f ******************************** 2 A Thursday, November 8,1984November Thursday, A 2 250bgl 20 f í e ffe o 250c bagels 0 5 *2 î

DISCOUNT • DISCOUNT • DISCOUNT • DISCOUNT • DISCOUNT • DISCOUNT • DISCOUNT • DISCOUNT • DISCOUNT • DISCOUNT W ^ O C IS D DISCOOÑT» « T N U O C IS D 0 ^ ^ * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * TD RE! : FREE!! STUDY Thisis series supportedIn part theSanta by City Barbaraof CommunityTund Promotion "O n e o f the m ore im portant a rtists o f th is generation. is th f o rtists a portant im ore m the f o e n "O VALLARTA TEQUILA u VALLARTA MONTE ALBAN MEZCAL CROWN CROWN RUSSE VODKA ST. CARL SUMMIT CROWN CROWN RUSSE VODKA ANDRE IL k4** * * 6 4 Pk GIRL HEINEREN ST. PAULI LOWENBRAU MICHELOB & MICHELOB LIGHT COORS COORS ft STROHS ON MILLER.BUDWEISER. M IL W A UR K E E D E . ’S W B H E IT S E T & B L U E L A B A T T ’S B L U E & G R E E N MEISTERBRAU S P E C IA L E X P O R T Thursday, N o vem ber 15 - 8 M 8 P - 15 ber vem o N Thursday, c’ ! Ace’s ------A NI FF O IN AN M H RAC N H ELSSO D N E M : M A R G O PR OR:KEKMf OA o1 M f i tO AM ft to 10 M PM K HOURS: E K NDEMI H IT M E D IN H Emanuel Ax Ax Emanuel Yo-Yo Ma Yo-Yo eta le o G f o 5 3 E. (A N O N PERDIDO ST. GALL 9 6 3 -0 7 6 1 FOR RESERVATIONS RESERVATIONS FOR 1 6 7 -0 3 6 9 ST. GALL PERDIDO N O N E. (A 3 5 Santa Barbara High School Auditorium School High Barbara Santa Special Season Opening Duo Recital Duo Opening Special Season ICUT•DSON ^ ^ C S I • D • DISCOUNT • DISCOUNT RESERVED SEATS: $ $ 10/$ SEATS: 14RESERVED /$ OFFICE BOX 12 • LOBERO $ IO— PLUS PLUS OUR EVERYDAY LOW PRICES HEAR ALL THE CLASSICSTHEON ALL HEAR H« I •$HT ISuf u • $UH S TO I N * II m * $ HH « MASTERSERIES 84/85- presents MASTERSERIES ons of ietme." e tim life a f o s n io s a c c o ( r) oi eci was one of he great musi l a ic s u m t a e r g e th f o e n o s a w l a it c re t in jo ) ir e h "(T One tegeaest ate gre the f o e n "O Cabernet —ISAACSTERN talents alive. talents Ace's of Goleta ntu ental instrum IMPORT IMPORT OF THE WEEK R O U Q I L — CELLO — W I N E — E N I W — 7 0 0 E. AN APAM U STREET U APAM AN E. 0 0 7 7127 Hollister Ale Hollister Ale 7127 Franc Franc BEER Blanc

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minded liberals. Hey, this Hey, is country. a liberals. minded free rit, elr, rtc ad—ys proaiis f the of personalities shouldIt — be funVillage. yes East major and lively. — includes and it critics that here dealers, say artists, ’ll I be to but are Details elsewhere Center. found University the of Room Pavilion of 13, lot a at forum 4 November onfollowing (a p.m. in Tuesday, the reception public usual our the students be at these the years) dined over have for evening will There price. street art of great vitality which adds an apparently apparently an adds which vitality great of art street were. Village, where these artists live, really isn’t quite like like quite producing isn’t by living a make the can they notion that audacious really have artists young these thing, live, one For artists else. anything these where Village, who consider themselves an integral part of Reagan Reagan of part fuzzy- old-fashioned integral remain who those as an well as country themselves those consider incidentally, includes, who That events. attendant and pnaeu igein ta gvs h hl mxue its mixture whole the gives that ingredient spontaneous r cmuiis rm h mr mds oe lk Santa like ones modest more the from communities art reading My jobs. other take or toteach and not — have art nvriy r Msu, ht h etr cmu and campus entire the exhibition the by stimulated that be and learn will Museum, community Art University n cetd ntrl a o slcin ihu the example. for without York, New to selection the biggest— Barbara of characterizes normally law that natural competitiveness a destructive created and other, each for support systems financial and upset moral their own started galleries, have own They their benefit. for but co-opted them, have the establishment is of not that we that they have figured out how figured that to have they use an system established character and liveliness, like yeast in yeast like dough.and bread liveliness, character exciting and energetic, the basic terms and rules are not are rules and terms basic the energetic, and exciting after reading the romantic “ editorial” in last week’s inweek’s last editorial” “ the romantic reading after envisioned I as patrons, MontecUo by chartered especially much different thanwere, much they always different movement. Nor are the artists arriving in cattle cars cars cattle in arriving artists the are Nor movement. r ahoig ntlain ad ie pee. f h r is art the If pieces. paintings, video and producing installations fashioning living or a making in situ on working prints, or walls, sculptures, photographs mostly are who Nexus. n diin o w porm o udrrud im, the films, underground of programs two to addition In that at a lot the is Museum offering free, of speaking And Yes, artists make art and dealers sell it. True, there is there True, it. sell dealers and art make artists Yes, And I do need to qualify my first statement. The East East The statement. first my qualify to need do I And o h i “No ok o? hp, s ietr f the of director as hope, I for? York” Neo “ is who So “ Neo York” is here. And — surprise — it isn’t a political political a isn’t it — — surprise And is here. York” Neo “ New York artist David Life is currently working on a mural outside the Arts building for the building for the Arts outside mural on a working is currently Life David artist York New “Neo York” exhibit opening next week. next opening exhibit York” “Neo “ Neo York” seems, in fact, to consist of real to in consist artists, seems, fact, real of York” Neo “ • Beautiful full-color cover from UCSB Publications Office UCSB Publications from cover full-color Beautiful • • Campus Map, Student Organizations, Emergency Numbers Emergency Organizations, Student Map, Campus • • ASUCSB Important Officers/Committeepersons Important ASUCSB • pca net rmlclavries I advertisers local from inserts 5 special • UCSB Departments/Offices/Staff • • Yellow Advertising Pages Advertising Yellow • addresses & numbers Phone Student/Faculty • »Staff Get YOUR 1984-1985 YOUR Get UCSB CAMPUS BOOKSTORE • UCen Country Store Country UCen • BOOKSTORE CAMPUS UCSB * I.V. Bookstore * Storke Bldg. Rm. Storke Bldg. * Bookstore I.V. * Daily Available at: Available DIRECTORY

