Quick viewing(Text Mode)

Artists' BOOKS~BOOKBINDING~PAPERCRAFT~6\CALLIGRAPHY Volume 4, Number 2

Artists' BOOKS~BOOKBINDING~PAPERCRAFT~6\CALLIGRAPHY Volume 4, Number 2

Volume 4, Number 2

ARTIsts' ~BOOKBINDING~PAPERCRAFT~6\ 4, Number 2

2 Make a Pop-Up Box. Carol Barton Front Cova: Left /0 right. lOp to bottum: 3 Bone Alphabet. jacqueline Sva [en Sepa 1"il te Cards by Cn rol 7 Leslie Tardy: Calligrapher Ba r{on (page 2) by Karen Hanmer 8 Through a Window. Lynn Slevinsky (page 25) 10 Japanese Bookbinding. Graeme Dawes Sample (rom pag te5ling the new EF Principal Nib 13 lIIuminating the Future: A Museum Guide. Maryanne Grebenstein by Paul Antonio 16 Books in Black. Ruth E. Edwards (page 53) First Writing byCari 20 Neil McCaffrey: Ink Maker. Nan Deluca Ferra ro (page 40) 22 Treasures. Penny White & Laura Drager 25 Oregon Book Arts Guild Biennial: Journal of Discovery. Alesia Zorn 26 Will OpenType Finally Cure Hot Metal Nostalgia? Jules Siegel 28 Profile: Richard Minsky 31 Calligraphy for the Classroom. Anne Binder 34 Calligraphy Acrostics. Barbara Jones 36 Artistic Uses for Everyday Objects. Elieee Edge 38 Exhibit: A Leap of Faith. Susan Hensel 44 Triangle Card. Michael Jacobs 46 Sticking up for You. Elieee Edge 47 Subscription Form 48 Mini Book Reviews. Rona Chumbook 50 Woven and Interlocking Book Structures by Claire \!;In Vlief & Elizabeth Steiner . Sylvie Gokulsing 52 The Simple Art of Chinese Brush Painting by Qu Lei Lei &BotanicallUustration by Siriol Sherlodc. BOOK REVIEWS. Annie CiGlle 53 A New Pointed Nib: EF Principal Nib. PRODUCT REVIEW. Paul Antonio 54 CiJ lcndar ofE\lents 55 Contributors / Credits ILLUMINATING THE FUTURE: A MUSEUM G'lTIDE BY MARYANNE GREBENSTEIN

There aren't many of dIem, business traveler who might 8"x I0" stlldy photos which can lions, and loIs of olher .interest­ but, they do exjst museums and find or crt'ate the opportunity be purchased on the web. ing "necessities' like CDs of Ihat house a collect ion 10 explore these fantastic Don't forget Ule museum Gregorian chants to help sat isry of medievul and j{maissance resOllrces. Here are a few words shops. They are a wonderful our inner monk. tPh\ . I don't under­ to Lhe wise before embarking sOurce of facs.imiles. reproduc- stand, and it PIIUlS me t£J admit on your journey. it, bur my passion, calligraphy The museums Ii ted below ilnd the ktler:ing

B UND & HTERW 13 OREGON BOOK ARTS GUILD BIENNIAL: JOURNAL OF DISCOVERY BY ALESIA ZORN

Joanne Kiliba. Kllren Hanmer.

The Olegon Book Ans Guild lime an OBAG show Ilit the road. (OBAG) hosts II biennial (c\'CrY and it received a warm welcome al Olhcr year) themed show. The oUlhern Illinois University theme for 2004's show seemed pre­ EdwardsviUe. The show stayed up destined to commemorate the during the month of July and was bicentennial of L~wis & Clark and one of lht featured exhibits during the Corps of Di cover]' expedition lhe conference. One. afternoon the from Missouri 10 OUf 10vel)I home artists who had books on display stale. The show wa entitled and wert' atlending the conference, "Journals of Discovery." mel with eacholher aod interested Artists from around the world parI icipanrs to tal k about 111ei r \~ere repre ('n1ed io the show. work. Some dOCUmeJlt d Lewis & Clark's Now thaI the show is behind us, Kathy Olle North. journey. Others repr' ented fami.!)' we're gearing up for our seventh journer> and still other. their per­ biennial book arts conference.lf sonal journey of di (-Overy. All . you"re inle.rested coming 10 Oregon manner of book structures made and emulating Lewis & Clark (in a an impressive showing - tradition­ much peedier ), you can al. accordion. carousel, sero]l, fiag receive mort' iniormalion about and many more. Books were hand the conference from Laurie Weiss, lellered, leuer pres cd and com­ conference chair; at the contact puter generated. below. The conference will be held The show went up at the end f irom June 18th to the Und at April 2004. in The Collins Gallery Pacific University in F rest Grove, at the Multnomah CouotyCenlral Olt:gon. ee you there! !fl';\ in downlown Portland. Ct1Iu/ogs for the slrOIl' art' $15 pillS ship­ The how \~a we]J received and pillS alld 111\! available from Pally Gross had many visitors in its month 311d lit the COll/ilct ill[o be/all'. a ha.!f on display. The excite me III only grew in Cntillogs 11IId cOII!mnre info: mid- June when the sho\\' came 1928 21st Ave, Suire A Forwt Grove, OR 971/6 dOwn. was packed up and, in a 503-357-7263 backward salute to L&C, was sent E-mailforwltllogs:[email protected] to St. Louis, /"fissouri for 13-11111;1 or cOIl/erellCe illfo: Alice SiI1IpSOn. Confluence. the international cal· (Qrrjrellce@oregonbookartsgui!ll.org ligraphy .:onferencc. It was the first

