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Creative Resources Creative Economyofbrighton Card & Paper 2014
Your local supplier for B art and creative resources creative economyofbrighton Card & Paper 2014 Tissue Circles See page 13 free delivery value buys on new items on all orders a wide range and ranges over £40* of items available 01273 682831 www.economyofbrighton.co.uk Order Form Use this form to put your order together. B Then place your order using the details on creative the back page economyofbrighton Name: Organisation: Address: Post Code: Telephone Product Code Description Qty Price Total Delivery Charge (on orders below £40 (£4.95)) Total Remember we accept Official Purchase Orders All prices are shown exc VAT at the current rate. Free delivery is available to education customers in BN, RH and some PO postcodes, please call to verify if you qualify. All prices are as correct at the times of going to press. Customers are subject to the prices ruling at the time of dispatch. For full terms and conditions please see our website. 2 01273 682831 www.economyofbrighton.co.uk free delivery over £40 1 2 B creative economyofbrighton Sugar Paper 100% recycled 100gsm 1 Black 250 sheets A4 £3.91 Y271 A3 £6.60 Y270 3 A2 £11.25 Y268 A1 £23.00 Y267 2 White 250 sheets A4 £3.91 Y280 A3 £6.60 Y279 A2 £11.25 Y295 A1 £23.00 Y294 3 Bright Mix (Kalideoscope) 10 colours - red, orange, white, lilac, buff, blue, green, grey, pink, yellow. 250 sheets A4 £3.91 Y292 A3 £6.60 Y291 A2 £11.25 Y277 A1 £23.00 Y276 4 5 4 Pastel Mix 10 colours included - yellow, red, purple, orange, lime, emerald, brown, gold, cerise and blue. -
Short Course Provision Materials List
SHORT COURSE PROVISION MATERIALS LIST FOUNDATION DRAWING ------------------------------------------------------------------------------------------------------------------- Please find below a list of recommended materials for the course throughout the year. Any student wishing to discuss materials with their lecturer can wait to purchase these from the Gray’s Art Material Shop at the start of the course. Please note: for the first class students are required to bring the following: A basic roll of lining paper, pencil, charcoal, putty rubber and masking tape. Initial classes thereafter require a sketchbook, cartridge paper, pencils, putty rubber, sharpener & masking tape. Students will then be introduced to some alternative drawing materials. Please review your complete materials list below: Paper ● Roll of lining paper - available from B&Q or use the back of an old roll of wallpaper. ● A2 pad, A1 sheets of good quality cartridge paper (130 mg or heavier) ● Several sheets of Ingres paper or sugar paper A2. Some light (grey, buff, brown) and some high saturation colours (blue, red). ● At least one sheet of watercolour paper 50 x 70cm ● Sketchbook A4 (ring bound). Pencils ● A range of good quality soft pencils, e.g. HB, 2B, 4B. ● Conté pencil or wax pencils (white, sanguine, sepia or black) - these are optional. Drawing Pens ● Fine tip (black or brown) water-soluble (non-permanent/not waterproof) and permanent pen. Charcoal ● Willow charcoal. Assorted pack Crayon ● Conté pack of 4 - white, sanguine, sepia and black. Fixative ● You can purchase ‘fixative’ to fix a drawing (this can be expensive) or use an ordinary hairspray which will work just as well. Brushes ● 1 x medium size watercolour brush. -
2019 Catalog 12-14.Pdf
www.legionpaper.com www.moabpaper.com www.risingmuseumboard.com www.solvart.com © Copyright 2019 Legion Paper Corporation All Rights Reserved. No portion of this publication may be reproduced without the permission of Legion Paper. OUR ROMANCE WITH PAPER Peace treaties are signed on it. Declarations of love are written on it. Artists’ works are portrayed on it. Of course, we mean paper; the medium that has evolved to reflect its own poetry, becoming an opportunity for pure innovation and unlimited creativity. Through the years, a melding of ancient craft and enlightened technology occurred, creating new practices and opening new horizons for expression in paper. When we trace its history, we find insight into man’s relentless imagination and creativity. Today, this convergence of ancient and modern continues and paper emerges with not only greater variety but a renewed appreciation of quality. To some, fine paper is the space that translates what is conceived in the mind to what is authentic. To others, having access to the right paper represents abundant possibility and profitability. The very selection of paper now becomes an adventure, realizing how the end result will vary based upon choice. Today, as in the years past, Legion Paper continues to source the finest papermakers around the globe, respecting the skill of the artisan and the unique attributes of the finished product. As we head into the future, Legion remains steadfast in its commitment to diversity, customer service and an unparalleled level of professionalism. We’re sure you will want to touch and feel some of the 3,500 papers described on the following pages. -