Museum is also presenting a free screening of of screening free a presenting also is Museum and the Associated Students has created a remarkable remarkable a created has Students Associated the the Museum, Gallery and Center the University the Studies, among Creative of here College collaboration and parts, truly I help. its for Board Students Programs Associated And because to wanted we celebrate revelation. and artistic sociological a thisexhibition find will Southern California) of all (including community the entire believe We did it. we to they because seem any didn’t substance.have on passed have that we trends of a lot butdiness,are there documents.this movie nhenomenon cultural a discussionthe amazing of following vn—unique on this campus in its event— scope. its of sumthe exceeds usually effect total the that believe The this like donors.also one I to want thankwithout private the precincts. do couldn’t exhibitions but we generous, sacred isvery these University outside from on help heavily financial very depend we that know not may University make to order in contributed have who supporters private lose us a bit probably of money. which will as-you-go event, enjoy will evening an for principles Marxist suspendtheir but — we the difference enjoying clearly to are attend able campus UCSB the Well, weekend. this exhibition the open to food and music with party a street organized supporters and so Looker, Mary with along the exhibition of organizer tren­ of accused often are folks Museum exhibition. the organized have the wouldn’t Museum or good, is very itself more work The is creates. an than artist way important the artist specific an a butbeing that artists decided has that repetitive community mindlessly of group Village. a not East the is in on This going is what of part small very a is art or but wall be to surprised will people that find graffiti h ehbto ad te eet psil. ay n the in Many possible. events other and exhibition the to demand. seemed exhibition important this event kindof the But it’s can who members it. community and University think the Museum manner, festive thisin an appropriately event and curator Museum’s the Pious, Phyllis to phenomenon isn’t the East Village — in fact, the 20 in — fact, who are so or artists Village the East isn’t This was evidently an original and highly innovative innovative highly and original an evidently was This And, of thinkis I there course, the itself. a lot of exhibition paig f oe,I d wn t tak h numerous the thank to want do I money, of Speaking pay- a It’s fund-raiser. not a is incidentally, party, That 1041 (Ad Office) (Ad 1041

