Lou Reed: the Life Pdf, Epub, Ebook
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LISA FISCHER BIO Lisa Fischer Is a Singer Who Really Gets Around. Her Life
LISA FISCHER BIO Lisa Fischer is a singer who really gets around. Her life is an endless round of planes, trains, and automoBiles, rehearsals and fittings. On tour with the Rolling Stones, Sting, Chris Botti or Nine Inch Nails, her name may not Be on the marquee, But she doesn't care. She's Busy loving every minute of it. It's easy to see why she works all the time: her astonishing range, her spot-on intonation, her mastery of the stage, the way her tone wraps itself around your heart and won't let go, the infectious quality of her time feel: these things keep her on top of the list. But it's the sweetness of her smile, her visiBle pleasure in watching her Bandmates do their stuff, her glamorous- girl-next-door quality that make fans all over the world think she's their own secret discovery (despite the fact that the YouTube version of her duet with Mick Jagger on 'Gimme Shelter' has millions of hits). The rest of her resume is pretty impressive too: touring, recording, and music making with Tina Turner, Chaka Khan, Beyonce, Dionne Warwick, Dolly Parton, Bobby McFerrin, Alicia Keyes, Lou Reed, Louie Vega, Aretha Franklin, John Scofield, George Benson, Laurie Anderson, Lee Ritenour, Jackie Evancho (and many others). Along with many other top session and backup singers like Darlene Love, Merry Clayton, Patti Austin, and Judith Hill, "the greatest artists you've never heard of" (but whose voices are instantly recognizable), she's featured in Morgan Neville's acclaimed documentary film Twenty Feet from Stardom, distributed By Miramax in the US and scheduled for European premieres throughout 2013-2014 season. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
TV Tour Doesn't U2's Zoo Look Back
Cultural Connection Page T NC environmentalist to speak Local environmental activist Lena Ritter will address students on People, Break or bust O n T he Pollution and Politics on Wednesday, April 1 at 7 p.m. in Whitley Auditorium. Ritter is an oyster fisher who has successfully crusaded to protect North S cene Carolina's wetlands and coastal waters. Ritter's speech is sponsored by the Liberal Arts Forum. Our Choice __________ ■ "The Pajama Game" is a 50's SUB accepts exec applications musical about labor disputes and love affairs in a pajama factory in Iowa. The Student Union Board is now Included in the cast are two Elon students. accepting applications for positions on the Fred Rubeck, head of theatre productions Executive Board. Applications can be here at Elon, is the director. "The Pajama obtained in the Office of Campus Game" will run through Saturday. For Activities in Long 208. more information contact the Paramount The last day to pick up applications Theatre at (919) 227-7606. and sign up for an interview will be March 30, 1992. Heading To Concerts____ Officcs available are as follows: ■ This weekend at the Lighthouse Secretary, Treasurer, Publicity advisor, Tavern Public Relations chair, SUB Club, Stage Saturday - Gibb Droll Crew, Music Performance, Films and ■ This weekend at the Cat's Cradle Video, Recreation and Travel, Special Friday - All Good Events. Saturday - Johnny Quest ■ Wynton Marsalis brings his Wind Ensemble to perform trumpet and jazz and classical expertise to the UNC's Memorial Hall on March 16 al Family entertainment will be the 8 p.m. -
Parziale Diss FINAL Aug 7 13
Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation Item Type text; Electronic Dissertation Authors Parziale, Amy Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 13:06:35 Link to Item http://hdl.handle.net/10150/301676 REPRESENTATIONS OF TRAUMA IN CONTEMPORARY AMERICAN LITERATURE AND FILM: MOVING FROM ERASURE TO CREATIVE TRANSFORMATION by Amy Elizabeth Parziale _____________________ Copyright © Amy Elizabeth Parziale 2013 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Amy Parziale entitled Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ___________________________________________________________Date: 4/5/2013 Susan White ___________________________________________________________Date: 4/5/2013 Sandra Soto ___________________________________________________________Date: 4/5/2013 Charles Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
