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RELATIONAL NARRATIVES: CONSTRUCTING MEANING IN CONTEMPORARY LITERATURES IN FRENCH by Rebecca Loescher A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March, 2017 Abstract The act of narrating permeates daily life: from the tales we tell about our identities to published works of fiction, narratives fundamentally shape human perception. With this in mind, Relational Narratives: Constructing Meaning in Contemporary Literatures in French explores narrative mode as a means for structuring innovative thought-models. Marrying close readings with socio-cultural analyses, it examines relational narrative modes in six works of prose published since the turn of the 1980s: François Bon’s Sortie d’usine (1982), Assia Djebar’s L’Amour, la fantasia (1985), Maryse Condé’s Traversée de la Mangrove (1989), Patrick Chamoiseau’s Texaco (1992), Koffi Kwahulé’s Babyface (2006), and Annie Ernaux’s Les Années (2008). Part One, on narrative voice and temporality, argues that relational narratives bring temporally divergent voices into a single space of resonance. Part Two turns to the portrayal of narrative truths, whether collective, individual, historical, or purely fabricated, as well as to the mixing of genres, which include autobiography, historical realism, testimony, ethnography, and the marvelous. I contend that truth in relational narratives is multiple and shifting, and requires that the reader actively construct meaning. Finally, Part Three examines the political implications of relational narration. First, I show that relational narratives remain fully grounded in specific socio-cultural contexts — or their lieu, the space from which Édouard Glissant contends relation becomes possible.
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