OREO WONG/Nexus Daily Nexus Daily Wild Style Wild

Daily Nexus Thursday, November 8,1984 3A

Bob Marley's Presence------NEXUS ARTS& COMMUNICATION ------Felt at Legend Tour ENTERTAINMENT MAJORS Con« hear Bill Bateman It was impossible to know after line that reminded one Editors what to expect from the of the master himself. Not President of Bateman Advertising Waiters Legend Tour con­ only was Ziggy’s voice and Hugh Haggerty Speak on Careers in advertising cert last Sunday night, but it intensity impressive, but he Shirley Tatum TODAY far surpassed the hazy also had the ability to cap­ UCen Rm. 2 • 5-6 PM • presented by CSA mental picture I had of the I- tivate the audience, to focus Refreshment Provided Threes singing Bob Marley their attention on the music Contributors: songs while he looked on and the group as a tran­ Deborah Nestor from a video screen. What scendental tour de force. actually did take place was a The I-Threes deserve Julie Desnick rippin’ two and one-half special mention here Laurence Iliff r ROC KABUL Y WEDNESDA YS hours of legendary Marley because they were really the Lynn Purl reggae, complete with a overriding element in the and 50's, 60's spectacular video of Bob concert. Their superb voices Matthias Rosenthal himself, and a superlative and flawless performance Lynette Coster Rock yn Roll performance by the Waiters, have always been a major Lynn Purl the I-Threes and Bob’s aspect of Wailers music, and I N O C O V E R ! teenage son Ziggy Marley. with the absence of Bob their David Farmer The Waiters concert burden in holding up the H A P P Y H O U R - 8-9:30 equalled much more than group was tremendous. They 2 fo r 1 Beer the sum of it’s parts. It was said at the concert that there W ell D rin ks ★ ♦ ‘I 00 an inspiring journey into the was a time when they felt heart and soul of a musical they would never tour again. form that has dedicated Their positive spirit clearly Qdtlmi worn } itself to the emancipation of carried throughout the IN THE ORCHID BOWL • 967-0128 \ the oppressed and the concert, and we can only uplifting of the discouraged. hope they will continue to 6926 Caie Real - Near Fairview - Goleta i The sincerity and share their unique talent and significance of their Bob Marley 'at the inspiration with a confused, message provided the County Bowl four tired, and war-weary world. context for a celebration of The Wailers were very reggae music and the ac­ years ago. good as well, faithfully complishments of Bob the Wailers delivered with recreating the music and Take Off forthe Marley’s life. Basically, it non-stop innovation, this atmosphere that was so was a serious good time. time to a new, but just as successful in introducing With the I-Threes featured eager generation of fans. reggae music to people of all prominently and two As the Wailers were in­ countries. Included in the Weekend vocalists switching off as the troduced to the crowd they two sets and an encore were lead, the Wailers warmed up each left the stage, leaving “ Stir It Up,” “ Africa Unite,” NO CREDIT CARD REQUIRED the crowd for the first 45 only the I-Threes. Then “War” and “No More DOLLAR WE ACCEPT CASH DEPOSITS AT ■ E N T A C A R minutes with classic Marley began a Bob Marley video Trouble,” ‘‘Crazy MUST BE 21 YRS OF AGE TO QUALIFY tunes, played true to featuring a live performance Baldheads,” “ Natural WE OFFER FREE PICKUP 8ERVICE TO ft FROM YOUR LOCATION tradition. Rita Marley, of “ No Woman, No Cry.” As Mystic,” “Exodus,” “One Marcia Griffiths, and Judy the I-Threes sang along with Love,” “Roots, Rock, Mowatt were dressed in the video it became obvious Reggae,” and Marley’s FOR RESERVATIONS CALL 683-1468 colorful gold outfits and put why Marley concerts are so ultimate dance number NOW FEATURING 82 Escorst 4 Sale on a show themselves, legendary and why he is “ Could You Be Loved.” In dancing, and interacting considered the king of addition Ziggy Marley ♦ 2299 "A Great Car A t A Greet Price" with the audience. reggae music. His intensity performed a convincing 4299 S T A T E ST. • S A N T A B A R B A R A The Arlington was packed and the force of his message version of “Redemption with an enthusiastic and had the audience over­ Song,” playing acoustic appreciative crowd who whelmed. Simply put, it was as the only ac­ never stopped skankin’ to a moving and unforgettable companiment to his fine the pulsating beat of performance. 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Fast, Free Deiivery™ 968-1057 AUT OUSE 955 Embarcadero Del Mar 924 EMBARCADERO DEL HORTE • I.Y. OPER 0-5 WEEKDAYS CLOSED WEEKEDDS 4A Thursday, November 8,1984 Daily Nexus Concert Review Brings To The Arlington Lou Reed, glad and big, sings and plays guitar for the Reed fulfilled every ex­ years so I guess I should play it.” “ Street Hassle” was rock’n’roll heart. He doesn’t bad-mouth anybody anymore pectation and hammered it passed off as a song that was unfit for radio airplay and because it takes a real turd to get Reed mad these days ... A through with corporate “ ” was just “ another romantic ballad.” real turd is someone who: a) thinks “ Street Hassle” is volume, care of Sister Ray Fine and dandy but some were definitely missing the super­ about getting asked for change when you’re down-town, b) Enterprises. Seemingly sensitive, bitter Lou of bygone days who would make a thinks you need more than two chords to make a good song, oblivious to the excitement whole audience swallow spit while he was talking. Most of c) the next best thing to Billy Joel. he and his band were those old classics were rearranged taking away the fragile The wit belongs in a teflon saucepan cooking eggs on a creating, he sneered and edgy textures and turning them into blunt rock exercises. wet morning while nursing a hangover, I know, but Reed’s stroked his guitar like a His generous encore of four songs proves that he truly wit has gone the way of sunshine in an upside-down can of purring cat. appreciates the renewed interest he’s been getting and by V-8 that I could’ve had. Now, bombastic imagery tem­ From the opening crash of golly, I ’m glad the ol’ rock’n’roll heart has a big smile on it porarily drained, what about the concert? “ ,” the band these days. Meantime, I ’ll have to think some more about He’s just doing his job now and there’s nothing wrong exuded an assurance that that V-8 image, that “ Heroin,” and whether I can get Sally with that. At his show at the Arlington last Saturday night, they were the hottest garage to dance. band on Earth. No need to smile, you’re the coolest LETTERS & SCIENCE thing since blue jeans. Lead guitarist Robert Quine with The Swimming Pool Q’s opened the show with a strong set STUDENTS his shiny bald head and of tunes from their recent release on A&M Records. sunglasses