESS 1- B"LI' n~Tr: ! I v '" n.-\ '- t 55 COLTON STREET 'u. s. PC!S-;·;'.G:~ ; SAN FRANCISCO, CA. ! p ,e.. ID I 94103 /1. ".0" ;:-,allcl~~o. ~:dIY. : --_._---------PcrrnJt ~to. gt;O~ ! TODAY IS NOVEMBER 5TH GIRIOTERS CHARGED WITH SAIGON, (LNS)--Six black soldiers, ac cused of starting a riot August 30 in MURDER WASN'T THERE SOMETHING an Army stockade 15 miles noth of Sai gon, have been charged with the mur- der of a white prisoner, according to a report in the NEW YORK TIMES. The charge grew out of an incident I WAS SUPPOSED TO DO? in the Long Bhin Jail (fondly known as LBJ) ill which 65 persons, including ,PANTHER CUBS five guards, were injured. Military po Well, we wuz all settin around the MOVEMENT office, lice used tear gas to break up the dis By Pink Panther turbance. jawin and just carryin on, popping pills so we could put An Army spokesman said the mur out this issue..•when in runs Two- Finger Luke who does JACKSON, MO. (Special to LNS)--The dered man had been beaten with a shovel. Panther Cubs saw their first action in The names of the victim and the accused our typesettin and says, "Isn't' next month November Mississippi today. A work gang of black are being withheld pending the filing slaves from some county or state prison of formal charges of court martial. 5 and shouldn't we say something about those elections-? was being driven down the Hinds County Sure of course we says, cuz we're a political news , road where Panther Cubs "Huey" and "Malcolm" live. -
Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111.... -
Theatricality, Voyeurism, and Molière's Misanthrope: Yesterday and Today
Spring 2004 _41 Theatricality, Voyeurism, and Molière's Misanthrope: Yesterday and Today Jesse Dickson The pleasures of eyeing other people are in many ways common to the seventeenth century and the present, although certain of yesterday's pleasures have tumed into today's embarrassments. In this light, I will view the theatrical economy of Molière's 1666 The Misanthrope in performance, from the perspective of the actors and then of the spectators, to compare their visual relationships, then and today. I share the view of many literary historians that in his satire of both aristocratic and bourgeois orders Molière sets his sights on their various theatrical behaviors, "the histrionic bases of individual and social identity.'" Indeed, The Misanthrope shows different characters play acting for other, spectating characters, and makes us laugh at the narcissistic and often hollow society of the theatrum mundi. However, in this literary view the characters strut about within the confines of the stage, behind the footlights, and the milieu they portray is mostly outside the theater walls, in court and salon. This perspective is somewhat constricting for my purpose. I propose to shift the theatrical frame by focusing on the visual relations between the actors and their immediate audience, relations peculiar to Molière's Palais Royal Theater in the latter part of the seventeenth century. The goal, and my desire, are to reestablish the theatrical dynamic of the period in its specificity, having its own pleasures, its own psychological and ideological -
MATCH: a POST-MODERN LOVE STORY by JULIE ELIZABETH STRASSER a Thesis Submitted to the Graduate School-Camden Rutgers, the State
MATCH: A POST-MODERN LOVE STORY by JULIE ELIZABETH STRASSER A thesis submitted to the Graduate School-Camden Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Fine Arts Graduate Program in Creative Writing written under the direction of Ms. Lauren Grodstein, Associate Professor of English and Creative Writing, and Mr. Paul Lisicky, Assistant Professor of English and Creative Writing, and approved by _______________________________________________________ Ms. Lauren Grodstein, Graduate Director of Creative Writing ________________________________________________________ Mr. Paul Lisicky, Assistant Professor of English and Creative Writing Camden, New Jersey October 2013 i THESIS ABSTRACT MATCH: A POST-MODERN LOVE STORY by JULIE ELIZABETH STRASSER Thesis Directors: Ms. Lauren Grodstein, Associate Professor of English and Creative Writing, and Mr. Paul Lisicky, Assistant Professor of English and Creative Writing Everyone looks for love, and in recent years, many more people are using online dating sites to help them find the perfect match. Match: A Post-Modern Love Story is my story of looking for love online, and finding it with Dave, whom I married in 2011. ii DEDICATION For Dave, who is my heart. iii TABLE OF CONTENTS Title Page……………………………………………………………………………………….……i Abstract……………………………………………………………………………………...………ii Dedication…………………………………………………………………………………...…..…iii Table of Contents…………………….……………………………………………..…………..…iv Match……………………………………………………………………………….…………..…..1 The Obligatory -
Bam 2018 Annual Report
