UNOFFICIAL Hip-Hop Sticker Book FREE! I Am Only Looking for Your Email
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Strange Journey Volume 2 All New Music from Cunninlynguists
DISC ONE DISC TWO 1. Intro 1. SouthernUnderground (Inst) 2. SouthernUnderground 2. The South (Inst) 3. The South 3. Love Ain't (Inst) 4. Love Ain't 4. Rain (Inst) featuring Tonedeff 5. Rain 5. Doin’ Alright (Inst) 6. Doin’ Alright 6. Old School (Inst) 7. Interlude 1 7. Seasons (Inst) 8. Old School 8. Nasty Filthy (Inst) 9. Seasons 9. Falling Down (Inst) featuring Masta Ace 10. Nasty Filthy 10. Sunrise/Sunset (Inst) featuring Supastition & 11. Appreciation (Remix) - (Inst) Cashmere The PRO 11. Falling Down 12. Dying Nation (Inst) 12. Sunrise/Sunset 13. Seasons (Remix) featuring Masta Ace 13. Interlude 2 14. Appreciation (Remix) 14. Love Ain't (Remix) featuring featuring Cashmere The PRO Tonedeff 15. Dying Nation 15. The South (Remix) 16. War 16. Karma One of the most consistent independent Hip Hop groups of the decade, Kentucky trio CunninLynguists re-release their critically acclaimed sophomore album SouthernUnderground as a two disc deluxe edition. The group, made up of Deacon The Villain, Natti and Kno, aim to make music that reminds listeners why they like Hip Hop in the first place. Backed with quality beats and rhymes, gritty sounds, witty lyrics and low ends that jump out the trunk like Rajon Rondo, the ‘Lynguists recapture the soul in southern Hip Hop, with what Spin Magazine calls “Outkast’s tragicomic poignancy”. SouthernUnderground, originally released independently in 2003, includes features from Masta Ace, Supastition and Tonedeff. Additional production from RJD2 and Domingo, goes hand-in-hand with beats from the main producer Kno, who was once described as “one of the top loop-miners east of the Mississippi” by URB Magazine. -
The Poetics of Reflection in Digital Games
© Copyright 2019 Terrence E. Schenold The Poetics of Reflection in Digital Games Terrence E. Schenold A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Brian M. Reed, Chair Leroy F. Searle Phillip S. Thurtle Program Authorized to Offer Degree: English University of Washington Abstract The Poetics of Reflection in Digital Games Terrence E. Schenold Chair of the Supervisory Committee: Brian Reed, Professor English The Poetics of Reflection in Digital Games explores the complex relationship between digital games and the activity of reflection in the context of the contemporary media ecology. The general aim of the project is to create a critical perspective on digital games that recovers aesthetic concerns for game studies, thereby enabling new discussions of their significance as mediations of thought and perception. The arguments advanced about digital games draw on philosophical aesthetics, media theory, and game studies to develop a critical perspective on gameplay as an aesthetic experience, enabling analysis of how particular games strategically educe and organize reflective modes of thought and perception by design, and do so for the purposes of generating meaning and supporting expressive or artistic goals beyond amusement. The project also provides critical discussion of two important contexts relevant to understanding the significance of this poetic strategy in the field of digital games: the dynamics of the contemporary media ecology, and the technological and cultural forces informing game design thinking in the ludic century. The project begins with a critique of limiting conceptions of gameplay in game studies grounded in a close reading of Bethesda's Morrowind, arguing for a new a "phaneroscopical perspective" that accounts for the significance of a "noematic" layer in the gameplay experience that accounts for dynamics of player reflection on diegetic information and its integral relation to ergodic activity. -
The Devils' Dance
