Crisis of the Three Kingdoms Study Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Japanese Visions of Lu Xun in the Light of the Magic Lantern Incident
Volume 5 | Issue 2 | Article ID 2344 | Feb 02, 2007 The Asia-Pacific Journal | Japan Focus Japanese Visions of Lu Xun in the Light of the Magic Lantern Incident Christopher Robins Japanese Visions of Lu Xun in the Light be physically sound, he felt that spiritually they of the Magic Lantern Incident were close to death. By Christopher Robins Abandoning Medicine to Minister to the Chinese Spirit through Literature In January of 1906 in the northeastern Japanese city of Sendai, China’s most famous modern writer, Lu Xun (Zhou Shuren 1881-1936), claimed to have experienced a life- changing epiphany that led him to abandon his medical studies and “devote himself to the creation of a literature that would minister to the ailing Chinese psyche.” [1] The now famous “magic lantern (slide) incident” allegedly took place at the end of Lu Xun’s bacteriology class at the Sendai Medical School. The lesson had ended early and the instructor used the slide projector to show various images to students Image 1: Portrait of the “magic lantern from the recently concluded Russo-Japanese incident” War (1904-05). Lu Xun later recounted that the Japanese medical students were roused into a patriotic frenzy by scenes of the war,Through the lens of Chinese nationalism after culminating in reverberating chants ofWorld War II and the victory of the communists “banzai!” One scene showed a Chinese prisoner in 1949, the slide incident came to represent about to be executed in Manchuria by a Lu Xun’s prescient decision to reject Japan’s Japanese soldier and the caption described this bellicose nationalism and Western-style science man as a Russian spy (see image 1). -
Full Spectrum of Selves in Modern Chinese Literature: from Lu Xun to Xiao Hong
UCLA UCLA Electronic Theses and Dissertations Title Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong Permalink https://escholarship.org/uc/item/5022k8qv Author Ho, Felicia Jiawen Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in East Asian Languages and Cultures by Felicia Jiawen Ho 2012 © Copyright by Felicia Jiawen Ho 2012 ABSTRACT OF THE DISSERTATION Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong by Felicia Jiawen Ho Doctor of Philosophy in East Asian Languages and Cultures University of California, Los Angeles, 2012 Professor Shu-mei Shih, Chair Despite postcolonial theory’s rejection of legacies of Western imperial dominance and cultural hierarchy, the superiority of Euro-American notions of subjectivity remains a persistent theme in third world cross-cultural literary analysis. Interpretations of the Chinese May Fourth era often reduce the period to one of wholesale westernization and cultural self- repudiation. Euro-American notions of the self often reify ideologies of individuality, individualism, rationalism, evolution, and a “self-versus-society” dichotomy, viewing such positions as universal and applicable for judging decolonizing others. To interrogate this assumption, I examine the writing of Lu Xun and Xiao Hong, two May Fourth writers whose fictional characters present innovative, integrated, heterogeneous selves that transcend Western ii critical models. This “full spectrum of selves” sustains contradicting pulls of identity—the mental (the rational, the individual), the bodily (the survivalist, the affective), the cerebral (the moral), the social (the relational, the organismic), as well as the spiritual and the cosmic. -
The Fall of Rome by Dr Peter Heather Last Updated 2011-02-17 Was The
The Fall of Rome By Dr Peter Heather Last updated 2011-02-17 Was the collapse of the Roman empire in the west a series of gradual adjustments or a catastrophic event that brought violent change? Dark ages In September 476 AD, the last Roman emperor of the west, Romulus Augustulus, was deposed by a Germanic prince called Odovacar, who had won control of the remnants of the Roman army of Italy. He then sent the western imperial regalia to Constantinople. The Roman empire in western Europe - a centralised superstate which had been in existence for 500 years - had ceased to exist, its single emperor replaced by upwards of a dozen kings and princes. The vast majority of these rulers, like Odovacar himself , were non-Roman in origin. Their power was based on the control of military forces which were the direct descendents of recent immigrants into the Roman world, whether Anglo-Saxons in Britain, Goths in southern Gaul and Spain, or Vandals in North Africa. The end of empire was a major event in human history. What difference did this political revolution make to real life in the former western Empire? For many 19th and earler 20th century commentators, the fall of Rome marked the death knell of education and literacy, sophisticated architecture, advanced economic interaction, and, not least, the rule of written law. The 'dark ages' which followed were dark not only because written sources were few and far between, but because life became nasty, brutish and short. Other commentators, who were more focused on the slavery and entrenched social hierarchies that were also part of the Roman world, didn't really disagree with these observations. -