BAM 2018 2 1ANNUAL REPORT 0 8 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—5 DanceMotion USASM, 32–33 GREETINGS Membership, 34—35 President & Board Chair Letter, 4 36—43 BAM Campus, 5 WHO WE ARE 6—35 BAM Board, 37 WHAT WE DO BAM Supporters, 38–41 2017 Next Wave Festival, 7–9 BAM Staff, 42–43 2018 Winter/Spring Season, 10–11 44—46 BAM Rose Cinemas, 12–17 NUMBERS First-run Films, 13 BAM Financial Statements, 45–46 BAMcinématek, 14–15 BAMcinemaFest, 16 47—50 HD Screenings, 17 THE TRUST BAMcafé Live | Also on BAM’s Stages, 18 BET Chair Letter, 48 BAM Hamm Archives, 19 BET Financial Statements, 49–50 Digital Media, 20 Education, 21–23 Humanities, 24–26 Visual Art, 27–28 Community, 29–31 Report covering July 2017—June 2018 2 TKTKTKTK Cover: 2017 Next Wave | Tanztheater Wuppertal Pina Bausch in The Rite of Spring | Photo: Stephanie Berger GREETINGS 3 TKTKTKTK Greetings2017 Next Wave | Olivier Py Sings Les Premiers Adieux de Miss Knife | Photo: Rebecca Greenfield Hello to friends new and old! The most recent year brought many Gabriel Kahane, Hofesh Shechter Company, in addition to screenings, featured engaging Chefer, Suzy Davis, Alexa Davidson Suskin, changes to BAM, but, at its core, Suzanne Bocanegra, and Rashaun Mitchell/ talks and special events with directors and Lorraine Lynch, and Emma Wolfe. we continue to grow as a home for Silas Riener/Charles Atlas. New productions collaborators, and first-run features entertain adventurous artists, audiences, and ideas. came from near and far, including Matthew audiences of all ages and interests. -
2011 Convention Program
THE EVOLUTION OF OPERA Facing Change From the Fifteenth to the Twenty-first Century The 56th Annual Convention of the National Opera Association San Antonio, Texas January 6-9, 2011 THORNTON AD HERE THE EVOLUTION OF OPERA Facing Change From the Fifteenth to the Twenty-first Century The 56th Annual Convention of the National Opera Association Hilton Palacio del Rio Hotel San Antonio, Texas January 6-9, 2011 CONVENTION COMMITTEE Barbara Hill Moore, NOA Local Chair Gordon Ostrowski, NOA Vice President for Programs Julia Aubrey John Pfautz Ruth Dobson Catherine Payn George Shirley Kimberly Wolfenbarger Nakamoto Special Thanks to the University of Texas-San Antonio and Dr. William McCrary Program Index Wednesday and Thursday Events 3 Collegiate Opera Scene Program 5 Friday Events 8 Saturday Events 10 Legacy Gala Banquet 12 Roll of Honor 13 Sunday Events 14 Past Conventions 15 Past Presidents 16 Presenter Biographies 18 1 2 Wednesday, January 5th, 2011 12:00 PM-4:00 PM Meeting HACIENDA III NOA Executive Board and Board of Directors 4:30 PM OPENING NIGHT FIESTA El Mercado, San Antonio Thursday Morning, January 6th 8:00 AM to 5:00 PM Registration CONFERENCE CENTER LOBBY 8:00 AM to 5:00 PM Exhibits CONFERENCE CENTER FOYER 9:30 AM to 11:00 AM CORTE REAL ABC “Strategies for Casting in an Increasingly Visual Era” George Shirley, moderator Jonathan Pell, Dallas Opera Darren K. Woods, Fort Worth Opera David O’Dell, Amarillo Opera 11:00 AM to 12:45 PM EL MIRADOR Opening Ceremonies and Luncheon Welcome from President Elizabeth Vrenios Welcome from Vice President for Conventions Gordon Ostrowski Welcome from Convention Chair Barbara Hill Moore Memorials to Deceased NOA Colleagues John Douglas by Richard Crittenden Shirley Verrett by George Shirley OPENING ADDRESS "An Un-plugged Art Form in a Plugged-in World" Darren K. -
LETTING the WIRES SHOW Revolving Around Bertolt Brecht's Influences on Tony Kushner
ABSTRACT Relying on themes present in Tony Kushner’s Angels in America, this thesis blends literary and historical analysis with my own experiences working on the play at Oberlin College. One part serves as a reflection on the practical component of the project-- being a production manager for Oberlin's production of Angels in America. I structure my reflection with three large concepts derived from the textual themes of the play: wrestling with the divine, creating systems, and interconnectedness. I supplement this with information about past productions of the play as well as my own textual analyses, LETTING THE WIRES SHOW revolving around Bertolt Brecht's influences on Tony Kushner. Theatricality and Production Processes for Angels in America Bryn Weiler Honors Capstone Oberlin College Theater Department Spring 2018 Table of Contents Introduction ............................................................................................................................................... 2 Methodology ............................................................................................................................................. 2 Production History.................................................................................................................................... 4 Brecht on Theatricality ............................................................................................................................. 6 Wrestling with the Angel .......................................................................................................................