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LISA FISCHER BIO Lisa Fischer Is a Singer Who Really Gets Around. Her Life
LISA FISCHER BIO Lisa Fischer is a singer who really gets around. Her life is an endless round of planes, trains, and automoBiles, rehearsals and fittings. On tour with the Rolling Stones, Sting, Chris Botti or Nine Inch Nails, her name may not Be on the marquee, But she doesn't care. She's Busy loving every minute of it. It's easy to see why she works all the time: her astonishing range, her spot-on intonation, her mastery of the stage, the way her tone wraps itself around your heart and won't let go, the infectious quality of her time feel: these things keep her on top of the list. But it's the sweetness of her smile, her visiBle pleasure in watching her Bandmates do their stuff, her glamorous- girl-next-door quality that make fans all over the world think she's their own secret discovery (despite the fact that the YouTube version of her duet with Mick Jagger on 'Gimme Shelter' has millions of hits). The rest of her resume is pretty impressive too: touring, recording, and music making with Tina Turner, Chaka Khan, Beyonce, Dionne Warwick, Dolly Parton, Bobby McFerrin, Alicia Keyes, Lou Reed, Louie Vega, Aretha Franklin, John Scofield, George Benson, Laurie Anderson, Lee Ritenour, Jackie Evancho (and many others). Along with many other top session and backup singers like Darlene Love, Merry Clayton, Patti Austin, and Judith Hill, "the greatest artists you've never heard of" (but whose voices are instantly recognizable), she's featured in Morgan Neville's acclaimed documentary film Twenty Feet from Stardom, distributed By Miramax in the US and scheduled for European premieres throughout 2013-2014 season. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
TV Tour Doesn't U2's Zoo Look Back
Cultural Connection Page T NC environmentalist to speak Local environmental activist Lena Ritter will address students on People, Break or bust O n T he Pollution and Politics on Wednesday, April 1 at 7 p.m. in Whitley Auditorium. Ritter is an oyster fisher who has successfully crusaded to protect North S cene Carolina's wetlands and coastal waters. Ritter's speech is sponsored by the Liberal Arts Forum. Our Choice __________ ■ "The Pajama Game" is a 50's SUB accepts exec applications musical about labor disputes and love affairs in a pajama factory in Iowa. The Student Union Board is now Included in the cast are two Elon students. accepting applications for positions on the Fred Rubeck, head of theatre productions Executive Board. Applications can be here at Elon, is the director. "The Pajama obtained in the Office of Campus Game" will run through Saturday. For Activities in Long 208. more information contact the Paramount The last day to pick up applications Theatre at (919) 227-7606. and sign up for an interview will be March 30, 1992. Heading To Concerts____ Officcs available are as follows: ■ This weekend at the Lighthouse Secretary, Treasurer, Publicity advisor, Tavern Public Relations chair, SUB Club, Stage Saturday - Gibb Droll Crew, Music Performance, Films and ■ This weekend at the Cat's Cradle Video, Recreation and Travel, Special Friday - All Good Events. Saturday - Johnny Quest ■ Wynton Marsalis brings his Wind Ensemble to perform trumpet and jazz and classical expertise to the UNC's Memorial Hall on March 16 al Family entertainment will be the 8 p.m. -
Parziale Diss FINAL Aug 7 13
Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation Item Type text; Electronic Dissertation Authors Parziale, Amy Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 13:06:35 Link to Item http://hdl.handle.net/10150/301676 REPRESENTATIONS OF TRAUMA IN CONTEMPORARY AMERICAN LITERATURE AND FILM: MOVING FROM ERASURE TO CREATIVE TRANSFORMATION by Amy Elizabeth Parziale _____________________ Copyright © Amy Elizabeth Parziale 2013 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Amy Parziale entitled Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ___________________________________________________________Date: 4/5/2013 Susan White ___________________________________________________________Date: 4/5/2013 Sandra Soto ___________________________________________________________Date: 4/5/2013 Charles Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
November 5, 2013
