Network Highlights: Thecomedynetwork.Ca Website: Adsales

Total Page:16

File Type:pdf, Size:1020Kb

Network Highlights: Thecomedynetwork.Ca Website: Adsales thecomedynetwork.ca Unique Visitors (000) 211 Unique Viewers (000) 161 Canada 's first specialty comedy service, The Comedy Network airs comedy of all Video Streams (000) 5,851 kinds, 24-hours-a-day, across multiple platforms, including a revolutionary broadband Page Views (mil) 4 service. Launched in October 1997, The Comedy Network broadcasts, uncut and uncensored, an eclectic mix of scripted, stand-up, sketch, improv, and animated Visits (000) 742 comedy – as well as topical comedy talk shows, game shows and classic situation Visits per Visitor (000) 3.5 comedies. Offering an unrivalled slate of original Canadian programming, The Comedy Network reinvests nearly 50 per cent of its revenues into home-grown productions. The Source: comScore Sep 2012 – Mar 2013 Average Comedy Network is a division of Bell Media, which is owned by BCE Inc. (TSX, NYSE: BCE), Canada ’s largest communications company. Rank Show Videos Network Highlights: 1 The Daily Show 11,482,582 • Available in 5.8 million households 2 The Colbert Report 5,489,391 • #1 specialty station for composition for Men 18-34 and 18-49 and among the Top 5 for adults in these demos. 3 Tosh.0 2,705,198 • #1 specialty station for AMA for A18-24, #1 non-sports specialty 4 Workaholics 2,660,025 for A18-34 and M18-34 and among the Top 5 for all key demos. 5 Conan • #1 specialty station for Reach for A18-24 and among the Top 4 880,843 non-sports for all key demos. 6 South Park • Top 3 for largest audience growth among Adults and Men 18- 831,068 34 and 18-49. Viewing across these demos is up by 10% or 7 The Comedy Network Specials more. 609,329 • Largest and 2nd fastest growth of any specialty station for M18- 8 Key & Peele 34 (+1,500; +12%). 557,194 9 Comedians A to Z • Tentpole Events & Key Programming: The Comedy Central 396,599 Roasts, South Park, The Daily Show with Jon Stewart, The Colbert Report, Tosh.0, Ugly Americans, Workaholics 10 Just For Laughs Galas 319,450 Source: Omniture Sep 2012 – Mar 2013 website: adsales.bellmedia.ca email: [email protected] Source: BBM Canada, Q1-2 BY12/13 (8/27/11 – 2/24/13, Rank based on Cdn Eng Commercial Specialty Networks. Subscribers based on CTV internal figures – March 2013 .
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Speaking of South Park
    University of Windsor Scholarship at UWindsor OSSA Conference Archive OSSA 3 May 15th, 9:00 AM - May 17th, 5:00 PM Speaking of South Park Christina Slade University Sydney Follow this and additional works at: https://scholar.uwindsor.ca/ossaarchive Part of the Philosophy Commons Slade, Christina, "Speaking of South Park" (1999). OSSA Conference Archive. 53. https://scholar.uwindsor.ca/ossaarchive/OSSA3/papersandcommentaries/53 This Paper is brought to you for free and open access by the Conferences and Conference Proceedings at Scholarship at UWindsor. It has been accepted for inclusion in OSSA Conference Archive by an authorized conference organizer of Scholarship at UWindsor. For more information, please contact [email protected]. Title: Speaking of South Park Author: Christina Slade Response to this paper by: Susan Drake (c)2000 Christina Slade South Park is, at first blush, an unlikely vehicle for the teaching of argumentation and of reasoning skills. Yet the cool of the program, and its ability to tap into the concerns of youth, make it an obvious site. This paper analyses the argumentation of one of the programs which deals with genetic engineering. Entitled 'An Elephant makes love to a Pig', the episode begins with the elephant being presented to the school bus driver as 'the new disabled kid'; and opens a debate on the virtues of genetic engineering with the teacher saying: 'We could have avoided terrible mistakes, like German people'. The show both offends and ridicules received moral values. However a fine grained analysis of the transcript of 'An Elephant makes love to a Pig' shows how superficially absurd situations conceal sophisticated argumentation strategies.
