DOCSLIB.ORG

February 13, 1979

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

We cBtbeze Vol. SS Tiicsdav Kehruarv i:t. l!»7!» .lames Madison University, llurrisonburg. Virginia No. m 10,000 students by '90 proposed Four options considered Rv .11 LIF SI MMFRS An enrollment of 10,330 by 1989-90 has been proposed by a James Madison University administrative committee. This is 1.635 more students than allowed under an an enrollment projection approved by the State Council for Higher Education in Virginia (SCHEV) in December and 2.404 more students than presently enrolled. JMU currently has an enrollment of 7,926 students and the State Council has approved an enrollment of 8,695 by the end of the 1980's. The university is seeking to increase the approved projection and a committee of the-Planning and Development Commission has compiled four options for SCHEV to consider. All four options list enrollments exceeding the current limit. The highest projection is 10,330 by 1989-90. All state colleges and universities in Virginia project enrollments each biennium (two-year period). JMU has exceeded its approved projection each year, according to Dr. William Jackameit. director ofUnstitutional research here. In the past. SCHEV has always cut the projected enrollment figures JMU has presented. However, projections for the next biennium (1980-82) were approved with no alterations. "We have demonstrated that we are going to have the students." Jackameit said. "SCHEV is finally realizing we can get the students." By exceeding SCHEV approved projections, JMU has run the risk of losing tuition money from the extra students. State budgets are based on the approved projection numbers and JMU has not been receiving state funds for the extra students. SCHEV now states that if enrollment is more than one percent of the approved projection, the institution may not keep the additional tuition money. I'FOPI.F IIFRF. PFOPI.F T1IFRF, h<- like if enrollment increases as an "SCHEV has been tending to let us get away with more PFOPI.F FYFRYWIIFRF. This triple administrative commmittee is proposing. because they see we are getting the students." Jackameit said. I'\|M»SIII-I< of the Warren I'niversity I'nion Pholo by Craiq Young (Continued on Page 18) lounge from above shows whal conditions inav Bv KRIS CARLSON The proposed utility deposit organization that could save students about $250 in annual utility deposits has had trouble getting started because of large student debts here. The organization, which has been in the planning and study stages for almost two years, will either be approved or sent back to committee in about a week, according to Lin Rose, associate director of residence halls and commuter student services. With over $10,000 in student debts at the Student debts Continental Telephone Co. this year, and with other utilities averaging $500 to $1,000 a year in student debts, the organization has had trouble getting financial backing. Rose said. Financial backing is needed the first year so blocking that the organization will have a money reserve in case an insufficient number of people join A low membership would make the pool of money generated by membership fees small. The financial backing would cover organization the coop in case a lot of members just decide not to pay their bills, accirding to Rose.' So far. the organization has not found a hacker. Rose said. The Alumnae Association was approached for the money, but they said it would be impossible to raise the money that of utility- may be needed to cover the organization, he said. Rose will meet in the next week- or so with JMU President Ronald Carrier to see if the administration can come up with any backers. deposit group If none materialize the deposit organization proposal will be sent back to its Commuter Student Committee group. The Student Government Association probably will then be asked for funding, according to CSC Chairman Craig Williams If Carrier or the administration can provide the needed backing funds, the organization could become operational next semester, with Continued on Page 2 Page 2. THE BREEZE. Tuesday. February 13, 1979 •V * Debts — —— (Continued from Page I) out financially even or lose a that 700 students may be "Theroetically there is no meets to talk with Carrier he involved in JMU's reason why it shouldn't students paying a $5 or may suggest that the great deal of money." Rose said. organization, he said. work ." Sin membership fee this organization not include the i look at our population. Except that students don't spring. Rose said. If the SGA telephone company, which "At U.Va. they had 1900 participants at $5 per person nnd even though