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1 Oral History Interview with Brian Randell January 7, 2021 Via Zoom
Oral History Interview with Brian Randell January 7, 2021 Via Zoom Conducted by William Aspray Charles Babbage Institute 1 Abstract Brian Randell tells about his upbringing and his work at English Electric, IBM, and Newcastle University. The primary topic of the interview is his work in the history of computing. He discusses his discovery of the Irish computer pioneer Percy Ludgate, the preparation of his edited volume The Origins of Digital Computers, various lectures he has given on the history of computing, his PhD supervision of Martin Campbell-Kelly, the Computer History Museum, his contribution to the second edition of A Computer Perspective, and his involvement in making public the World War 2 Bletchley Park Colossus code- breaking machines, among other topics. This interview is part of a series of interviews on the early history of the history of computing. Keywords: English Electric, IBM, Newcastle University, Bletchley Park, Martin Campbell-Kelly, Computer History Museum, Jim Horning, Gwen Bell, Gordon Bell, Enigma machine, Curta (calculating device), Charles and Ray Eames, I. Bernard Cohen, Charles Babbage, Percy Ludgate. 2 Aspray: This is an interview on the 7th of January 2021 with Brian Randell. The interviewer is William Aspray. We’re doing this interview via Zoom. Brian, could you briefly talk about when and where you were born, a little bit about your growing up and your interests during that time, all the way through your formal education? Randell: Ok. I was born in 1936 in Cardiff, Wales. Went to school, high school, there. In retrospect, one of the things I missed out then was learning or being taught Welsh. -
Technical Details of the Elliott 152 and 153
Appendix 1 Technical Details of the Elliott 152 and 153 Introduction The Elliott 152 computer was part of the Admiralty’s MRS5 (medium range system 5) naval gunnery project, described in Chap. 2. The Elliott 153 computer, also known as the D/F (direction-finding) computer, was built for GCHQ and the Admiralty as described in Chap. 3. The information in this appendix is intended to supplement the overall descriptions of the machines as given in Chaps. 2 and 3. A1.1 The Elliott 152 Work on the MRS5 contract at Borehamwood began in October 1946 and was essen- tially finished in 1950. Novel target-tracking radar was at the heart of the project, the radar being synchronized to the computer’s clock. In his enthusiasm for perfecting the radar technology, John Coales seems to have spent little time on what we would now call an overall systems design. When Harry Carpenter joined the staff of the Computing Division at Borehamwood on 1 January 1949, he recalls that nobody had yet defined the way in which the control program, running on the 152 computer, would interface with guns and radar. Furthermore, nobody yet appeared to be working on the computational algorithms necessary for three-dimensional trajectory predic- tion. As for the guns that the MRS5 system was intended to control, not even the basic ballistics parameters seemed to be known with any accuracy at Borehamwood [1, 2]. A1.1.1 Communication and Data-Rate The physical separation, between radar in the Borehamwood car park and digital computer in the laboratory, necessitated an interconnecting cable of about 150 m in length. -
EC Songlist Web.Pages
The English Channel Songlist www.englishchannel.us Alan Parsons Project The Beatles- Continued Dave Clark Five Eye in the Sky Ob La Di I Like it Like That Sirius Octopus Garden One After 909 Dave Edmunds The Animals Penny Lane I Hear You Knockin’ Don’t Let Me Be Misunderstood Please Please Me We Gotta Get Outta this Place Polythene Pam David Bowie Revolution Life on Mars? Badfinger Roll Over Beethoven Rebel Rebel No Matter What She Came in Through the Space Oddity Bathroom Window Suffragette City The Beatles She Loves You All I’ve Got to Do Slow Down Deep Purple All My Loving Sun King Hush Back in the USSR Sgt. Pepper’s Lonely Hearts Club Woman From Tokyo Birthday Band (reprise) Can’t Buy Me Love Strawberry Fields Forever Dusty Springfield Day Tripper Tell Me Why I Only Wanna Be With You Devil in Her Heart Taxman Son of a Preacher Man From Me to You The End Wishin' and Hopin' Golden Slumbers The Word You Don't Have to Say You Love Got to Get You Into My Life Thank You Girl Me Here Comes the Sun This Boy I Am the Walrus While My Guitar Gently Weeps Electric Light Orchestra I Call Your Name You Can’t Do That Do Ya I Feel Fine You Never Give Me Your Money Evil Woman I Saw Her Standing There You Really Got a Hold On Me I Wanna Be Your Man Elton John I Want to Hold Your Hand Bee Gees Grey Seal It Won’t Be Long Lonely Days Funeral for a Friend/Love Lies Little Child Bleeding Lucy in the Sky Cilla Black Matchbox You’re My World Emerson Lake & Palmer Mean Mr. -
Timeline of Computer History