    [Show full text]
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • What Will It Take to Save Comedy Central?
    What Will it Take to Save Comedy Central? 08.16.2016 Comedy Central's cancellation of The Nightly Show is the latest in a series of signals that all is not well at the network that was once the home of the country's sharpest political satire and news commentary. On Monday, Comedy Central announced that it was cancelling the show, which took Stephen Colbert's Colbert Report time slot in February 2015 when Colbert moved over to CBS' The Late Show. The move was not surprising considering the ratings: The Nightly Show is averaging a barely-there 0.2 among its key demographic of adults 18-49. RELATED: Comedy Central Cancels 'The Nightly Show' But The Nightly Show's failure to catch on is not the only problem at Comedy Central. Consider its late-night partner, The Daily Show, long the network's marquee program with host Jon Stewart. Stewart left the show just over a year ago and was replaced with South African comic Trevor Noah, who was hand-picked by Stewart. But despite Comedy Central's best efforts to reassure the media and audiences that Noah would eventually catch on, so far he hasn't. In May, The Wrap reported that The Daily Show had lost 38% of Stewart's audience among millennials aged 18-34 and 35% in households. And that comes at a time when the country is in the middle of a presidential election that lends itself extremely well to satire. It's also proven to be a mistake to let so much of its talent walk out the door, with Stephen Colbert going to CBS, John Oliver to HBO and Samantha Bee to TBS, taking much of Comedy Central's brand equity with them.
    [Show full text]
  • Winter-2013.Pdf
    Alumni Gazette WEStern’S ALUMNI MAGAZINE SINCE 1939 WINTER 2013 Power player TTC Chair Karen Stintz Alumni Gazette CONTENTS See public health from SAGT YIN on track 12 Karen Stintz, BA’92, Dipl’93, Chair of TTC a new vantage point STA Y THIRSTY 14 FOR ADVENTURE John Marcus Payne, LLB’73, has almost done it all OSCAR WINNER FIRST 16 MUSIC HALL OF FAMER Composer Barbara Willis Sweet, BMus’75 STOPPING YOUR OWN 18 GLOBAL WARMING Cardiologist & author Bradley J. Dibble, MD’90 W RITING code for 20 WEBSITES is fun? Web designer Amanda Aitken, BA’05, Cert’05 WHO IS WATCHING 26 THE POLICE? Director of Ontario’s SIU Ian Scott, LLB’81 NO JOKE: FAILURE CAN 30 LEAD TO SUCCESS Comedian and writer Deepak Sethi, BSc’02 The new Master of Public Health. 26 Get ready to lead. DEPARTMENTS @ alumnigazette.ca LETTERS CONSUMER GUIDE 05 Impressed by student spirit 28 Top 5 wines to drink now at Homecoming MAKING THE FRENCH CONNECTION BEST KEPT SECRET P URSUING JOINT PHD LIFE-ALTERING CAMPUS NEWS 32 Famous signatures in Western EXPERIENCE for KristEN SNELL, BSC’09, 07 Clinical trials of AIDS vaccine Archives MSC’11 making progress THE ROAD TO HOLLYWOOD NEW RELEASES Q & A WITH COMEDY WRITER DEEPAK SETHI, 36 Save the Humans by Rob CAMPUS QUOTES BSC’02 09 Western hosts guest speakers Stewart, BSc’01 A CAREER OF PERSISTANCE MEMORIES GAZETTEER AN EXpaNDED story ON DR. Masashi • 12 months full-time APPLY NOW • Deadline March 1 22 Winter Carnival on UC Hill 41 Alumni notes & Kawasaki, BA’53, MD’57 • intensive case-based learning schulich.uwo.ca/publichealth announcements SAVE THE HUMANS – EXCERPT • interdisciplinary faculty BY ROB STEWART, BSC’01 • 12-week practicum On the cover: Karen Stintz, BA’92, Dipl’93 (Political Science, King’s) is chair of the Toronto • international field trip Transit Commission (TTC).