was the funnest Atlanta, Georgia claims the Q’s when they’re not touring to watch — just to see if he and like other Georgia bands (R;E.M., Love Tractor, and TOMORROW did anything that would make him un-cool. He didn’t, even Pylon), they have an updated sound of hyper-American folk while playing leads lesser guitarists would climb amplifiers music. Heavy on perfect harmonies and guitar textures, is the last day for. Bassist Fernando Saunders, just getting into the they also add a psychedelic strain to their very melodic fretless fun of it all, had to grin once in a while. Young songs. Their stage show had good intensity for an up-and- to change grading options drummer Lenny Ferrari’s eyes bugged out with every beat. coming band and they had the confidence to do some ex­ QUESTIONS??? Keyboardist Robert Wood? He’s a poser and besides, I cellent extended jams with a couple of the faster songs. couldn’t hear him. I talked for a while with the band’s leader/songwriterj phone Academic Hotline 961-3109 Since he’s been married, Lou Reed’s music has taken a Jeff Calder who showed a surprising amount of Southern decidedly positive turn and this is the stuff he rightly hospitality for someone who had hardly heard of the Q’s. focused on at the show. Love songs and simpleton songs — No, he couldn’t tell me where the band’s name came from about the local arcarde, about going for a motorcycle ride but he did tell of the band’s six year struggle to make their — are characteristic these days though those “ Waves Of name stick. Six years of being a club band... that’s Fear” still toss him around sometimes. Many of the people dedication. Anyway, the Q’s will soon be back on the West Activities Planning Center at the show were experiencing Lou for the first time Coast promoting their new a bit more and they’re knowing him only by “ I Love You Suzanne” and “ My Red looking out to play at The Pub (or other local venue) Joystick,” and Reed knows this. He introduced “ Walk On sometime next quarter so look forward to it. the Wild Side” as being the song that “ supported me for ten ISSUES OF DIVERSITY: — Hugh Haggerty Movie Review AWARENESS AND Freud Would Have Fun With 'Firstborn' “ No pain, no gain,” says Sam to Jake as he drags him by enough for our emotions to be swayed when the Big Bad CHANGE the hair to find the bagfuls of coke he had hidden out in the Wolf in cheap clothing arrives. A U niversity That rain somewhere. Although Firstborn offers a lot of pain, Peter Weller is at his creepiest in the role as Sam, the Works For Women there is little else to be gained from this seemingly seemingly good-guy boyfriend who can talk mom into promising film. What may have been a touching story on anything, like buying the kids a nice motorcycle. But what presented by the trials and treacheries of adolescence and the falling else is he talking her into? Where did he come from Linda Forrest apart of the family unit turns into a formulatic Hollywood anyways? And gee, it’s been a long time since anyone’s Associate Professor with the flick, relying on flimsy car chases, unnecessary violence checked underneath Mom’s closet floorboards, what could Counseling Center at Michigan State University and an all too predictable ending. It is like sitting through a be there now? Suspicions mount, but nobody listens to 2 hour episode of “ Fam ily” , although we are spared Kristy Jake’s cries of Wolf until it’s too late. As the film progresses McNichol. Weller degenerates into a salivating wild-eyed coke fiend Perhaps Firstborn is such a disapointment because of the whose hysterical bouts of violence become extreme. It is at Thursday, Novem ber 8 sudden alienation it takes after building a strong, sensitive this point that everything else in Firstborn degenerates as story, rich in detail and amazingly true to life in its little well. Talented acting goes to waste in a poorly conceived at 12:00 Noon -1:00 p.m. humors and humiliations of a middle class white divorced ending, and many relevant questions that had been raised family. Teri Garr is Teri Garr as the vulnerable and frayed in the course of the film are either discarded or left hanging Women's Center mother Wendy whose pathetic lack of self confidence leads in the air like a bad stench. Perhaps the screenwriter gave her and her two teenage boys into a disastrous relationship the script to his 11 year old to finish. Or perhaps he stole it with Sam (played by Peter Weller). The struggle of the Co-sponsored by Activities Planning Center, Arts from “ The A-Team” . and Lectures, A.S. Program Board, Counseling and young boys who must grow up without any male role model The issue of violence is thoroughly examined in the Career Services, Educational Opportunity Program, is evident and effectively portrayed. Although 15-year-old beginning. Frustrations of a deteriorating family hit the and the Women’s Center. Jake tries to assume the father figure of the house, little kids hard and are vented through schoolyard fights and Brian is obviously misguided and becomes the school bully classroom brawls. The tension is apparent in Christopher at the tender age of 11. The scenario is carefully set up just Collet, who as Jake convincingly expresses his isolated anger in a more sensitive version of the teenage rebel. It is through his eyes that we experience the crisis, and we sympathize with his frustrations and helplessness. SUNDAY ,; NOVEMBER 11.1984 It is when Sam starts taking pokes at the boys in the kitchen that things begin to get out of hand, and the resolution to the problem of self destructive anger and A DAY IN THE HAY violence, just as it appears that a valuable lesson is about to featuring drop from the sky or out of Jake’s mouth, is More Violence. A slap for a slap, a kick for a kick, blood for blood. Well, what other way would you end a thrilling car chase scene? This is an easy way out that deceives the audience of their ELVIN well deserved expectations of an ending that lives up to the rest of the film. There’s no need to ruin the ending for you, it already ruins itself. BISHOP —Shirley Tatum Plus Ash aboutpur Chuck Wagon and the wheels. Special GroupDiscounts • The Steve Woods Band • 13 West Ortega Street, Santa Barbara. 962 8824 Read The Nexus! • Vernon Snow • • Peter Mac and David Tovar • TICKETS A T THE TEXAS CHILI FACTORY NECK PAIN AND TENSION? Tickets $5 advance Cates open 1:00 pm $7 at gate Complete Chiropractic Care Music starts 1:30 At Affordable Prices * Concerts This Month At The Serving Full Outdoor Bar-B-Que Chili Factory: N o v em ber 14th Jam ee Herman Band Inquire About Student 50/50 Plan Chicken • Ribs • Tri-Tip • Chili!! November 24th Marty Haggard Show November 29th Jaeee Coin Young Call for a free consultation • 964*7244 the Youngbloods