270 Songs, 17.5 Hours, 1.62 GB Page 1 of 8 Name BPM Genre Rating
Page 1 of 8 WCS 270 songs, 17.5 hours, 1.62 GB Name BPM Genre Rating Artist Album Year Freezing 76 Pop Music Mozella Belle Isle (Deluxe… 2010 Thinking Out Loud 79 Pop Ballad Ed Sheeran x 2014 I'm So Miserable 83 Country Billy Ray Cyrus Some Gave All 1992 Too Darn Hot (RAC Mix) 83 R&B Ella Fitzgerald Verve Remixed: T… 2013 Feelin' Love 83 Blues Paula Cole City of Angels OST 1998 I'm Not the Only One 83 Pop Ballad Sam Smith In the Lonely Hou… 2014 Free 84 R&B Haley Reinhart Listen Up! 2012 Stompa 84 Alt Pop Serena Ryder Harmony 2012 Treat You Better 84 Pop Music Shawn Mendes Illuminate 2016 Heartbreak Road 85 Blues Rock Colin James Hearts on Fire 2015 Shape of My Heart 85 Rock Ballad Theory of a Deadman Shape of My Hear… 2017 Gold 86 Pop Music Kiiara low kii savage - EP 2015 I'm the Only One 87 Blues Rock Melissa Etheridge Yes I Am 1993 Rude Boy 87 Pop Music Rihanna Rated R 2009 Then 88 Pop Music Anne-Marie Speak Your Mind 2017 Can't Stay Alone Tonight 88 Pop-Rock Elton John The Diving Board… 2013 Vinyl (Remix) 88 Jazz-Pop Euge Groove feat. x-t.o.p. Sax S Euge Groove 2000 Wake Up Screaming 88 Country Gary Allan Used Heart For Sale 2000 Anything's Possible 88 R&B Jonny Lang Turn Around 2006 Slow Hands 88 Pop Music Niall Horan Slow Hands - Sin… 2017 Touch Of Heaven 88 Pop-Rock Richard Marx Flesh & Bone 1997 Forever Drunk 89 R&B Miss Li Beats & Bruises 2011 Let's Get Back To Bed Boy 89 R&B Sarah Connor Green Eyed Soul 2002 I Can't Stand the Rain 89 Pop-Soul Seal Soul 2008 Happy 90 R&B Ashanti Ashanti 2002 Mood For Luv 90 R&B B.B. -
November 5, 2013
volume 14 - issue 10 - tuesday, november, 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com 42523. the end of uvm confessions by mikestorace by wesdunn Rest in peace, Lou Reed. You will be Around the end of last week, long remembered by the world of Rock UVM Confessions, the Facebook and Roll. On October 28th, Lou passed page devoted to anonymous post- away due to liver failure after a transplant ing “liked” by around half of the he received in April did not stick. It ap- university’s population, was no pears that Reed’s massive alcohol and drug more. In the wake of pressure use finally overcame him at the age of 71. from the administration, the ad- Lou had a good run at the top (and in the ministrators of the page have been middle), and he has left a massive wave of forced to surrender and flee to the influence in his wake. safer ground of a new page en- It seems like everyone in the past week titled “Burlington Confessions (in has paid tribute to the late music visionary, no way, shape, or form, associated including David Byrne, The Who, Arcade with the University of Vermont or Fire, and the Arctic Monkeys, among oth- its affiliates).” ers. These tributes have come over Twitter, According to Luke Rossi, one through covers at concerts, or in inter- of the formerly anonymous admins views. Win Butler states a few words in a of the page, the demise of UVM Reedesque voice at the beginning of their Confessions began with Nick Ne- new song “Normal Person” and gave Lou grete, the Assistant Dean of Stu- a tribute on their recent concert on NPR. -
The Box As Meeting Place Artistic Encounters in Aspen Magazine (1965-1971)
The Box as Meeting Place Artistic Encounters in Aspen Magazine (1965-1971) 129 Maarten van Gageldonk Aspen was a multimedia magazine, each issue presented as a box full of surpri- ses by artists, writers, thinkers, and unknowns. What kept contributors as diverse as John Lennon, Yoko Ono, J.G. Ballard, and David Hockney together? In 1965 New York magazine editor Phyllis dia revolution. Aspen would return the func- Johnson travelled to Aspen, Colorado, to tion of the magazine to ‘the original meaning partake in the International Design Confe- of the word, as “a storehouse, a cache, a ship rence Aspen (IDCA) and returned home asking laden with stores”’, and in doing so it would herself how the traditional magazine could be liberate it from its linearity