the pay their bills. is to back it. the operational would make the possible organization is a great thing, date might be delayed, he debts Of the organization That's about $10,000. and they "What happens if. just for onlv paid out $2000. and and it's not costing you much, kicks, everybody at the end of said. more reasonable and thus how many of our 700 people The large amount of more encouraging to financial recollected $1500 of that from the year decides they're not the students." Rose said still aren't going to join?" he going to pay their bills, who's student telephone debts was backers. said. "You don't know, and the major reason the Alumnae The organization is similar "You don't need any financial going topay? The utilities are base, nobody has to give you that's something that's going to take that deposit Association found it could not to a utility deposit coop at the inherent in any coop afford to back the deposit University of Virginia,, which anv money in the second year. organization to court and Hopefully that would be the organization." make them pay." Rose said. organization. has been in existence two "All this is is really an "The reason (for such a vears However, there is a situation here." "You wouldn't have to pay the "What's successful is if the attempt to recognize that it's high debt) is that the major difference between the pretty expensive to come in bills, but all the deposits." telephone is not an essential U.Va- coop and the JMU first year you don't lose After the problem' of monev. and then if you can here the first month and pay service." Rose said. "You organization: at U.Va. even an apartment deposit, financial backing is solved, a decide not to pay the phone before the coop, the telephone increase membership in the second vear. like U.Va, did," (which isn't covered by the decision as to who will run the bill, and the company company and other utilities organization), and then pay organization will be made. terminates your service, but had very few outstanding Rose said. "We've got to point out whata great service this is all those other deposits. All Rose said The organization vou can still live in the house, student accounts, according to we're trying to do is reduce could become another student it doesn't affect how you live, Rose ,. _. and get people to join, because thats what makes it work." that and make it more livable service, administration-run. so you're probably going to "We decided it would be for people, and they'll have or could be run by a student pay vour electric and water best to wait until this year to Based on the present group such as the CSC. just see how UVa's first year number of student deposits that money to do something bills first." else with.'' Rose said. according to Williams. As a result, when Rose would- go. if they would come with utilities. Rose estimates V* Va. honor code encompasses bad checks Committee members work Bv DEBBIE YARD are able to pass a check with kicked out of school because of is notified by a merchant with students to see that full The honor code at the no problems or questions it." when he finds he has been restitution is made as soon University of Virginia, unlike because of the tradition that Honor Council V.P. Tracy given a bad check. possible. Students can also the one here at James has built up around the honor Lastor agreed with Rose that Only the knowledgeable receive aid in checkbook Madison University, system, said Linwood Rose, UVa's system works because writing of a bad check by a balancing from the committee encompasses all facets of associate director of it is so much more "far- U.Va. student is liable as an and can be referred to university life, including the residence halls here. reaching" than JMU's. honor offense, unknowingly university-sponsored interest- writing of bad checks. "Merchants know that The bad check committee writing a bad check which is free loans if necessary, The bad check committee, students are going to pay their works with both students and paid upon notification is not. according to the handbook. an agency of the U.Va. honor checks." he said. merchants on bad checks. It committee, functions "to "What the. tradition has make certain that the actions done is establish a feeling that of a few careless or you have an obligation and if irresponsible individuals do you don't meet that obligation, Utility Deposit organization not endanger the spirit of good you're very different from all faith and trust that exists the other students, and that's between students and obviously not the case at merchants." according to the Madison." he said.
Recommended publications
  • The History of Rock Music: 1970-1975

