Feature Films 2010 Main Index
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XXV PREMIOS GOYA 2011 25Th GOYA AWARDS 2011
XXV PREMIOS GOYA 2011 Concedidos por la Academia de las Artes y las Ciencias Cinematográficas de España 25th GOYA AWARDS 2011 By the Academy of Motion Picture Arts and Sciences of Spain Mejor Película/Best Film: "Pan Negro" © Ministerio de Cultura Isona Passola. Mejor película. Agustí Villaronga David Pinillos Mejor Dirección/Best Director: Agustí Villaronga, por “Pan Negro” Mejor Dirección Novel/Best New Director: David Pinillos, por “Bon appétit” Agustí Villaronga Rodrigo Cortés recoge el Goya de Chris Sparling Mejor guión original/Best Screenplay - Original: Chris Sparling, por “Buried" Mejor guión adaptado/Best Screenplay - Adapted: Agustí Villaronga, por “Pan Negro” Mejor Interpretación masculina protagonista/Best Actor: Javier Bardem, por “Biutiful” Mejor Interpretación femenina protagonista/Best Actress: Nora Navas, por “Pan Negro” © Ministerio de Cultura Javier Bardem Nora Navas Mejor Interpretación masculina de reparto/Best Supporting Actor: Karra Elejalde, “También la lluvia” Mejor Interpretación femenina de reparto/Best Supporting Actress: Laia Marull, por “Pan Negro” Laia Marull Karra Elejalde © Ministerio de Cultura Francesc Colomer Marina Comas Mejor actor revelación/Best New Actor: Francesc Colomer, por “Pan Negro” Mejor actriz revelación/Best New Actress: Marina Comas, por “Pan Negro” Cristina Zumárraga Antonio Riestra Alberto Iglesias Mejor dirección de producción/Best Production Supervision: Cristina Zumárraga, por “También la lluvia” Mejor fotografía/Best Cinematography: Antonio Riestra, por “Pan Negro” Mejor música -
Media Alert: Flickers Partners with Roger Williams University to Present Spring Film/Speaker Series on the Jewish Experience Free Program Sponsored by the Edwin S
For details, art or photos about FLICKERS media releases, contact Shawn Quirk, [email protected] ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ PHOTOS AVAILABLE UPON REQUEST: MEDIA ALERT: FLICKERS PARTNERS WITH ROGER WILLIAMS UNIVERSITY TO PRESENT SPRING FILM/SPEAKER SERIES ON THE JEWISH EXPERIENCE FREE PROGRAM SPONSORED BY THE EDWIN S. SOFORENKO FOUNDATION WHAT: The Jewish Experience Program at the 13th Annual Roving Eye International Film Festival WHEN: April 17, 19 & 22, 2018 WHERE: Feinstein College of Arts and Sciences, CAS 157 and Global Heritage Hall, Room 01, Roger Williams University, 1 Old Ferry Road, Bristol, RI WHO: Flickers’ Rhode Island International Film Festival (RIIFF) and Roger Williams University (RWU) HOW MUCH: This is a Free Event WHY: To Celebrate The Jewish Experience Through The Art of International Filmmaking. Roger Williams University (RWU) has partnered with the Flickers’ Rhode Island International Film Festival (RIIFF) to present its Spring-edition of the bi-annual Roving Eye International Film Festival. The popular and acclaimed Festival celebrating global cinema and artists, announces its 2018 Spring sidebar program on The Jewish Experience through short films, documentary, media and guest speakers. This year’s Jewish Experience theme is “ARTS AND CULTURE: Storytelling Through Time,” and is presented by a grant from the Edwin S. Soforenko Foundation. The event takes place April 17, 19 & 22nd. This year’s programming explores representations of the Jewish experience in Israel, across the globe and the Holocaust through 12 premiere films, including sneak peeks of films that will play the Rhode Island International Film Festival in August. The series is hosted by the Rev. Nancy Hamlin Soukup, University Multifaith Chaplain at RWU and includes a presentation by Holocaust survivor, Sami Steigmann; and a conversation with Chris Sparling filmmaker /screenwriter. -
