Instructions for Authors
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Guide to Formatting and Filing Theses, Dissertations, and DMA Supporting Documents
2018-19 Guide to Formatting and Filing Theses, Dissertations, and DMA Supporting Documents 1 A Message from the Dean of the Graduate Division 2 Table of Contents Pages Chapter I Academic Senate Policy and Student Responsibility for Dissertations, 1 DMA Supporting Documents, and Theses 2 Chapter II Specifications of the Document 2 English Required in Text 2 Font and Font Sizes 2 Minimum Margins 3 Page Numbers and Pagination 3 Double Spacing of Text Required 4 Chapter III Organization of the Document 4 Preliminary Pages 4 Title Page (Required, double-spaced) 5 Signature Page (Required, double-spaced) 5 Copyright Notice (Optional, double-spaced) 5 Dedication and/or Acknowledgements (Optional, single spacing allowed) 5 Vita (Required ONLY for doctoral students, single spacing allowed) 6 Abstract (Required, double-spaced) 7 6 Table of Contents (Optional, single spacing allowed) 6 The Main Body of the Manuscript (Required, double-spaced) 6 Notes (Optional, single spacing allowed) 6 Bibliography (Optional, single spacing allowed) 6 Appendices (Optional, single spacing allowed) 7 Chapter IV Special Handling for Oversize, Illustrative, and Special Materials 7 Handling Oversize Materials 7 Color in Maps and Illustrations 7 Submission of Supplementary Material 7 Music Compositions 8 Chapter V Fair Use, Permissions, Co-authorship, Copyright, and Embargo/Delayed Release 8 Fair Use 8 Copyright Graduate Council Thesis & Dissertation Policies: Co-authorship, Previously Published Material, 8 Copyright, and Acknowledgements 9 Embargo/Delayed Release 10 -
Text for a Professional Look
SUBMITTING PRESS -READY PAGES ® For Paperback Books with Perfect Binding, Plastic Comb, and Plastic Coil Binding Accepted Page Material Free Proof All pages must be furnished pres s- ready, which are • You will receive a FREE proof to review and approve. pages already formatted and typeset, with no addi - Production continues when we receive ALL proofs tional typesetting or alterations needed. Pages are (even those not approved), sig n- off letters, and Copyright © 2009 (Revised 5-17) Morris Publishing ® • All Rights Reserved. ready to print and will print the way they appear on the second payment. No part of this document, in whole or in part, your computer. Printing quality is determined by the • Your proof is NOT the time to proofread pages. Do may be copied, transferred, or reproduced. quality of the pres s- ready material. this before submitting your book to us. The proof represents how the production file will print and Acceptable pres s- ready material includes: ensures that all pages are in the correct order and to Get Started! 1. a digital file converted into a PDF (p. 7) in the your specifications. Do not assume anything. If some - proper format (p. 2). This is the preferred thing isn’t quite right, make a note of it or call us. Formatting Pages ......................2 material. If you need assistance, call us. • If any pages require changes, you must resubmit them; Pages to Include ......................3 2. a hard copy (p. 8) in the proper format (p. 2) we do not make corrections to your pages. Instructions How to Number a Book ...............4 that we can scan. -
Guidelines for Preparing FHWA Publications
GUIDELINES FOR PREPARING ITS JPO REPORTS Format for Research Reports Standard research reports must follow the guidance in this document regarding formatting and font, type size, symbols, margins, page numbering, bullets, columns, and other elements as the preferred style. The report must be consistent throughout in format and style. All reports are to be submitted as a 508-compliant, PDF file. Order of Elements in Reports This section lists the various components of a report in the order in which they should appear. However, please note that it is not necessary to use all elements in all reports. (For example, if a report does not contain references, there would be no need for a reference section in the report.) Covers Front Cover Inside Front Cover (R&D Foreword and Disclaimer Notice) Front Matter Technical Report Documentation Page (Form DOT F 1700.7) Acknowledgements (if any) Metric Conversion Chart Table of Contents List of Figures (including equations) List of Tables List of Abbreviations and Symbols Body of Executive Summary Report Main text separated into chapters Conclusions Recommendations Back Matter Appendices (Use consecutive pagination, do not use A-1, etc.) Glossary References Bibliography Index Back Cover Cover Note: Contractors' names may not appear in the report, except in block 9 of the Technical Report Documentation Page (form DOT F 1700.7). Contractor logos may not appear at all. Paid consultants should not be acknowledged anywhere else in FHWA publications. 5-2017 1 ITS JPO Report Guidelines If an acknowledgement page must be used, it should not contain contractor, author, or company names. -
Cyberlaw Clinic Style Guide