    [Show full text]
  • PC Is Back in South Park: Framing Social Issues Through Satire
    Colloquy Vol. 12, Fall 2016, pp. 101-114 PC Is Back in South Park: Framing Social Issues through Satire Alex Dejean Abstract This study takes an extensive look at the television program South Park episode “Stunning and Brave.” There is limited research that explores the use of satire to create social discourse on concepts related to political correctness. I use framing theory as a primary variable to understand the messages “Stunning and Brave” attempts to convey. Framing theory originated from the theory of agenda setting. Agenda setting explains how media depictions affect how people think about the world. Framing is an aspect of agenda setting that details the organization and structure of a narrative or story. Framing is such an important variable to agenda setting that research on framing has become its own field of study. Existing literature of framing theory, comedy, and television has shown how audiences perceive issues once they have been exposed to media messages. The purpose of this research will review relevant literature explored in this area to examine satirical criticism on the social issue of political correctness. It seems almost unnecessary to point out the effect media has on us every day. Media is a broad term for the collective entities and structures through which messages are created and transmitted to an audience. As noted by Semmel (1983), “Almost everyone agrees that the mass media shape the world around us” (p. 718). The media tells us what life is or what we need for a better life. We have been bombarded with messages about what is better.
    [Show full text]
  • Comedy Resume
    Comedy Resume ERICA PALGON COMEDY CASTING RESUME COMMERCIAL COMEDY CASTING CREDITS: Erica has cast many hilarious cross-promos for COMEDY CENTRAL, including Bud Light, 3 Musketeers, Twix, Subway, Cigna, Experian, Comedy Central App, Burger King, Axe, Geico, Kia, Experian, Budweiser, Lowes, Papa John’s, Dave & Busters, Cadillac, Pop Tarts, Butterfingers, and promos for Amy Schumer show, The Nightly Show with Larry Wilmore, South Park, Tosh.0, promo for comedian Eugene Mirman’s 1 hr comedy special, and Workaholics/Stride Gum. Other commercial comedy casting credits include T‐ Mobile (w/Catherine Zeta-Jones), Sobe ad for 2009 Superbowl, All Bran (with John McEnroe), Verizon “Can you Hear Me Now” guy, Coke Zero, Bud Light, Time Warner Cable, Lever 2000, Swiffer, Stride Gum, AMEX, Citibank, Phillips 66, Lowe’s, Lendingtree, a big campaign for Greenpeace where talent were asked to tell their worst jokes – included Michael Showalter and Lewis Black. On-camera promos for 30 Rock, TNT, TBS/Domino’s, TLC Say Yes to The Dress, and Discovery Channel/SCJohnson. Some older ads: Visa (with Ronde & Tike Barber), Virgin Mobile (with Wyclef Jean), Coinstar, Ameritrade (“Stuart”) Verizon (“Ringtones”, “Store”, “Bridesmaids”, “Airport” spots) FILM COMEDY CREDITS: MEAN GIRLS, SOMETHING’S GOTTA GIVE, HOLIDAY, AQUAMARINE, indie films HEDWIG AND THE ANGRY INCH (Sundance 2001), SHORTBUS (Cannes 2006), DOUBLE WHAMMY (Sundance 2001), SERIES 7 (Sundance 2001), GREAT WORLD OF SOUND (Sundance 2005), JUST LIKE THE SON (Tribeca Festival 2006), In 2001 Erica attended Sundance Film Festival representing the casting of 5 films: Series 7, Acts of Worship, Hedwig and the Angry Inch, Diary of a City Priest, and Double Whammy.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
    CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised.