«1» Y|3 964-0661 A Wholistic Center For *11 4223 Natural Health s STATE ST. 269 So. Magnolia (One block from Goleta MTD Park & Ride) Daily Nexus Thursday, November 8,1964 5A Ensemble Theatre's Latest 'Crimes of the Heaif Brings Comedy to Farce

“ Babe, we’ve just got to which effectively turns them into wickedly humerous farce. learn how to get through When her sisters ask Babe why she shot her husband, State these real bad days. I mean Senator Zachery Botrelle, she earnestly replies, “ I just The it’s getting to be a thing in didn’t like his looks.” BIGGESTBEERS In town/ our family,” Meg Magrath This won’t satisfy Babe’s lawyer Barnette Lloyd (Craig says to her sister Babe in English) who questions her about the shooting with comic Crimes of the Heart the intensity. English radiates a sense of nervous energy, A R D S — 36” T A LL—Vz off!! latest comedy from Santa which he keeps visibly restrained beneath his big-city legal (Mon. - Fri. 3-6 pm) Barbara’s Ensemble veneer. The result is pure farce, English paces around the 1 /2 yards, too! Theatre Project. stage, his eyes wild and hair ruffled up in tufts around his During these “ bad days,” head while Babe recounts her domestic quarrel as she sits the Magrath sisters, Lenny, at the kitchen table and calmly makes lemonade. 503 State S t 965-6655 Meg and Babe, who live in Babe (Karyl Lynn Burns) is endearingly confused by the the small town of mess she has created. Although she discusses going to jail, Hazlehurst, Mississippi, she does not seem to understand what it entails and refers must deal with major events to prison as some sort of a vacation. “ Jail is going to be a in their lives like their relief to me,” she remarks as she picks up her saxaphone. mother’s suicide, one Burns portrayed the empty headed Babe to perfection. It sister’s waking up in the was a difficult role to play and still maintain a degree of HjCDWILimCB mental ward of the county credibility with the audience. It was important for us to be hospital, and another sister’s able to both sympathize and laugh at Babe. Burns exuded a O PEN 24 HRS landing in jail with an ac­ sense of ingenuous helplessness that made this possible. In Relax, Unwind - Have Fun! cusation of murder as well fact, we find ourselves applauding her courage in taking the as everyday catastrophes initiative to gain control of her life despite the violent Let Loose- G o Bow ling! like a horse who is struck by means she uses to accomplish this. Billiards and Videos lightening and children who Gaining this kind of personal control seems to be a major eat their fingerpaints. When theme in Crimes of the Heart, which won the Pulitzer Prize O PEN LANES Crimes of the Heart begins, for drama in 1981. During the course of the play, each sister W eekends, Day, Late NKe Babe is in jail charged with manages to free herself from the internal restrictions that murdering her husband. inhibit her from seeking what she desires in life. The play This causes a great deal of also studies the relationships between the three sisters. ORCHID B O W L • 967-0128 tension between the sisters, Both love and childhood jealousies surface in the stressful 5925 Calle Real - near Fairview, Goleta who must also contend with Craig English as situation the women find themselves in. their dying grandfather. So if we peel away the elements of farce, we can find a Barnette Lloyd. But don’t let these events serious foundation buried beneath it. But it is not necessary give you the impression that Crimes of the Heart is in any to work this hard to enjoy Crimes of the Heart. It was very way tragic. The bizzare incidents in this play are more sucessful as a simple comedy whose only purpose is to absurd than sad. Director Joseph Hanreddy treats these entertain. family crises in a matter-of-fact, almost morbid manner, — Deborah Nestor Gallery Review ESPRESSO Richard Allen Morris Breaks Rules at CAF ROMA The new exhibit in Santa Barbara’s Contemporary Arts rest of the face. Forum pulls off some brilliant rule-breaking in its Morris’ guns are wonderful, and occupy another entire CAFE- presentation of Richard Allen Morris, an artist who has wall. Philosophically they are related to the circus clown’s been breaking rules for nearly thirty years. gun which discharges a banner proclaiming “ BANG” or a In a single room, guest curator Mary Hicks and bouquet of flowers when fired. The gun as a symbol of November exhibition designer Paul Prince have made over 400 works irrepressible power and violence is effectively disarmed, Special: available to the public. The pieces, ranging in size from its tension dissapated through comedy. Assemblage lends several inches to several feet, are hung floor-to-ceiling and itself well to this sort of punning. 1982’s “ Executive Model” Espresso - Chocolate Mint Syrup - grouped according to subject. The initial impact is comes complete with pen set and woodgrain contact paper. Milk - topped w/whipped cream staggering, the final effect stunning. “ Gun of Khan” from 1969 has black lacquer elements, Art critics have likened Morris’ style to that of art brut oriental motif prints and a pelt of leopard print paper and children’s art both are apt comparisons, but should be dangling from its side. An itsy bitsy pistol shrouded entirely CLIP AND SAVEI used only as reference points and not allowed to place in white string is titled, amusingly, the “ Great White.” limitations on one’s expectations. An avid reader and book collector, Morris is aware of and alludes to a broad Among the rest of the works displayed there is Two for One historical base. Ambivalent toward much of what is breathtaking diversity. Morris utilizes everything and commonly equated with “ success,” Morris cuts a anything he can get his hands on, to the point of actually on Mint Mocha fascinating figure in the midst of the whole art scene. The creating new canvases from the ripped shards of old ones. best description is one which has been used over and over Several small canvases are framed in sawed up yardsticks. again— he is “ an artist’s artist. ” Jigsaw puzzle pieces are layered to form small wall $ J 2 5 The group of portraits which cover one wall run through a sculptures in bas-relief. Mary Hicks pointed out, “ ... to wide gamut of moods and styles. Individuals like “ Wilson” Richard Allen Morris, every material possesses a beauty (w/this coupon) or “ Ford” are treated as leering, jeering, good-natured exceeding origin or intent.” Expire* Nov. 30,1964 caricatures. Many portraits are less frank, to the point of Contemporary Arts Forum is located at 7 W. De la becoming quite abstract. Some of the finest are the oddly Guerra St. The Morris exhibit runs through Nov. 25. For 888 Em b. D el N orte • 685-5210 cropped silhouettes which employ riveting color and more information, call 966-5373. provide only the most subtle clues from which to read the — Lynette Coster

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ROCK • JAZZ Japanese CLASSICAL SOUL • COMEDY -SAKE- Restaurant SOUNDTRACKS SONO ISTOWWMH AND MOREI HAPPYHOUR 968-5116 0Æ Ê/MH»m\t'W M W in the WE BUY WHOLE 5 PM-6 PM Daily TIO EMBARCADERO DEI NORTE COLLECTIONS! Drinks 1/2 Price KMART ISLA VISTA 960*4665 S h o p p in g Center OPEN 10-10 DAILY 12-1 SUNDAYS Ho l l is rep 6A Thursday, November 8,1984 Daily Nexus HELL ON WHEELS! Quiet Charms of le s Petites Fugues' Swiss director Yves Yersin’s Les Petites Fugues (Little Josiane, the daughter, is bored and restless with life on the Escapes) is both a bittersweet confection about an old man farm and feels burdened with her young, fatherless son. She OuatfaoPhenia cutting loose and discovering life, and a vivid depiction of lashes out at her family and takes a miserable solace in rural French-Swiss life in the face of modern in­ bedding Luigi, the Italian hired-hand. Everyone in the film dustrialization. At times we must force ourselves to have is looking for the “ little escapes” which will make the patience with the languorous pacing, and we can only smile oppressive monotony of their daily lives more bearable. N O V . 9, F R ID A Y • 6,8,10,12 O 'C lo ck indulgently at some of the broader gags. Nevertheless there The film manages to span the gap between the realities of p r ic e $2°° is much at work here, if we can go unhurriedly. life on the farm and Pipe’s flights of fancy. Farm and Sponsor: Appalachian Rasarvas The 1979 film is set on the Deperreux family farm in the family life are shown in painstaking detail by former French-speaking section of Switzerland. Pipe, an old far­ documentary filmmaker Yersin, and it’s hard to believe r mhand who has worked for the family for 30 years, has that these are all professional actors and not Swiss saved up enough government pension money to buy a peasants caught by the camera unawares. Les Petites HOLY TOLEDO! BATMAN IS COMING TO U.C.S. B.l moped. He knows nothing about the machine. Like a teen­ Fugues has a certain naivete that’s easy to laugh at, but at age boy exploring a girl’s body for the first time, Pipe the same time we can’t help but be charmed by actor ORIGINAL POWII explores and caresses the little bike with wonder and en­ Michel Robin in the role of Pipe. And the Swiss countryside MOVIE chantment. After some predictable pratfalls Pipe learns to is breathtaking. ride the bike and embarks on a series of adventures, as he Les Petites Fugues is not for all tastes. It’s like a Swiss tries to satisfy his yearnings to fly and to see the summit of music box: sweet, sad, not very exciting, but with a quiet the Matterhorn. charm. Pipe is not the only one searching for fulfillment. In the The film shows this Sunday, Nov. 11, at 7:30 p.m. in face of financial ruin Mr. and Mme. Deppereux resist Campbell Hall as part of Arts and Lectures’ New Directions modernizing the farm and cling to their old hopes for it. in Film series. Their son, Alain, seeks to take it over and modernize it. — Lynn Purl

