DOCSLIB.ORG

Gavin Rap Like That! by THEMBISA S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gavin Rap Like That! by THEMBISA S MOST ADDED TOP TIP RECORD TO WATCH GENIUS/GZA DAllIE DEE AZ Li,lrl 11 i,rl, I Erv/ lwrh. 11í1Ns li, i; I Gan s/a (;inlfu, )imr, (Crl /Lilo) (l ::1//) THA DOGG POUND Ain't it the truth! 16 adds seperate Razzie Taking third place for Most Added with 29 Lei :c May l/uusr from the wanna he Gs this week... nods. this one promises to be a chart- burner! (Death Rou s9l Nc'1;<c i,p( 1 Gavin Rap Like That! BY THEMBISA S. MSHAKA Once Again It's On! II, llne rend of the year. :MCI we're TI( ,i.ilt it Arista are shorting 1 1 1 LORD FINESSE - Hip To Da Game (Penalty) n up for another GAVIN mad io\ e to college student $ 2 2 'E - Gviá Proof (Payday/FERRI Seminar. But in no way will it reporters! Peep this: Arista is he 1\. S 3 3 KOOL G RAP - gas' Li!r Feat NAS (Cold Cn;l °n 'Epic Street) just another GA\ Check the going to hit you off with a '96 profile: Set in Atlanta, the coupon for S25.011 off on the S 4 4 FAB 5: HELTAH SKELTAHIO.G.C. - Blah!Leflaur Leflan Esnkoshka (Duck Dowr)Pr:orityi Olympic City, February ' -III. Seminar's already super -low col- S 5 5 BLAHZAY BLAHZAY - Danger (Mercury) 1996, it \\'ill deliver like no (>lher lege student registration rate. $ 6 6 PHARCYDE - Runnid!Drop )Delicious Viny"Capitoi) conference can. W'e re all about Look for your authentic Arista bringing you the best of all coupons in the mail very soon. 11 9 7 AKINYELE AND SADAT X _ -... :1 RCA) worlds: the fierce social element. because they expire January It). 27 15 8 CHEF RAEKWON Iamb -style slim\cas(s. and the Now. on to my Saggitarian 19 17 9 MIC GERONIMO most stimulating format sessions. shout outs! \Iv birthday was on 10 10 10 KRSONE - .I 11 s. you actually ¡earn s )t1 ething I)ecenther r. one I'm proud to new at every G \\ I\. and this share my 14 12 11 MANNISH with INC humie Masta February will be on hit. Ace. Check out all the other S 7 12 : Reuormng ERICK SERMO(. Group) Of couae. everybody's asking Saggitarians in full effect: Dwight 32 24 13 FUGEES (Tranzlator Crew) (;' -s IRu(thouse,CT :ia,CRG) aIx>ut the panels. Well. without and Lariena from Capitol. Sean S 8 14 THE GENIUS SwordslDGCI giving up toc) much. l'II just say at Tommy Boy. Chris from Mad that will be focusing on the Flava r t\ hose Ile \y si nags are (rn S 16 15 CYPRESS HILL - Throw Your Sel In The Air /Kilda Hill IR_- - J .: , RG) burning issues \ith solutions as the next le\ eh. my soul- .sista S 14 16 SMIF N WESSUN - Sound Boy Bureiu,V/rekonize (Wreck,/Nervous) I ur goal. Topics we plan tu Zenobia from KKBT -Los Angeles. 9 11 17 FAT JOE - Success (Relativity) address include the rise of DJ and WZHT- Montgomery's uIirhael coalitions, !um I),Is can get to London. To) all the Sages I S 13 18 METHOD MAN - The Riddler (Remix) (Atlantic) missed. the next level in radio. and hrnv ¡sappy birthday to you too! T- S 21 19 ONYX - Last Dayz (JMJ /Det Jam Recording Groups the hip -hop nation can better pro - Mor threw the tly surprise part S 20 20 GOODIE MoB - Cell Therapy /Soul Food (LaFace,'Aris!a) tect itself from attacks that conne fur me. Even Ed O.G. was there! 