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L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
New Upcoming Films
NEW AND UPCOMING FILMS SUPPORTED BY THE GREEK FILM CENTRE CONTACTS @ CANNES: Village International Riviera, Pavilion number 133, Tel: +33 492590271 Iliana Zakopoulou: [email protected] Liza Linardou: [email protected] INDEX COMPLETED FILMS THE LOBSTER by Yorgos Lanthimos 1 7 KINDS OF WRATH by Christos Voupouras 3 ANEMISTIRAS by Dimitris Bitos 4 A BLAST by Syllas Tzoumerkas 5 FOREVER by Margarita Manda 6 FORGET ME NOT by Yannis Fagras 7 MATRIARCHY by Nikos Kornilios 8 NORWAY by Yannis Veslemes 9 THE SENTIMENTALISTS by Nicholas Triantafyllidis 10 WEDNESDAY 04:45 by Alexis Alexiou 11 INTERNATIONAL CO-PRODUCTIONS THE ISLAND OF SECRETS by Taavi Vartia 13 MODRIS by Juris Kursietis 14 THE LESSON by Kristina Groseva and Petar Valchanov 15 THE SKY ABOVE US by Marinos Groothof 16 IN PROGRESS CHEVALIER by Athina Rachel Tsangari 18 HEATWAVE by Joyce A. Nashawati 19 INTERRUPTION by Yorgos Zois 20 KALASHNIKOV by Constantine Giannaris 21 THREAD by Alexandors Voulgari 22 RIVERBANKS by Panos Karkanevatos 23 URSA MINOR by Elisavet Chronopoulou 24 DOCUMENTARIES A FAMILY AFFAIR by Angeliki Aristomenopoulou 26 COSTIS PALAMAS - THE SUPREME FLOWER IN GREEK LITERATURE by Stamatis Tsarouchas 27 MEDEA: LOUDER THAN MY THOUGHTS by Nikos Grammatikos 28 PSY by Kalliopi Legaki 29 RAINBOW STREET by Myrna Tsapa 30 SAM ROMA - WE ARE GYPSIES by Marina Danezi 31 THE NEW PLASTIC ROAD by Angelos Tsaousis and Myrto Papadopoulou 32 THE LOBSTER by Yorgos Lanthimos CANNES FF - OFFICIAL SECTION MAIN COMPETITION Romance, Comedy || Ireland, United Kingdom, Greece, France, Netherlands || 118’ ARTE INTERNATIONAL CINEMART CO-PRODUCTION MARKET - IFF ROTTERDAM:LE PRIX An unconventional love story set in a dystopian near fu- ture where single people, according to the rules of the Town, are arrested and transferred to the Hotel. -
For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
FOR THE HOMELAND: TRANSNATIONAL DIASPORIC NATIONALISM AND THE EUROVISION SONG CONTEST SLAVIŠA MIJATOVIĆ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN GEOGRAPHY YORK UNIVERSITY TORONTO, CANADA December 2014 © Slaviša Mijatović, 2014 Abstract This project examines the extent to which the Eurovision Song Contest can effectively perpetuate discourses of national identity and belonging for diasporic communities. This is done through a detailed performance analysis of former Yugoslav countries’ participations in the contest, along with in-depth interviews with diasporic people from the former Yugoslavia in Malmö, Sweden. The analysis of national symbolism in the performances shows how national representations can be useful for the promotion of the state in a reputational sense, while engaging a short-term sense of national pride and nationalism for the audiences. More importantly, the interviews with the former Yugoslav diaspora affirm Eurovision’s capacity for the long-term promotion of the ‘idea of Europe’ and European diversities as an asset, in spite of the history of conflict within the Yugoslav communities. This makes the contest especially relevant in a time of rising right-wing ideologies based on nationalism, xenophobia and racism. Key words: diaspora, former Yugoslavia, Eurovision Song Contest, music, nationalism, Sweden, transnationalism ii Acknowledgements Any project is fundamentally a piece of team work and my project has been no different. I would like to thank a number of people and organisations for their faith in me and the support they have given me: William Jenkins, my supervisor. For his guidance and support over the past two years, and pushing me to follow my desired research and never settling for less. -
Eurovisie Top1000