Complementary Approach to Filigree in Ghana by Kabuki
COMPLEMENTARY APPROACH TO FILIGREE IN GHANA BY KABUKI AWO OCANSEY KWAME NKRUMAH UNIVERSITY OF SCIENCE AND TECHNOLOGY, KUMASI JUNE 2016 i COMPLEMENTARY APPROACH TO FILIGREE IN GHANA By KABUKI AWO OCANSEY (BA. Integrated Rural Art and Industry) A THESIS SUBMITTED TO THE DEPARTMENT OF INTERGRATED RURAL ART AND INDUSTRY, KWAME NKRUMAH UNIVERSITY OF SCIENCE AND TECHNOLOGY, IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTER OF PHILOSOPHY IN INTEGRATED ART. Faculty of Arts College of Art and Built Environment © 2016, Department of Integrated Art and Industry. June 2016 ii DECLARATION I hereby declare that this submission is my own work towards the certification of Master of Philosophy in Integrated Art and Industry and that to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the university except where due acknowledgement has been done in the text. KABUKI AWO OCANSEY- PG9274213 …………….. …………….. Student’s Name &ID Signature Date Certified by: DR. KAFUI KWESI AGYEMAN ……………… ..…………. Supervisor’s Name Signature Date Certified by: DR OSEI BOBIE BOAHIN .……………… .…..……… Head of Dept. Name Signature Date iii ABSTRACT Complementary approach to filigree in Ghana was chosen by the researcher as a means to break monotony in the filigree integrative materials such as emerald, ruby and diamonds. These have been in play for too long, and the use of these in Ghana blends Ghana made filigree with others. The researcher in this respect introduces Ghanaian materials as attributes into filigree making in Ghana. This is to serve as a bridge between the Ghanaian and the art and also as another genre of filigree that would be associated with Ghana. -
George Bayntun
QUITE A TRADITIONAL CATALOGUE - FROM AINSWORTH TO WHITMAN ebc e-catalogue 14 2016 George bayntun Manvers Street • Bath • BA1 1JW • UK 01225 466000 • [email protected] www.georgebayntun.com BOUND BY BAYNTUN IN TWO VOLUMES WITH 95 EXTRA PLATES 1. AINSWORTH (William Harrison). The Tower of London. A Historical Romance. Illustrated by George Cruikshank. Frontispiece, 39 plates and 55 vignettes by Cruikshank and extra-illustrated with 95 plates, some inlaid to size and a number captioned in manuscript. One volume bound in two. 8vo. [227 x 143 x 70 mm]. xiv, 276 pp; [1]f, 277-543 pp. Bound c.1920 by George Bayntun (signed with an ink pallet on front endleaves) in half dark green goatskin, lighter green cloth sides, the spines divided into six panels with gilt compartments, lettered in the second and fourth and at the foot, the others with foliate centres and corners and small circles, marbled endleaves, top edges gilt, the others untrimmed. (Spines slightly faded, edges foxed). [ebc4812] London: [printed by Ballantyne, Hanson & Co. for] George Routledge and Sons, [c.1880] £750 The Author's Copyright Edition. Occasional foxing but a good copy in a neat and well preserved pair of bindings (it is always good to see how well our handiwork has done). The 95 extra plates necessitated the additional volume. The plates are a selection of portraits and views, most of them relating directly to the novel and some of them rarer than others. ELIZABETH WHITBREAD'S COPY 2. [ALLESTREE (Richard)]. Private Devotions for Several Occasions, Ordinary and Extraordinary. 12mo. [161 x 93 x 14 mm]. -
Paper Technology Journal
Paper Technology Journal World paper market: Quo vadis newsprint? News from the Divisions: Stock Preparation, Paper Machinery, Finishing and Service. A Scandinavian Success Story. Notable Startups. Orderbook Highlights. China, changing times in 3 the cradle of papermaking. Contents Foreword 1 Corporate News Highlights USA/Germany: Voith Appleton machine clothing. 55 Startups, orders on hand 2 Austria: World paper market The Andritz Group – partnering the Quo vadis newsprint? 