TEG 78509 BIG L Lifestylez Ov Da Poor & Dangerous LP
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Perceptual Audio Classification Using Principal Component Analysis
Rochester Institute of Technology RIT Scholar Works Theses 2010 Perceptual audio classification using principal component analysis Zak Burka Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Burka, Zak, "Perceptual audio classification using principal component analysis" (2010). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Perceptual Audio Classification Using Principal Component Analysis Zak Burka A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Computer Science Department of Computer Science Golisano College of Computing and Information Sciences Rochester Institute of Technology Approved May 6, 2010 Abstract The development of robust algorithms for the recognition and classifi- cation of sensory data is one of the central topics in the area of intelligent systems and computational vision research. In order to build better intelli- gent systems capable of processing environmental data accurately, current research is focusing on algorithms which try to model the types of process- ing that occur naturally in the human brain. In the domain of computer vision, these approaches to classification are being applied to areas such as facial recognition, object detection, motion tracking, and others. This project investigates the extension of these types of perceptual clas- sification techniques to the realm of acoustic data. As part of this effort, an algorithm for audio fingerprinting using principal component analysis for feature extraction and classification was developed and tested. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Big Daddy Kane It's Hard Being the Kane Mp3, Flac, Wma
Big Daddy Kane It's Hard Being The Kane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: It's Hard Being The Kane Country: UK Released: 1990 MP3 version RAR size: 1796 mb FLAC version RAR size: 1116 mb WMA version RAR size: 1379 mb Rating: 4.2 Votes: 256 Other Formats: DMF VOC AC3 AHX AU MIDI MP3 Tracklist A1 It's Hard Being The Kane (12" Version) B1 It's Hard Being The Kane (Powerlab Mix) B2 It's Hard Being The Kane (Quakerlab Mix) Other versions Category Artist Title (Format) Label Category Country Year It's Hard Being Big Daddy 9 21774-2 The Kane (CD, Cold Chillin' 9 21774-2 US 1991 Kane Maxi) It's Hard Being Big Daddy 0-21774 The Kane (12", Cold Chillin' 0-21774 US 1991 Kane Maxi) It's Hard Being Cold 9 19536-4, Big Daddy 9 19536-4, The Kane (Cass, Chillin', US 1991 4-19536 Kane 4-19536 Single) Cold Chillin' Big Daddy Hard Being The PRO-A-4506 Cold Chillin' PRO-A-4506 US Unknown Kane Kane (12", TP) Cold It's Hard Being Big Daddy Chillin', PRO-CD-4897 The Kane (CD, PRO-CD-4897 US 1990 Kane Reprise Single, Promo) Records Related Music albums to It's Hard Being The Kane by Big Daddy Kane Big Daddy Kane - Wrath Of Kane Big Daddy Kane - Ain't No Stoppin' Us Now Kieran Kane - Kieran Kane Big Daddy Kane - It's A Big Daddy Thing Big Daddy Kane - Smooth Operator / Warm It Up Kane Big Daddy Kane vs. -
Hood, My Street: Ghetto Spaces in American Hip-Hop Music
Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 22/08/2019 20:22:20 New Horizons in English Studies 2/2017 CULTURE & MEDIA • Lidia Kniaź Maria Curie-SkłodowSka univerSity (uMCS) in LubLin [email protected] My City, My ‘Hood, My Street: Ghetto Spaces in American Hip-Hop Music Abstract: As a subculture created by black and Latino men and women in the late 1970s in the United States, hip-hop from the very beginning was closely related to urban environment. Undoubtedly, space has various functions in hip-hop music, among which its potential to express the group identity seems to be of the utmost importance. The goal of this paper is to examine selected rap lyrics which are rooted in the urban landscape: “N.Y. State of Mind” by Nas, “H.O.O.D” by Masta Ace, and “Street Struck,” in order to elaborate