Eurovisie 2017 Statistieken 0 x Afrikaans (0%) 4 x Easylistening (0.4%) 0 x Soul (0%) 0 x Aziatisch (0%) 0 x Electronisch (0%) 3 x Rock (0.3%) 0 x Avantgarde (0%) 2 x Folk (0.2%) 0 x Tunes (0%) 0 x Blues (0%) 0 x Hiphop (0%) 0 x Ballroom (0%) 0 x Caribisch (0%) 0 x Jazz (0%) 0 x Religieus (0%) 0 x Comedie (0%) 5 x Latin (0.5%) 0 x Gelegenheid (0%) 1 x Country (0.1%) 985 x Pop (98.5%) 0 x Klassiek (0%) © Edward Pieper - Eurovisie Top 1000 van 2017 - http://www.top10000.nl 1 Waterloo 1974 Pop ABBA Engels Sweden 2 Euphoria 2012 Pop Loreen Engels Sweden 3 Poupee De Cire, Poupee De Son 1965 Pop France Gall Frans Luxembourg 4 Calm After The Storm 2014 Country The Common Linnets Engels The Netherlands 5 J'aime La Vie 1986 Pop Sandra Kim Frans Belgium 6 Birds 2013 Rock Anouk Engels The Netherlands 7 Hold Me Now 1987 Pop Johnny Logan Engels Ireland 8 Making Your Mind Up 1981 Pop Bucks Fizz Engels United Kingdom 9 Fairytale (Norway) 2009 Pop Alexander Rybak Engels Norway 10 Ein Bisschen Frieden 1982 Pop Nicole Duits Germany 11 Save Your Kisses For Me 1976 Pop Brotherhood Of Man Engels United Kingdom 12 Vrede 1993 Pop Ruth Jacott Nederlands The Netherlands 13 Puppet On A String 1967 Pop Sandie Shaw Engels United Kingdom 14 Apres toi 1972 Pop Vicky Leandros Frans Luxembourg 15 Power To All Our Friends 1973 Pop Cliff Richard Engels United Kingdom 16 Als het om de liefde gaat 1972 Pop Sandra & Andres Nederlands The Netherlands 17 Eres Tu 1973 Latin Mocedades Spaans Spain 18 Love Shine A Light 1997 Pop Katrina & The Waves Engels United Kingdom 19 Only -
Sakis Rouvas
SAKIS ROUVAS "Sakis" Rouvas is a Greek musician, television and film artist, businessman, and former pole player who is one of the most commercially successful entertainers of all time in Greece and Cyprus. Beginning a career as a member of the national athletics team, Rouvas commenced a musical career in 1991 and became one of Greece's first pop performers. In the early 1990s after winning the Thessaloniki Song Festival, Rouvas became a dominant figure in Greek entertainment, gaining a mass fan base and being cited as a phenomenon, a first for Greek music. His sexualized image and live performances utilizing complex choreography and costumes have earned him fame. He and manager Elias Psinakis formed a famous partnership in Greek show business. Rouvas' increasing popularity was coupled with criticism of both professional choices and personal struggles, which damaged his public image and lead to a brief, relatively unsuccessful period in the mid 90s. After five commercially successful albums with PolyGram Greece, Rouvas signed with Minos EMI in 1998. Amongst Rouvas' achievements are multiple recognized awards –including six Arion Music Awards, and a World Music Award– number-one albums and singles that have all achieved certifications of gold or higher, and sales of an estimated two million records as of 2008, making him one of Greece's best-selling music artists in history. Rouvas' distinct musical and performance style has influenced other artists, while his contributions to music have made him a prominent part of popular culture for nearly two decades. Rouvas' musical roots lie in rock music and as child and young adult he followed mainly the international music sceneElvis Presley became his biggest musical idol. -
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“Hello Millstreet, Sarajevo Calling”
JOSÉ LUIS PANEA Universidad de Castilla-La Mancha [email protected] “Hello Millstreet, Sarajevo Calling” cuerpo y diáspora a través de la puesta en escena del concurso de la canción vol 16 / Jun.2017 161-186 pp Recibido: 08-03-2015 - revisado 05-04-2017 - aceptado: 08-05-2017 © Copyright 2012: Servicio de Publicaciones de la Universidad de Murcia. Murcia (España) ISSN edición impresa: 1889-979X. ISSN edición web (http://revistas.um.es/api): 1989-8452 “Hello Millstreet, Sarajevo Calling”: Cuerpo y diáspora a través de la puesta... José Luis Panea “HELLO MILLSTREET, SARAJEVO CALLING” BODY AND DIASPORA THROUGH THE STAGING OF THE EUROVISION SONG CONTEST ABSTRACT Conflictive paradoxes that emerges from the Eurovision Song Contest since his creation (1956), performed annually, generate a sort of identity fiction recently worked from feminisms or queer theory perspectives in Anglo-Saxon sphere. This way, this essay is conceived as a bet into polit- ical-aesthetics of that apparently innocuous, anachronist, even kitsch, Song Contest because in “the act of point country-performance” it generates a key representation dilemma in order to understand the cultural complexities of our time through television. Hence, the two main lines of this paper: First, putting light into the rising interest of European margin countries during last years in a Contest at the beginning only “europeistic”, with all complexities derived from race, language, diaspora. Second, the presence of abject body (androgynous, lesbian, gay, transsex- ual, transgender, queer…) representing and, at the same time, deconstructing nation idea as a glorious body, and with Butler, impermeable, opening a place for an identity multiplicity that makes unique this TV live show combining music, geopolitics and competition in pan-Europe but broadcasted in all over the World. -