15 18 21 ILL BISKITS - God Bless Your Life IAtlant c) both from within and \without. W'e The latest game of industry plan to get tu the nitty -gritty musical chairs finds Brian 25 19 22 THA DOGG POUND - Respect (Death Rowllnterscope) where retail and record pools are Sampson gone from \I( A. Sonic $ 29 23 L.L.000L J - Hey Lover featuring Boyz II Men (Del Jam Recording Grout)) concerned, and. 12>r the first time Continued on page 20 20 22 24 OMNISCIENCE - Amazid (3 Boyz From NewarkíElektra) ever. reggae will represent loud as T'S TOP 10 OF 32 25 REAL LIVE - Real Live Sfl t (Big Beat/Atlantic) with panel discussions well. ant also delighted lu \\ donne 1995 (IN NO PAR- 26 MOBS DEEP - Temperatures Rising (Loud/RCA) Keith T. CBnkscales. )'resident of TICULAR ORDER) 23 25 27 SUPERNATURAL - Buddah Blessed It (Elektra /EEG) 17/áü and the coolest brotha 1 Luniz- I Got 5 on It (Remix) 30 27 28 TRENDS OF CULTURE - Make A Move (Mad Sounds /Motown) know online. who will be the (C -Note, Nuu Trybe, keynote speaker kw the rap fin-- G S 34 29 CAPLETON - Wings 01 Morning (Def Jam Recording Group) Kool Rap- It's a Shame mat. As for the coveted G:wr\ (Epic Street) NEW 30 JUNIOR MAFIA - I Need You Tonight Remix/Get Money BeallAtlanlici (Big Award ceremony. the crew from Pharcyde- Runnin' - 37 31 PUDGEE On Teh Regular (Perspective;ABM) Elektra/eastwest is in the driver's (Delicious Vinyl/Capitol) Method Man /Redman -How High 35 35 32 5TH WARD BOYZ - One Night Stand (Rap -A- Lot /Noo Trybe) seat. and they have every inten- Jain Recording Group) tion of topping last year's hash. (Del 33 THE GENIUS - Cold World (DGC) The Click- Hurricane where ( G t\ i\ broke 01' Dirty 28 31 DA HUSTLER - (Sick Wid It/live) 34 SMOOTHE Hustlin /Broken Language (Profile) Bastard in the industry. Speaking Da Brat- Give It 2 You 38 36 35 THE NEXT CHAPTER - Various Unsigned Artists (Immortal) of the Awards. how those about (So So Del 'Columbia) nominees? sente welcome sur- - 38 36 KRIS KROSS rcc.;es Da Rite (Ruflhouse/ColumbiaiCRG) Method Man featuring Mary prises in there. huh? Keep your J. Blige- All 1 Need 37 ALL CITY - , o Da!? (Polydor) ewe on GAwt\ for more juice on (Del lain Recording Group) S 33 38 JAMAL - Fades fm Au (Rowdy'Aristal the contention \where hip-hop Goodie MOB -Cell Therapy 29 28 39 OL DIRTY BASTARD - Rawhide /Don't You Know (ElektraíEEG) lives. II you (haven't spoken with ILaFace /Arista) :¡bout ads Genius /ß2A- Labels 21 26 40 MOBB DEEP - Give Up The Goods (Loud /RCA) John Austin year -end or Seniinar nia rketing opportuni- (DGC) ties. you nee(( tu! Reach out to 2Pac- So Many Tears Chartbound (lnterscope) John at (215) 921'823. THA 006G POUND . MAD LION Real Ting (Weeded/Nervous) AZ ..rs (EMI) LBC CREW ' ware 01 My Crew DAS EFX -nn-n1,!nster(Eastwest;EEG) lrJipn Tlllì\III15,\ S. MsuaK:( k5g,.l..iauu! Ja( I. u' Ju\rs M c VI'Irt l:(\Is It:y) rep tris ar,clncJ Ilnu'sJa\.'1.t.m. I p.m. a.un Il,I,nin l'Iwnc. ilSi i"S lrvn (; I.iv. i i15 19S!S.u I 8 GAVIN DECEMBER 8, 1995 www.americanradiohistory.com.