Revista Del Cine Español Nº 176 MARZO 2011 4 €
ACADEMIA Revista del Cine Español nº 176 MARZO 2011 4 € A CADEMIA DE LAS A RTES Y LAS C IENCIAS C INEMATOGRÁ FICAS DE E SPAÑA Ilustración: Augusto Costhanzo ACADEMIA REVISTA DEL CINE ESPAÑOL DIRECTOR: ARTURO GIRÓN [email protected] PRODUCCIÓN: ANA ROS [email protected] 4 La gala en el Teatro Real. La Academia REDACCIÓN ([email protected]): corona a Pa negre con nueve Goyas, entre JEFA DE REDACCIÓN: CHUSA L. MONJAS [email protected] ellos los de mejor película, dirección y ELOÍSA VILLAR [email protected], ANA ROS, JUAN GARCÍA [email protected] actriz protagonista 16 El ‘abc’ del DOCUMENTACIÓN: PATRICIA VIADA [email protected] backstage 23 El último discurso de Álex DISEÑO: ALBERTO LABARGA [email protected] de la Iglesia24 Entrevista con Isona IMPRIME: Gráficas 82 D.L. BU–217/95. ISSN 1136–8144 Passola, productora de Pa negre 26 Los ACADEMIA, REVISTA DEL CINE ESPAÑOL, NO SE SOLIDARIZA NECESARIAMENTE CON LAS Goya desde la calle desde la OPINIONES EXPUESTAS EN LOS ARTÍCULOS QUE PUBLICA, CUYA RESPONSABILIDAD 28 CORRESPONDE EXCLUSIVAMENTE A LOS AUTORES. televisión Belleza, y EDITA: 29 glamour evasión. La moda, por Lorenzo Caprile 34 Palmarés 38 Discurso de Mario Camus, Goya de Honor 39 Mis primeros Goya, por el director de C/ Zurbano, 3. 28010 Madrid producción Emiliano Otegui y la Tel. 91 5934648 y 91 4482321. Fax: 91 5931492 Internet: www.academiadecine.com directora y guionista Azucena Rodríguez E-mail: [email protected] 43 Sabela Correa, el mejor espectador PRESIDENTE: ÁLEX DE LA IGLESIA 25 premios honoríficos, por Jesús de VICEPRESIDENTES: ICÍAR BOLLAÍN, EMILIO A. -
Maquetación 1
academia Revista del Cine Español nº 175 fEbRERo 2011 4€ A cAdemiA de lAs A rtes y lAs c ienciAs c inemAtogr Á ficAs de e spAñA academia REV IST A DEL CINE ESPAÑOL Comienza la cuenta atrás DIRECTOR : ARTURO GIRÓN 4 para la gran fiesta del cine español. artu [email protected] Los candidatos finalistas a la XXV edición de los Premios Goya se reúnen en la Real Casa de Correos de Madrid para celebrar PRODUCCIÓN : ANA ROS sus opciones al galardón y hacerse la tradicional foto de familia. [email protected] REDACCIÓN ([email protected]) : ELOÍSA VILLAR [email protected] , ANA ROS , CHUSA L. MONJAS, chusa@academiadecine. com, JUAN GARCÍA [email protected] DOCUMENTACIÓN : PATRICIA VIADA [email protected] DISEÑO : ALBERTO LABARGA [email protected] IMPRIME : Coyve Artes Gráficas D.L. BU–217/95. ISSN 1136–8144 ACADEMIA, REVISTA DEL CINE ESPAÑOL, NO SE SOLIDARIZA NECESARIAMENTE CON LAS OPINIONES EXPUESTAS EN LOS ARTÍCULOS QUE PUBLICA, CUYA RESPONSABILIDAD CORRESPONDE EXCLUSIVAMENTE A LOS AUTORES. EDITA : a g e t C/ Zurbano, 3. 28010 Madrid r O Tel. 91 5934648 y 91 4482321. Fax: 91 5931492 o t r Internet: www.academiadecine.com e b l E-mail: [email protected] A : o t PRESIDENTE : ÁLEX DE LA IGLESIA o F VICEPRESIDENTES : ICÍAR BOLLAÍN, EMILIO A. PINA, TERESA ENRICH Cuatro propuestas diferentes de nuestra cinematografía JUNTA DIRECTIVA : PEDRO EUGENIO DELGADO, MANUEL CRISTÓBAL RODRÍGUEZ (ANIMACIÓN), ENRIQUE URBIZU, PATRICIA FERREIRA (DIRECCIÓN), EMILIO ARDURA, LUIS miran a los Goya 2011 VALLÉS “KOLDO” (DIRECCIÓN ARTÍSTICA), EMILIANO Las historias que parten con mayor número de candidaturas y que también se miden por el trofeo a la mejor película y dirección hablan OTEGUI, YOUSAF BOKHARI (DIRECCIÓN DE PRODUCCIÓN), en castellano, catalán e inglés. -
Carmen Maura