5 pulp and paper industry 58 News from the Divisions Germany: Stock preparation: B+G Fördertechnik thirty years on 64 Membrane technology for the further close-up of paper mill water loops 14 Germany: Board and packaging Paper Machinery: pilot paper machine upgrade – Ortviken PM 4 – facing the future with tomorrow’s technology today 22 versatility 69 Paper Machinery: Latest generation of cylinder mould New names, new addresses formers – FloatLip former N, NO, S 28 Hunt & Moscrop: now Voith Sulzer Paper Machinery: Finishing Ltd., Manchester 72 Serang BM3/BM4 – the exemplary commissioning 30 Voith Sulzer Paper Technology: regional representation in Jakarta 72 Gap Former Technology: No. 26 DuoFormer CFD installation a success 37 Special awards for innovation and design Paper Machinery: New applications in multilayer Neusiedler Paper wins innovation technology 38 award with a revolutionary 3-layer headbox and NipcoFlex press 73 Paper Machinery: Brilliant Coating with JetFlow F – SPCI ’96 – impressive presence 73 data, facts, experience 44 Finishing: Advertisement of the year in Brazil 73 Econip – a new generation of deflection compensating rolls 48 China: Service: The changing origins of GR2 cover – next-generation paper – from hand-made performance leader 51 to machine-made 75 Cover picture: Ortviken – successfull start-up (see article on page 22). -
Special Catalogue 21
Special Catalogue 21 Marbling OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Special Catalogue 21 includes 54 items covering the history, traditions, methods, and extraordinary variety of the art of marbling. From its early origins in China and Japan to its migration to Turkey in the 15th century and Europe in the late 16th and early 17th centuries, marbling is the most colorful and fanciful aspect of book design. It is usually created without regard to the content of the book it decorates, but sometimes, as in the glorious work of Nedim Sönmez (items 39-44), it IS the book. I invite you to luxuriate in the wonderful examples and fascinating writings about marbling contained in these pages. As always, please feel free to browse our inventory online at www.oakknoll.com. Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow, making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books. Today, Oak Knoll Books is a thriving company that maintains an inventory of about 25,000 titles. Our main specialties continue to be books about bibliography, book collecting, book design, book illustration, book selling, bookbinding, bookplates, children’s books, Delaware books, fine press books, forgery, graphic arts, libraries, literary criticism, marbling, papermaking, printing history, publishing, typography & type specimens, and writing & calligraphy — plus books about the history of all of these fields. -
Instructions for Authors
INSTRUCTIONS FOR AUTHORS MANUSCRIPT SUBMISSION Manuscript Submission Submission of a manuscript implies: that the work described has not been published before; that it is not under consideration for publication anywhere else; that its publication has been approved by all co-authors, if any, as well as by the responsible authorities – tacitly or explicitly – at the institute where the work has been carried out. The publisher will not be held legally responsible should there be any claims for compensation. Permissions Authors wishing to include figures, tables, or text passages that have already been published elsewhere are required to obtain permission from the copyright owner(s) for both the print and online format and to include evidence that such permission has been granted when submitting their papers. Any material received without such evidence will be assumed to originate from the authors. Online Submission Authors should submit their manuscripts online. Electronic submission substantially reduces the editorial processing and reviewing times and shortens overall publication times. Please follow the hyperlink “Submit online” on the right and upload all of your manuscript files following the instructions given on the screen. If the link is not activated, please mail your submission to [email protected]. TITLE PAGE The title page should include: The name(s) of the author(s) A concise and informative title The affiliation(s) and address(es) of the author(s) The e-mail address, telephone and fax numbers of the corresponding author Abstract Please provide an abstract of 150 to 200 words. The abstract should not contain any undefined abbreviations or unspecified references. -
How to Page a Document in Microsoft Word
1 HOW TO PAGE A DOCUMENT IN MICROSOFT WORD 1– PAGING A WHOLE DOCUMENT FROM 1 TO …Z (Including the first page) 1.1 – Arabic Numbers (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. 1.2 – Other Formats (Romans, letters, etc) (a) Repeat steps (a) to (c) from 1.1 above (b) At the “Header & Footer” Section, click on “Page Number” drop down menu. (C) Choose… “Format Page Numbers” (d) At the top of the box, “Number format”, click the drop down menu and choose your preference (i, ii, iii; OR a, b, c, OR A, B, C,…and etc.) an click OK. (e) You can also set it to start with any of the intermediate numbers if you want at the “Page Numbering”, “Start at” option within that box. 2 – TITLE PAGE WITHOUT A PAGE NUMBER…….. Option A – …And second page being page number 2 (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. -