Load more

Recommended publications
  • Lord Finesse the Awakening Mp3, Flac, Wma
    Lord Finesse The Awakening mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Awakening MP3 version RAR size: 1337 mb FLAC version RAR size: 1342 mb WMA version RAR size: 1982 mb Rating: 4.7 Votes: 520 Other Formats: DXD RA TTA MPC ADX AC3 MP3 Tracklist Hide Credits Da Sermon (Intro) A1 2:16 Producer – Lord Finesse Time Ta Bounce A2 Featuring – Doo-Wop From Da Bounce Squad*Producer – Lord FinesseWritten-By – K. 1:22 Parker*, O. Credle*, R. Hall* True And Livin' A3 Engineer [Recording Engineer], Engineer [Mix Engineer] – Gordon WilliamsWritten-By – R. 4:42 Hall*Written-By, Producer – Lord Finesse O' Lord A4 1:22 Featuring – O.C.Producer – Lord Finesse Brainstorm / P.S.K. (No Gimmicks Remix) Engineer [Recording Engineer], Engineer [Mix Engineer] – Troy HightowerFeaturing – A5 4:46 KRS-One, O.C.Producer – Lord FinesseWritten-By – A. Barnes*, O. Credle*, R. Hall*Written-By, Performer – KRS-One, Lord Finesse, O.C. Taking It Lyte A6 1:06 Featuring – MC LyteProducer – Lord FinesseWritten-By – Lord Finesse, MC Lyte Gameplan Backing Vocals [Additional Background Vocals] – Melanie "Missy" CoakleyPerformer – Lord A7 5:10 Finesse, MarqueeRecorded By, Mixed By – Chris "Conman" Conway*Written-By – R. Hall*Written-By, Producer – Lord Finesse Words From Da Ak B1 1:34 Featuring – AkinyeleProducer – Lord FinesseWritten-By – K. Parker*, R. Hall* Flip Da Style B2 Engineer [Recording Engineer], Engineer [Mix Engineer] – Chris "Conman" 3:43 Conway*Written-By – R. Hall*Written-By, Producer – Lord Finesse Showtime B3 1:04 Featuring – ShowbizProducer – Lord Finesse Speak Ya Peace Engineer [Recording Engineer], Engineer [Mix Engineer] – Chris "Conman" B4 Conway*Featuring – A.G.*, Diamond*, MarqueeProducer – Myke Loe*Written-By – A.
    [Show full text]
  • Fat Joe Dedication
    Dedication Fat Joe Whattup JuJu? Uhh, whattup Beatnuts? All them Dominicans in Corona Bobbito Stretch, my nigga Funk Flex This is the dedication Yeah, Punisher Big Dog in the house Full Eclipse crew Rated R, my nigga Domingo East New York representin, check it Before I start, you know I got ta pay homage and respect to Afrika Bambaata Zulu Nation, for twenty years of work Fat Joe wouldn't be on if it wasn't for Red Alert Chris Lighty, I hope the rain never ends Violator Records, now featuring The Twinz Diamond D, for believing in me Showbiz & A.G., the whole D.I.T.C. My nigga G. Rap, forever got your back whether it's with the macs or on a Primo track Aiyyo Guru, you know I love you to death Peace to Redman, Apache, Vinnie and Treach Nevertheless, on the other side of town there's my brother Lord Finesse gettin down for his crown DJ Sirs, killin shit, word to God Peace to Funkmaster Flex and the whole Flip Squad Nice and Smooth, hey yo you know the situation In case you haven't heard this jam is called the dedication Yo it's the dedication to all my niggaz one love From the heart dedication The dedication to all my niggaz one love.. Hey yo fuck all the rest, I'm givin love to Wu-Tang My nigga Chef and Big Meth, keep doin your thang Tony Starks, Ason, and the rest of the crew All my niggaz from Shaolin, you know how we do James Todd Smith, for inspirin me And all the funny-ass promoters who be hirin me Knowledge Reigns Supreme, yo you know you're the best Make sure you get that message that I left with West Anyhows, on the other side of things Big Nas, L.E.S., and Mobb Deep from Queens Puff Daddy, get the millions kid Nuff props and respect to Notorious B.I.G.