Politique Et Sociétés À Chypre Aujourd'hui
Cahiers balkaniques 46 | 2020 Politique et sociétés à Chypre aujourd'hui Édition électronique URL : https://journals.openedition.org/ceb/13573 DOI : 10.4000/ceb.13573 ISSN : 2261-4184 Éditeur INALCO Édition imprimée ISBN : 9782858313341 ISSN : 0290-7402 Référence électronique Cahiers balkaniques, 46 | 2020, « Politique et sociétés à Chypre aujourd'hui » [En ligne], mis en ligne le 08 janvier 2020, consulté le 06 juillet 2021. URL : https://journals.openedition.org/ceb/13573 ; DOI : https://doi.org/10.4000/ceb.13573 Cahiers balkaniques est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International. Cahiers balkaniques Numéro 46 Centre de Recherche Europes-Eurasie Presses de l’Inalco Directeur de publication Jean-François Huchet Rédacteurs en chef Faruk Bilici, Joëlle Dalègre, Frosa Pejoska-Bouchereau Comité scientifique Faruk Bilici (Professeur Histoire de la Turquie ottomane et moderne, Inalco- Paris), Frosa Pejoska-Bouchereau (Macédonien, Inalco-Paris), Joëlle Dalègre (mcf-hdr, Civilisation de la Grèce moderne, Inalco-Paris), Cécile Folschweiller (MCF Inalco, langue, littérature et civilisation roumaine), Mehmet Hacislihoglu (Professeur d’histoire, Directeur du centre d’études balkaniques et de la mer Noire, Univ. Yildiz, Istanbul), Anna-Marina Katsigianni, (Professeur en littérature comparée, Univ. Patras, Grèce), Christina Koulouri (Professeur d’histoire grecque moderne, Univ. Panteion, Athènes), Blagovest Njagulov (Professor, Historical Studies Institute, Académie -
World Investigation Etwinning Project Etwinning
WORLD ISSUE 2 An eTwinning Project JUNE 2020 SPECIAL FEATURE: CORONAVIRUS CRISIS CITY PRESENTATIONS SURVEY RESULTS: HOW HEALTHY IS YOUR LIFESTYLE? FOOD TRADITIONS: a recipe book SAFE INTERNET TIPS GET TO KNOW OUR NATIONAL CELEBRITIES OUR COLLABORATIVE STORY! ( English and partners' languages) SPORT and TRADITIONAL DRESSES in our different countries FOCUS ON CROATIA PETRA, THE ROSE CITY ROMANIAN MYTHS AND LEGENDS GREEK FESTIVITIES SURVEY 3 : how global are you ? INVESTIGATION Contents eTwinning and school closure 4-12 City presentations Collaborative Story Internet Safety Tips 13-27 Survey 2 Results Food,Sport dresses ,celebrities , My trip to: Travel book Petra, the rose city 28-37 Festivities in Greece History of Croatia Romanian Myths and legends COVID 19 FEATURE 38-49 Coronavirus crisis:Students' thoughts and creativity Distant learning 50-52 Communication during lockdown Survey 3 How global are you ? 53-54 Game page: four quizzes to test your knowledge of our project 55 Project Evaluation World Investigation Etwinning Project eTwinning INFOMAG On the right, a collage of the different tools we 've been using to communicate with our students during the lockdown. Issue 1 review by Seoyoung, Korea . eTwinning at home . eTwinning in times of school closure The most impressive article for me was ‘Helen As you all know, most of the schools in Europe, K meets … Michael Asia and the rest of the world closed for several Phillips ‘ because weeks because of the pandemic and he’s been lockdown. However, World Investigation partners swimming since have never ceased working on the project and he was a kid , and managed to complete most of the tasks .No doubt by winning more that our eTwinning experience was a great help for than 20 medals at online teaching as we are all very familiar with the Olympics , he online platforms, visio conferencing, collaborative feels like he’s tools and social networks. -
Conceptualising a Visual Culture Curriculum for Greek Art Education