The Romance of the Three Kingdoms Podcast. This Is Episode 48. Last
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 48. Last time, Sun Quan and the troops of the Southlands had just defeated and killed Huang (2) Zu (3), a close friend and top commander of Liu Biao, the imperial protector of Jing (1) Province. Sun Quan had also captured the key city of Jiangxia (1,4), which Huang Zu was defending. Upon receiving Huang Zu’s head, Sun Quan ordered that it be placed in a wooden box and taken back to the Southlands to be placed as an offering at the altar of his father, who had been killed in battle against Liu Biao years earlier. He then rewarded his troops handsomely, promoted Gan Ning, the man who defected from Huang Zu and then killed him in battle, to district commander, and began discussion of whether to leave troops to garrison the newly conquered city. His adviser Zhang Zhao (1), however, said, “A lone city so far from our territory is impossible to hold. We should return to the Southlands. When Liu Biao finds out we have killed Huang Zu, he will surely come looking for revenge. We should rest our troops while he overextends his. This will guarantee victory. We can then attack him as he falls back and take Jing Province.” Sun Quan took this advice and abandoned his new conquest and returned home. But there was still the matter of Su (1) Fei (1), the enemy general he had captured. This Su Fei was friends with Gan Ning and was actually the one who helped him defect to Sun Quan. -
I. the Excellencies and Above Chancellor of State 相國 and Assisting Chancellor 丞相
THE HUNDRED OFFICES OF WEI AND JIN A Brief Summary of the Bureaucracy of Wei and Jin Times Yang Zhengyuan This grew largely from a collection of personal notes used in trying to achieve some degree of consistency in the translation of office titles in various other translation projects. Hundred Offices (baiguan) 百官 is a term for bureaucracy. Though a thorough study of the government of the Han dynasty already exists in the form of The bureaucracy of Han times by Hans Bielenstein, the book is limited in scope to the early and middle Han dynasty. Bielenstein himself calculates the date of the Treatise on Bureaucracy of the Hou Han shu (HHS), a major source for his book, to between September 141 and September 142, meaning that it provides no information on the evolution of the bureaucracy through the collapse of Han or through the Three States period (220 – 280) to Jin. This work is not meant to be a replacement for Bielenstein’s work, but a supplement. Therefore emphasis is placed on differences and changes from the Han bureaucracy, and some familiarity with Bielenstein’s work and the basic structure of the Han bureaucracy is assumed. As San Guo zhi (SGZ) itself does not contain Treatises or Tables, the main sources are the Treatises on Bureaucracy in the Song shu (SS) of Shen Yue and Jin shu (JS) of Fang Xuanling et al. The translation of bureaucracy titles derives mainly from the continually evolving Dubs-Bielenstein-de Crespigny system, with some additional modifications. The main departure from the Dubs-Bielenstein- de Crespigny system is the effort to group together offices by level to aid the casual reader in guessing relative rank. -
The Congregation of Heroes: a Skyrim Representation
DePauw University Scholarly and Creative Work from DePauw University Student research Student Work 4-2017 The onC gregation of Heroes: A Skyrim Representation Richard Smith DePauw University Follow this and additional works at: http://scholarship.depauw.edu/studentresearch Part of the Chinese Studies Commons, and the Computer Sciences Commons Recommended Citation Smith, Richard, "The onC gregation of Heroes: A Skyrim Representation" (2017). Student research. 77. http://scholarship.depauw.edu/studentresearch/77 This Thesis is brought to you for free and open access by the Student Work at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Student research by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. The Congregation of Heroes: A Skyrim Representation Richard Smith Honor Scholar Program Senior Project 2017 Sponsor: Dr. Dave Berque First Reader: Dr. Sherry Mou Second Reader: Dr. Harry Brown 1 Table of Contents Table of Contents 2 A Brief History 4 The Congregation of Heroes 6 Thesis Project 8 Skyrim and the Creation Kit 9 The Creation Process 10 Creative Decisions for the First Iteration 14 Technical Details for the First Iteration 18 The User Study 20 The Second Iteration 23 The Ethics of Translation 26 Conclusion 28 Acknowledgements 30 Works Cited 31 2 3 A Brief History The Romance of the Three Kingdoms is a novel detailing the events during the final years of the Han Dynasty and the Three Kingdoms period. This time period, approximately 169 AD to 280 AD (Luo), was notable for the constant power struggles between the three kingdoms in China at the time. -
