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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
UNITED STATES DISTRICT COURT EASTERN DISTRICT of NEW YORK ------X SETH GORDON, Civil Case No
Case 1:20-cv-00696 Document 1 Filed 02/07/20 Page 1 of 9 PageID #: 1 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF NEW YORK -----------------------------------------------------------------X SETH GORDON, Civil Case No. Plaintiff, COMPLAINT FOR WILLFUL COPYRIGHT INFRINGEMENT -against- JURY TRIAL DEMANDED BRYTAVIOUS CHAMBERS; DANIEL HERNANDEZ; CREATE MUSIC GROUP, INC.; TENTHOUSAND PROJECTS, LLC; and S.C.U.M GANG INC., Defendants. -----------------------------------------------------------------X Plaintiff, SETH GORDON (“Plaintiff”), by and through undersigned counsel and pursuant to the applicable Federal Rules of Civil Procedure and the Local Rules of this Court hereby demands a trial by jury of all claims and issues so triable, and, as for his Complaint against Defendants DANIEL HERNANDEZ; BRYTAVIOUS CHAMBERS; CREATE MUSIC GROUP, INC.; TENTHOUSAND PROJECTS LLC; and S.C.U.M GANG INC. (collectively, “Defendants”) hereby asserts and alleges as follows: NATURE OF ACTION 1. This is a civil action seeking damages and injunctive relief under the Copyright Act, 17 U.S.C. § 101 et seq., arising out of Defendants’ extensive unauthorized for-profit use and exploitation of Plaintiff’s original musical composition, registered as the “Yung Gordon Intro” (or the “Drop”), that was created and is wholly owned by the Plaintiff. JURISDICTION AND VENUE 2. Jurisdiction for Plaintiff’s claims lie with the United States District Court for the Eastern District of New York pursuant to the Copyright Act of 1976, 17 U.S.C. § 101 et seq.; 28 U.S.C. § 1331 (conferring original jurisdiction “of all civil actions arising under the Constitution, Case 1:20-cv-00696 Document 1 Filed 02/07/20 Page 2 of 9 PageID #: 2 laws, or treatiEs of the UnitEd StatEs”) and 28 U.S.C. -
PAMM Presents Cashmere Cat, Jillionaire + Special Guest Uncle Luke, a Poplife Production, During Miami Art Week in December
PAMM Presents Cashmere Cat, Jillionaire + Special Guest Uncle Luke, a Poplife Production, during Miami Art Week in December Special one-night-only performance to take place on PAMM’s Terrace Thursday, December 1, 2016 MIAMI – November 9, 2016 – Pérez Art Museum Miami (PAMM) announces PAMM Presents Cashmere Cat, Jillionaire + special guest Uncle Luke, a Poplife Production, performance in celebration of Miami Art Week this December. Taking over PAMM’s terrace overlooking Biscayne Bay, Norwegian Musician and DJ Cashmere Cat will headline a one-night-only performance, kicking off Art Basel in Miami Beach. The show will also feature projected visual elements, set against the backdrop of the museum’s Herzog & de Meuron-designed building. The evening will continue with sets by Trinidadian DJ and music producer Jillionaire, with a special guest performance by Miami-based Luther “Uncle Luke” Campbell, an icon of Hip Hop who has enjoyed worldwide success while still being true to his Miami roots PAMM Presents Cashmere Cat, Jillionaire + special guest Uncle Luke, takes place on Thursday, December 1, 9pm–midnight, during the museum’s signature Miami Art Week/Art Basel Miami Beach celebration. The event is open to exclusively to PAMM Sustaining and above level members as well as Art Basel Miami Beach, Design Miami/ and Art Miami VIP cardholders. For more information, or to join PAMM as a Sustaining or above level member, visit pamm.org/support or contact 305 375 1709. Cashmere Cat (b. 1987, Norway) is a musical producer and DJ who has risen to fame with 30+ international headline dates including a packed out SXSW, MMW & Music Hall of Williamsburg, and recent single ‘With Me’, which premiered with Zane Lowe on BBC Radio One & video premiere at Rolling Stone. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Chance the Rapper Coloring Book Mp3, Flac, Wma
Chance The Rapper Coloring Book mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Coloring Book Country: US Released: 2016 MP3 version RAR size: 1582 mb FLAC version RAR size: 1475 mb WMA version RAR size: 1170 mb Rating: 4.4 Votes: 177 Other Formats: XM ADX MPC AC3 VQF ASF DMF Tracklist Hide Credits All We Got 1 Featuring – Chicago Children's Choir, Kanye WestProducer [Uncredited] – Kanye West, The 3:23 Social Experiment No Problem 2 5:04 Featuring – 2 Chainz, Lil WayneProducer [Uncredited] – Brasstracks Summer Friends 3 4:50 Featuring – Francis & The Lights*, Jeremih D.R.A.M. Sings Special 4 1:41 Featuring [Uncredited] – D.R.A.M. 5 Blessings 3:41 6 Same Drugs 4:17 Mixtape 7 4:52 Featuring – Lil Yachty, Young Thug Angels 8 3:26 Featuring – Saba Juke Jam 9 3:39 Featuring – Justin Bieber, Towkio All Night 10 2:21 Featuring – Knox Fortune How Great 11 5:37 Featuring – Jay Electronica, My Cousin Nicole Smoke Break 12 3:46 Featuring – Future Finish Line / Drown 13 6:46 Featuring – Eryn Allen Kane, Kirk Franklin, Noname , T-Pain Blessings (Reprise) 14 3:50 Featuring – Ty Dolla $ign* Credits Artwork [Uncredited] – Brandon Breaux Other versions Category Artist Title (Format) Label Category Country Year Not On Label (Chance Chance The Coloring Book (14xFile, none The Rapper Self- none US 2016 Rapper MP3, Mixtape, 320) released) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB 3 Album, Mixtape, CTRCB 3 2016 Rapper The Rapper) Unofficial, Yel) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB3 Album, Mixtape, CTRCB3 2016 Rapper The Rapper) Unofficial, Cle) Chance The Coloring Book (2xLP, Not On Label (Chance none none UK 2018 Rapper Mixtape, Red) The Rapper) Coloring Book (2xLP, Chance The Not On Label (Chance none Mixtape, Unofficial, none US 2016 Rapper The Rapper) Gre) Related Music albums to Coloring Book by Chance The Rapper Rick Ro$$ - The Black Bar Mitzvah DJ UE - Monthly Whizz Vol. -