THE BATCAVE (Campbell) - NOV. 8:6,8,10,12 - *2, $1.50 w/COSTUM E Victoria Street Theatre Goes Down Under in Aussie Rim Fest ------Caddyshack Terra australis, terra place used to serve as a incognita: hum an place of tribal sacrifice in Sat. Nov. 10 civilization has only those times before white 6,8,10,12 O'Clock conquered the margin of this man had ever arrived and continent. Inside, the before that city was ever Campbell Hall wilderness prevails, violent built. His research takes him nature, prehistoric man and into witchcraft and sorcery -$2.00 his mysterious rituals, and if and in a mysterious way city-man doesn’t watch it, turns out to be the research Sponsored by the pushed back outback, of man’s primitive ape past. seemingly domesticated and In what must be considered presented by Sigma Phi Epsilon controlled, is seen to claim th e most its rights and take over cinematographicaUy mast­ again. This at least is how erful and scary descent into modern Australia is por­ Mel Gibson (on right) is featured in many of the tribal underworld un­ trayed in three movies which the Australian Films. derneath the modern city, opened the Victoria Street becomes the father’s techno­ camera equips industrial the lawyer finds out about custom printed Theater’s film-fest last grave. Roeg is not at all objects — a toy soldier, his personal and racial past weekend: Nicholas Roeg’s interested in logical photographs in a deserted (just wait until you see Walkabout, and Peter Weir’s motivation; it’s rather: what farm house and, most ob­ how); but the moment of The Last Wave. All three are you desire is what happens, viously, a portable radio — revelation is also the studies in the supernatural. which-can, of course, be read with a spiritual reference; cataclysmic end of the In Walkabout a nameless as a metaphor for the that is, to be sure, ironic, but world. t - s h i r t s principles of movie-making. the statement is made. The structural geologist takes his The series continues son and daughter for a picnic This is the children’s aborigine leads the children beginning tomorrow with the in the desert behind departure for a mind-trip back to civilization and at following films: “In the Adelaide. As they arrive he through the past of the the end of the trip begins to future, cities will be deserts, pulls out a revolver and tries Earth: the camera turns court the girl (she must be roads will become bat­ to execute his kids, but they snakes and iguanas into about 16) with a tribal love- tlefields and the hope of manage to take cover behind prehistoric monsters and dance, complete with mankind will appear as a a rock and, through an act of reveals geological struc­ colored feathers, body stranger.” This is how the telepathy, blow up the tures (a metaphor for their paints, weapons and post-apocalyptic scenario of hideous VW, a black, coffin­ father’s mind) as the hostile chanting. She is confused The Road Warrior (starring like 1960s model which threat of modern man’s and rejects him; for the the irresistable Mel Gibson) essential homelessness. The aborigine it is the first-ever opens; men as animals, cars B0BBI movie’s crucial point is the experience of language as weapons and language as kids’ encounter with a young failing to magically serve his a remnant of a lost age. MORRIS aborigine who is, of course, existential needs — love- Gibson is also to be seen in “S a n t o . 'B a r b a r a . presents quite at home in this en­ language fails to arrive, and The Year of Living SilkscrccniÌJ682-1774 vironment: he is able to read the next morning the Dangerously, a political- INSIGHT INTO nature’s hieroglyphs, and his children (or children-no- action movie set in TELEVISION language provides the more) find him hanging Sukarno’s Indonesia. The 211 West Mission St. magical formulas that serve dead in a tree. series is completed by COMMERCIALS to integrate his life as a Cataclysm and Breaker Morant, Gallipoli, NOVEMBER hunter into a world in which, Apocalypse have arrived in Mad Max, We and the Never- 17 & 18,1984 in his belief, every planet, The Last Wave. A young Never. Australian movies THE UCSB object, animal, rock and lawyer (Richard Cham­ might be located as from DEPARTMENT OF DRAMATIC ART SAT. & SUN. even human being is berlain) who assists four Downunder, but they must presents (9:30-5:30) inhabited by a spirit. This is city-aborigines in a murder be evaluated as far ahead. Roeg’s best move: from this trial finds out that the area Call 965-1886 for schedule PEALE FAMILY PORTRAIT at point on, the language of the in which the killing took information. theatre for young audiences SANTA BARBARA — Matthias Rosenthal FILM& VIDEO COUNCIL Australian 629 State St. Suite 222 FILM FESTIVAL Santa Barbara, 16 days, 12 Jttms CA 93101 (805)962-4294 • You will learn • Audition techniques • Cold reading • Camera awareness • You will be • Taped on color video • ProfooolonoUy criUpood • You will meet written fay • Casting Directors Marie Starr • Agents & • Directors Lisa Merkl THE ULTIMATE DOWNHILL FOR MORE N o t . 9 - 1 0 (E rl- S a l. ) N o t . 11-12 (Sun.-Mon.) ADVENTURE TWo with M el Gibaoa Nominated for 6 Australian INFORMATION THE YEAR OF Academy Awards: TUES., NOV. IS NOVEM BER 10 and 17, 11am and 2pm cal BOBBI MORRIS LIVING We o f the Never, Never at 7 CAMPBELL HALL to bonoftt tho UCSB Ski Club UCSB MAIN THEATRE CASTING DANGEROUSLY at 7 firs t loss a t m iddle age: T H E B O U N TY at 9:10 L O N E L Y H E A R T S at 9:20 WED.. NOV. 14 Tickets $2 ((Children 12 and under $1) TOLL FREE ARLINGTON THEATRE Arts and Lectures Ticket Office 961*3535 8HOWT1ME 7 S 8 PM 1-800-423-6118 Tickats at Ski Shopa & (213)278-1030 VICTORIA ST. THEATER • 33 W. Victoria-96 5-1 88 6 Morninglory Daily Nexus November 8,1984 7A