volume 14 - issue 10 - tuesday, november, 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com 42523. the end of uvm confessions by mikestorace by wesdunn Rest in peace, Lou Reed. You will be Around the end of last week, long remembered by the world of Rock UVM Confessions, the Facebook and Roll. On October 28th, Lou passed page devoted to anonymous post- away due to liver failure after a transplant ing “liked” by around half of the he received in April did not stick. It ap- university’s population, was no pears that Reed’s massive alcohol and drug more. In the wake of pressure use finally overcame him at the age of 71. from the administration, the ad- Lou had a good run at the top (and in the ministrators of the page have been middle), and he has left a massive wave of forced to surrender and flee to the influence in his wake. safer ground of a new page en- It seems like everyone in the past week titled “Burlington Confessions (in has paid tribute to the late music visionary, no way, shape, or form, associated including David Byrne, The Who, Arcade with the University of Vermont or Fire, and the Arctic Monkeys, among oth- its affiliates).” ers. These tributes have come over Twitter, According to Luke Rossi, one through covers at concerts, or in inter- of the formerly anonymous admins views. Win Butler states a few words in a of the page, the demise of UVM Reedesque voice at the beginning of their Confessions began with Nick Ne- new song “Normal Person” and gave Lou grete, the Assistant Dean of Stu- a tribute on their recent concert on NPR. -
The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
Album Review of the Velvet Underground & Nico
Album Review of The Velvet Underground & Nico – Artifacts Journal - University of Mi... Page 1 of 4 University of Missouri A Journal of Undergraduate Writing Album Review of The Velvet Underground & Nico Sam Jennings Sam Jennings started attending the University of Missouri in 2012 and is currently pursuing a bachelor of music performance in guitar. He writes in his spare time and fronts a local Columbia rock band, “The Rollups”. He is thankful to Dr. Michael J. Budds for encouraging him and his submission to this journal. He wrote this paper as one part of a multi-paper project in Historical Studies in Jazz and Popular Music, taught by Dr. Michael J. Budds. They were expected to choose a musician (before 1970) and review a full-length LP by that artist; he felt particularly inclined to make the case for a set of truly bizarre, radical artists who have been historically misunderstood and misaligned. When The Velvet Underground & Nico was released in March of 1967, it was to a public that hardly cared and a critical establishment that could not make heads or tails of it. Its sales were dismal, due in part to legal troubles, and MGM’s bungled attempts at promoting the record. The Velvet Underground’s seedy, druggy music defiantly reflected an urban attitude even closer to the beatniks than Bob Dylan and even more devoted to rock n’ roll primitivism than The Rolling Stones or The Who. Nevertheless, the recording had no place in a landscape soon to be dominated by San Francisco psychedelics and high- concept British pop. -
Andy Schwartz on Robert Quine
Andy Schwartz on Robert Quine http://www.furious.com/perfect/quine/andyschwartz.html Robert Quine Letter from Andy Schwartz- June 8, 2004 By now you may have heard the sad news: Over Memorial Day weekend, Robert Quine died at age 61, reportedly of an intentional heroin overdose. He was preceded in death by his wife Alice Sherman, who suffered a sudden fatal heart attack in August 2003. Friends say that her loss sent Bob into a deep depression from which he never emerged. Because Bob Quine was one of the most original and innovative electric guitar players of the past 30 years, I knew about him long before I ever had an extended conversation with him. I never met his wife, never visited their Grand Street apartment, never even shared a meal or listened to records with him. We had just begun to get acquainted in the three years prior to Alice's death, but the combination of his playing and his personality left a deep, indelible impression on me. I'm going to miss those infrequent but prolonged phone conversations marked by Quine's acerbic humor, passionate enthusiams, withering critiques, even his wry, Akron-bred tone of voice. Bob was eight years my senior and had been thunderstruck by rock & roll in 1955 at age 12. Consequently, he had seen a 1 of 3 10/8/2005 8:19 AM Andy Schwartz on Robert Quine http://www.furious.com/perfect/quine/andyschwartz.html lot of amazing music ranging from Buddy Holly at a civic auditorium in Ohio (where Holly was the only white act on the bill) to the Allman Brothers Band in a college dorm lounge in St. -
Robert Quine Page 1 of 1 6/14/2004
