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The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction. -
Of the American Premiere of Time Rocker from Lou Reed, Robert
Brooklyn_ 30 Lafayette A~n ue Academy Brooklyn NY 11217 -1 486 of Telephone: 718.636.4129 Music Fax: 718.857 .2021 Press Department For Further Press Information: William Murray at 718.636.4129 The Brooklyn Academy of Music's (BAM) 1997 Next Wave Festival's 15th Anniversary Season - (1982-1997) The American Premiere of Time Rocker from Lou Reed, Robert WIison, and Darryl Pinckey the Thalia Theater of Hamburg BAM Opera House Ten performances: Nov. 12 at 7:00pm, Nov. 14 & 15, 18 - 22 at 7:30pm; Nov. 16 & 23 at 3:00pm Performed in German and English with English surtitles Music & lyrics - Lou Reed Direction & design - Robert Wilson Text - Darryl Pinckney Completing the fantastical triptych begun with the critically-acclaimed The Black Rider and Alice, Lou Reed and Robert Wilson's rock opera, Time Rocker, makes its anticipated American premiere at the Brooklyn Academy of Music (BAM), as part of the BAM's 15th Anniversary Next Wave Festival, sponsored by Philip Morris Companies Inc. Time Rocker is a new work based on H.G. Wells's Time Machine, with lyrics and music by Reed, directed and designed by Wilson and libretto by Darryl Pinckney. Time Rocker will be performed in the BAM Opera House, 30 Lafayette Avenue, Brooklyn, NY, November 12 at 7:00pm, November 14 and 15, 18 - 22 at 7:30pm; November 16 & 23 and 3:00pm. This compelling collaboration with rock pioneer Lou Reed displays Wilson's trademark stage designs , breathtaking lighting and stylized direction. With sixteen new son gs by Reed , Time Rocker begins with the disappearance of a Dr. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Parziale Diss FINAL Aug 7 13
Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation Item Type text; Electronic Dissertation Authors Parziale, Amy Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 13:06:35 Link to Item http://hdl.handle.net/10150/301676 REPRESENTATIONS OF TRAUMA IN CONTEMPORARY AMERICAN LITERATURE AND FILM: MOVING FROM ERASURE TO CREATIVE TRANSFORMATION by Amy Elizabeth Parziale _____________________ Copyright © Amy Elizabeth Parziale 2013 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Amy Parziale entitled Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ___________________________________________________________Date: 4/5/2013 Susan White ___________________________________________________________Date: 4/5/2013 Sandra Soto ___________________________________________________________Date: 4/5/2013 Charles Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
International Dinner Celebrates Latin American Culture Come to the Event
VOLUME82, ISSUE9 “EDUCATIONFOR SERVICE” MARCH31,2004 E New members Knitting fad join board hits campus. of trustees. See Page 4. u N I V E K S I T Y 0 F 1 N D I A N A P 0 I, I S See Page 3. 1400 EASTHANNA AVENUE INDIANAPOLIS, IN 46227 H 2004 PRESIDENTIAL CAMPAIGN Woodrow Wilson scholar speaks on presidential campaign “The election will be very close. or Shearer thinks the Democrats will something will happen that will tip it,“ iicknowledgc that there are dangerous Shearer predicted. people, but they will question Bush for Shearer feels that voter turnout among attaching Saddam Hussein and Iraq even college students will increase from though they were not part of the Al- previous elections because many people Qaeda connection. are very concerned with the current state “I alwap hope with a program like of the nation. this that we help them (students and Ayres said he has not seen a high level pub1ic)thinkabotit issuesandmake better ofpolitical interest around the university, judgments.” Anderson said. “The idea is but he feels that will increase during the not to tell the students or public what to few months before the election. be. but just to expose them to ideas. I “In general, I think there’s some hope students m,ould go away thinking There’s not a lot. I about what they heard.” don’t see a lot of knowledge. I see a fair Anderson :ind Ayres hope the amount of knowledge about Indiana and university \+ill continue its connection what’s here,” Ayres said. -
Until the End of the World Music Credits
(Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc. -
The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Karen Bernstein Producer/Reporter/Editor