    The History of Rock Music: 1970-1975

    The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction.
  • Parziale Diss FINAL Aug 7 13

    Parziale Diss FINAL Aug 7 13

    Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation Item Type text; Electronic Dissertation Authors Parziale, Amy Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 13:06:35 Link to Item http://hdl.handle.net/10150/301676 REPRESENTATIONS OF TRAUMA IN CONTEMPORARY AMERICAN LITERATURE AND FILM: MOVING FROM ERASURE TO CREATIVE TRANSFORMATION by Amy Elizabeth Parziale _____________________ Copyright © Amy Elizabeth Parziale 2013 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Amy Parziale entitled Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ___________________________________________________________Date: 4/5/2013 Susan White ___________________________________________________________Date: 4/5/2013 Sandra Soto ___________________________________________________________Date: 4/5/2013 Charles Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.
  • November 5, 2013

    November 5, 2013

    volume 14 - issue 10 - tuesday, november, 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com 42523. the end of uvm confessions by mikestorace by wesdunn Rest in peace, Lou Reed. You will be Around the end of last week, long remembered by the world of Rock UVM Confessions, the Facebook and Roll. On October 28th, Lou passed page devoted to anonymous post- away due to liver failure after a transplant ing “liked” by around half of the he received in April did not stick. It ap- university’s population, was no pears that Reed’s massive alcohol and drug more. In the wake of pressure use finally overcame him at the age of 71. from the administration, the ad- Lou had a good run at the top (and in the ministrators of the page have been middle), and he has left a massive wave of forced to surrender and flee to the influence in his wake. safer ground of a new page en- It seems like everyone in the past week titled “Burlington Confessions (in has paid tribute to the late music visionary, no way, shape, or form, associated including David Byrne, The Who, Arcade with the University of Vermont or Fire, and the Arctic Monkeys, among oth- its affiliates).” ers. These tributes have come over Twitter, According to Luke Rossi, one through covers at concerts, or in inter- of the formerly anonymous admins views. Win Butler states a few words in a of the page, the demise of UVM Reedesque voice at the beginning of their Confessions began with Nick Ne- new song “Normal Person” and gave Lou grete, the Assistant Dean of Stu- a tribute on their recent concert on NPR.
  • Drone Music from Wikipedia, the Free Encyclopedia

    Drone Music from Wikipedia, the Free Encyclopedia

    Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice,
  • Metal Machine Music: Lou Reed Y La Hoja De Un Arbusto

    Metal Machine Music: Lou Reed Y La Hoja De Un Arbusto

    Metal Machine Music: Lou Reed y la hoja de un arbusto Imagen: RCA. La línea que separa la genialidad de la tomadura de pelo es tan fina que a veces es interesante aproximarse a esa frontera para echar un vistazo a lo que sucede en sus inmediaciones y comprobar cómo las cosas a uno y otro lado son casi idénticas. Tuve ocasión de revisar una vez más esa vecindad hace algún tiempo, aunque quizá no el suficiente, cuando me sirvieron la hoja de un arbusto como parte de un menú degustación. Una hoja pequeña, sin acompañamientos, ni salsas, ni aliños, colocada en el centro de un enorme plato blanco e injusto. Una triste hoja y nada más. Todo un reto para cualquier comensal dotado del habitual arsenal de cubertería. Uno de mis acompañantes, al verse frente a la hoja, inició un discurso que defendía el carácter artístico del plato —y por extensión, del alarde culinario en general— por oposición a la simple nutrición. Preparar un puchero de lentejas con chorizo para ocho personas es cocinar, pero aquello que teníamos delante era arte. Cuántas vueltas habría dado el chef para crear aquella pieza. Cuántos experimentos habría llevado a cabo para componer su obra. Cuántos ingredientes habría tanteado hasta concluir que la hoja, por sí misma, era exactamente lo que buscaba. Lo fácil, lo mortal, habría sido servir un plato de lentejas. Su tesis era esa que defiende que la obra de arte excede de la necesidad humana. Si comer consistiese únicamente en alimentarse, no existiría la gastronomía. Solo la cocina. El planteamiento parecía razonable, pero a pesar del tranquilizador envoltorio teórico, mi plato seguía estando formado por una hoja tan insignificante que, en aquel momento, lo significaba todo.
  • 2013/2014 Mit 2013 Geht Ein Jahr Zu Ende, Das

    2013/2014 Mit 2013 Geht Ein Jahr Zu Ende, Das

    2013/2014 mit 2013 geht ein jahr zu ende, das ich - trotz anfaenglich suboptimaler gesundheitlicher form - ueberaus positiv in erinnerung behalten werde: viel freude in der familie, schoene sommertage in spanien, italien und daheim sowie zuletzt auch wieder erfreulich viele gelungene unternehmungen im freundeskreis. auf mein berufliches jahr 2013 habe ich bereits in einem separaten beitrag zurueckgeblickt. desweiteren konnte ich mich im vergangenen jahr ueber einen konstanten strom neuer guter musik, eine reihe spannende buecher und einige wenige im kino gesehene filme freuen, die ich hier zu den bewaehrten jahresbestenlisten zusammengestellt habe. mit der frage, was 2014 kulturell auf uns zukommt, habe ich mich bereits mit meinem mix '10 fuer 2014' beschaeftigt. auch jenseits der newcomer schickt sich das neue jahr an, vielversprechend zu werden: schon im januar werden neue platten im januar von bruce springsteen, broken bells, rosanne cash, katy b, und maximo park erscheinen. in dem monaten danach folgen zudem neue werke von tinariwen, neneh cherry, st. vincent, elbow, kaiser chiefs, toni braxton und ernst molden & willi resetarits. auch im nebenstehenden konzertkalender finden sich bereits eine reihe von eintraegen, die fuer nicht unerhebliche vorfreude sorgen. neue buecher gibt es 2014 u.a. von martin suter, hanif kureishi, und michel houellebecq. und meinem vorsatz, kuenftig wieder oefter ins kino zu gehen, duerften die angekuendigten neuen filme von wes anderson, mike leigh, anton corbijn, fatih akin, luc besson, und michael winterbottom vorschub leisten. ich gehe somit in aufgeraeumter stimmung ins neue jahr und wuensche uns allen ein gutes 2014, viel freude, gesundheit und jede menge schoener erlebnisse! beruflicher jahresrueckblick der im letzten jahr begonnenen tradition folgend, will ich einmal mehr an dieser stelle auf die vergangenen zwoelf monate in beruflicher hinsicht zurueckblicken.
  • A FICTION BROOKLYN ACADEMY of MUSIC Harvey Lichtenstein, President and Executive Producer