The Tusker Tribune the Student Newspaper of Somers Middle School
The Tusker Tribune The Student Newspaper of Somers Middle School Issue Number 25 http://somersschools.org/domain/995 Spring 2018 7th Grade Zoo Trip Means Spring’s Here! By Ezra Weinstein it; we turned to see one huge lion that had a Tusker Tribune Staff beautiful mane and a fierce look on its face. Most people know that the sev- The lion was so cool but something was wrong. enth grade is going to be going to the The lion would not stop looking at me. It Bronx Zoo on Friday, April 20 to see stared and stared. I kept glancing at the lion the animals. Sounds like fun, right? and he did not stop staring. I believe it will be an amazing expe- Weinstein’s About five minutes later, he pranced rience for us students. Even though I have Wisdom over to me and put his paw on the glass and only been to the Bronx Zoo once, I can I put my tiny hand on the glass. It covered even tell you it is extremely probably ¼ of his humungous fascinating to watch the ani- paw. A friendship between boy mals in their habitats. and lion had been just awak- At the zoo, there are ened. I heard my mother call to some exotic animals there like me to say that we had to leave; it tigers, lions, and other animals was sad to see the lion look at you do not see every day. That me. He looked lonely as soon as I one time I went to the Bronx took that first step away from Zoo with my family, something him. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Here Often? and Light Organ June 12 Various Artists 12” Records Present: a Record Store Day Show Unreleased Songs from the Vault Collection
THESE RELEASES WILL BE AVAILABLE JUNE 12TH DROP ARTIST TITLE FORMAT Picture Disc of Original 'Allied Forces' Studio Album Live in Cleveland' 1981 2x LP Single – Tribute 2021 June 12 Triumph 7" Allied Forces” + “Magic Power” Live from 12" Picture Disc Ottawa 1982 (Never Before Released) 11x17 Maple Leaf Gardens Poster (CANADA EXCLUSIVE) June 12 Our Lady Peace Healthy in Paranoid Times LP Detour De Force 30th Anniversary of BNL’s Yellow Tape! Includes two songs from the forthcoming June 12 Barenaked Ladies Cassette Barenaked Ladies album, Detour de Force: “New Disaster” and “Internal Dynamo (radio edit), which is an RSD exclusive Metal Queen (Limited Edition 180 Gram Pink June 12 Lee Aaron LP Vinyl + 20x20 limited edition poster) Comedy Here Often? And Light Organ June 12 Various Artists 12” Records present: A Record Store Day Show Unreleased Songs From The Vault Collection. June 12 Stompin' Tom Connors Vol 4: Let's Smile Again 12” Grey Vinyl with Black Marbling June 12 Greg Keelor Share The Love: Lost Cause Sessions LP "Through The Mists of Time" / "Witch's Spell" June 12 AC/DC 12" Picture Disc Picture Disc June 12 Air People in the City 12" Picture Disc June 12 Al Green Give Me More Love 12" June 12 Albert Collins with the Barrelhouse Live LP June 12 Alestorm Sunset On The Golden Age 2 LP June 12 Alkaline Trio From Here to Infirmary LP June 12 Amy Winehouse Remixes 2LP June 12 Animal Collective Prospect Hummer 12" June 12 Anti-Flag 20/20 Division LP Apollo Brown, Planet Asia, Gensu Dean, June 12 Stitched Up & Shaken 12" Guilty Simpson June 12 Ariana Grande k bye for now (swt live) 3 LP June 12 Ariana Grande k bye for now (swt live) 2 CD June 12 Arthur Verocia Mochilla Presents Timeless: Arthur Verocai 2 LP Gatefold June 12 AVATAR Hunter Gather 2LP Angel Miners & The Lightning Riders Live June 12 AWOLNATION 12” From 2020 June 12 Beastie Boys Aglio E Olio 12" June 12 Beck Hyperspace (2020) LP June 12 Ben Howard Variations Vol. -
Chance the Rapper's Creation of a New Community of Christian
Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough. -
2019-2020 Annual Review 2 Table of Contents
2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year. -
How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 2019 Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry Laura Kozel Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Part of the Law Commons Recommended Citation Kozel, Laura, "Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry" (2019). Law School Student Scholarship. 1019. https://scholarship.shu.edu/student_scholarship/1019 ABSTRACT Despite improvements in female visibility and a number of movements pushing for equality in recent years, gender imbalance continues to plague the world of entertainment. While strides have been made to achieve parity in the film industry, little progress has been made to achieve the same in music where the disproportionality of females is even worse. Females are chronically underrepresented across virtually all aspects of music, both on-stage and off-stage, whether it be as musicians or as executives, which subsequently effects the amount of nominations, as well as awards that females in music receive. The implementation of inclusion riders in Hollywood has demonstrably improved female representation in popular films, but until now inclusion riders have not been applied to the music industry. This paper explores the application of inclusion riders to the music industry in order to remedy a long-standing history of female exclusion, as well as increase visibility for the vast number of talented females in the music industry that deserve the same opportunities and recognition, but until now have remained invisible.