ACADEMIA SUMARIO ACADEMIA 3 REVISTA DEL CINE ESPAÑOL CARMEN MAURA ALEJANDRO AMENÁBAR MEDALLA DE ORO 2009 Ágora, la historia de una mujer, A CADEMIA DE LAS A RTES YLAS C IENCIAS C INEMATOGRÁ FICAS DE E SPAÑA “La Academia no existe Internet: www.academiadecine.com E-mail: [email protected] de Alejandría, la caída de una si no venimos” DIRECTOR: ARTURO GIRÓN [email protected] PRODUCCIÓN: ANA ROS [email protected] REDACCIÓN: ELOÍSA VILLAR [email protected] DOCUMENTACIÓN: MARÍA civilización en crisis que da PASTOR [email protected] DISEÑO: ALBERTO LABARGA [email protected] Tel: 91 5934333. Ext. 1 Fax: 91 5931492 [email protected] IMPRIME: Gráficas 82 lugar a un nuevo orden PRESIDENTE: ÁLEX DE LA IGLESIA DIRECTOR GENERAL: CARLOS CUADROS [email protected] ADJUNTA A LA DIRECCIÓN: ANA NÚÑEZ [email protected] DIRECTOR DE COMUNICACIÓN: ARTURO GIRÓN COORDINACIÓN CULTURAL: ENRIQUE BOCANEGRA (COORDINADOR) [email protected] CARLOS GARRIDO [email protected] SECRETARÍA: ANTONIO LOZANO [email protected] MARÍA ÁNGELES DE LA GUÍA [email protected] MARÍA LIZANA maría [email protected] BIBLIOTECA: PATRICIA VIADA [email protected] BASE DE DATOS Y ELABORACIÓN DE ESTADÍSTICAS: NIEVES MARTÍNEZ [email protected] ASESOR INFORMÁTICO: PACO FUENTES [email protected] OFICINA EN BARCELONA: Paseo de Colón, 6. 08002 Barcelona. Tel. 93 3196010. Fax: 93 3191966. CLARA AGUSTÍ [email protected] EDITA: Academia de las Artes y las Ciencias Cinematográficas de España. Zurbano, 3. 28010 Madrid Tel. 91 5934648 y 91 4482321. Fax: 91 5931492 D.L. BU–217/95. ISSN 1136–8144 ACADEMIA, REVISTA DEL CINE ESPAÑOL, NO SE SOLIDARIZA NECESARIAMENTE CON LAS OPINIONES EXPUESTAS EN LOS ARTÍCULOS QUE PUBLICA, CUYA RESPONSABILIDAD CORRESPONDE EXCLUSIVAMENTE A LOS AUTORES. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
This Document Is for Planning Purposes, We Kindly Ask That You Do Not Link out to This Document in Your Coverage**
**This document is for planning purposes, we kindly ask that you do not link out to this document in your coverage** Netflix 2021 Film Preview | Official Trailer YouTube Link (in order of appearance) Red Notice (Ryan Reynolds, Gal Gadot, Dwayne Johnson) The Harder They Fall (Regina King, Jonathan Majors) Thunder Force (Octavia Spencer, Melissa McCarthy) Bruised (Halle Berry) tick, tick… BOOM! (Lin-Manuel Miranda) The Kissing Booth 3 (Joey King) To All The Boys: Always And Forever (Lana Condor, Noah Centineo) The Woman in the Window (Amy Adams) Escape from Spiderhead (Chris Hemsworth) YES DAY(Jennifer Garner) Sweet Girl (Jason Momoa) Army of the Dead (Dave Bautista) Outside the Wire Bad Trip O2 The Last Mercenary Kate Fear Street Night Teeth Malcolm and Marie Monster Moxie The White Tiger Double Dad Back to the Outback Beauty Red Notice Don't Look Up 2 2021 NETFLIX FILMS (A-Z) 8 Rue de l'Humanité* O2* A Boy Called Christmas Outside the Wire (January 15) A Castle for Christmas Penguin Bloom (January 27)** Afterlife of the Party Pieces of a Woman (January 7) Army of the Dead Red Notice Awake Rise of the Teenage Mutant Ninja Turtles A Week Away Robin Robin A Winter’s Tale from Shaun the Sheep** Skater Girl Back to the Outback Stowaway** Bad Trip Sweet Girl Beauty The Dig (January 29) Blonde The Guilty Blood Red Sky* The Hand of God* Bombay Rose The Harder They Fall Beckett The Kissing Booth 3 Bruised The Last Letter from Your Lover** Concrete Cowboy The Last Mercenary* Don't Look Up The Loud House Movie Double Dad* The Power of the -
Pocket Product Guide 2006
THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127 -
Linda Woolverton Dives Down the Rabbit Hole!