    [Show full text]
  • Ice-T Re^Rns to the Real Inside: the Cash Box Retail Guide
    'f)L. LIX, NO. 30 Newspaper $3.95 ftSo E ENTERTAINMENT TRADE M. rj V;K Ice-T Re^rns To The Real Inside: The Cash Box Retail Guide 0 82791 19360 4 VOL. LIX, NO. 30 April 6, 1996 NUMBER ONES STAFF GEORGE ALBERT President and Publisher POP SINGLE KEITH ALBERT THE ENTERTAINMENT TRADE MAGAZINE Exec. V.PJOeneral Manager Always Baby Be My M.R. MARTINEZ Mariah Carey Managing Editor (Columbia) EDITORIAL Los Angdes JOhM GOFF GIL ROBERTSON IV DAINA DARZIN URBAN SINGLE HECTOR RESENDEZ, Latin Edtor Cover Story Nashville Down Low ^AENDY NEWCOMER New York R. Kelly Ice-T Keeps It Real J.S GAER (Jive) CHART RESEARCH He’s established himself as a rapper to be reckoned with, and has encountered Los Angdes BRIAN PARMELLY his share of controversy along the way. But Ice-T doesn’t mind keepin’ it real, ZIV RAP SINGLE which is the key element in his new Rhyme Syndicate/ Priority release Ice VI: TONY RUIZ PETER FIRESTONE The Return Of The Real. The album is being launched into the consciousness of Woo-Hah! Got You... Retail Gude Research fans and foes with a wickedly vigorous marketing and media campaign that LAURI Busta Rhymes Nashville artist’s power. Angeles-based rapper talks with underscores the The Los Cash GAIL FRANCESCHl (Elektra) Box urban editor Gil Robertson IV about the record, his view of the industry MARKETINO/ADVERTISINO today and his varied creative ventures. Los A^gdes FRANK HIGGINBOTHAM —see page 5 JOI-TJ RHYS COUNTRY SINGLE BOB CASSELL Nashville To Be Loved By You The Cash Box Retail Guide Inside! TED RANDALL V\^nonna New York NOEL ALBERT (Curb) CIRCULATION NINATREGUB, Managa- Check Out Cash Box on The Internet at JANET YU PRODUCTION POP ALBUM HTTP: //CASHBOX.COM.
    [Show full text]
  • Underground Rap Albums 90S Downloads Underground Rap Albums 90S Downloads
    underground rap albums 90s downloads Underground rap albums 90s downloads. 24/7Mixtapes was founded by knowledgeable business professionals with the main goal of providing a simple yet powerful website for mixtape enthusiasts from all over the world. Email: [email protected] Latest Mixtapes. Featured Mixtapes. What You Get With Us. Fast and reliable access to our services via our high end servers. Unlimited mixtape downloads/streaming in our members area. Safe and secure payment methods. © 2021 24/7 Mixtapes, Inc. All rights reserved. Mixtape content is provided for promotional use and not for sale. The Top 100 Hip-Hop Albums of the ’90s: 1990-1994. As recently documented by NPR, 1993 proved to be an important — nay, essential — year for hip-hop. It was the year that saw 2Pac become an icon, Biz Markie entangled in a precedent-setting sample lawsuit, and the rise of the Wu-Tang Clan. Indeed, there are few other years in hip- hop history that have borne witness to so many important releases or events, save for 1983, in which rap powerhouse Def Jam was founded in Russell Simmons’ dorm room, or 1988, which saw the release of about a dozen or so game-changing releases. So this got us thinking: Is there really a best year for hip-hop? As Treble’s writers debated and deliberated, we came up with a few different answers, mostly in the forms of blocks of four or five years each. But there was one thing they all had in common: they were all in the 1990s. Now, some of this can be chalked up to age — most of Treble’s staff and contributors were born in the 1980s, and cut their musical teeth in the 1990s.
    [Show full text]
  • The Weekly Arts and Entertainment Supplement to the Daily Nexus Ous
    The Weekly Arts and Entertainment Supplement to the Daily Nexus a t j o e (a k a FJ: It’s definitely with me, Raekwon, who want the real. Peo­ less and wild. Runnin’ (laughs) Lord Finesse, Joey Crack and more lyrical. It’s more Ghost Face, Nas, AZ ple who can look at Fat around spending mo­ featuring O .C . a n d F Fat Joe Da creative. It’s much and Mobb Deep. That Joe in the video and tell ney, having fun, cause KRS-One. That shit is Gangsta) is quickly be- tighter. You can hear will be the cream tour. that he really went even then he was still hot. Whoa! Boom Bam! coming a regular the whole thing and not AW: What do you through what he is say­ number one. I just loved I got the slammin’ tape, amongst New York’s have to fast-forward think of live hip-hop ing. I like the worst peo­ him. He represented me B. Niggas can’t fuck most elite emcees. Fat through songs. That’s shows? ple. I like the baddest and represented the with my tape right now. Joe’s new album, Jeal­ the problem with a lot FJ: There are certain people to enjoy my Bronx. I remember go­ Maybe I should take ous One’s Envy, is an of rappers today, they people who get busy. music. I want every­ ing to junior high you to the old school for impeccably produced, just think that they are Hip-hop shows have body to enjoy my music, school and everybody the last joint I’d play lyrically solid album, going to have three vid­ definitely gotten less but definitely the scum, was like “KRS! KRS!” I “The Vapors” by Biz with guest spots by eos — let’s make three creative in these stages the lowlifes.