    A FICTION BROOKLYN ACADEMY of MUSIC Harvey Lichtenstein, President and Executive Producer

    Brooklyn Academy of Music SONGS FOR'DRELLA -A FICTION BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President and Executive Producer BAM Opera House November 29 - December 3, 1989 presents SONGS FOR 'DRELLA -A FICTION Music and Lyrics by Lou Reed and John Cale Set Design, Photography and Scenic Projections by Lighting Design by JEROME SIRLIN ROBERT WIERZEL Co-commissioned by the Brooklyn Academy of Music NEXT WAVE Festival and The Arts at St. Ann's Joseph V. Melillo, Director, NEXT WAVE Festival SONGS FOR 'DRELLA-A FICTION Songs for 'Drella-a fiction is a brief musical look at the life of Andy Warhol and is entirely fictitious. We start with Andy growing up in a Sinalltown-"There's no Michelangelo coming from Pittsburgh." He comes to New York and follows the customs of"Open House" both in'his apartments and the Factory. "It's a Czechoslovakian custom my mother passed onto meltheway to makefriends Andyis to invite them upfor tea." He travels around the world and is in his words "Forever Changed." He knows the importance of people and money in the art world ["Style It Takes"] and follows his primary ethic, "Work-the most~portantthing is work." He can copy the classicists but feels "the trouble with classicists, they look at a tree/that's all they see/they paint a tree..." , Andy wished we all had the same "Faces and Names." He becomes involved with movies-"Starlight." He is interested in repetitive images-"I love images worth repeating••.see them with a different feeling." The mor­ tality rate at the Factory is rather high and some blame Andy-"Itwasn't me who shamed you..." The open house policy leads to him being shot ["I Believe"] and a new, locked door approach at the Factory causes him to wonder, "...if I have to live in fear/ where willI get my ideas...will I slowly Slip Away?" One night he has a dream, his relationships change..."A Nobody Like You." He dies recovering from a gall bladder operation.
  • Lou Reed's Adaptations and the Pain They Cause

    Lou Reed's Adaptations and the Pain They Cause

    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2014-03-17 I Get a Thrill from Punishment: Lou Reed's Adaptations and the Pain They Cause Jonathan B. Smith Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Smith, Jonathan B., "I Get a Thrill from Punishment: Lou Reed's Adaptations and the Pain They Cause" (2014). Theses and Dissertations. 4012. https://scholarsarchive.byu.edu/etd/4012 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. “I Get a Thrill from Punishment”: Lou Reed’s Adaptations and the Pain They Cause Jonathan Smith A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl Sederholm, Chair Kerry Soper Rob McFarland Department of Humanities, Classics and Comparative Literature Brigham Young University March 2014 Copyright © 2014 Jonathan Smith All Rights Reserved ABSTRACT “I Get a Thrill from Punishment”: Lou Reed’s Adaptations and the Pain They Cause Jonathan Smith Department of Humanities, BYU Masters of Arts This paper explores two adaptations by rock musician Lou Reed of the Velvet Underground and Metal Machine Music fame. Reed has always been a complicated and controversial figure, but two of his albums—The Raven (2003), a collaborative theater piece; and Lulu (2011), a collaboration with heavy metal band Metallica—have inspired confusion and vitriol among both fans and critics.
  • 1. 101 Strings: Panoramic Majesty of Ferde Grofe's Grand