Timeline of Computer History By Year By Category Search AI & Robotics (55) Computers (145)(145) Graphics & Games (48) Memory & Storage (61) Networking & The Popular Culture (50) Software & Languages (60) Bell Laboratories scientist 1937 George Stibitz uses relays for a Hewlett-Packard is founded demonstration adder 1939 Hewlett and Packard in their garage workshop “Model K” Adder David Packard and Bill Hewlett found their company in a Alto, California garage. Their first product, the HP 200A A Called the “Model K” Adder because he built it on his Oscillator, rapidly became a popular piece of test equipm “Kitchen” table, this simple demonstration circuit provides for engineers. Walt Disney Pictures ordered eight of the 2 proof of concept for applying Boolean logic to the design of model to test recording equipment and speaker systems computers, resulting in construction of the relay-based Model the 12 specially equipped theatres that showed the movie I Complex Calculator in 1939. That same year in Germany, “Fantasia” in 1940. engineer Konrad Zuse built his Z2 computer, also using telephone company relays. The Complex Number Calculat 1940 Konrad Zuse finishes the Z3 (CNC) is completed Computer 1941 The Zuse Z3 Computer The Z3, an early computer built by German engineer Konrad Zuse working in complete isolation from developments elsewhere, uses 2,300 relays, performs floating point binary arithmetic, and has a 22-bit word length. The Z3 was used for aerodynamic calculations but was destroyed in a bombing raid on Berlin in late 1943. Zuse later supervised a reconstruction of the Z3 in the 1960s, which is currently on Operator at Complex Number Calculator (CNC) display at the Deutsches Museum in Munich. -
TCM Report, Summer
Board of Directors Corporate Donors Contributing Members John William Poduska. Sr. Benefactor-$lO.ooo or more Pathway Design. Inc. Patron-$SOO or more Chairman and CEO AFIPS. Inc." PC Magazine Anonymous. Ray Duncan. Tom Eggers. Belmont Computer. Inc. American Exr.ress Foundation Peat. Marwick. Mitchell & Co. Alan E. Frisbie. Tom and Rosemarie American Te ephone & Telegraph Co." Pell. Rudman. Inc. Hall. Andrew Lavien. Nicholas and Gwen Bell. President Apollo Computer. Inc." Pencept. Inc. Nancy Petti nella. Paul R. Pierce. The Computer Museum Bank of America" Polese-Clancy. Inc. Jonathan Rotenberg. Oliver and Kitty Erich Bloch The Boston Globe" Price Waterhouse Selfridge. J. Michael Storie. Bob National Science Foundation ComputerLand" Project Software & Development. Inc. Whelan. Leo R. Yochim Control Data Corporation" Shawmut Corporation David Donaldson Data General Corporation" Standard Oil Corporation Sponsor-$250 Ropes and Gray Digital Equipment Corporation" Teradyne Hewlett-Packard Warner & Stackpole Isaac Auerbach. G. C . Beldon. Jr .. Sydney Fernbach Philip D. Brooke. Richard J. Clayton. Computer Consultant International Data Group" XRE Corporation International Business Machines. Inc." " Contributed to the Capital Campaign Richard Corben. Howard E. Cox. Jr .. C. Lester Hogan The MITRE Corporation" Lucien and Catherine Dimino. Philip H. Fairchild Camera and Instrument NEC Corporation" Darn. Dan L. Eisner. Bob O. Evans. Corporation Raytheon Company Branko Gerovac. Dr. Roberto Guatelli. Sanders Associates M. Ernest Huber. Lawrence J. Kilgallen. Arthur Humphreys The Travelers Companies Core Members Martin Kirkpatrick. Marian Kowalski. ICL Wang Laboratories. Inc." Raymond Kurzweil. Michael Levitt. Carl Theodore G. Johnson Harlan E. and Lois Anderson Machover. Julius Marcus. Joe W .. Charles and Constance Bachman Matthews. Tron McConnell. -
Alan Turingturing –– Computercomputer Designerdesigner
AlanAlan TuringTuring –– ComputerComputer DesignerDesigner Brian E. Carpenter with input from Robert W. Doran The University of Auckland May 2012 Turing, the theoretician ● Turing is widely regarded as a pure mathematician. After all, he was a B-star Wrangler (in the same year as Maurice Wilkes) ● “It is possible to invent a single machine which can be used to compute any computable sequence. If this machine U is supplied with the tape on the beginning of which is written the string of quintuples separated by semicolons of some computing machine M, then U will compute the same sequence as M.” (1937) ● So how was he able to write Proposals for development in the Mathematics Division of an Automatic Computing Engine (ACE) by the end of 1945? 2 Let’s read that carefully ● “It is possible to inventinvent a single machinemachine which can be used to compute any computable sequence. If this machinemachine U is supplied with the tapetape on the beginning of which is writtenwritten the string of quintuples separated by semicolons of some computing machinemachine M, then U will compute the same sequence as M.” ● The founding statement of computability theory was written in entirely physical terms. 3 What would it take? ● A tape on which you can write, read and erase symbols. ● Poulsen demonstrated magnetic wire recording in 1898. ● A way of storing symbols and performing simple logic. ● Eccles & Jordan patented the multivibrator trigger circuit (flip- flop) in 1919. ● Rossi invented the coincidence circuit (AND gate) in 1930. ● Building U in 1937 would have been only slightly more bizarre than building a differential analyser with Meccano. -
Media Technology and Society