on the significance of space in hip-hop music. Interestingly, spaces such as the city as a whole, a neighborhood, and a particular street or even block which are referred to in the rap lyrics mentioned above express oneUMCS and the same broader category of urban environment, thus, words con- nected to urban spaces are often employed interchangeably. Keywords: hip-hop, space, urbanscape. Music has always been deeply rooted in everyday life of African American commu- nities, and from the very beginning it has been connected with certain spaces. If one takes into account slave songs chanted in the fields (often considered the first examples of rapping), or Jazz Era during which most blacks no longer worked on the plantations but in big cities, it seems that music and place were not only inseparable but also nat- urally harmonized. -
Man Depends on Former Wife for Everyday Needs
6A RECORDS/A DVICE TEXARKANA GAZETTE ✯ MONDAY, JULY 19, 2021 5-DAY LOCAL WEATHER FORECAST DEATHS Man depends on former TODAY TUESDAY WEDNESDAY EUGENE CROCKETT JR. Eugene “Ollie” Crockett Jr., 69, of Ogden, AR, died Wednesday, July 14, 2021, in wife for everyday needs Ogden, AR. High-Upper 80s High-Upper 80s Mr. Dear Abby: I have been with my boy- but not yet. Low-Near 70 Low-Lower 70s Crockett was friend, “John,” for a year and a half. He had When people see me do things that are born May been divorced for two years after a 20-year considered hard work, they presume I need 19, 1952, in marriage when we got together. He told help. For instance, today I bought 30 cement THURSDAY FRIDAY Dierks, AR. He was a Car me he and his ex, “Jessica,” blocks to start building a wall. Several men Detailer. He Dear Abby were still good friends. I asked if I needed help. I refused politely as was preced- thought it was OK since I always do, saying they were thoughtful to Jeanne Phillips High-Upper 80s ed in death they were co-parenting offer but I didn’t need help. They replied, by his par- Low-Lower 70s High-Lower 90s High-Lower 90s their kid. I have children of “No problem.” Low-Lower 70s Low-Mid-70s ents, Bernice my own, and I understand. A short time later it started raining. A and Eugene Crockett Sr.; one I gave up everything and woman walked by carrying an umbrella sister, Bertha Lee Crockett; moved two hours away to and offered to help, and I responded just thunderstorms. -
Arts Calendar
PAGE 2 — Thursday, November 8, 2007 The Carrboro Citizen This Week - November 9 — November 15, 2007 Friday Saturday Wednesday Thursday Sunday Tuesday It’s that time again: Free show at Local Emma’s Kids Tokyo The 2nd Friday 506: The Honored Even more free Michael art exhibit and Rosenthal at Hurley Art Walk is today! Guests, Tennis & rock ‘n’ roll: Arks, fundraiser. Sale of Grappling Hook the Blue Horn plays Exercise and The Mennonites, art to raise money Lounge at nine. inspiration, all in Max Indian and The and Hazerai at Monday Nightlight. for S. African 10 p.m. one! Archibalds. 9 p.m. Reservoir around Warm up for the children with — — ten. Carrboro Film AIDS. Carrboro Cole Family and The Orange County Festival with Flicker: Century Center, The Red Hot Poker Artists’ Guild local short films at ends December 1. Dots play the late Open Studio Tour the Cradle. $3, doors show at The Cave continues! See art in at 8. (around ten). Go! its natural habitat. Sporting Goods, 901 W Main St, Books. Southern Village, 610 Mar- tanical Garden. Artists’ reception Carrboro. 967-9581 ket St, Chapel Hill, 933-5111, www. Sun, Nov 11, 2-4pm. http://ncbg.unc. marketstreetbooks.com, Mon-Sat edu, 962-0522 Music Calendar Arts Paintings by Peg Bachenheimer and 10am-8pm, Sun 1-7 pm. Catherine Carter – Through De- cember at Provence Restaurant, Sculpture in the Garden - Works by Hillsborough Calendar 203 W Weaver St, Carrboro. www. 30 NC artists. Through Nov 16. NC Carrboro pegbachenheimer.com Botanical Garden, Old Mason Farm 12 x 12 by Fifteen – A show of small Rd near 15-501 Bypass, Chapel Hill.