Europack 2004
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D Liepa Promocijas Darbs
LATVIJAS UNIVERSIT ĀTE HUMANIT ĀRO ZIN ĀTŅU FAKULT ĀTE Dite Liepa LATVIJAS PRESES VALODA VALSTISK ĀS NEATKAR ĪBAS ATJAUNOŠANAS PROCES Ā: SOCIOLINGVISTISKAIS ASPEKTS The Language of Latvia’s Printed Media during its Independence Restoration Process: the Sociolinguistic Aspect Promocijas darbs filolo ģijas doktora gr āda ieg ūšanai valodniec ības zin ātņu nozar ē visp ārīgās valodniec ības apakšnozar ē Rīga, 2010 SATURS IEVADS...................................................................................................................4 1. PLAŠSAZI ŅAS L ĪDZEK ĻU NOZ ĪME POLITISK0 P ĀRMAI ŅU PROCESA ATSPOGU ĻOJUM Ā UN VEICIN ĀŠAN Ā..........................................................5 1. 1. Politisko un ekonomisko procesu ietekme uz plašsazi ņas l īdzek ļu valodu Austrumeiropas un Centr āleiropas valst īs.................................................................5 1.1. 1. Procesi valod ā Austrumu bloka valst īs politisko p ārmai ņu ietekm ē..............5 1.1.2. P ārmai ņas preses valod ā Padomju Savien ībā un Krievij ā...............................5 1.1.3. P ārmai ņas preses valod ā bijušaj ās Austrumu bloka valst īs.............................9 1.1.4. P ārmai ņas preses valod ā Lietuv ā un Igaunij ā..................................................17 1.2.Politisko un ekonomisko procesu ietekme uz plašsazi ņas l īdzek ļu valodu Latvij ā..... .................................................................19 1.2.1. Pirmais periods (1986-1991). ………………………………………….. ......20 1.2.2. Otrais periods (1992-1999)……………………………………………….......33 1.2.3. Trešais periods (1999-mūsdienas)……………………………………….......36 1. 3. Secin ājumi……………………………………………………………………...38 2. PRESES VALODAS LEKSIKOSTILISTISKAIS RAKSTUROJUMS: JAUNDARIN ĀJUMI, AIZGUVUMI UN SARUNVALODAS ELEMENTI…..39 2.1. Preses valoda k ā publicistikas valodas stila izpausme……………………….. ..39 2.2. Visp ārīgās un individu ālās iez īmes preses valod ā...............................................43 2.3. Jaunin ājumi preses valod ā……………………………………………………...48 2.3.1. -
O Magnetismo Humano
Padrinho Juruá – 1956 MAGIAS E RITUAIS DA UMBANDA VOLUME I – II e III Volume I São Caetano do Sul, 2017 398 p. Fundação Biblioteca Nacional Escritório de Direitos Autorais Certificado de Registro ou Averbação Nº Registro: 558.065 – livro: 2320 – folha: 95 Todo o material (textos, fotografias e imagens) disponibilizados neste livro estão sob a proteção da “LEI DO DIREITO AUTORAL Nº 9.610, de 19 de fevereiro de 1998”. É proibida toda e qualquer comercialização dos mesmos, em quaisquer meios de comunicação, sem prévia consulta e autorização pessoal do autor. Para reprodução sem fins comerciais, é obrigatória a divulgação da autoria do material aqui disponibilizado. CAPA: Concepção artística de um Guia Espiritual Caboclo da Mata ÍNDICE • MAGNETISMO HUMANO.......................................................................................................................02 O QUE É MAGNETISMO HUMANO?........................................................................................................................03 TEORES VIBRATÓRIOS DAS ENERGIAS GERADAS.............................................................................................05 DESTINO DAS ENERGIAS GERADAS.....................................................................................................................06 QUANTIDADE E POTÊNCIAS DAS ENERGIAS GERADAS....................................................................................07 LEI REGENTE............................................................................................................................................................08 -