m I B I ® METROPOLITAN theatres corporation Lewitzky at Campbell Hall SA N TA B A R B A R A The Lewitzky Dance Company put on a were dressed all in white and put brightly- ARLINGTON 2 PIERRE GERARD f l CENTER powerful and innovative performance colored bits of florescent clothing articles on m RICHARD DEPARDIEU 1317 Stale Street Saturday night at Campbell Hall. Based in and off during the piece. The work seemed 966-9382 *ssss>1 A film by FRANCIS VEBER L.A. and founded in 1966 by their director highly abstract with little human feeling Arlington Bella Lewitzky, the quality of their dancing other than comical touches. Ticket Agency l££ and choreography was comparable to the The first section of the piece entitled 963-4406 11/10 7 Brides for best modern dance from New York and it “ Confines” consisted of four women dressed 7 Brothers (&HPËRES was refreshing to see a first-class modern in slips and robes painfully struggling in a dance company developed and based here in limited space. The sounds of babies and Granada ti m 1:10.8:25,10:36 California. Lewitzky has been involved in children’s voices intermingled with the 1216 State Street many projects over the years promoting a sound of a music box. The next part had men 963-8740 wide variety of Arts. inside a fence-like structure dancing All of Me The Lewitzky dancers showed wonderful exuding the trudgery of daily work. The last STEVE THE energy, tremendous strength, and an section of the piece had everyone together MARTIN Qyvmtr\\ 5:00. unusually high sensitivity to each other in inside the fence-like structure moving 7:20. ULY TERMINATOR TOMUN their work. Their movments ranged from together like the parts of a machine. JESSICA SAM 9:40 stiff, mechanical, robot-like movements to Showing extraordinary interaction in their (Rl LANGE SHEPARD [p c ] A UNIVERSAL soft, flexible, belly-dancer-like movements movement, they picked up the structure RELEASE using isolated parts of their bodies, to confining them and moved it around the electric leaps, and falls in which they stage while remaining enclosed. GIVE MY bounced off the floor like rubber-balls. They REGARDS TO THIEF OF also intertwined with each other to form Set to music by Stravinsky, the last piece unique shapes. was a bit more tame though the group HEARTS R Yet one would probably not term continued dancing during the silent breaks Lewitzky’s choreography as “ beautiful” in the movements of the piece. The desire to STREET and clearly, she does not intend it to be so. “make a statement” seemed the I \ r e C ^ c \ ^ L However, the evening did leave a strong dominating theme Saturday night more Paul McCartney impact. than the intent to please or tell a story. 6:46,9:16 7:30 “ Changes and Choices,” the first piece of Lewitzky’s solid efforts are a great credit to

the evening, was danced to space-age the wide field of modern dance. Bill Murray computer-sounding music. The dancers — Julie Desnick 7:00,9:46 DIANE KEATON ☆☆☆☆☆☆☆☆ Attractions ☆☆☆☆☆☆☆☆ THE W arren M iller’s Ski Saturday night will be the THE at 741 De La Guerra Plaza Country, the ultimate last Web in the mUlenium of downtown. For more in­ RAZORS LITTLE downhill adventure film, will UCSB curios. Zimbabwe formation call 965-2400. be showing at UCSB’s O’Murphy, the Web’s god­ DRUMMER Campbell Hall on November head, has decided to retire Pianist Emanuel Ax and hDG L ^ GIRL m 13 and at the Arlington the mildly famous alter­ cellist Yo-Yo Ma will be Theatre on November 14. native disco that gave the appearing together at the Charlie Chan Showtimes are at 7 and 9 alternative-conscious crowd Am erican Santa Barbara High School Film Series p.m., and tickets are a place to go every other 2044 Alameda Padre Serra Thursdays Auditorium, located at 700 E. DREAMER available at Morning Glory Saturday night. We at Arts Near Santa Barbara Mission 6 pm Anapumu St, on November JOBETH Music and all ski shops. and Entertainment are 15 at 8 p.m.. Tickets are WILLIAMS saddened by the Web’s SUPER SAMURAI available at the Lobero Box Frank Herbert author of demise and shed moisture. TOM Office. Call 963-0761 for FILM SERIES Dune, will make a rare O’Murphy assures us he will CONTI reservations. Santa Barbara appearence not be retiring and that we F R ID A Y S 6 pm on Saturday, November 17 “ Burning our drapes and can look forward to more from 2 to 5 p.m. at the An­ dolls, say no more, hear no sublime projects next One cannot live without love dromeda Bookshop, located more, forget-me-not.” This quarter. Be there. COMING SOON! Arlington] ALBERT FINNEY JACQUELINE BISSET Center ANTHONY ANDREWS A UNIVERSAL RELEASE