    [Show full text]
  • Workaholics Script
    Final Draft 8 Demo WORKAHOLICS "THE EXTRA MILE" written by Jelena Lovric Final Draft 8 Demo Final Draft 8 Demo Jelena Lovric jelena37(at)hotmail.com ‘’ THE EXTRA MILE’’ COLD OPEN FADE IN: EXT. GUYS’ FRONT DOOR - MORNING (DAY ONE) There’s a GIRL, young gorgeous brunette with her carry on bag next to her. She KNOCKS several times before Blake opens the Finaldoor. He looks likeDraft he just woke 8 up andDemo is quite groggy. GIRL (seductively in French: English subtitles) ‘’I had a fall-out with my boyfriend. I don’t know anyone here. Can you please help me?’’ Blake is clearly very confused. GIRL Final(poor Draft English) 8 Demo Can you help me? Please. I am very lost. Blake smiles as he realizes something. BLAKE (to himself) Whoa. I’m still tripping from those shrooms we took last night. (as he slams the door) FinalThat’s awesome.Draft 8 Demo The girl is left outside -- confused about what just happened. INT. GUYS’ HOUSE - KITCHEN - MOMENTS LATER Ders is still in his sleepwear, shorts and a T-shirt -- pouring himself some coffee as the same French girl KNOCKS on a kitchen window. "Episode Title" 2. GIRL (in French: English subtitles) ‘’Can you please help me?’’ DERS Figures. Even my hallucinations sound Finalsophisticated. Draft 8 Demo Ders turns his back to the French girl. DERS (CONT’D) (calls out to the guys) Hey... are you still coming down off your trip? He turns back to the French girl, who looks appalled by now and PULLS DOWN the window shade as he still yells to the guys.
    [Show full text]
  • Brickleberry!
    Join Us for The World Animation Feature Films and VFX Summit! Click here! News Resources Magazine Advertise Contact Shop Animag TV Calendar Home » Television » Welcome to Brickleberry! Tweet September 12, 2012 by Ramin Zahed Share Like 1 Comedy Central’s crazy new toon features a group of oddball forest rangers and a pampered grizzly cub voiced by Daniel Tosh. Move over, Ranger Smith and Yogi Bear. There’s a new animated comedy about forest rangers coming to town: It’s News Features Television Events called Brickleberry, and it’s bound to raise some eyebrows when it premieres on Comedy Central this month. Exec produced by comic Daniel Tosh and created by Waco O’Guin and Roger Black, the new toon has all the key elements that Acclaimed animation world can appeal to fans of South Park and Family Guy. Oh, and did we mention that Tosh also veteran Genndy Tartakovsky voices a tiny, spoiled bear called Malloy? brings some old cartoon-y... read more The inspiration for the show is actually O’Guin’s father-in-law, who is a very serious park ranger. Nick launches a brand new “Roger loves to make fun of everyone, and he calls him a tree cop!” says O’Guin. CG take on an ‘80s classic “So“ when we were thinking about coming up with ideas for a comedy, the park ranger with Teenage Mutant... show seemed like a natural. There was no way we could do it as a live-action show, read more because it would cost 10 million bucks, and animation seemed to be the right way to go!” Comedy Central’s crazy new toon features a group of oddball forest rangers..
    [Show full text]
  • Advertising Solutions
    P 770.559.2262 F 770.559.2329 ComcastSpotlight.com/Atlanta © Comcast Spotlight, LLC. Advertising Solutions MSNBC AFFLUENT ADULTS MSNBC defines news for the next generation with a full schedule of breaking stories and personality programming – 24 hours a day, seven days a week; MSNBC provides the whole picture. Target: Well-educated Higher HH Income Professionals 35-64, Men 25-54 A&E Nominated for more Emmys than any other basic cable network, A&E gives viewers an emotional experience and connects them to fascinating stories and characters. With original dramas and movies, there is nothing like A&E. Target: Adults 35-49, Women 25-54 National Geographic Uncover a new human species. Tempt fate with people whose risky jobs are just another day at the office. Viewers can do it all on the National Geographic Channel, where every day is an adventure. Target Adults 25-54, Men 25-54 AMC AMC network offers a comprehensive library of popular movies and a critically-acclaimed slate of original programming that is a diverse, movie-based mix of original series, documentaries and specials. Target: Adults 35-64, Men 25-54 Travel The Travel Channel delivers insightful stories about the world’s most fascinating vacation destinations, and believes in the magic of journeys to change and enrich lives. The network’s programming delivers unrivaled travel tips to the secret places tucked away from the ordinary hustle and bustle. Bravo Target: Adults 18-49, Men 18-49 Bravo is the cable network that plugs people into its original entertainment and pop culture programming. With shows like Top Chef and The Real Housewives, Bravo is dishing the most exciting reality on television.
    [Show full text]