    1. 101 Strings: Panoramic Majesty of Ferde Grofe's Grand

    1. 101 Strings: Panoramic Majesty Of Ferde Grofe’s Grand Canyon Suite 2. 60 Years of “Music America Loves Best” (2) 3. Aaron Rosand, Rolf Reinhardt; Southwest German Radio Orchestra: Berlioz/Chausson/Ravel/Saint-Saens 4. ABC: How To Be A Zillionaire! 5. ABC Classics: The First Release Seon Series 6. Ahmad Jamal: One 7. Alban Berg Quartett: Berg String Quartets/Lyric Suite 8. Albert Schweitzer: Mendelssohn Organ Sonata No. 4 In B-Flat Major/Widor Organ Symphony No. 6 In G Minor 9. Alexander Schneider: Brahms Piano Quartets Complete (2) 10. Alexandre Lagoya & Claude Bolling: Concerto For Classic Guitar & Jazz Piano 11. Alexis Weissenberg, Georges Pretre; Chicago Symphony Orchestra: Rachmaninoff Concerto No. 3 12. Alexis Weissenberg, Herbert Von Karajan; Orchestre De Paris: Tchaikovsky Concerto #2 13. Alfred Deller; Deller Consort: Gregorian Chant-Easter Processions 14. Alfred Deller; Deller Consort: Music At Notre Dame 1200-1375 Guillaume De Machaut 15. Alfred Deller; Deller Consort: Songs From Taverns & Chapels 16. Alfred Deller; Deller Consort: Te Deum/Jubilate Deo 17. Alfred Newman; Brass Of The Hollywood Bowl Symphony Orchestra: Hallelujah! 18. Alicia De Larrocha: Grieg/Mendelssohn 19. Andre Cluytens; Paris Conservatoire Orchestra: Bizet 20. Andre Kostelanetz & His Orchestra: Columbia Album Of Richard Rodgers (2) 21. Andre Kostelanetz & His Orchestra: Verdi-La Traviata 22. Andre Previn; London Symphony Orchestra: Rachmaninov/Shostakovich 23. Andres Segovia: Plays J.S. Bach//Edith Weiss-Mann Harpsichord Bach 24. Andy Williams: Academy Award Winning Call Me Irresponsible 25. Andy Williams: Columbia Records Catalog, Vol. 1 26. Andy Williams: The Shadow Of Your Smile 27. Angel Romero, Andre Previn: London Sympony Orchestra: Rodrigo-Concierto De Aranjuez 28.
  • Lou Reed: the Life Pdf, Epub, Ebook

    Lou Reed: the Life Pdf, Epub, Ebook

    LOU REED: THE LIFE PDF, EPUB, EBOOK Mick Wall | 256 pages | 15 Nov 2015 | Orion Publishing Co | 9781409153047 | English | London, United Kingdom Lou Reed: The Life PDF Book The book ends, as biographies are wont to do, with the death of its subject. Entertainment Weekly. This is far from a rock hagiography. Want to Read Currently Reading Read. There's also a fairly comprehensive discography at the back, though strangely especially since a sizeable part of the book deals with the Velvets records it starts with a compilation. While I was certainly impatient, as per usual with music bios, to be finished with Lou Reed , DeCurtis, an editor and long-time contributor at Rolling Stone , is a more fluent and perceptive critic than many biographers and his observations provided a way in, for me, to some of Reed's more challenging work reading about music is so much more satisfying in the YouTube Age - I used to read about a record and then, sometimes, have to wait months or even years before actually hearing it. Retrieved October 25, He also talks about the gig we both witnessed at the Hammersmith Apollo in 79? Retrieved December 12, It was rediscovered in the s and allowed Reed to drop "Walk on the Wild Side" from his concerts. He credited Schwartz with showing him how "with the simplest language imaginable, and very short, you can accomplish the most astonishing heights. May 16, Lindsay rated it it was amazing Shelves: music. Hardcover , pages. Colossal Books. From Wikipedia, the free encyclopedia. Jazz Latin New Age.
  • Lou Reed Gratis Epub, Ebook