    [Show full text]
  • KRS-One KRS ONE Mp3, Flac, Wma
    KRS-One KRS ONE mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: KRS ONE Country: Europe Released: 1995 Style: Conscious MP3 version RAR size: 1254 mb FLAC version RAR size: 1281 mb WMA version RAR size: 1236 mb Rating: 4.5 Votes: 800 Other Formats: MMF DTS MOD ASF AHX MP2 AAC Tracklist Hide Credits Rappaz R. N. Dainja 1 5:58 Producer – DJ Premier De Automatic 2 4:25 Featuring – Fat JoeProducer – Big French Productions* MC's Act Like They Don't Know 3 4:55 Producer – DJ Premier Ah-Yeah 4 3:50 Producer – KRS-One R.E.A.L.I.T.Y. 5 4:17 Producer – Norty CottoVocals [Intro], Backing Vocals – Dexter Thibou Free Mumia 6 4:08 Featuring – Channel LiveProducer – KRS-One Hold 7 5:55 Producer – KRS-One Wannabemceez 8 4:21 Featuring – Mad LionProducer – DJ Premier Represent The Real Hip Hop 9 4:38 Featuring – Das EFXProducer – ShowbizScratches – DJ Dice The Truth 10 3:46 Backing Vocals – Rich NiceProducer – KRS-One Build Ya Skillz 11 4:41 Featuring – Busta RhymesProducer – Diamond D Out For Fame 12 4:51 Producer – KRS-One Squash All Beef 13 5:04 Backing Vocals – Sadat XProducer – Diamond D Health, Wealth, Self 14 5:00 Producer – KRS-One Companies, etc. Phonographic Copyright (p) – Zomba Recording Corporation Copyright (c) – Zomba Recording Corporation Distributed By – BMG Credits Design – Miguel Rivera Mastered By – Tom Brick Photography By – Daniel Hastings Notes Overseen by Scott LaRock Made in the EC. Barcode and Other Identifiers Barcode (Text): 0 1241-41570-2 7 Barcode (Scanned ): 012414157027 Label Code: LC 7925 Rights Society:
    [Show full text]
  • Journal of the Society for American Music Eminem's “My Name
    Journal of the Society for American Music http://journals.cambridge.org/SAM Additional services for Journal of the Society for American Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Journal of the Society for American Music / Volume 3 / Issue 03 / August 2009, pp 341 - 363 DOI: 10.1017/S1752196309990459, Published online: 14 July 2009 Link to this article: http://journals.cambridge.org/abstract_S1752196309990459 How to cite this article: LOREN KAJIKAWA (2009). Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race. Journal of the Society for American Music, 3, pp 341-363 doi:10.1017/S1752196309990459 Request Permissions : Click here Downloaded from http://journals.cambridge.org/SAM, IP address: 140.233.51.181 on 06 Feb 2013 Journal of the Society for American Music (2009) Volume 3, Number 3, pp. 341–363. C 2009 The Society for American Music doi:10.1017/S1752196309990459 ⃝ Eminem’s “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Abstract Eminem’s emergence as one of the most popular rap stars of 2000 raised numerous questions about the evolving meaning of whiteness in U.S. society. Comparing The Slim Shady LP (1999) with his relatively unknown and commercially unsuccessful first album, Infinite (1996), reveals that instead of transcending racial boundaries as some critics have suggested, Eminem negotiated them in ways that made sense to his target audiences. In particular, Eminem’s influential single “My Name Is,” which helped launch his mainstream career, parodied various representations of whiteness to help counter charges that the white rapper lacked authenticity or was simply stealing black culture.