DOCTORAL THESIS Conceptualising a visual culture curriculum for Greek art education Christopoulou, Martha Award date: 2008 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 INTRODUCTION BACKGROUND TO RESEARCH AND PROBLEM AREA Working as a primary school teacher in Greece for ten years and practising icon-painting, aroused my interest in teaching visual arts. From my masters level studies in Art, Craft and Design Education at Roehampton University, I learned that if art education is to be a meaningful experience and contribute to the life of my students art has to be taught as part of the culture in which it is produced. In addition, I started to think about the way students in present day society construct multiple and overlapping identities and live within complex social environments permeated by visual images that art teachers could use to enhance art content and practice (Freedman, 2003b; Duncum, 2002a; Pauly, 2001). -
Megaron the Athens Concert Hall Recording Centre Discography
MEGARON THE ATHENS CONCERT HALL RECORDING CENTRE DISCOGRAPHY No Title Composer - Artist Label Year Notes THE FRIENDS OF MUSIC 1 Dimitris Sgouros Recital W.A. MOZART 1991 SOCIETY BMG Classics 2 La Camerata Beethoven - Shostakovich - Skalkottas 1993 International Release RCA VICTOR RED SEAL W.A. MOZART 3 La Camerata Orchestra of the Friends of Music EUROBANK 1993 Symphonies No 34 & 36 in C major SHOSTAKOVICH SCRIABIN RACHMANINOV 4 Annie and Lola Totsiou LYRA 1995 Russian Music for two pianos 5 David Lynch / Lit'l Song David Lynch FM RECORDS 1995 International Release NIKOLAUS HARNONCOURT 6 Beethoven Overtures TELDEC 1996 International Release Chamber Orchestra of Europe Christophoros Stamboglis 7 CHAMBER Music Compositions LYRA 1996 Danae Kara YANNIS MARKOPOULOS 8 Yannis Markopoulos LYRA 1996 RENAISSANCE JEANNETTE PILOU 9 Jeannette Pilou SERIOS LIVE RECORDINGS 1996 LES CHEMINS DE L' AMOUR Music Thanos Mikroutsikos 10 The Blue Line Tales ΜΙΝΟS - EMI / HMV 1996 Narration Mania Tehritzoglou Athens Philharmonia 11 Athens Municipality New Philarmonic Orchestra ATHENS MUNICIPALITY 1996 Christmas Carols Dimitris Mitropoulos 12 Danae Kara AGORA Musica 1997 European Release Piano Works The Story of Lulu, The Tale of Le Bourgeois 13 Thanos Mikroutsikos ΜΙΝΟS - EMI / HMV 1997 Gentilhomme KOSTAS KOTSIOLIS 14 Kostas Kotsiolis ΜΙΝΟS - EMI / HMV 1997 Moonlight Guitar CONSTANTINE P. CAVAFY - CHRISTOFOROS Thanos Mikroutsikos 15 LIONTAKIS ΜΙΝΟS - EMI / HMV 1997 Poetry with Music KOSTAS THOMAIDIS, song MICHALIS GRIGORIOU Poems by TAKIS SINOPOULOS - ARIS ALEXANDROU -
Europack 2004
www.eurovision-spain.com XLIX Festival de eurovisión Estambul – Turquía – 12 y 15 de mayo de 2003 Europack 2004 SEMIFINAL visítanos en www.eurovision-spain.com europack 2003 | pág 1 www.eurovision-spain.com XLIX Festival de eurovisión Estambul – Turquía – 12 y 15 de mayo de 2003 Estimados visitantes y amigos de www.eurovision-spain.com ya tenemos aquí un nuevo festival de eurovisión, en esta ocasión con dos galas, la final y la semifinal , hemos llegado al fin del camino que comenzamos hace casi un año siguiendo todo el proceso de organización del festival, casi 365 intentando ofreceros la mejor información y servicios, porque eurovisión se vive más que un día al año. Como hicimos el año pasado aquí teneis nuestro europack, pero en esta ocasión dividido en dos partes para sigáis el festival con toda la información que necesitéis en cada momento, lista de países, canciones, letras en versión original y traducción al castellano y tablero de puntuaciones total, todo ello para que tan sólo tengas que imprimirlo y empezar a vivir el festival desde ahora. El Europack de la final será publicado una vez se conozcan los finalistas Gracias a todos por vuestro apoyo durante esta temporada eurovisiva y esperamos contar con todos en la nueva que hoy comienza para el festival de la canción de eurovisión. Saludos a todos y gracias en nombre de todos los que hacemos www.eurovisión-spain.com europack 2003 | pág 2 www.eurovision-spain.com XLIX Festival de eurovisión Estambul – Turquía – 12 y 15 de mayo de 2003 Lista de participantes: XLIX Festival de Eurovisión final: 15/05/04 | semifinal: 12/05/04 Sede: Estambul, Turquía - Abdi Ipekci Votación: de 1 a 8, 10 y 12 - (votos alfabéticamente 36-final y 33-semi) Participantes: 14 finalistas + 10 semifinalistas Semifinal nº País Intérprete - canción pts.