and two-dimen- adapted for the modern age. Later that year sionality, as well as from the dominance of she launched her answer: Aspen Magazine, printed matter.1 Accordingly, throughout the the multimedia magazine in a box. Between years Aspen’s slim boxes and folders contained 1965 and 1971 ten issues of Aspen appeared, posters, flip books, newspapers, stamps, a each put together by a different guest editor kite, a miniature sculpture, flexi discs with and devoted to a different theme, ranging music and audio recordings, and in 1967 even from Pop Art and Minimalism to psychedelic a reel of Super 8 film – a first for any magazine. art and Asian culture. Opening one of Aspen’s To its subscribers the contents of each issue boxes now is like unearthing a time capsule came as a surprise and connecting the various and its contributor list reads like a sample items demanded a non-trivial amount of activ- sheet of the 1960s, including work by William ity on the account of the ‘reader’. -
Album Review of the Velvet Underground & Nico
Album Review of The Velvet Underground & Nico – Artifacts Journal - University of Mi... Page 1 of 4 University of Missouri A Journal of Undergraduate Writing Album Review of The Velvet Underground & Nico Sam Jennings Sam Jennings started attending the University of Missouri in 2012 and is currently pursuing a bachelor of music performance in guitar. He writes in his spare time and fronts a local Columbia rock band, “The Rollups”. He is thankful to Dr. Michael J. Budds for encouraging him and his submission to this journal. He wrote this paper as one part of a multi-paper project in Historical Studies in Jazz and Popular Music, taught by Dr. Michael J. Budds. They were expected to choose a musician (before 1970) and review a full-length LP by that artist; he felt particularly inclined to make the case for a set of truly bizarre, radical artists who have been historically misunderstood and misaligned. When The Velvet Underground & Nico was released in March of 1967, it was to a public that hardly cared and a critical establishment that could not make heads or tails of it. Its sales were dismal, due in part to legal troubles, and MGM’s bungled attempts at promoting the record. The Velvet Underground’s seedy, druggy music defiantly reflected an urban attitude even closer to the beatniks than Bob Dylan and even more devoted to rock n’ roll primitivism than The Rolling Stones or The Who. Nevertheless, the recording had no place in a landscape soon to be dominated by San Francisco psychedelics and high- concept British pop. -
Nyuprogram.Pdf
NEW YORK UNIVERSiTY SCHOOL OF CONTINUING EDUCATION 1970-71 SPECIAL EVENTS SERIES OCTOBER 25, 1970 LA MONTE YOUNG MARIAN ZAZEELA SOUND AND LIGHT P R 0 G R A M Ornamental Lightyears Tracery Design & Projection, Marian Zaz--ela 12 1 64 first twelve+) Sunday Morning Blues La Monte Young - Sopranino Saxophone Marian Zaze--la - Voice Drone Angus MacLise - Hand Drums Tony Conrad. - Bowed Guitar 1, 2, Plucked Mandola 3 John Cale - Viola 20 X 63 day of the autumn feast-0 Sunday Morning Blues La Monte Young Sppranino Saxophone Marian Zaz--ela Voice Drone AngusC=) MacLise Hand Drums Tony Conrad. Bowed Guitax John Cale Viola 23 1 70 7 :35 - 8 :40PM Houston from Map of 49's Dream Th-eTwo Systems of 01-evenSat s of Galactic Intervals Ornamental Lightyears Tracery La, Monte Young - Voice & Sine Waves generated by Moog Synthesizer Maxian Zazeela - Voicea Drift Study 16 X 70 Pt' StockEolm frrm 5 V 67 6 :38 PM NYC Christer Hennix Realization Audio Engineer - Rob-~=rt Adler Michael Commons -Psychoacoustician The names of these days as written in the the original version of calendar YEAR by the pcet and. drummer Angus MacLise . NO PHOTOGRAPHS OR SOUND RECORDINGS PERMITTED . P R 0 G R A M N 0 T E S Ornamental Lightyears Tracery The Projections form part of a series of light works designed for live Performance on three or more slide projectors . The series contains numerous black and white negative and positive photographs of modular sections of several closely related designs . Each slide mount holds a photograph and a combination of colored gals . -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare