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Accents and Paradoxes of Modern Philology Ministry of Education and Science of Ukraine V. N. Karazin Kharkiv National University Accents and Paradoxes of Modern Philology ISSN 2521-6481 2017 Issue 1 (1) Since 2017 International and interdisciplinary journal ISSN 2521-6481 http://periodicals.karazin.ua/accentsjournal/index Published twice a year Recommended for publication by the decision of the Academic Council of V.N. Karazin Kharkiv National University (Protocol № 3 dated 27.02.2017) Publisher: Department of Romance Philology and Translation of the School of Foreign Languages at V. N. Karazin Kharkiv National University. Mailing Address: 61022, Svobody sq., 4, 7-73, V.N. Karazin Kharkiv National University, Ukraine Contact e-mail: [email protected] General Editor: Svitlana Kryvoruchko, Doctor of sciences (Philology), Associate Professor, V. N. Karazin Kharkiv National University (Ukraine). Deputy Editor: Tetiana Cherkashyna, Doctor of sciences (Philology), Associate Professor, V. N. Karazin Kharkiv National University (Ukraine). Technical Editors: Nataliia Putivtseva, V. N. Karazin Kharkiv National University (Ukraine); Victoriya Chub, V. N. Karazin Kharkiv National University (Ukraine). Editorial Advisory Board Olena Andrushchenko – Doctor of sciences (Philology), Full Professor, H. S. Skovoroda Kharkiv National Pedagogical University (Ukraine). Oleksandr Astafiiev – Doctor of sciences (Philology), Full Professor, Taras Shevchenko Kyiv National University (Ukraine). Nataliia Vysotska – Doctor of sciences (Philology), Full Professor, Kyiv National Linguistic University (Ukraine). Victor Husev – Doctor of sciences (Philology), Full Professor, Oles Honchar Dnipropetrovsk National University (Ukraine). Gazeau Ghislaine Delaune – Doctor of Spanish Studies and Spanish American Studies, Rennes 2 University (France). Halyna Dranenko – Doctor of sciences (Philology), Associate Professor, Yurii Fedkovych Chernivtsi National University (Ukraine). Jorge Latorre – Doctor, Professor, University of Navarra (Spain). Edmer Calero del Mar – Doctor, Mexican Institute of Cinematographic and Humanitarian Research (Mexico). Oleksandr Keba – Doctor of sciences (Philology), Full Professor, Ivan Ohienko Kamianets-Podilskyi National University (Ukraine). Svitlana Kryvoruchko – Doctor of sciences (Philology), Associate Professor, V. N. Karazin Kharkiv National University (Ukraine). Lidia Matsevko-Bekerska – Doctor of sciences (Philology), Full Professor, Ivan Franko Lviv National University (Ukraine). Mariia Moklytsia – Doctor of sciences (Philology), Full Professor, Lesia Ukrainka East European National University (Ukraine). Ihor Orzhytskii – Doctor of Philosophy (Philology), Associate Professor, V. N. Karazin Kharkiv National University (Ukraine). Valentyna Pasynok – Doctor of sciences (Pedagogy), Full Professor, Academician of the Academy of Higher Education of Ukraine, V. N. Karazin Kharkiv National University (Ukraine). Lidia Pikhtovnikova – Doctor of sciences (Philology), Full Professor, V. N. Karazin Kharkiv National University (Ukraine). Tetiana Potnitseva – Doctor of sciences (Philology), Full Professor, Oles Honchar Dnipropetrovsk National University (Ukraine). Oleksandr Pronkevych – Doctor of sciences (Philology), Full Professor, Petro Mohyla Black Sea State University (Ukraine). Oleksandr Rebrii – Doctor of sciences (Philology), Associate Professor, V. N. Karazin Kharkiv National University (Ukraine). Viktoriia Samokhyna – Doctor of sciences (Philology), Full Professor, Academician of the Academy of Higher Education of Ukraine, V. N. Karazin Kharkiv National University (Ukraine). Stepan Khorob – Doctor of sciences (Philology), Full Professor, Vasyl Stefanyk Precarpathian National University (Ukraine). Tetiana Cherkashyna – Doctor of sciences (Philology), Associate Professor, V. N. Karazin Kharkiv National University (Ukraine). Borys Shalahynov – Doctor of sciences (Philology), Full Professor, “Kyiv-Mohyla Academy” National University (Ukraine). Journal’s mission is to consolidate scientific research around historical-literary, theoretical, comparative and translation understanding of different national literatures of the world. Language of publication: English. The articles had internal and external review © V. N. Karazin Kharkiv National University, design, 2017 CONTENTS LITERARY BIOGRAPHY: NARRATIVE FEATURES Tetiana 5 Cherkashyna DEFERRING THE OTHER AND APPARITION OF THE Viktoriia 14 INAPPARENT: HAUNTOLOGICAL PHENOMENA IN Ivanenko A. L. KENNEDY’S COLLECTION OF SHORT STORIES INDELIBLE ACTS (2002) EDUCATIONAL SYSTEM IN THE WORK OF AMÉLIE Svitlana 22 NOTHOMB "GLOSSARY OF PROPER NAMES" Kryvoruchko THE ROLE OF HIGH PRESTIGE LANGUAGES IN THE Tadeusz 32 FORMATION OF EUROPEAN LITERARY LANGUAGES Lewaszkiewicz SEMANTICS OF APPROXIMATIVE PARTICLES IN Simona 42 CONTEMPORARY ITALIAN Mercantini MYTHICAL ALLEGORIES OF FEAR (A Mariia 50 PSYCHOANALYTIC ASPECT) Moklytsia SPECIFICS OF MODELING OF THE NATIONAL Valentyna 59 CHARACTER IN THE WORKS BY LES MARTOVYCH Myroniuk GENEALOGICAL SPECIFICITY OF THE POETIC Vitalii 66 EPISTLE Nazarets DYNAMICS OF AMERICAN LITERARY CANONS: Nataliia 74 FROM CLASSICAL ANTIQUITY TO "REVOLUTION OF Vysotska PLURALITY" 4 Tetiana Cherkashyna LITERARY BIOGRAPHY: NARRATIVE FEATURES Accents and Paradoxes of Modern Philology, Issue 1(1) 2017, pp. 5–13 LITERARY BIOGRAPHY: NARRATIVE FEATURES © Tetiana Cherkashyna, Doctor of Philology, Associate Professor, Full Professor of the Department of Romance Philology and Translation of the School of Foreign Languages, V. N. Karazin Kharkiv National University, Svobody sq., 4, Kharkiv, Ukraine, 61022, [email protected] The article is devoted to the study of narrative features of the literary-biographical prose. Literary biography is the one of structural-thematic variants of the documentary literature. It consists of several subspecies which differ by the main subject of the image, the completeness of the life path of the outstanding personality, the degree of interest to the creative heritage of the main character, the dominant aspect, the veracity of the playback image of the outstanding personality. Literary-biographical text is a system that consists of a main text and a peritext. The peritext is secondary to the main text and it performs an auxiliary function in the perception and interpretation of the main text. The peritext consists of three main parts: pretext (name (alias) of the author, title, subtitle, dedication, epigraph to the entire work, Preface), pagetext (the epigraphs to parts, books, chapters; internal and footnotes; internal headers) and aftertext (notes after text, epilogue, afterword, marking the date and place of writing works, reviews, apps, content). The main text of literary biography is constructed for well-established schemes. Different types of literary-biographical writing have their narrative and structural features. Among the leading types are distinguished content-semantic literary biographies (plot-event, associative-psychological) and formalized one. Key words: literary biography, narration, text, peritext, author, reader. Literary-biographical prose is known since the era of antiquity, but it does not lose its urgency on the beginning of XXI century. Every year there are more vivid examples of this type of documentary literature. © Tetiana Cherkashyna, 2017 5 Tetiana Cherkashyna LITERARY BIOGRAPHY: NARRATIVE FEATURES Accents and Paradoxes of Modern Philology, Issue 1(1) 2017, pp. 5–13 At the beginning of the last century there was a dispute regarding the dominance between fictional and non-fictional literary biographies, and today we have wide genre-stylistic and typological varieties of literary-biographical prose. Increasingly, authors are beginning to depart from the generally accepted norms and principles of the literary-biographical works, the main ones are the veracity of the image of outstanding personality literary figure, high literary of narration, relying on authentic documents and facts, dispassion of biographer, deep dive into the psyche of the main character, and others; and pay attention to alternative and fictitious biographies, which are organically intertwined truth and fiction. Much more often, literary biographers are playing with the form of literary biography, which can appear not only in the form of logically consistent text according to a clear chronology of events but and mosaic set of text blocks which specify and complement each other. A typical feature of the modern literary biographies becomes the intertwining of the biographies of real historical figures with fictional characters life. The real or alternative biography of the real person becomes the key to understanding the motivation of the actions and behavior of fictional characters. The appearance of diverse literary biographies (canonical and noncanonical), in turn, can not attract the attention of many researchers of this type of documentary literature. See for this reason (Галич, 2013; Галич, 2015; Карачова, 2016; Черкашина, 2009; Шевердіна, 2014; Boyer-Weinmann, 2005; Cline, and Angier, 2010; Life Writing, 2007, and others). There are several types of literary biographical prose, which differ - the main subject of the image (as «traditional or plot-event» literary biographies (Галич, 1984: 10), in which «the role of the author’s speculation is minimal, and the emphasis is on the literary analysis of documented events of the life and deeds of the hero» (Галич, 1984: 10); and «associative-psychological» ones (Галич, 1984: 10), in which «dominates the artistic exploration of the psychology
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