Page 1 of 1 Robert Quine (Filed: 14/06/2004) Robert Quine, who has died aged 61, was acknowledged to be one of the most original and formidably talented guitarists in rock music; a founder member of American punk band The Voidoids, he later worked with Lou Reed, Tom Waits, Lloyd Cole and Brian Eno. At first glance, Bob Quine appeared an unlikely punk. A nephew of the philosopher W V Quine, he was a tax lawyer until his mid-thirties, by which time he was already nearly bald. Even at the height of his success, he took to the stage in a well-ironed shirt and black sports jacket, his only concession to attitude being the wearing of sunglasses. Equally out of keeping with punk's ethos was his command of his instrument, from which he produced an intense, aggressive, dissonant sound. Lou Reed acclaimed him as "a magnificent guitar player . an innovative tyro of the vintage beast". His skills are best preserved on Blank Generation, the album he recorded with Richard Hell in 1977. Having renounced the law, he was then working in a Greenwich Village bookshop with Hell and Tom Verlaine, both members of the proto-punk group Television. Hell, having fallen out with Verlaine and later with Johnny Thunders of The Heartbreakers, which he had gone on to join, put together a new band with Quine, Ivan Julian and Marc Bell (later of The Ramones) - The Voidoids. Quine coaxed suitably angry sounds from his Stratocaster to frame Hell's nihilistic yet purposeful lyrics, and the LP - especially its title track - became an underground success. -
Robert Quine Interview- Perfect Sound Forever
Robert Quine interview- Perfect Sound Forever http://www.furious.com/perfect/quine.html ROBERT QUINE Interview by Jason Gross (November 1997) Who is Robert Quine? According to him, he 'remains one of the most compelling, appalling and universally hated figures in music history.' If you think that's a little too generous, Kenneth Coleman has written his own tribute to Quine. Let me just say that I don't see how you can just say that Quine is a sideman or collaborator who happened to work with Richard Hell, Lou Reed, Brian Eno, Tom Waits, Matthew Sweet and others- he's been an important part of their music, critically shaping it. Since most of his work has been working with these better-known performers, he hasn't become a household name himself. His guitar playing is certainly distinctive enough to warrant this but the fact is that he technically has only two albums to his name (both collaborations). Even so, anyone familiar with his work is rabid about him as I found out when I asked around to drill up some support for this interview. Any old session man can play the right notes in time but Quine just plain TEARS IT UP and takes no prisoners. You KNOW when he plays a solo. How about calilng him a guitarist's guitarist? You get the picture. Enormous thanks go out to Phillip Bull, Scott Russell, Christopher Hamilton, Michael Piper and ESPECIALLY JIM DEROGATIS AND ALICE SHERMAN! JUNE 2004: Old friend Jim Marshall reports to us that Quine took his own life. -
The View | from the University of Vermont
Feb. 26 - March 4 A Greener Path for Business Master Builder Patrick Orr spurned touring with the likes of Placido Domingo Feb. 27 11 a.m. (“wonderful, the Colloquium: "Very sweetest man”) to labor Cold But Very Floppy with UVM students in the Molecules — Mixed fragrant, dusty world of van der Waals Atomic an academic theatre Clusters," Howard woodshop. Mayne, University of New Hampshire. Angel B112. 656- Thinking Pink Maple 2594 syrup, newborn lambs, tiny white flowers called snowdrops, pink snow — Feb. 27 12:30 p.m. these are the harbingers Seminar: "The of early spring in cold Beginning of the End of Matt Wilson says that far too often business climates. Conventional people and environmentalists only speak to Economics," John each other in a court. He hopes his hybrid Gowdy, RPI. courses lay groundwork for more productive Carpenter dialogue. (Photo: Bill DiLillo) Auditorium, Given. 656-3269 or SNR Seminar Matt Wilson, a faculty member whose expertise encompasses the economic and the ecological, is a harbinger of UVM's drive to create a series of Feb. 27 4 p.m. courses that combine business and environmental Seminar: "Effect of concerns. Ovarian Hormone Deficiency on Risk for Cardiovascular Disease and Diabetes," Dr. Michael Toth, medicine. Given B-333. 656- 2500 Feb. 27 6 p.m. Engineer's Week Film: Bamboozled, directed by Spike Lee. Writer to Share "Notes from an Evolving Project" Discussion follows on film and UVM "Kake Walk." Campus Saving the Landscape Center Theater, Billings. 656-8833 Visit by Boston Kids Nurtures Dreams of Academe March 5 Noon Panel: "Mother's and Ski Catamounts Notch Another Carnival Win Daughters: A Generation of Conversation," Three Strikes and Engineers Are In International Women's Day.