TABLE OF CONTENTS 1. Introduction ............................................................................................... 5 2. General Tips................................................................................................ 6 2.1. Be consistent ....................................................................................... 6 2.2. Use the templates and the Styles feature ........................................... 6 2.3. Consider your audience ...................................................................... 7 2.4. Strive for clarity ................................................................................... 7 2.5. Get right to the point .......................................................................... 7 2.6. Begin by overdrafting .......................................................................... 7 2.7. Always run spell checK – but don’t stop there ................................... 8 3. The Editing and Proofreading Process ...................................................... 9 4. Further Reading......................................................................................... 10 5. Style Rules................................................................................................... 11 5.1. Document-level ................................................................................... 11 5.1.1. Cyberlaw Clinic logo .................................................................... 11 5.1.2. Confidentiality notice ................................................................. -
Paginating a Multi-Sectioned Document: Key Points
Benedda Konvicka 1 Paginating a Multi-Sectioned Document: Key Points If you have ever tried to change the page numbering system or remove an unwanted page number on your cover, you know that MS Word will apparently do everything possible to thwart your efforts. Microsoft Word is not possessed. It may make the uninitiated FEEL like it is possessed, but all you need to know is the secret “uh-handshake.” Before you insert your page numbers, first make this one magic move: You must click in the headers and footer of EACK SEPERATE section of your document looking for the words “Same as Previous.” PHYSICALLY DISCONNECT THIS LINK. Be sure you understand these points: 1. The difference in a page break and a section break 2. How to disconnect headers and footers between sections For this lesson, we are going to make these assumptions: 1. You already have a document with body/back matter 2. You have already created pages for your Cover, for you Table of Contents, for your List of Figures, and for your Executive Summary. 3. You have separated your Cover from your Front Matter by using a Section Break > Next Page. 4. You have separated your three Front Matter pages ONLY with page breaks. 5. And you have separated your Front Matter from your Body/Back Matter by using a Section Break > Next Page. Now, the task that faces you is that you need to achieve these results: 1. You want your Cover to have no page number at all. It is not part of your document. -
The Considerations of Editing Previously Published Works
Portland State University PDXScholar Book Publishing Final Research Paper English 5-2015 The Considerations of Editing Previously Published Works Ariana Marquis Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/eng_bookpubpaper Part of the English Language and Literature Commons, and the Publishing Commons Let us know how access to this document benefits ou.y Recommended Citation Marquis, Ariana, "The Considerations of Editing Previously Published Works" (2015). Book Publishing Final Research Paper. 6. https://pdxscholar.library.pdx.edu/eng_bookpubpaper/6 This Paper is brought to you for free and open access. It has been accepted for inclusion in Book Publishing Final Research Paper by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Ariana Marquis 5/11/15 The Considerations of Editing Previously Published Works Research question: “How, if at all, do editors adjust their methods when they are editing something that has been previously published (e.g. a short story that previously appeared in a literary journal and will now be published as part of a collection of short stories)? What is their justification for these adjustments (or lack thereof)? How does their understanding of these adjustments (or lack thereof) compare to the products of their efforts?” Ariana Marquis 5/11/15 The Considerations of Editing Previously Published Works Many readers don’t realize the extent to whiCh two versions of the same work—earlier and later editions of a book, an essay that appears in two different collections, a mass market edition versus a CritiCal edition for sCholars—can differ from one another. -
Desktop Publishing 45, Anurag Nagar, Behind Press Complex, Indore