PEN (Organization)
PEN (Organization): An Inventory of Its Records at the Harry Ransom Center Descriptive Summary Creator: PEN (Organization) Title: PEN (Organization) Records Dates: 1912-2008 (bulk 1926-1997) Extent: 352 document boxes, 5 card boxes (cb), 5 oversize boxes (osb) (153.29 linear feet), 4 oversize folders (osf) Abstract: The records of the London-based writers' organizations English PEN and PEN International, founded by Catharine Amy Dawson Scott in 1921, contain extensive correspondence with writer-members and other PEN centres around the world. Their records document campaigns, international congresses and other meetings, committees, finances, lectures and other programs, literary prizes awarded, membership, publications, and social events over several decades. Call Number: Manuscript Collection MS-03133 Language: The records are primarily written in English with sizeable amounts in French, German, and Spanish, and lesser amounts in numerous other languages. Non-English items are sometimes accompanied by translations. Note: The Ransom Center gratefully acknowledges the assistance of the National Endowment for the Humanities, which provided funds for the preservation, cataloging, and selective digitization of this collection. The PEN Digital Collection contains 3,500 images of newsletters, minutes, reports, scrapbooks, and ephemera selected from the PEN Records. An additional 900 images selected from the PEN Records and related Ransom Center collections now form five PEN Teaching Guides that highlight PEN's interactions with major political and historical trends across the twentieth century, exploring the organization's negotiation with questions surrounding free speech, political displacement, and human rights, and with global conflicts like World War II and the Cold War. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
Maijaeinfeldearvakufinale.Pdf
1 Maija Einfelde: Her Life and Music Riga: Latvian Music Information Centre, 2019, 112 pp. ISBN: 978-9934-19-926-4 Baiba Jaunslaviete Translated by Amanda Zaeska Cover design: Gundega Kalendra Music engraving: Līga Pētersone Supported by the American Latvian Association Cultural Foundation / Amerikas Latviešu apvienības Kultūras fonds Riga: Latvian Music Information Centre, 2019 2 CONTENTS PREFACE 4 1. FAMILY HISTORY 7 2. 1939–1951. CHILDHOOD HOME 9 3. 1952–1966. FROM PIANO PLAYING TO COMPOSITION 13 4. 1966–1985 18 SEARCHING FOR HER OWN PLACE 18 COMPOSITIONS 24 First vocal works 24 Sonatas and other compositions for strings and piano 26 5. 1986–1995 33 A TIME OF CHANGE: HOPES AND LOSSES 33 COMPOSITIONS 36 Organ and piano works 36 Music for strings 39 Music for wind instruments 43 Trio ensembles 45 Orchestral compositions 47 Vocal works 49 6. 1996–2005 52 SUCCESS 52 COMPOSITIONS 55 Choir and vocal ensemble 55 Instrumental music 67 7. 2001–2018 68 WORK AND VARIOUS IMPRESSIONS FROM LIFE 68 COMPOSITIONS 73 Choir and vocal ensemble 73 Symphony and Concerto 79 Chamber music 82 8. AN ATTEMPT AT A PERIODISATION 84 INSTEAD OF A CONCLUSION. MAIJA EINFELDE IN AN INTERNATIONAL CONTEXT: INFLUENCES AND PARALLELS 87 REFERENCES 96 SELECTIVE LIST OF COMPOSITIONS 102 3 PREFACE For already half a century, since she graduated from the Latvian State Conservatory in 1966, Maija Einfelde has been actively composing. She has witnessed many different processes in Latvian music, but at the same time, she has pursued her own path, never affiliating herself with any group of like-minded artists. -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