The History, Printing, and Editing of the Returne from Pernassus
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 1-2009 The History, Printing, and Editing of The Returne from Pernassus Christopher A. Adams College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Recommended Citation Adams, Christopher A., "The History, Printing, and Editing of The Returne from Pernassus" (2009). Undergraduate Honors Theses. Paper 237. https://scholarworks.wm.edu/honorstheses/237 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The History, Printing, and Editing of The Returne from Pernassus A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in English from The College of William and Mary by Christopher A. Adams Accepted for____________________________ (Honors, High Honors, Highest Honors ) _________________________ ___________________________ Paula Blank , Director Monica Potkay , Committee Chair English Department English Department _________________________ ___________________________ Erin Minear George Greenia English Department Modern Language Department Williamsburg, VA December, 2008 1 The History, Printing, and Editing of The Returne from Pernassus 2 Dominus illuminatio mea -ceiling panels of Duke Humfrey’s Library, Oxford 3 Acknowledgments I am deeply indebted to my former adviser, Dr. R. Carter Hailey, for starting me on this pilgrimage with the Parnassus plays. He not only introduced me to the world of Parnassus , but also to the wider world of bibliography. Through his help and guidance I have discovered a fascinating field of research. -
Dewarpnet: Single-Image Document Unwarping with Stacked 3D and 2D Regression Networks
DewarpNet: Single-Image Document Unwarping With Stacked 3D and 2D Regression Networks Sagnik Das∗ Ke Ma∗ Zhixin Shu Dimitris Samaras Roy Shilkrot Stony Brook University fsadas, kemma, zhshu, samaras, [email protected] Abstract Capturing document images with hand-held devices in unstructured environments is a common practice nowadays. However, “casual” photos of documents are usually unsuit- able for automatic information extraction, mainly due to physical distortion of the document paper, as well as var- ious camera positions and illumination conditions. In this work, we propose DewarpNet, a deep-learning approach for document image unwarping from a single image. Our insight is that the 3D geometry of the document not only determines the warping of its texture but also causes the il- lumination effects. Therefore, our novelty resides on the ex- plicit modeling of 3D shape for document paper in an end- to-end pipeline. Also, we contribute the largest and most comprehensive dataset for document image unwarping to date – Doc3D. This dataset features multiple ground-truth annotations, including 3D shape, surface normals, UV map, Figure 1. Document image unwarping. Top row: input images. albedo image, etc. Training with Doc3D, we demonstrate Middle row: predicted 3D coordinate maps. Bottom row: pre- state-of-the-art performance for DewarpNet with extensive dicted unwarped images. Columns from left to right: 1) curled, qualitative and quantitative evaluations. Our network also 2) one-fold, 3) two-fold, 4) multiple-fold with OCR confidence significantly improves OCR performance on captured doc- highlights in Red (low) to Blue (high). ument images, decreasing character error rate by 42% on average. -
XVI, XVII XVIII Century Italian French 59° English Furniture Including Needlepoint and Tapestry Covered Examples Petit Point Ne
XV I X V I I X V I C E N T U RY T A L A N , I I I I FR E N C H 59° E N G L I S H FU R N I T U R E INCL UD ING NEED L EPO INT AND TAPESTRY CO VERED EXAMPL ES ° PETIT POINT NEEDLEWOR K B ROCADES 69 VELVETS AUBUSSON AND OTHER FINE TAPE STR I ES OR I ENTAL RUG S Fin e P orce la in Service s we Sterling Silver Tao/e Wa re ’ ’ Clz in es e Carved f7aaes a na Otlzer D eco rative A ccess ories FROM VA RIOUS PRIVATE COLL ECTIONS ESTATES AND OTHER SOURCES A M E R I C A N A R T A S S O C I A T I O N A N D E R S O N G A L L E R I E S I N C NEW YORK 1 93 1 ED T 2 01 4 - - C r e a t e d : 0 9 3 0 20 0 4 Re v i s i o n s : 1 4 ENCODI NG APB COUNTRY a e wYo r k ( St a t e ) ’ T r ice a ta loga e s A P R IC E D C O PY O F TH I S CA TA LOGU E MA Y B E O BTA I N E D FO R O N E DO LLA R FO R EACH S E S S I O N O F T H E SA LE AMERI CAN ART ASSO C IATION ND ERSO N GAL L ERIES I NC .