Ice-T Re^Rns to the Real Inside: the Cash Box Retail Guide
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Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Mental Health Professionals According to Prime-Time: an Exploratory Analysis
DOCUMENT RESUME ED 424 499 CG 028 776 AUTHOR Diefenbach, Donald L.; Burns, Naomi J.; Schwartz, Alan L. TITLE Mental Health Professionals According to Prime-Time: An Exploratory Analysis. PUB DATE 1998-08-00 NOTE 15p.; Paper presented at the American Psychological Association Annual Convention (106th, San Francisco, CA, August 14-18, 1998). PUB TYPE Reports Research (143)-- Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Broadcast Television; *Mass Media Effects; Media Research; Mental Health Workers; Television Research IDENTIFIERS *Prime Time Television ABSTRACT The public receives a large percentage of its information about mental health issues from media sources. Research has shown that the portrayal of occupational roles is often distorted and unrealistic. Cultivation theory predicts that television's version of reality helps influence or "cultivate" viewers' beliefs about the world. This cultivation might influence a person's expectations or behavior during an encounter with these professionals, or even influence viewers' decisions to consult these professionals when in need of service. Research for this paper employed mixed methods to explore how mental health professionals are portrayed on television. Analysis of characters involved a random sample across all genres of programming. Trained coders (n=9) identified 10 out of 1,844 speaking characters as mental health professionals. Descriptive statistics are reported on the characters. A content analysis by type of programming-is presented and discussed. Exploratory analysis examining the portrayal of mental health professionals on prime-time television indicates that portrayals can not be classified by tone in a single category; however tone appears to be consistent within certain programming genres. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
The Culture of Democratic Spain and the Issue of Torture
© 8 The Culture of Democratic Spain and the Issue of Torture Luis Martín-Estudillo The issue of torture has been both a problem in terms of human rights and one closely tied to international prestige and cultural polemics for the last four decades in Spain. While denunciations of tortures inflicted on enemies of the Franco regime were an important part of the opposition’s public opinion campaigns during the dictatorship, after the general’s death in 1975 the persistence of tortures practiced by the various police forces became a delicate political question for the newly established parliamentary monarchy. The transition to democracy during the 1970s coincided with two major developments that affected the social perception of torture. One was very visible; it could be summarized as the coming of age of international human rights monitoring. The other went explicably unnoticed, as it had to do with certain “reasons of state” and practices that must remain secret in order to function within their own logic: I am referring to the change in torture practices from “scarring” (those that leave traces on the victim’s body) to “clean” (those which do not) techniques at a global level, as Darius Rejali has documented. In that context, accusations of torture undermined officials’ efforts to promote a “normalized” image of Spain as a “wholly European” (i.e., “civilized”) nation that sought full integration into the group of advanced democracies by leaving behind the repressive policies of the Francoist dictatorship.1 The presence of torture as one of the hot topics in public debate, as it was during the 1970s thanks to the struggle of a minority of opposition politicians and intellectuals, was not compatible with the image that needed to be constructed to achieve identification with the targeted European ideal. -
Lord Finesse the Awakening Mp3, Flac, Wma
Lord Finesse The Awakening mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Awakening MP3 version RAR size: 1337 mb FLAC version RAR size: 1342 mb WMA version RAR size: 1982 mb Rating: 4.7 Votes: 520 Other Formats: DXD RA TTA MPC ADX AC3 MP3 Tracklist Hide Credits Da Sermon (Intro) A1 2:16 Producer – Lord Finesse Time Ta Bounce A2 Featuring – Doo-Wop From Da Bounce Squad*Producer – Lord FinesseWritten-By – K. 1:22 Parker*, O. Credle*, R. Hall* True And Livin' A3 Engineer [Recording Engineer], Engineer [Mix Engineer] – Gordon WilliamsWritten-By – R. 4:42 Hall*Written-By, Producer – Lord Finesse O' Lord A4 1:22 Featuring – O.C.Producer – Lord Finesse Brainstorm / P.S.K. (No Gimmicks Remix) Engineer [Recording Engineer], Engineer [Mix Engineer] – Troy HightowerFeaturing – A5 4:46 KRS-One, O.C.Producer – Lord FinesseWritten-By – A. Barnes*, O. Credle*, R. Hall*Written-By, Performer – KRS-One, Lord Finesse, O.C. Taking It Lyte A6 1:06 Featuring – MC LyteProducer – Lord FinesseWritten-By – Lord Finesse, MC Lyte Gameplan Backing Vocals [Additional Background Vocals] – Melanie "Missy" CoakleyPerformer – Lord A7 5:10 Finesse, MarqueeRecorded By, Mixed By – Chris "Conman" Conway*Written-By – R. Hall*Written-By, Producer – Lord Finesse Words From Da Ak B1 1:34 Featuring – AkinyeleProducer – Lord FinesseWritten-By – K. Parker*, R. Hall* Flip Da Style B2 Engineer [Recording Engineer], Engineer [Mix Engineer] – Chris "Conman" 3:43 Conway*Written-By – R. Hall*Written-By, Producer – Lord Finesse Showtime B3 1:04 Featuring – ShowbizProducer – Lord Finesse Speak Ya Peace Engineer [Recording Engineer], Engineer [Mix Engineer] – Chris "Conman" B4 Conway*Featuring – A.G.*, Diamond*, MarqueeProducer – Myke Loe*Written-By – A. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Fat Joe Dedication