The Romance of the Three Kingdoms Podcast. This Is Episode 3. Before
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 3. Before we pick up where we left off, I have a quick programming note for those of you who haven’t seen it on the website yet. I have decided to scale back the length of the episodes. Each of the first two episodes came in at nearly 40 minutes, and it felt long when I was writing them, recording them, editing them, and listening to them. When I am talking from a script for a long time, I have a tendency to fall back into reading rather than talking, and I want to avoid that. So I am going to try to keep future episodes to between 25 and 30 minutes. I think that will make the episodes easier for me to produce and result in a better product for you. It does mean that it will take longer to get through the whole novel, but hey, when your project starts out being at least a three-year commitment, what’s a few more months? So anyway, back to the story. At the end of the last episode, we were knee-deep in palace intrigue as a power struggle had broken out at the very top of the empire. Emperor Ling had just died. He had two sons, and both them were just kids at this point. The eunuchs were planning to make one son, prince Liu Xie (2), the heir, but the regent marshall, He Jin, the brother of the empress, beat them to the punch and declared her son, prince Liu Bian (4), the new emperor. -
Cao Pi (Pages 5-6) 5
JCC: Romance of the Three Kingdoms 三國演義 Cao Cao Dossier 曹操 Crisis Director: Matthew Owens, Charles Miller Email: [email protected], [email protected] Chair: Harjot Singh Email: [email protected] Table of Contents: 1. Front Page (Page 1) 2. Table of Contents (Page 2) 3. Introduction to the Cao Cao Dossier (Pages 3-4) 4. Cao Pi (Pages 5-6) 5. Cao Zhang (Pages 7-8) 6. Cao Zhi (Pages 9-10) 7. Lady Bian (Page 11) 8. Emperor Xian of Han (Pages 12-13) 9. Empress Fu Shou (Pages 14-15) 10. Cao Ren (Pages 16-17) 11. Cao Hong (Pages 18-19) 12. Xun Yu (Pages 20-21) 13. Sima Yi (Pages 22-23) 14. Zhang Liao (Pages 24-25) 15. Xiahou Yuan (Pages 26-27) 16. Xiahou Dun (Pages 28-29) 17. Yue Jin (Pages 30-31) 18. Dong Zhao (Pages 32-33) 19. Xu Huang (Pages 34-35) 20. Cheng Yu (Pages 36-37) 21. Cai Yan (Page 38) 22. Han Ji (Pages 39-40) 23. Su Ze (Pages 41-42) 24. Works Cited (Pages 43-) Introduction to the Cao Cao Dossier: Most characters within the Court of Cao Cao are either generals, strategists, administrators, or family members. ● Generals lead troops on the battlefield by both developing successful battlefield tactics and using their martial prowess with skills including swordsmanship and archery to duel opposing generals and officers in single combat. They also manage their armies- comprising of troops infantrymen who fight on foot, cavalrymen who fight on horseback, charioteers who fight using horse-drawn chariots, artillerymen who use long-ranged artillery, and sailors and marines who fight using wooden ships- through actions such as recruitment, collection of food and supplies, and training exercises to ensure that their soldiers are well-trained, well-fed, well-armed, and well-supplied. -
Médecine Traditionnelle Chinoise Acupuncture & Pancréas
Médecine Traditionnelle Chinoise Acupuncture & Pancréas 1970-2007 Bibliographie Centre de documentation du GERA 192 chemin des cèdres Centre83130 de documentation La Garde France du GERA [email protected] chemin des cèdres 83130 La Garde France [email protected] référence type titre de l'article ou du document, (en langue originale ou traduction si entre crochets). numéro d'ordre relatif dans la bibliographie sélective. numéro de référence gera. Indiquer ce numéro pour toute demande de copie. disponibilité du document di: disponible, nd: non disponible, rd: résumé seul disponible, type de document. ra: revue d'acupuncture re: revue extérieure cg: congrès, co: cours tt: traité th: thèse me: mémoire, tp: tiré-à-part. el: extrait de livre 1 -gera:6785/di/ra ACUPUNCTURE ANAESTHESIA: A REVIEW. SMALL TJ. american journal of acupuncture.1974,2(3), 147-3. (eng). réf:33 titre de la revue ou éditeur. première et éventuellement nombre de références dernière page d'un bibliographiques du article, ou nombre document. de pages d'un traité, auteur, année de publication. thèse ou mémoire. premier auteur si suivi de et al. langue de publication et résumé: volume et/ou indique un résumé en anglais (pour les documents non en anglais) numéro. * (fra) français, (eng) anglais, (deu) allemand, (ita) italien, (esp) espagnol, (por) portugais, (ned) hollandais, (rus) russe, (pol) polonais, (cze) tchèque, (rou) roumain, (chi) chinois, (jap) japonais, (cor) coréen, (vie) vietnamien. Les résumés correspondent soit à la reproduction du résumé de l'auteur centre de documentation du gera ℡ 04.96.17.00.30 192 chemin des cèdres 04.96.17.00.31 83130 La Garde [email protected] France demande de copie de document Les reproductions sont destinées à des fins exclusives de recherches et réservées à l'usage du demandeur. -