Linda Woolverton dives down the Rabbit Hole! Character-Driven Writing by Vaughn, Goldman & Millar 2010 Sundance Coverage + Know Your Show: The Mentalist MARCH/APRIL 2010 Volume 17 Number 2 - - - - - - - - - - - - - - Allan Loeb writes the stimulus Beacham, Hay & Manfredi Noah Baumbach stresses us out $6.95 package for Wall Street: get Kracken on Clash of the Titans in Greenberg Money Never Sleeps "My head is spinning... my writing career is taking off...and I owe it all to entering my script in the Creative Screenwriting AAA Contest last fall!" — Robert Lugibihl, February 2009 OPEN NOW! DEADLINE APRIL 11, 2010 sponsored by Welcome to Creative Screenwriting’s annual screenplay competition. The AAA Contest is looking for the best and most talented writers from around the world. If you have written a great screenplay, please allow us to bring your work to the attention of the industry. The winner of the AAA contest will be profiled in Creative Screenwriting magazine and the names of the top ten finalists will be published in CS Weekly. Finalists and their screenplays will also be publicized in press releases and ads placed in industry publications. GRAND PRIZE — $7,500 CASH additional prizes, plus Acclaim and Access: • $7,500 cash • Winning script mailed to over 300 agents, managers, and development executives. • Free Gold Pass registration to the 2010 Screenwriting Expo ($300+ value) • Air fare up to $300 and lodging at the 2010 Screenwriting Expo headquarters hotel • Five free Golden Pitch Festival pitch tickets ($125 value, plus selection priority). Second Prize: $2,500 cash plus script sent to producers, agents, and managers, plus other prizes. -
1110 09/13 Issue One Thousand One Hundred-Ten Thursday, September Thirteen, Mmxviii
#1110 09/13 issue one thousand one hundred-ten thursday, september thirteen, mmxviii “1H20” Feature Film 1H20 LLC [email protected] STATUS: October 26 LOCATION: Los Angeles PRODUCER: Daria Nazarova A housewife searches for answers about her husband's infidelity only to realize her grasp on reality is slipping. “THE A GIRL” Pilot BRENDAVISION! [email protected] STATUS: October 1 LOCATION: Salt Lake City PRODUCER: Brenda Hampton DIRECTOR: Steven Tsuchida A single camera comedy that follows the unlikely friendship between two girls that are forced together in a new “Friends Program” in their middle school - Harper, the Queen Bee, who isn’t used to being told the truth, and Zoe, a girl on the spectrum of autism who would rather fly solo, who can’t help do anything but. Two girls who are completely different, but find out they have more in common than they thought. “A.J. AND THE QUEEN” Series / Netflix 08-09-18 ê MPK PRODUCTIONS 4000 Warner Blvd., Bldg. 192, Burbank, CA 91522 STATUS: October 15 LOCATION: Los Angeles WRITER/PRODUCER: Michael Patrick King - RuPaul Charles DIRECTOR: Michael Patrick King PM: Franklyn Gottbetter ([email protected]) CAST: RuPaul Charles WARNER BROS. TELEVISION 4000 Warner Blvd. Burbank, CA 91522 818-954-6000 [email protected] NETFLIX 5800 Sunset Boulevard, Hollywood, CA 90028 310-734-2900 [email protected] The comedy will follow RuPaul as Ruby Red, a bigger-than-life but down-on-her-luck drag queen who travels across America from club to club in a rundown 1990s RV with her unlikely sidekick, AJ, a recently orphaned, tough-talking, scrappy 11-year-old stowaway. -
The Sea of Trees
THE SEA OF TREES Production Notes Running time: 110 min September 9th in theatres DISTRIBUTION SND GROUPE M6 89 Avenue Charles de Gaulle 92575 Neuilly sur Seine Cedex PRESS CONTACT PRESS CONTACT DDA Public Relations Delphine Olivier [email protected] [email protected] LA: +1 310-205-4868 04 42 59 19 15 Cannes: +33 (0)4 97 06 85 15 06 89 09 57 95 1 ARTHUR It’s always that moment that wakes us up, you know? Some big, life-changing event that reminds us what really matters. The problem is, the only time that moment comes is when that moment comes -- and sometimes it comes too late. Thick, single tears crawl down his cheek, cling to his clenched jaw. ARTHUR I... (hesitates) From Gus Van Sant’s The Sea of Trees, Screenplay by Chris Sparling Acclaimed director, Gus Van Sant’s THE SEA OF TREES is a deeply moving story about the destructive, redemptive and healing nature of love. It’s love and loss that lead Arthur Brennan (Matthew McConaughey), across the world to Japan’s Aokigahara, a mysterious dense forest known as The Sea of Trees lapping the foothills of Japan’s Mount Fuji – a place where people go to contemplate life and death. Numbed by grief, Arthur enters the depths of the forest and loses himself beyond the guiding ribbons threaded through the trees by many before him. Having found the perfect place to die, Arthur encounters Takumi Nakamura (Ken Watanabe), a Japanese man who also appears to have lost his way. Unable to leave Takumi behind, Arthur invests all of his remaining energy into saving Takumi and returning him to safety.