Dedication Fat Joe Whattup JuJu? Uhh, whattup Beatnuts? All them Dominicans in Corona Bobbito Stretch, my nigga Funk Flex This is the dedication Yeah, Punisher Big Dog in the house Full Eclipse crew Rated R, my nigga Domingo East New York representin, check it Before I start, you know I got ta pay homage and respect to Afrika Bambaata Zulu Nation, for twenty years of work Fat Joe wouldn't be on if it wasn't for Red Alert Chris Lighty, I hope the rain never ends Violator Records, now featuring The Twinz Diamond D, for believing in me Showbiz & A.G., the whole D.I.T.C. My nigga G. Rap, forever got your back whether it's with the macs or on a Primo track Aiyyo Guru, you know I love you to death Peace to Redman, Apache, Vinnie and Treach Nevertheless, on the other side of town there's my brother Lord Finesse gettin down for his crown DJ Sirs, killin shit, word to God Peace to Funkmaster Flex and the whole Flip Squad Nice and Smooth, hey yo you know the situation In case you haven't heard this jam is called the dedication Yo it's the dedication to all my niggaz one love From the heart dedication The dedication to all my niggaz one love.. Hey yo fuck all the rest, I'm givin love to Wu-Tang My nigga Chef and Big Meth, keep doin your thang Tony Starks, Ason, and the rest of the crew All my niggaz from Shaolin, you know how we do James Todd Smith, for inspirin me And all the funny-ass promoters who be hirin me Knowledge Reigns Supreme, yo you know you're the best Make sure you get that message that I left with West Anyhows, on the other side of things Big Nas, L.E.S., and Mobb Deep from Queens Puff Daddy, get the millions kid Nuff props and respect to Notorious B.I.G. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
18LG Nominees English
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 18th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names Ainhoa Ábaunz 41 Best Latin Children’s Album Alejandro Abeijón 4 Best New Artist Adam Abeshouse 42 Best Classical Album Julie Acosta 22 Best Ranchero/Mariachi Album Antonio Adolfo 31 Best Latin Jazz/Jazz Album Camilla Agerskov 47 Best Short Form Music Video Gilberto Aguado 48 Best Long Form Music Video Gustavo Aguado 17, 48 Best Contemporary Tropical Album, Best Long Form Music Video Leonardo Aguilar 25 Best Norteño Album Yuvisney Aguilar 28 Best Folk Album Yuvisney Aguilar & Afrocuban Jazz Quartet 28 Best Folk Album Cheche Alara 2 Album Of The Year Rubén Albarrán 13 Best Alternative Music Album Albita 18 Best Traditional Tropical Album Daniel Alvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Hildemaro Álvarez 42 Best Classical Album J Álvarez 8 Best Urban Music Album Oscar Álvarez 23 Best Banda Album Andrea Amador 11 Best Pop/Rock Album Vicente Amigo 30 Best Flamenco Album AnaVitória 34 Best Portuguese Language Contemporary Pop Album Julio Andrade 35 Best Portuguese Language Rock or Alternative Album Marc Anthony 41 Best Latin Children’s Album Page 1 Nominee_Export Gustavo Antuña 13 Best Alternative Music Album Eunice Aparicio 22 Best Ranchero/Mariachi Album The Arcade 2 Album Of The Year Rafael Arcaute 1, 2, 9, 14 Record Of The Year, Album Of The Year, Best Urban Song, Best Alternative Song Paula Arenas 4 Best New Artist Ricardo Arjona 3 Song Of -
Underground Rap Albums 90S Downloads Underground Rap Albums 90S Downloads
underground rap albums 90s downloads Underground rap albums 90s downloads. 24/7Mixtapes was founded by knowledgeable business professionals with the main goal of providing a simple yet powerful website for mixtape enthusiasts from all over the world. Email: [email protected] Latest Mixtapes. Featured Mixtapes. What You Get With Us. Fast and reliable access to our services via our high end servers. Unlimited mixtape downloads/streaming in our members area. Safe and secure payment methods. © 2021 24/7 Mixtapes, Inc. All rights reserved. Mixtape content is provided for promotional use and not for sale. The Top 100 Hip-Hop Albums of the ’90s: 1990-1994. As recently documented by NPR, 1993 proved to be an important — nay, essential — year for hip-hop. It was the year that saw 2Pac become an icon, Biz Markie entangled in a precedent-setting sample lawsuit, and the rise of the Wu-Tang Clan. Indeed, there are few other years in hip- hop history that have borne witness to so many important releases or events, save for 1983, in which rap powerhouse Def Jam was founded in Russell Simmons’ dorm room, or 1988, which saw the release of about a dozen or so game-changing releases. So this got us thinking: Is there really a best year for hip-hop? As Treble’s writers debated and deliberated, we came up with a few different answers, mostly in the forms of blocks of four or five years each. But there was one thing they all had in common: they were all in the 1990s. Now, some of this can be chalked up to age — most of Treble’s staff and contributors were born in the 1980s, and cut their musical teeth in the 1990s. -
"Authenticity" in Rap Music by Consumers."
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L.