MEDIA TECHNOLOGY AND SOCIETY Media Technology and Society offers a comprehensive account of the history of communications technologies, from the telegraph to the Internet. Winston argues that the development of new media, from the telephone to computers, satellite, camcorders and CD-ROM, is the product of a constant play-off between social necessity and suppression: the unwritten ‘law’ by which new technologies are introduced into society. Winston’s fascinating account challenges the concept of a ‘revolution’ in communications technology by highlighting the long histories of such developments. The fax was introduced in 1847. The idea of television was patented in 1884. Digitalisation was demonstrated in 1938. Even the concept of the ‘web’ dates back to 1945. Winston examines why some prototypes are abandoned, and why many ‘inventions’ are created simultaneously by innovators unaware of each other’s existence, and shows how new industries develop around these inventions, providing media products for a mass audience. Challenging the popular myth of a present-day ‘Information Revolution’, Media Technology and Society is essential reading for anyone interested in the social impact of technological change. Brian Winston is Head of the School of Communication, Design and Media at the University of Westminster. He has been Dean of the College of Communications at the Pennsylvania State University, Chair of Cinema Studies at New York University and Founding Research Director of the Glasgow University Media Group. His books include Claiming the Real (1995). As a television professional, he has worked on World in Action and has an Emmy for documentary script-writing. MEDIA TECHNOLOGY AND SOCIETY A HISTORY: FROM THE TELEGRAPH TO THE INTERNET BrianWinston London and New York First published 1998 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2003. -
Alan Turing's Other Universal Machine
viewpoints VDOI:10.1145/2209249.2209277 Martin Campbell-Kelly Historical Reflections Alan Turing’s Other Universal Machine Reflections on the Turing ACE computer and its influence. LL COMPUTER SCIENTISTS know about the Univer- sal Turing Machine, the theoretical construct the British genius Alan Turing Adescribed in his famous 1936 paper on the Entscheidungsproblem (the halting problem). The Turing Machine is one of the foundation stones of theoreti- cal computer science. Much less well known is the practical stored program computer he proposed after the war in February 1946. The computer was called the ACE—Automatic Comput- ing Engine—a name intended to evoke the spirit of Charles Babbage, the pio- neer of computing machines in the previous century. Almost all post-war electronic com- puters were, and still are, based on the famous EDVAC Report written by John von Neumann in June 1945 on behalf The Pilot ACE, May 1950. Jim Wilkinson (center right) and Donald Davies (right). of the computer group at the Moore School of Electrical Engineering at the roles. Computers were in the air and of one, and over the next few months University of Pennsylvania. Von Neu- universities at Manchester, Cam- he evolved the design of the ACE. His mann was very familiar with Turing’s bridge, and elsewhere established report was formally presented to the 1936 Entscheidungsproblem paper. In electronic computer projects. Out- NPL’s executive committee in Febru- 1937, Turing was a research assistant side the academic sphere, in Lon- ary 1946. at the Institute for Advanced Study at don, the National Physical Laboratory Although the ACE drew heavily on Princeton University, where von Neu- (NPL—Britain’s equivalent of the Na- the EDVAC Report, it had many novel mann was a professor of mathematics. -
"Ersatz As the Day Is Long": Japanese Popular
“ERSATZ AS THE DAY IS LONG”: JAPANESE POPULAR MUSIC, THE STRUGGLE FOR AUTHNETICITY, AND COLD WAR ORIENTALISM Robyn P. Perry A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Jeremy Wallach © 2021 Robyn P. Perry All Rights Reserve iii ABSTRACT Walter Grunden, Advisor During the Allied Occupation of Japan, Supreme Commander for the Allied Powers (SCAP) Douglas MacArthur set forth on a mission to Americanize Japan. One way SCAP decided this could be done was by utilizing forms of media that were already popular in Japan, particularly the radio. The Far East Network (FEN), a network of American military radio and television stations in Japan, Okinawa, Guam, and the Philippines, began to broadcast American country & western music. By the early 1950s, Japanese country & western ensembles would begin to form, which initiated the evolution toward modern J-pop. During the first two decades of the Cold War, performers of various postwar subgenres of early Japanese rock (or J-rock), including country & western, rockabilly, kayōkyoku, eleki, and Group Sounds, would attempt to break into markets in the West. While some of these performers floundered, others were able to walk side-by-side with several Western greats or even become stars in their own right, such as when Kyu Sakamoto produced a number one hit in the United States with his “Sukiyaki” in 1963. The way that these Japanese popular music performers were perceived in the West, primarily in the United States, was rooted in centuries of Orientalist preconceptions about Japanese people, Japanese culture, and Japan that had recently been recalibrated to reflect the ethos of the Cold War. -