Os Cinquenta Anos Do Festival Eurovisivo Português
Revista Brasileira de Estudos da Canção – ISSN 2238-1198 Natal, n.6, jul-dez 2014. Disponível em: www.rbec.ect.ufrn.br Festival RTP da Canção: Os cinquenta anos do festival eurovisivo português José Fernando Saroba Monteiro1 [email protected] Resumo: Em 2014 o Festival RTP da Canção chega ao seu cinquentenário. Surgido para escolher uma canção portuguesa para concorrer no Festival Eurovisão da Canção, o festival português tornou-se uma plataforma para o descobrimento e reconhecimento de diversos artistas, além de apresentar canções que hoje são vistas como verdadeiras expressões da alma portuguesa. Mesmo Portugal nunca tendo vencido o Eurovisão, o Festival RTP da Canção continua a ser realizado como uma forma de celebração da música portuguesa e de erguer os ânimos da produção musical em nível nacional. Palavras-chave: Festival RTP da Canção; Festival Eurovisão da Canção; Música Portuguesa. Abstract: In 2014, the RTP Song Festival reaches its fiftieth anniversary. Arisen to choose a Portuguese song to compete in the Eurovision Song Contest, the Portuguese festival has become a platform for the discovery and recognition of several artists, as well as to present songs that are seen today as a true expression of the Portuguese soul. Although Portugal has never won the Eurovision, the RTP Song Festival continues to be held as a way to celebrate the Portuguese music and to raise the spirits of music production at national level. Keywords: RTP Song Festival; Eurovision Song Contest; Portuguese Music. Introdução Surgido em 1964 com a finalidade de escolher uma canção para representar Portugal no Festival Eurovisão2, o Festival RTP da Canção completa, em 2014, cinquenta anos. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Sixth Year. Ann Arbor, Michigan, Friday, June 13, 1884
THE ANN ARBOR DEMOCRAT. SIXTH YEAR. ANN ARBOR, MICHIGAN, FRIDAY, JUNE 13, 1884. NUMBER 300. to Arthur. If this can be prevented they hope deavored if possible to counteract the enthusi- portionment of delegates to future national of the railroad between Poplar Bluff, Mo.- and Bill Nyc on Portraits. The pony was taken along with a com- THE NOMINEES. conventions and of a revised apportionment for a favorable result. asm totton up by the friends of Blaine a few the Arkarsas State line, and, as amended, the pany of soldiers as far as Cheyenne, of members of the national committee be re- THE THIRD DAY. minutes previously. His speech in support of bill was passed. Without further action the ferred to the eommi.tee on rules and order of Arthur was a resume of the events of his ad- House adjourned. No mau knows how much ho can en- and from there shipped to Washington, business with leave to report at any time be- Chairman Henderson called the convention ministration beginning with the time the oath dure and yet not burst until he has seen where ho arrived early last fall. — Wash- James G. Blaine for President and to order at 10:50 a. m. The delegates and of nfflc* was administered that eventful night JUNE 7—HOTJSE—On motion of Mr. Culber- his portrait published a few times. PUBLISHED EYErtY FRIDAY AT fore the ballot for president. audience took their seats with commendable- son of Tuas a bill was passed amending the ington Mar. Postmaster Conger of Washington moved to hi New York, soon afler the eptrit of Garfleld act to determine the jurisdiction of United Then ho realizes the wealth of woe that John A. -
Good Short Total Song 1 64 0 64 R2 JINGLE