B.Com 1st Year (Plain) Subject- Desktop Publishing SYLLABUS Class – B.Com. I Year Subject – Desktop Publishing UNIT – I Importance and Advantages of DTP, DTP Software and Hardware, Commercial DTP Packages, Page Layout programs, Introduction to Word Processing, Commercial DTP Packages, Difference between DTP Software and word Processing. UNIT – II Types of Graphics, Uses of Computer Graphics Introduction to Graphics Programs, Font and Typeface, Types of Fonts, Creation of Fonts (Photographer), Anatomy of Typefaces, Printers, Types of Printers used in DTP, Plotter, Scanner. UNIT – III History and Versions of PageMaker, Creating a New Page, Document Setup Dialog Box, Paper size, Page Orientation, Margins, Different Methods of Placing text and graphics in a document, master Page, Story Editor, Formatting of Text, Indent, Leading, Hyphenation, Spelling Check, Creating Index, Text Wrap, Position (Superscript/Subscript), Control Palette. UNIT – IV History of Multimedia Elements, Text, Images, Sound, Animation and Video, Text, concept of Plain Text and Formatted Text, RTF& HTML Text, Image, Importance of Graphics in Multimedia, Image Capturing Methods, Scanner, Digital Camera, Sound0 Sound and its effect in Multimedia, Analog and Digital sound, Animation, Basics, Principles and use of Animation, video, Basics of Video, Analog and Digital Video. UNIT – V Features Of Multimedia, Overview of Multimedia, Multimedia Software Tools, Multimedia Authoring- Production and Presentation, Graphics File Formats, MIDI-Overviews, Concepts, Structure of MIDI, MIDI Devices, MIDI Messages. 45, Anurag Nagar, Behind Press Complex, Indore (M.P.) Ph.: 4262100, www.rccmindore.com 1 B.Com 1st Year (Plain) Subject- Desktop Publishing UNIT I 1.1 Introduction to Desktop Publishing Desktop Publishing (DTP) is the creation of electronic forms of information documents using page layout skills on a personal computer primarily for print. -
The Swetky Agency Agreement ______
THE SWETKY LITERARY AGENCY LITERARY AGENCY AGREEMENT http://www.swetkyagency.com Faye M. Swetky, Representative/Owner: [email protected] ___________________________________________________________________ AGREEMENT ("Agreement"), dated 10/14/2017, defines the relationship between literary agent, The Swetky Literary Agency, 929 W. Sunset Blvd #21-285, St. George, UT 84770, 719-859-2211 / 435-579-5000 FAX, [email protected] ("Literary Agent"), and author/creator/developer _____________________(“Author”). 1. LITERARY AGENCY REPRESENTS AUTHOR For the term of this agreement, Author hereby retains Literary Agent: (a) To represent Author for the sale of all Author’s works ("Represented Works"), written or to be written by Author and not covered by a prior un-agented sale or prior agency agreement, including: (1) all book-length fiction and/or nonfiction; (2) all full-length feature screenplays and/or full-length or series-length television scripts; and (3) any other writings that Author and Literary Agent may agree upon and specifically stipulate in writing, unless the agency deems the property to be unmarketable in its presented form and so notifies author of that fact via e-mail within thirty (30) days of submission to Agent. Author hereby agrees to make available to Literary Agent all above mentioned works for consideration for representation. (b) To negotiate sales ("Represented Sales") of (1) Represented Works in the U.S., its territories, and Canada ("Domestic Sales"), if applicable, (2) Represented Works in non-domestic markets ("Foreign Sales”), and (3) derivative or secondary rights in the Represented Works (such as film, TV, recording, or other dramatic media) anywhere in the world (“Subsidiary Sales"). -
Literary Agent Michael Larsen
10 Commandments That Guarantee Your Success Handouts for a Keynote/Seminar Michael Larsen Michael Larsen-Elizabeth Pomada Literary Agents Co-director, San Francisco Writers Conference San Francisco Writing for Change Conference Author of How to Write a Book Proposal and How to Get a Literary Agent From which many of the handouts were adapted Coauthor of Guerrilla Marketing for Writers: 100 Weapons for Selling Your Work With Jay Conrad Levinson, Rick Frishman, and David Hancock Michael Larsen Michael Larsen. The commandments are the outline of a keynote and seminar. Michael Larsen-Elizabeth Pomada Literary Agents/ AAR / Helping Writers Launch Careers Since 1972 [email protected] / www.larsenpomada.com / 415-673-0939 /1029 Jones Street / San Francisco, 94109 The 12th San Francisco Writers Conference / A Celebration of Craft, Commerce & Community February 12-16, 2015 / www.sfwriters.org / [email protected] / Mike’s blog: http://sfwriters.info/blog Keynotes: Judith Curr, Yiyun Li @SFWC / www.facebook.com/SanFranciscoWritersConference The 7th San Francisco Writing for Change Conference / Changing the World One Book at a Time September, 12th, 2015 / www.sfwritingforchange.org / [email protected] Mike’s blog: http://sfwriters.info/blog / @SFWC / www.facebook.com/SanFranciscoWritersConference 0 A Golden Age for Writers: 10 Truths You Need to Know About Writing and Publishing To be a successful, you need a positive but realistic perspective about writing and publishing. These ten observations form the basis for “10 Commandments that, with Luck, Guarantee Your Success as a Writer.” 1. Because the Web empowers you to reach readers, control and profit more from your work, collaborate on monetizing and publicizing your work, and change the world faster and more easily than ever, now is the best time ever to be a writer. -
The NWU Literary Agent Agreement” 6/19/08 10:57 PM