三國演義 Court of Liu Bei 劉備法院
JCC: Romance of the Three Kingdoms 三國演義 Court of Liu Bei 劉備法院 Crisis Directors: Matthew Owens, Charles Miller Emails: [email protected], [email protected] Chair: Isis Mosqueda Email: [email protected] Single-Delegate: Maximum 20 Positions Table of Contents: 1. Title Page (Page 1) 2. Table of Contents (Page 2) 3. Chair Introduction Page (Page 3) 4. Crisis Director Introduction Pages (Pages 4-5) 5. Intro to JCC: Romance of the Three Kingdoms (Pages 6-9) 6. Intro to Liu Bei (Pages 10-11) 7. Topic History: Jing Province (Pages 12-14) 8. Perspective (Pages 15-16) 9. Current Situation (Pages 17-19) 10. Maps of the Middle Kingdom / China (Pages 20-21) 11. Liu Bei’s Domain Statistics (Page 22) 12. Guiding Questions (Pages 22-23) 13. Resources for Further Research (Page 23) 14. Works Cited (Pages 24-) Dear delegates, I am honored to welcome you all to the Twenty Ninth Mid-Atlantic Simulation of the United Nations Conference, and I am pleased to welcome you to JCC: Romance of the Three Kingdoms. Everyone at MASUN XXIX have been working hard to ensure that this committee and this conference will be successful for you, and we will continue to do so all weekend. My name is Isis Mosqueda and I am recent George Mason Alumna. I am also a former GMU Model United Nations president, treasurer and member, as well as a former MASUN Director General. I graduated last May with a B.A. in Government and International politics with a minor in Legal Studies. I am currently an academic intern for the Smithsonian Institution, working for the National Air and Space Museum’s Education Department, and a substitute teacher for Loudoun County Public Schools. -
Raiding the Garden and Rejecting the Family
Raiding the Garden and Rejecting the Family A Narratology of Scene in The Dream of the Red Chamber Zhonghong Chen Department of Culture Studies and Oriental Languages UNIVERSITETET I OSLO Autumn 2014 II Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber A Master Thesis III © Zhonghong Chen 2014 Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber Zhonghong Chen http://www.duo.uio.no/ Printed by Reprosentralen, Universitetet i Oslo IV Summary By conducting a close reading and a structural analysis, this thesis explores a narratology of “scene” in the novel Dream of the Red Chamber(Honglou meng《红楼梦》). The terminology of “scene” in the Western literary criticism usually refers to “a structual unit in drama” and “a mode of presentation in narrative”. Some literature criticists also claim that “scene” refers to “a structural unit in narrative”, though without further explanation. One of the main contributions of this theis is to define the term of “scene”, apply it stringently to the novel, Honglou meng, and thus make a narratology of “scene” in this novel. This thesis finds that “scene” as a structural unit in drama is characterized by a unity of continuity of characters, time, space and actions that are unified based on the same topic. “Topic” plays a decisive role in distinguishing “scenes”. On the basis of the definition of the term of “scene”, this theis also reveals how “scenes” transfer from each other by analyzing “scene transitions”. This thesis also finds that the characteristic of the narration in Honglou meng is “character-centered” ranther than “plot-centered”, by conducting research on the relationship between “scene”, “chapter” and “chapter title”. -
Letters and Gifts in Early Medieval China
Material and Symbolic Economies: Letters and Gifts in Early Medieval China The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Tian, Xiaofei. "4 Material and Symbolic Economies: Letters and Gifts in Early Medieval China." In A History of Chinese Letters and Epistolary Culture, pp. 135-186. Brill, 2015. Published Version doi:10.1163/9789004292123_006 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:29037391 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Material and Symbolic Economies_Tian Material and Symbolic Economies: Letters and Gifts in Early Medieval China* Xiaofei Tian Harvard University This paper examines a group of letters in early medieval China, specifically from the turn of the third century and from the early sixth century, about gift giving and receiving. Gift-giving is one of the things that stand at the center of social relationships across many cultures. “The gift imposes an identity upon the giver as well as the receiver.”1 It is both productive of social relationships and affirms them; it establishes and clarifies social status, displays power, strengthens alliances, and creates debt and obligations. This was particularly true in the chaotic period following the collapse of the Han empire at the turn of the third century, often referred to by the reign title of the last Han emperor as the Jian’an 建安 era (196-220).