THE DEVILS’ DANCE TRANSLATED BY THE DEVILS’ DANCE HAMID ISMAILOV DONALD RAYFIELD TILTED AXIS PRESS POEMS TRANSLATED BY JOHN FARNDON The Devils’ Dance جينلر بازمي The jinn (often spelled djinn) are demonic creatures (the word means ‘hidden from the senses’), imagined by the Arabs to exist long before the emergence of Islam, as a supernatural pre-human race which still interferes with, and sometimes destroys human lives, although magicians and fortunate adventurers, such as Aladdin, may be able to control them. Together with angels and humans, the jinn are the sapient creatures of the world. The jinn entered Iranian mythology (they may even stem from Old Iranian jaini, wicked female demons, or Aramaic ginaye, who were degraded pagan gods). In any case, the jinn enthralled Uzbek imagination. In the 1930s, Stalin’s secret police, inveigling, torturing and then executing Uzbekistan’s writers and scholars, seemed to their victims to be the latest incarnation of the jinn. The word bazm, however, has different origins: an old Iranian word, found in pre-Islamic Manichaean texts, and even in what little we know of the language of the Parthians, it originally meant ‘a meal’. Then it expanded to ‘festivities’, and now, in Iran, Pakistan and Uzbekistan, it implies a riotous party with food, drink, song, poetry and, above all, dance, as unfettered and enjoyable as Islam permits. I buried inside me the spark of love, Deep in the canyons of my brain. Yet the spark burned fiercely on And inflicted endless pain. When I heard ‘Be happy’ in calls to prayer It struck me as an evil lure. -
BLOCKHEAD Funeral Balloons
BLOCKHEAD Funeral Balloons KEY SELLING POINTS • Blockhead has released albums with Ninja Tune and produced for artists such as Aesop Rock, Open Mike Eagle and Billy Woods over the course of his nearly two decade long career • Blockhead’s evolution as a producer is on full display, exploring different avenues and sounds with every new release and continuing to forge his own lane between the worlds of hip-hop and electronic music DESCRIPTION ARTIST: Blockhead Funeral Balloons is the new album from acclaimed producer & NYC TITLE: Funeral Balloons fixture Blockhead [real name; Tony Simon]. Funeral Balloons is as bold CATALOG: l-BWZ747 / cd-BWZ747 and irreverent as the title suggests; from the uplifting and energetic mood LABEL: Backwoodz Studioz of “Bad Case of the Sundays” to the spaced out airy grooves found on GENRE: Hip-Hop/Instrumental BARCODE: 616822028315 / 616892517146 “UFMOG” all the way to the 1970s car chase anthem like “Escape from FORMAT: 2XLP / CD NY”, the songs never stop in one place. HOME MARKET: New York RELEASE: 9/8/2017 While, at its core, Funeral Balloons doesn’t stray far from the kind of LIST PRICE: $25.98 / FA / $13.98 / AM music Blockhead has been making since his debut Music by Cavelight, his evolution as a producer is on full display, exploring different avenues TRACKLISTING (Click Tracks In Blue To Preview Audio) and sounds with every new release and continuing to forge his own lane 1. The Chuckles between the worlds of hip-hop and electronic music. 2. Bad case of the Sundays 3. UFOMG 4. Zip It 5. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
Evan Dando Fireside Mauro Scocco Jesse Malin Libertines
Nummer 2 • 2003 Sveriges största musiktidning Evan Dando Fireside Mauro Scocco Jesse Malin Libertines TheCardigans Appliance • The Radio Dept. • Luna • All Systems Go BLÅGULT GULD: Anders Ilar • Chords • Natalie Gardiner • Pauline Kamusewu • Dialog Cet Groove 2 • 2003 Ledare Omslag Nick Cave av Polly Borland Byt ut politikerna! Groove Box 112 91 Tre frågor till Björn Olsson sidan 4 404 26 Göteborg En idé som kanske inte är så radikal nister Thomas Öberg och Stefan The Radio Dept. sidan 4 som man vid en första anblick kan Sundström jordbruksminister. Telefon 031–833 855 tro vore att göra musiker och andra Marit Bergman miljöminister, Dre- En överklass i nitar sidan 4 Elpost [email protected] kulturarbetare till politiker – för en gen näringsminister, utrikesminis- http://www.groove.st Appliance sidan 6 roligare och mer mänsklig framtid. ter ska Hives-Pelle vara, Promoe Vi skulle utrota hyckleriet kring justitieminister, Thomas diLeva Vad är det för fel på folk? sidan 6 Chefredaktör & ansvarig utgivare sprit och festande hos våra folkval- försvarsminister och som statsmi- Gary Andersson, [email protected] Luna sidan 8 da och därmed inse att samhällets nister kunde Robyn passa. Titta på toppar faktiskt också bara är män- denna lista och säg mig ärligt att Skivredaktör Ett subjektivt alfabet sidan 8 niskor. Dessutom skulle vi styra in detta skulle funka sämre än upp- Björn Magnusson, [email protected] på en mer humanistisk syn som ställningen för vår tandlösa och Blågult guld sidan 10 inriktar sig mer på livskvalitet än på räddhågsna ledning. Nej, jag tänk- Mediaredaktör Dan Andersson, [email protected] Evan Dando sidan 12 sterila ekonomiska kalkyler. -