Loading “The NWU Literary Agent Agreement” 6/19/08 10:57 PM The NWU Literary Agent Agreement (Confidential: For NWU members only) Understanding the Author-Agent Relationship A Guide to the NWU Preferred Literary Agent Agreement Introduction This guide is an educational tool for authors who are considering entering into a relationship with a literary agent, or who need help in understanding an existing author- agent agreement. It should be read in conjunction with the National Writers Union Preferred Literary Agent Agreement and used to evaluate or improve any agent agreement you may be asked to sign. Both documents are available to National Writers Union (NWU) members. Deciding to retain an agent is a major decision in any author\'s career. An agent will agree to represent your work because she believes she can sell it to a publisher or publishers. The agent is your representative, whom you hire to market your work, to negotiate your publishing contracts, and to oversee your royalty accounts. In exchange for an agent\'s representation, an author agrees to pay the agent a commission; a commission is a percentage of all income earned from those rights that the agent is able to license. Every author\'s work includes a bundle of individual rights that may be exploited: e.g., hardcover print rights; paperback print rights; electronic database rights; interactive software rights; foreign translation rights; television adaptation rights; audio cassette rights, and so forth. In addition, as new forms of media are created, new rights (e.g., CD-ROM rights) emerge and become valuable. Collectively, these individual rights form the copyright to one\'s work. -
Print Books on Demand Formatting Guide
Barnes & Noble® Print Books on Demand Formatting Guide barnesandnoble.com llc, 76 Ninth Avenue, New York, NY 10011 USA. © 2014 barnesandnoble.com llc. All rights reserved. Barnes & Noble®, NOOK®, NOOK Book®, NOOK Press®, PubIt!®, and the NOOK logos are trademarks of barnesandnoble.com llc or its affiliates. Patent Pending. Content shown may vary from actual available content, which may change without notice. All trademarks or registered trademarks that are not the property of barnesandnoble.com llc or its affiliates are the property of their respective owners. TABLE OF CONTENTS Getting Started ....................................................................................................... 6 Book File Requirements ......................................................................................... 7 What is a Print-Ready PDF? ....................................................................................................................................... 7 Pre-Press Manuscript.............................................................................................. 8 Proofread and Spell-Check ......................................................................................................................................... 8 Spacing and Text Placement ....................................................................................................................................... 8 Using Hard Returns .................................................................................................................................................................... -
Creativity and Cognition Conference Publications Format
Creativity and Cognition Conference Publications Format First author’s name Second author’s name Affiliation Affiliation Address Address e-mail address e-mail address Optional phone number Optional phone number ABSTRACT page, use a text area of the same dimensions (18 x 23.5 In this paper we describe the formatting requirements for cm.), again centered. Right margins should be justified, not the Creativity and Cognition Conference Proceedings, and ragged. Beware, especially when using this template on a offer recommendations on writing for the worldwide Macintosh, Word can change these dimensions in readership. Please review this document even if you have unexpected ways. submitted to Creativity and Cognition conferences before, for some format details have changed relative to previous TYPESET TEXT years. These include the formatting of table captions, the Prepare your submissions on a word processor or typesetter. formatting of references, and a requirement to include Please note that page layout may change slightly depending ACM Digital Library indexing information. upon the printer you have specified. For this document, printing to Adobe Acrobat PDF Writer was specified. In Author Keywords the resulting page layout, Figure 1 appears at the top of the Guides, instructions, author’s kit, conference publications. left column on page 2, and Table 1 appears at the top of the right column on page 2. You may need to reposition the ACM Classification Keywords figures if your page layout or PDF-generation software is H5.m. Information interfaces and presentation (e.g., HCI): different. Miscellaneous. Title and Authors INTRODUCTION Your paper’s title, authors and affiliations should run across The records of the conference are published in the the full width of the page in a single column 17.8 cm (7 in.) Proceedings.