    Lou Reed Gratis Epub, Ebook

    LOU REED GRATIS Auteur: Howard Sounes Aantal pagina's: 360 pagina's Verschijningsdatum: 2016-10-18 Uitgever: Xander Uitgevers B.V. EAN: 9789401606196 Taal: nl Link: Download hier New York van Lou Reed, uit 1989, blijkt een akelig actueel album She's My Best Friend- 4. Kicks- 5. A Gift- 6. Ooohhh Baby- 7. Nobody's Business- 8. Coney Island Baby- 9. Nowhere at All- Downtown Dirt- Leave Me Alone- …. Diseñadores y fotógrafos, musas clásicas y reflexiones artísticas sobre los zapatos merecen grandes muestras. Destacamos las imprescindibles para amenizar con mucho glamour la rentrée. Verkoop door bol. Nieuw en Tweedehands vanaf 4, Lou Reed Transformer LP. Lou Reed Original Album Classics. Verkoop door DVDOutlet. Toon tweedehands. Tweedehands vanaf 6, Lou Reed Extended Versions. Lou Reed Rock 'n' Roll Animal. Uiterlijk 15 december in huis Levertijd We doen er alles aan om dit artikel op tijd te bezorgen. Meer verkopers vanaf 13, Uiterlijk 11 december in huis Levertijd We doen er alles aan om dit artikel op tijd te bezorgen. Meer verkopers vanaf 9, Lou Reed Lou Reed Live, In Concert. Uiterlijk 14 december in huis Levertijd We doen er alles aan om dit artikel op tijd te bezorgen. Verkoop door Worldwide Records Wat je kan verwachten. Lou Reed Live In Montreux Tweedehands vanaf 9, Lou Reed Ecstasy. Verkoop door Sounds Haarlem Wat je kan verwachten. Meer verkopers vanaf 47, Nieuw en Tweedehands vanaf 99, Lou Reed The Broadcast Collection Een live broadcast selectie van Lou Reed. En daar is ook Rudy Giuliani, nu de advocaat van Trump en destijds officier van justitie in New York en later, van tot , burgemeester van de stad.
  • Time Turned Into Space

    Time Turned Into Space

    AALTO UNIVERSITY - DEPARTMENT OF MEDIA TIME TURNED INTO SPACE - 2019 A BRIEF INTRODUCTION TO SPATIAL SOUND [email protected] TIME TURNED INTO SPACE - BRIEF INTRODUCTION - 2019 A BRIEF HISTORY OF PURELY MUSICAL ATTEMPTS ‣ Contrarily to what many believe, spatial sound is born long before VR and is possibly as ancient as music. ‣ Cori spezzati - Willaert, Gabrieli, Venice 16th century. Monteverdi, Vespro della Beata Vergine, 1610. https:// www.youtube.com/watch?v=JiyjQzPsy3I ‣ Tallis, Spem in alium Queen Elizabeth's 40th birthday, 1573: 40 separate vocal parts eight 5-voice choirs. https:// www.youtube.com/watch?v=Z3FJxDsa-5k ‣ Tuba Mirum section of Hector Berlioz's Requiem, 1837. Four separate brass ensembles in the four points of the compass introduce the choir. ‣ Off-stage brass section in Giuseppe Verdi’s Requiem 1874. https://www.youtube.com/watch?v=DY0P3UKFXC8 ‣ Ives the unanswered question, 2 instrumental groups: offstage strings vs on-stage trumpet soloist and woodwind ensemble, 1908 - 1930/35. https://www.youtube.com/watch?v=vXD4tIp59L0 ‣ Brant Antiphony I, 1953, five spatially-separated orchestras. Windjammer, 1969 stationary horn soloist and several wind players who moved along prescribed routes while playing. Orbits, 1979, a Spatial Symphonic Ritual for 80 Trombones, Organ and Sopranino Voice https://www.youtube.com/watch?v=onAYYOObbWc + Video interview on spatial music https://www.youtube.com/watch?v=fmi3uEHH8oM ‣ Stockhausen Gruppen, 1958, Three independent orchestras to play at the same time but at different tempos, creating a conflict of time and space. stockhausenspace.blogspot.fi/2014/12/opus-6-gruppen.html ‣ A pretty good historical account of spatial music: https://econtact.ca/7_4/zvonar_spatialmusic.html TIME TURNED INTO SPACE - BRIEF INTRODUCTION - 2019 1877 THE FIRST PHONOGRAPH ▸ 1877, Thomas A.