BOUND & LE.TTERED 25 TRIANGLE CARD BY MICHAEL JACOBS

"T!'iI1iIgle Card" is/rom Michl1RI Jacobs' brand new book Cards ThaI Pop-Up, Flip & Slide, which features 23 templates lI'i/1l instr IIct ions. Michael Jacobs is also IIII' co- of r<~ative Correspondence, which has 20

slep-by-.\tep projectsfor Icuersl ellve/opes, mailers, (Ind more. Article (oment copyright 2004 by lvI/chile/Jacobs. Used willI per­ missioll ofNorth l.ight Book., (/ divisioll ofF& \>\ Publications, file., Cincinl1ati, Ohio. All rights reserved.

1ivo triangle cards showing coven;; mill ef/velopf1> (above) and if/sides with calligl"tlphy slii-kers rlesigl/ed by Calijomia artist Teri lv/arlill (right).

Triangl Card can be elegant and sophisticated, or whim i­ MtUerinls cal and funky. depending Oll ~ Card - basic *I() chd Ihe you choose. OUf ~ Iflside I.int:rs - '[\\"0 pieces of hinged triangle tbps and ~l"iJl papl'f prl'-wl (grain Iflllg) re\'eal lexl and cre-ate. eve.r­ to 3-lt?" x 7" channing patterns as tlle)1 are ~ l;rialJ~h:: Fold-Owrs - 'I\\'t) raised and lowered. This pro­ pieces (Ii decoral i\"t' puper pre­ ject starts with a basic #10 card (ul In J-) 1'2" x.'-l/~" (4":X 8-1/2"). However you can ~ Tri,~Ill{I(' l.incrs - 'h':ll pieces easily change the size of the Ill' decorative llaper pre-cuI to 3­ components to work with an A­ IJ~"x 3-Wl" 2(4-1/4".5-.1/2").AddanOlh­ ~ Lillt$( (01" f!'llnt of card - Pre ClIt riec.c'of For a completely d~ffere,rt er triangle fold-over inside Ihe ~" decl)f,lliw paper x 3-1/2" {grain long) l:jj"ect gille tile triallgle full Rap On a #10 card for even 19 BilSic 'ji)ol Kit .. (tltting mal, O.5mm l fold-overs to tile illside of more surprjses! So many pos­ 111l'l"IJalJicat !Wllei!. metal rukr, knife. bone sibilities, 0 Little lime! fi}Jdcr. glu!' ~ti(k. t\V(~t:Zl'r;;- ('lpl iOlla!). tl,e card poillli"g INWARD.

44 BOUND & LETTERED STICKING UP FOR YOU BY ELIECE EDGE

h r------.----] There is Permanent companies have been riling want them, which is great for i Prod~cts to Try I Double-Slick and Double- smaller versjons~n lably gluiog really small items. The I .'D- (;11/(' Slick - um; Stick #UU2 which has a -"lonoadhesive by 'fombow and first r.vo o( these art" reposition­ .'D- .'';colelI Double-Slick 'litpel cliner, as well as RellloralDk Easy-Stick by Manco. The reftlls able if you let tbe adhesive dry -,~, Smlch Pl'rJWII/l'1I1 !)ollblt'-Slick ! Double-Coaled and arc also availabl in reposition­ before adhering il. '{l(pC ! Renlowlbie 'Poster T:lpe able t}'pes. The$C' are particular­ One of tbt' rou:>t trouble­ I .'D- :\'Imwadhl'siw by 'Iinnbow i #109, This lasl one is par- ly useful when doing layouts, as fraught adhesivl:: jobs, in my i .'D- Easy-Slid l~y Mallcl! j liculad)' good 10 use to you can cut your \\T,itillg inlo opinion, is gluing p3per or cloth i .~ 1:t1sy-Sli(k /);:'/)(11151.'1' by Hewlfl!ix I temporarily hold st.rips, roU on some bils of this to book boards. Polyvinyl i .lD- U11I1' Pms Sailor Rt>lIi"g na//1- Iunmounted (UM) rubber tape, and move lhe sirips auelate (PYA) is pH-neulral, i in- J, I:ig 2-Wll)" MOflO/tlllW Ulillid ! stamps onto acryl ic (IT lind until yOLl get the look dri lear, is ~exible and can be : .'1}. Polvl',;mr{ ACl'/(/tl' (Pt.\) f blocks. Just apply a piece you Ijke best. There are two thinned with water, You can j .,~, Pt'I:fC[:II~IPl''' Al~;'l'5;I'C i or r..,ro of tbe tape to the types of Easy-Stick dispcllsers, brush il 01110 your boards or roll : -,~, :Io-yh( (,eI MedIUm 1 block, and it will hold the The transparent red ooes art' it on with a sponge bra.)'er, and : .'#- [lcarl-Ex rubber image securely for disposY are neater, thaI I like it a your glued hr,uids available for each type. Tblerc is no nt'cd to use a waste lot. It dis- paper 10 This article is too slwrt to try to sheet under each edge. Your fin- p('n:;~s rows remove aIr covcr everything a\·ailabk.l;or gers never get me sy,lransfer- oftililY lillie bubbles and more i,n depth infonn

46 B u, D & LE TERED