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French horn players, the ensemble’s many CALENDAR PERFORMANCES LARGER THAN L IF E « » accomplishments provide evidence of their “LES PETITES FUGUES” film excellent reputation: 1981 Naumburg Award New Directions in Rim series. winners; the quintet-in-residence at Boston Sunday, November 11 at 7:30 PM Conservatory; and performance invitations at in Campbell Hall. Lincoln Center in New York. The quintet will play four works rarely MASTER CU SS m u s ic heard on the concept circuit. The concert be­ Pianist Ursula Oppens coaches gins with Anton Webern’s String Quartet UCSB piano students. Monday, (transcribed for wind quintet by Emmanuel November 12 at 3 PM in Music horn player David Hoose) and John Harbison’s 1145. Wind Quintet. After an intermission pianist “REDISTRIBUTION AND THE Ursula Oppens will join the quintet for Tobias WELFARE STATE” lecture Picker’s Serenade for Winds and Piano, and By Lars E. 0. Svensson, Regents’ Francis Poulenc’s Sextet for Piano and Winds. Lecturer in Economics. Tuesday, Oppens and the Emmanuel Wind Quintet November 13 at 3:30 PM in will be in residence November 12-13. On Mon­ Girvetz 1004. The good news is that eight out of ten Big day, November 12 at 3 PM, Oppens will coach “NEO YORK, THE PHENO­ Art performances sold out this quarter. The UCSB piano students in a Master Class in MENON REPORTS'’ bad news is also that eight out of ten Big Art Music 1145. On Tuesday, November 13 at noon performances sold out this quarter. d isc u ssio n in the Santa Barbara Museum of Art Audi­ It's good news because hundreds of peo­ In conjunction with the UCSB Art torium, the Emmanuel Wind Quintet will give a ple had a chance to see professional touring Museum show, critics and artists free mini-concert. performing artists like the Bella Lewitzky discuss the New York art scene. Dance Company, the Chamber Music Society Tuesday, November 13 at 4 PM in THE CHIEFTAINS! of Lincoln Center, and Theatre Sans Fil. It’s the UCen Pavilion. also good news because the better the A special added attraction to next quar­ response from the campus and community, ter’s Big Art events is The Chieftains, Ireland’s ‘INTEGRATING ARMS CON­ the more Arts & Lectures can program excit­ best-known traditional music ensemble. A&L TROL IN EUROPE” lecture ing. adventurous events — the kind of perfor­ presents The Chieftains in one performance By Jonathan Dean, in the Pers­ mances that you won’t see elsewhere — at only, on Tuesday, February 12 at 8 PM in Camp­ pectives on Global Peace and bargain prices. ', bell Hall. Tickets will go on sale today. Security series. Wednesday, But it’s bad news because lots of people November 14 at 7:30 PM in the won’t get a chance to see the Emmanuel Wind During the past decade, The Chieftains UCen Pavilion. Quintet in concert on November 13, and they successfully made the transition from a folk- won’t get a chance to see the Oregon Shakes­ music specialty band to an Irish cultural attrac­ “SHAKESPEARE’S FEMI­ pearean Festival’s production of The Tam ing tion with broad-based appeal. The sheer' NISM OR CHAUVINISM: of the Shrew. Oregon Shakespearean Festival’s The quality of their music, their vibrant improvisa­ OUR VIEW OF HIS SHREW” That's right — the bad news is that there Taming of the Shrew. tion, and their astonishing range of technical d isc u ssio n are no more tickets available for the rest of skills have made them favorites of musicians Is The Taming of the Shrew a A&L’s Fall events. So buy your Winter Big Art like Paul McCartney, Eric Clapton, Jerry Gar­ sexist play? Thursday, November tickets now. and avoid more bad news. BIG DISCOVERIES cia, Sting, and Jackson Browne. They have 15 at 4 PM in the Main Theater. Last year, Arts & Lectures inaugurated performed on Saturday Night Live, and they ‘THE EYES, THE MOUTH” Discoveries, a series of concerts by emerging played for Pope John Paul II and one million film artists. people in a Dublin park not long ago. So it’s not New Directions in Film series. This year’s Big Discoveries series opens hard to believe that The Chieftains are a band Sunday, November 18 at 7:30 PM on Tuesday, November 13 at 8 PM in Lotte for all musical tastes — and an evening of in the Isla Vista Theater. (Note Lehmann Concert Hall with the Emmanuel rousing fun for everyone, whether the band is change of location.) Wind Quintet and pianist Ursula Oppens. accompanying a symphony orchestra or kick­ The Boston-based quintet champions the ing up their heels in a neighborhood pub. Any questions? music of this century and works closely with For more information about tickets to The Call 961-3535! many contemporary composers, often com­ Chieftains, stop by the Arts & Lectures Ticket missioning new works for their repertoire. Con­ Office (Building 402 adjacent to Campbell Hall) sisting of flute, oboe, clarinet, bassoon and or call 961-3535. A.S. PROGRAM BOARD This page provided and paid for by A S. Program Board

Amateur Comedians Harman Band To Play The Pub BE ALERT - Amateur Comedy Night coming up — Look here next w eek for details!

CALENDAR off EVENTS NOVEMBER Thurs. 8 James Harman Band in The Pub

Fri. 9 UCSB Big Band in The Pub, 5-7 pm HOMECOMING Sat. 10 Preview party, 7 pm, NEO YORK, Report on a Phenomenon Tues. 13 Comedy Night — Alan Prophet, Tonight, the energetic band YOU DON’T Barry Marder, Sue Dugan — 8:30 WANT TO MISS! The James Harman band — Student Volunteers Needed: pm F R E E in The Pub, 8 p.m. Brought to you by Neo-York Preview Party A.S. Program Board. Wed. & Undergrounds in Films If you can’t afford to be servile but want to be Thurs. 5 pm, 1426 Arts, FREE supportively involved, and meet some in­ 14-15 teresting people call Susan Dansky at 961-2936 regarding help for the Neo-York preview party Thurs. 15 The Basics in The Pub, 8 pm Sat., Nov. 10,7 p.m. Fri. 16 UCSB Jazz Ensemble, The Pub, 5-7 USHERS pm All Ushers who want to help with Thursday Tues. 20 Stephen Harvey, art consultant pub nights and upcoming concerts please call and music critic, 4 pm, Rm 136, Peter Daly (961-3536) or come up to the CCS Program Board office. Here’s your chance to get more involved with A.S. Program Board Film: W ild Sty le 8 pm, Isla Vista and the Security Committee. Theater, FREE