Representations of Liverpool Exceptionalism in the Merseybeat Period, 1960-1965
Representations of Liverpool Exceptionalism in the Merseybeat period, 1960-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by David Kmiot June 2019 1 2 Acknowledgements The contributions of people who helped me with this project cannot be understated. I would like to thank Dr Graeme Milne for his unending support over the last five years, not just with the actual writing of the thesis. I would also like to thank Drs Laura Balderstone and Anna Bocking-Welch, my second supervisors, whose insights on oral history and a general understanding of whether what I was writing actually made sense were indispensable. I would like to also thank those who contributed to this thesis in the oral history interviews. Their willingness to talk, share stories, and entertain an inquisitive PhD student was invaluable. Personally, I would like to thank my mother, Nia, for her continued support in my attempts to squeeze just another bit of higher education into my life, my brother Huw for his support through keeping me amused, and Rachel Coombes, for being someone I could rely on when I was having thesis-related panics and being far more confident in my ability than I was myself. Finally, this thesis is dedicated to my late father, Wit, whose own frustrations at having not studied History were represented in bookshelves full of History books at home, and whose frustration I have now hopefully satisfied, in some way. 3 Table of Contents Abstract 5 Introduction 7 Part I 1. Literature Review 12 2. -
1 a Cultural Study of Two-Tone in the Socio
A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s by Susan Conduit A thesis submitted in partial fulfilment for the requirements for the degree of MA (by Research) at the University of Central Lancashire August 2017 1 STUDENT DECLARATION FORM Concurrent registration for two or more academic awards Either *I declare that while registered as a candidate for the research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution or *I declare that while registered for the research degree, I was with the University’s specific permission, a *registered candidate/*enrolled student for the following award: ______________________________________________________________ Material submitted for another award Either *I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work or *I declare that the following material contained in the thesis formed part of a submission for the award of _______________________________________________________________ (state award and awarding body and list the material below): * delete as appropriate Collaboration Where a candidate’s research programme is part of a collaborative project, the thesis must indicate in addition clearly the candidate’s individual contribution and the extent of the collaboration. Please state below: Signature of Candidate _____________________________________________________ Type of Award ______________________________________________________ School _______________________________________________________ 2 ABSTRACT A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s My thesis concerns Two-tone music which emerged in the late 1970s and achieved the peak of its popularity around 1980. -
Jewel Theatre Audience Guide Addendum: Alan Turing Biography
Jewel Theatre Audience Guide Addendum: Alan Turing Biography directed by Kirsten Brandt by Susan Myer Silton, Dramaturg © 2019 ALAN TURING The outline of the following overview of Turing’s life is largely based on his biography on Alchetron.com (https://alchetron.com/Alan-Turing), a “social encyclopedia” developed by Alchetron Technologies. It has been embellished with additional information from sources such as Andrew Hodges’ books, Alan Turing: The Enigma (1983) and Turing (1997) as well as his website, https://www.turing.org.uk. The following books have also provided additional information: Prof: Alan Turing Decoded (2015) by Dermot Turing, who is Alan’s nephew by way of his only sibling, John; The Turing Guide by B. Jack Copeland, Jonathan Bowen, Mark Sprevak, and Robin Wilson (2017); and Alan M. Turing, written by his mother, Sara, shortly after he died. The latter was republished in 2012 as Alan M. Turing – Centenary Edition with an Afterword entitled “My Brother Alan” by John Turing. The essay was added when it was discovered among John’s writings following his death. The republication also includes a new Foreword by Martin Davis, an American mathematician known for his model of post-Turing machines. Extended biographies of Christopher Morcom, Dillwyn Knox, Joan Clarke (the character of Pat Green in the play) and Sara Turing, which are provided as Addendums to this Guide, provide additional information about Alan. Beginnings Alan Mathison Turing was an English computer scientist, mathematician, logician, cryptanalyst, philosopher and theoretical biologist. He was born in a nursing home in Maida Vale, a tony residential district of London, England on June 23, 1912.