Karen Bernstein Producer/Reporter/Editor Bernstein Documentary 1512 ½ South Congress Ave., 2nd Floor Austin, TX 78704 917.856.2027 [email protected] Multi-media Documentary and Journalism work § Producer/ Director, I’m Gonna Make You Love Me (in progress) § Producer/ Director, Richard Linklater – dream is destiny, premiered at Sundance Film Festival, 2016, distributed by IFC Films and PBS American Masters, www.linklaterdoc.com § Radio Correspondent, KUT/ KRTS/ KXWT for news and arts programming (sample reel available on request) § Producer/ Director, TransFIGURATION, documentary for KLRU’s premier series ,Arts in Context, to be broadcast in Spring, 2014 (sample: https://vimeo.com/user6923315) § Producer/ Director, Producing Light, TeXas PBS, premiere broadcast, April 19, 2012 (sequel in the works with planned tour to Israel) https://vimeo.com/59031765 -password: Bernstein § Producer, Grant Writer, Children of Giant, with Galán Inc., funded by Latino Public Broadcasting for Voces series, June, 2014 ( https://vimeo.com/50294847 password: cog ) § Supervising Producer, Fixing The Future: NOW on PBS, JumpStart Productions, host – David Brancaccio § Project Manager/ editor, Back To Work in Far West Texas (Marfa Public Radio), Economy Response Grant from Corporation for Public Broadcasting (CPB) § Producer, A Time to Love and a Time to Hate (PBS/ Helen Whitney Productions), release: 2011 § Archive Film Researcher, Amelia (Electra Productions), Mira Nair, director, release: 2009 § Producer, YA BASTA! (Matinee Productions), www.yabastathemovie.com -
Two Provost Finalists Vis1ied Campus
Voi.SNo.11 Novembers, 1878 Northern Kentucky Unlverolty HORTHlRK l'.l!11UCK'1 UKIVER Two provost finalists vis1ied campus Two of the five finalist for the according to Travis. position of NKU provost visited the The three remajning candidates campus this week to meet with will visit NKU during this month. administration, faculty and students. Dr. George English, dean of Arts The person chosen will be the and Sciences at the University of " principal academic officer to the Evansville (Indiana( will meet with University" responsible for all the faculty and students at 2:30 p.m. inst.ructional programs for the Friday, Nov. 5; Dr. Leon Boothe, institution and for working with the dean of arts and sciences , George faculty in developing those Mason University, 2:30 p .m ., programs, according to Dr. Gene Monday, Nov. 8; Dr. Noel Richards, Scholes, Executive Assistant to the dean of arts and sciences at Rhode President and Chairman of the Island College. 2:30 p.m., Monday, Provost Screening Committee. Nov. 15. Dr. Ralph W. Ingersoll, associate dean of medicine from the A final decision will be reached University of Virginia at prior to Jan. I, 1977, by screening Charlottesville met in session with committee , composed of Dr. Gene students, administration and Scholes, Lyle Gray, Robert Vitz, faculty Monday from 1:30 to 3:30. Janet Miller and SG Vice-president Questions from the mostly-faculty Rob Antony. audience focused on tenure, the role of faculty evaluations, the probability of deanships at N K U and on the growth of the University. "I would like to emphasize a Academic Center Northern continues broad, liberal background" centering on interdisciplinary dedication Sunday studies, he said. -
Robert Quine Interview- Perfect Sound Forever
Robert Quine interview- Perfect Sound Forever http://www.furious.com/perfect/quine.html ROBERT QUINE Interview by Jason Gross (November 1997) Who is Robert Quine? According to him, he 'remains one of the most compelling, appalling and universally hated figures in music history.' If you think that's a little too generous, Kenneth Coleman has written his own tribute to Quine. Let me just say that I don't see how you can just say that Quine is a sideman or collaborator who happened to work with Richard Hell, Lou Reed, Brian Eno, Tom Waits, Matthew Sweet and others- he's been an important part of their music, critically shaping it. Since most of his work has been working with these better-known performers, he hasn't become a household name himself. His guitar playing is certainly distinctive enough to warrant this but the fact is that he technically has only two albums to his name (both collaborations). Even so, anyone familiar with his work is rabid about him as I found out when I asked around to drill up some support for this interview. Any old session man can play the right notes in time but Quine just plain TEARS IT UP and takes no prisoners. You KNOW when he plays a solo. How about calilng him a guitarist's guitarist? You get the picture. Enormous thanks go out to Phillip Bull, Scott Russell, Christopher Hamilton, Michael Piper and ESPECIALLY JIM DEROGATIS AND ALICE SHERMAN! JUNE 2004: Old friend Jim Marshall reports to us that Quine took his own life.