Black Rob Album
Black Rob Album Black Rob Album 1 / 2 In honor of the occasion, Flashback Friday becomes FlashBLACK Friday today. Let these albums serve as your shopping soundtrack. Blackstreet ... Find many great new & used options and get the best deals for Life Story [PA] by Black Rob (CD, May-2005, Bad Boy Entertainment) at the best online prices at ... black friday black friday, black wallpaper, black color, black ops 4, black background, black screen, black kdrama, black panther, blackpink, blackboard, black Rob's hit single "Woah" set up the release for his platinum selling album "Life Story". Since then Rob has fell on hard times with prison sentence .... But now he's back, feeding the streets' hip-hop hunger with his latest release, “The Black Rob Report” (Bad Boy/Atlantic Records). With his .... A number of songs from The Black Rob Report fell victim to sample issues and had to be replayed ... A.K.A. 'Gun Clappin', another lead-up to the second album. ... LIfe Story got 5 mics…one of my top 10 albums. is BR home?. Rob, born Robert Ross, is the Harlem-born rapper who was signed to Bad Boy and released his debut Life Story in 1999. Although the album .... The veteran rhymer just released a new single “Welcome to My Life,” off his new album, Genuine Article, which drops later this month. On “ ... black color Bad Boy Records rapper Black Rob began his recording career appearing on albums like the Cru's Da Dirty 30 and collaborating with artists like L.O.X., Busta .... His sophomore album, "The Black Rob Report, was released in October 2005 by Bad Boy/Atlantic and debuted at No. -
Saladdays 26 Web.Pdf
26 11/01/16 16:03 THEHEATHROWPRESTIGE WITH TOMMY FYNN \ THE HEATHROW PRESTIGE \ TREBOUX PHOTO DCSHOES.COM DC_HEATHROW-240x225+5.indd 1 One mag two Covers WHAT’S HOT Pete Rock Obey x Everlast (House Of Pain) Rigablood Rigablood Editor In Chief/Founder - Andrea Rigano Art Director - Antonello Mantarro [email protected] Advertising - Silvia Rapisarda [email protected] Photographers Luca Benedet, Arianna Carotta, Alessio Fanciulli Oxilia, Steen Kevett, Alex Luise, Luca Pagetti, Enrico Rizzato, Alex Ruffini, Alberto Scattolin, Milan Tykal, Federico Tognoli Artwork Wondee Contributors Francesco Banci, Milo Bandini, Piero Beninato, Marco Capelli, Matteo Cavanna, Cristiano Crepaldi, Fabrizio De Guidi, Kristina Kokesova, Max Mameli, Marco Mantegazza, Max Mbassadò, Simone Meneguzzo, Turi Messineo, Angelo Mora (donas), Eros Pasi, Marco Pasini, Davide Perletti, Sayko, SECSE, Alexandra Romano, Tina Tonelli, Marco ‘X-Man’ Xodo Stampa Tipografia Nuova Jolly - Viale Industria 28 35030 Rubano (PD) Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. Born To Lose, Live To Win // Ian Fraser "Lemmy" Kilmister (1945 – 2015) // ph. Rigablood Get in touch www.saladdaysmag.com [email protected] 06 Mick Jones 60 Face Your Enemy facebook.com/saladdaysmag 10 Pete Rock - The Soul Survivor 66 Part One - New York Graffiti twitter.com/SaladDays_it 16 Enko4 70 2MD Instagram - @saladdaysmagazine Don’t Sweat The Tecnique 76 James Kerr aka Scorpion Dagger saladdaysmag.tumblr.com 26 30 Iron Reagan 82 #lostinbudapestbmx - The Full Story L’editore è a disposizione di tutti gli interessati nel 34 Tattoo In The Hood 86 American Nightmare collaborarecon testi immagini. Tutti i contenuti di que- 40 Ornamental Conifer 88 August Burn Red sta pubblicazione sono soggetti a copyright, é vietata 44 Tutti I Colori Del Buio 92 This Is Barber Life la riproduzione anche parziale di testi, documenti e foto senza l’autorizzazione dell’editore. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.