    [Show full text]
  • Examining the Role Hip-Hop Texts Play in Viewing the World
    Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Technology Dissertations Jan. 2015) Fall 1-10-2014 Wordsmith: Examining the role hip-hop texts play in viewing the world Crystal LaVoulle Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation LaVoulle, Crystal, "Wordsmith: Examining the role hip-hop texts play in viewing the world." Dissertation, Georgia State University, 2014. https://scholarworks.gsu.edu/msit_diss/119 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, WORDSMITH: EXAMINING THE ROLE HIP-HOP TEXTS PLAY IN VIEWING THE WORLD, by CRYSTAL LAVOULLE, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ _________________________________ Peggy Albers, Ph.D. Tisha Y. Lewis, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kimberly Glenn, Ph.D.
    [Show full text]
  • TEG 78509 BIG L Lifestyles of Da Poor & Dangerous LP
    A1. PUT IT ON • A2. MVP • A3. NO ENDZ, NO SKINZ B1. 8 IZ ENUFF • B2. ALL BLACK • B3. DANGER ZONE C1. STREET STRUCK • C2. GRAVEYARD C3. LIFESTYLEZ OF DA POOR AND DANGEROUS D1. I DON’T UNDERSTAND IT D2. FED UP WIT THE BULLSHIT D3. LET ‘EM HAVE IT “L” 2015 was the 20th Anniversary of this undisputed New York classic from the late, great, Harlem MC, featuring production from D.I.T.C. legends Showbiz, Buckwild and Lord Finesse. The album itself was another shot across the bow of mid-90s pundits who were prophesizing the death of New York’s boom-bap dominance. Alongside recent classics from Nas, Biggie, Mobb Deep and Smif N Wessun, Lifestylez Ov Da Poor & Dangerous laid out the ascendancy of another visionary MC who could throw down brags punchlines with the best of them, but who never veered away from truly thoughtful lyrical dialogue. Most tracks on the album feature slower tempos, which gave the soon-to-be-immortalized MC the chance to fully explore a range of flows and approaches. Cases in point include the two commercial singles – “Put It On” and “MVP” – as well as the promo-only single “Street Struck,” the latter produced by Lord Finesse and containing perhaps L’s deepest rhymes on the album. There are also some great posse cuts here, starting with “8 Iz Enuff,” which was all about exposing L’s crew (including Herb McGruff, Mike Boogie and Buddah Bless); and the amazing “Da Graveyard,” which let established peers like Lord Finesse and Grand Daddy I.U.
    [Show full text]
  • Big L, Put It On
    Big L, Put It On [Big L] Aiyyo, you betta flee Hobbes, or get your head flown three blocks L keep rapper's hearts pumpin like Reeboks And every year I gain clout and my name sprouts Some brothers'd still be large if the crack never came out I got the wild style, always been a foul child My guns go poom-poom, and yo' guns go pow-pow I'm known to have a hottie open, I keep the shottie smokin Front and get half the bones in your body broken And when it comes to gettin nookie I'm not a rookie I got girls that make that chick Toni Braxton look like Whoopie I run with sturdy clicks I'm never hittin dirty chicks Got thirty-five bodies, buddy don't make it thirty-six Step to this you're good as gone, word is bond I leave mics torn when I put it on [Kid Capri] So put it on Big L, put it on C'mon put it onnn, and onnn, and onnn C'mon put it on Big L, put it on C'mon put it on represent put it on, C'MON! [Big L] Nobody can take nuttin from Big L but a loss chief The last punk who fronted got a mouth full of false teeth I'm known to gas a hottie and blast the shottie Got more cash than Gotti (you don't know?) you betta ask somebody Big L is a crazy brother, and I'm a lady lover A smooth kid that'll run up in your baby mother I push a slick Benz, I'm known to hit skinz and get endz and commit sins with sick friends Cause I'm a money getter, also a honey hitter You think you nice as me? Ha ha, youse a funny nigga I flows, so one of my shoes, wouldn't be clever to miss I'm leavin competitors pissed To tell you the truth, it gets no better than this I'm catchin wreck to the break of dawn And it's on, yo it's a must that I put it on [Kid Capri] Yeah, so put it on Big L, put it on C'mon put it on, big fella put it on and on Put it on Big L, put it on represent Put it on, c'mon put it on.