Index Good Short Total Song 1 64 0 64 R2 JINGLE - NOCNI 03 2 63 0 63 R2 JINGLE - NOCNI 04 3 59 0 59 R2 JINGLE - NOCNI 02 4 57 0 57 R2 JINGLE - NOCNI 05 5 56 0 56 R2 JINGLE - NOCNI 06 6 52 0 52 SHAWN MENDES, CAMILA CABELLO - SENORITA 7 51 0 51 PINK - WALK ME HOME 8 51 0 51 LAMAI - SPET TE SLISIM 9 51 0 51 ENRIQUE IGLESIAS FT. BAD BUNNY - EL BANO 10 50 0 50 PEDRO CAPO & FARRUKO - CALMA [REMIX] 11 50 0 50 IMAGINE DRAGONS - BAD LIAR 12 50 0 50 ALVARO SOLER - LA CINTURA 13 50 0 50 ED SHEERAN - PERFECT 14 50 0 50 AVA MAX - SO AM I 15 49 0 49 ARIANA GRANDE - NO TEARS LEFT TO CRY 16 49 0 49 LEWIS CAPALDI - SOMEONE YOU LOVED 17 49 0 49 AVA MAX - KINGS & QUEENS 18 48 0 48 LEWIS CAPALDI - BEFORE YOU GO 19 48 0 48 MAROON 5 - GIRLS LIKE YOU [DH CUT] 20 47 0 47 MAROON 5 - MEMORIES 21 46 0 46 LADY GAGA & BRADLEY COOPER - SHALLOW 22 46 0 46 GEORGE EZRA - SHOTGUN 23 45 0 45 THE WEEKND - BLINDING LIGHTS 24 45 0 45 PINK - A MILLION DREAMS 25 45 0 45 TOM WALKER - LEAVE A LIGHT ON 26 44 0 44 ED SHEERAN, JUSTIN BIEBER - I DON T CARE 27 43 0 43 AVA MAX - SALT 28 43 0 43 YOUNOTUS, JANIECK & SENEX - NARCOTIC 29 42 0 42 NINA PUSLAR - SVET NA DLANI 30 41 0 41 LUIS FONSI FT. -
Essays in Labor Markets: Gender, Fertility and Education
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Rosenbaum, Philip Doctoral Thesis Essays in Labor Markets: Gender, Fertility and Education PhD Series, No. 9.2019 Provided in Cooperation with: Copenhagen Business School (CBS) Suggested Citation: Rosenbaum, Philip (2019) : Essays in Labor Markets: Gender, Fertility and Education, PhD Series, No. 9.2019, ISBN 9788793744615, Copenhagen Business School (CBS), Frederiksberg, http://hdl.handle.net/10398/9714 This Version is available at: http://hdl.handle.net/10419/209102 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), -
The Watershed: a Biography of Johannes Kepler
The Watershed By Arthur Koestler Spanish Tertament Gladiators Darkness at Noon Scum of the Earth Arrival andDeparture The Yogi and the Commissar Twilight Bctr Thieves in the Night Insight andOutlook The Structure of a Miracle Age of Longing Promise and Fulfillment .Arrow in the Blue The InvisibleWriting Trail of the Dinosaur Reflections on Hanging The Sleepwolkers ARTHUR KoESTLER, born in Budapest in 1905 and edu cated in Viemia, began his writing career as an editor of a German and Arabian weekly newspaper in Cairo. This led to his becoming the Near East correspondent for the Ullstein newspapers of Berlin. Future assign ments included the Graf Zepplin's flight over the Arctic in 1931 and the Civil War in Spain, where he was im prisoned, sentenced to death, and finally pardoned by the rebels. An active communist from 1931 to 1938, Koestler achieved world fame with DARKNESS AT NooN ( 1941), his explosive anti-communist novel. He now lives in England. A more comprehensive biography ap pears in John Durston's Foreword. THE WATERSHED A Biography of Johannes Kepler .Arthur Koestler Foreword by John Durston ILLUSTRATED BY R. PAUL LARKIN Published by Anchor Books Doubleday & Company, Inc. Garden City, New York LibrtJT)' of Congress Catalog Card Number 6o-13537 Copyright© 1960 by EducatiorudServices Incorporated From THE SLEEPWALKERS © Arthur Koestler 1959 by prmnjssion of the author and The Macmillan Company, New York and Hutchinson & Co. (Publishers) Ltd. All Rights Reserved Printed in the United Statesof Americtt THE SCIENCE STUDY SERIES The Science Study Series offers to students and to the general public the writing of distinguished authors on the most stirring and fundamental topics of physics, from the smallest known particles to the whole universe.