    [Show full text]
  • UNOFFICIAL Hip-Hop Sticker Book FREE! I Am Only Looking for Your Email
    Download the UNOFFICIAL Hip-Hop Join the Readers Group and get the UNOFFICIAL Hip-Hop Sticker Book FREE! I am only looking for your email. You will receive emails with updates on new releases, exclusive images, original audio, and be eligible for free advance copies of se- ries books. You can opt out at any time. http://eepurl.com/cku-12 i Praise for Harris Rosen “This guy! I plead the fifth. This guy is nuts.” - Eminem “Dope questions, man. Very insightful, very thoughtful.” Guru (Gang Starr) “You like a Psychiatrist or some shit? This shit is just coming out but go ahead.” - Mary J. Blige “Definitely a real interview! Digging deep up in there, man. Not afraid to ask questions!” - K-CI Hailey (Jodeci) “The Wizard asked me for a copy of your magazine.” - Guy-Manuel de Homem-Christo (Daft Punk) “You didn’t wear your glasses and you haven’t carried your hearing aid. What else is wrong with you?” - Bushwick Bill “Peace and blessing, Brother Harris. Thank you for inspiring my words. Keep ‘yo balance.” - Erykah Badu “Can I see that pen?” - Bobby Brown “What else do you want to know? Talk to me.” - Aaliyah 2 My Archives are Deep! There are hundreds of exclusive interviews and images with dozens of books to follow. The Behind the Music Tales series has al- lowed me to share my extensive archive of exclu- sive interviews with you in much greater depth. Original Chef Raekwon Only Built For Buban Linx... die-cut promotional sticker Some of the upcoming series books are: Daft Punk: Behind the Robots The Reasonings of Buju Banton, Bounty Killer & Sizzla
    [Show full text]
  • Lord Finesse & DJ Mike Smooth
    Lord Finesse Funky Technician mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Funky Technician Country: US Released: 1990 MP3 version RAR size: 1618 mb FLAC version RAR size: 1979 mb WMA version RAR size: 1212 mb Rating: 4.1 Votes: 962 Other Formats: TTA AIFF FLAC DMF DXD MP3 MP2 Tracklist Hide Credits Lord Finesse's Theme Song Intro A1 1:06 Producer – DJ PremierVoice [Additional Vocals] – Grandpa Finesse Baby, You Nasty (New Version) A2 5:08 Producer – DJ Premier Funky Technician A3 4:43 Producer – Diamond D Back To Back Rhyming A4 3:26 Producer – ShowbizRap [Additional Vocals] – Andre The Giant Here I Come A5 4:35 Producer – Diamond D Slave To My Soundwave A6 3:23 Producer – DJ Mike Smooth, DJ Premier I Keep The Crowd Listening A7 4:12 Producer – Diamond DVoice [Additional Vocals] – Grandpa Finesse Bad Mutha B1 4:37 Producer – Diamond D Keep It Flowing B2 3:22 Producer – Diamond DRap [Additional Vocals] – Andre The Giant A Lesson To Be Taught B3 5:02 Producer – DJ Premier Just A Little Something B4 3:05 Producer – Showbiz Strictly For The Ladies B5 5:18 Producer – DJ PremierVocals [Additional] – Patricia (Chocolate) Track The Movement B6 5:36 Producer – DJ Premier Companies, etc. Phonographic Copyright (p) – EMI Records USA Copyright (c) – EMI Records USA Licensed From – Wild Pitch Records, LTD. Licensed From – Capitol Records, Inc. Manufactured By – Columbia House Remastered At – Frankford/Wayne Mastering Labs Recorded At – Such-A-Sound Studio Mixed At – Such-A-Sound Studio Credits Arranged By – DJ Mike Smooth, DJ Premier, Lord Finesse, Shlomo Sonnenfeld Art Direction – Amy V Fine* Design [Cover Design] – Terry Clarke Engineer, Co-producer – Shlomo Sonnenfeld Mastered By – Dick Charles Mixed By – DJ Premier, Shlomo Sonnenfeld Photography By – Peter Bodtke Scratches [Additional Scratching] – DJ Premier Written-By – Andre The Giant (tracks: A4, B2), Robert Hall* Notes Catalog # on cassette: E4-98710 Catalog # on cover: E4-589710 Cassette shell marked CRC.
    [Show full text]