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Classesadult • Teens • Children Spring 2013 Visiting Artist Program

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Classesadult • Teens • Children Spring 2013 Visiting Artist Program spring 2013 jan.feb.mar.apr classesadult • teens • children spring 2013 visiting artist program Susan Mackin Dolan. Detail. Nathan Craven. Detail. Anna Embree. Artist-made Book Seaweed and Cesium, handmade paper Installation, ceramic limp vellum and paper binding Susan Mackin Dolan | Edwards, CO 4071 | Special Fibers: Kozo & Gampi Stenciling SPECIAL CLASS | Jan 30 – Feb 6 | See Page 04 for details. In 1985 Dolan helped start the Picante Paper Studio at the Southwest School of Art. She moved to Colorado in 1990 to teach at Colorado Mountain College. Nadia Khan | Houston, TX 2858 | Exploring Color Theory with Silk Dyes SPECIAL CLASS | Feb 2 & 3 | See Page 19 for details. Khan has been a silk painter since the 1980s and continues to study new techniques and explore different styles of painting. Nathan Craven | Roswell, NM 1818 | Extrudermania! SPECIAL CLASS | Feb 23 & 24 and ARTIST TALK | Feb 23, 12:15pm See Page 08 for details. Craven’s ceramic installations are comprised of countless extruded clay elements; his class will focus on creating original die-forms for use with a clay extruder. Nadia Khan & Barbara Kile | Houston, TX 2856 | Painting & Nuno Felting on Silks SPECIAL CLASS | Mar 1 & 3 | See Page 19 for details. Khan (see info above) and Kile, an adjunct profession in fashion at Houston Community College, join forces to teach this three-day fiber workshop. Anna Embree | Tuscaloosa, AL 4248 | Limp Vellum & Paper Bindings SPECIAL CLASS | Mar 9 & 10 | See Page 03 for details. Embree is Associate Professor at the University of Alabama where she teaches bookbinding. She will cover centuries old techniques in binding that are still relevant to today’s book artist. Diane Falkenhagen | Galveston, TX 3851 | Mixed Media Techniques for Jewelers & Metalsmiths SPECIAL CLASS | Mar 23 & 24 and ARTIST TALK | Mar 23, 1:00pm | See Page 24 for details. Falkenhagen, a studio artist with an MFA from the University of Houston, is best known for her fabricated, one- of-a-kind jewelry. She will talk about her techniques for marrying unconventional materials with metal. contents book arts.papermaking 02 ceramics 05 core classes 09, 10, 28 general drawing.painting.printmaking 09 fibers.textiles 17 information jewelry.metals 21 photography 25 administrative office hours other media.other topics 28 Mon – Fri | 8:30am – 5:00pm Closed on major holidays. young artist programs 34 faculty 35 exhibition galleries how to register 38 Mon – Sat | 9:00am – 5:00pm both campuses Sun | 11:00am – 4:00pm Navarro Campus only The Southwest School of Art houses multiple exhibition spaces; the two core ones are: Russell Hill Rogers Gallery classes This major exhibition gallery, located at the Navarro Campus, presents the work of All classes are open to the public. Many classes prominent regional, national and international are structured for beginners and all emphasize artists who expand definitions of art and craft. individualized instruction. Adult classes are open to Ursuline Hall Gallery high school students with the written permission This exhibition site, located on the Ursuline Campus, of the Department Chair and a parent or guardian. features work by emerging and regional artists. Please call the Registration Office if you are unsure For more information, contact the Director of about the suitability of a class for your skill level. Exhibitions at 210.224.1848, ext. 403. ph 210.224.1848 copper kitchen café registration | ext. 317/334 Mon – Fri | 11:30am – 2:00pm fax 210.224.9337 The original dining room for the old Ursuline [email protected] Academy is now the Copper Kitchen, serving a delicious home-style lunch menu at reasonable www.swschool.org prices. The café is also available to cater registration luncheons and dinner parties. For reservations or Mon – Fri | 9:00am – 5:00pm to place to-go orders, call 210.224.0123. Closed Registration for classes should be made as soon on all Federal holidays. as possible; class size is limited and is filled on a first-come, first-served basis. history museum Mon – Sat | 10:00am – 5:00pm and SPRING 2013 Members’ PRIority Sun | 11:00am – 4:00pm RegistratioN Learn the story of the school and its historic • Online | Wed, Dec 5 | 9:00am site, a Texas Historic Landmark on the National • Mail/Fax | Fri, Dec 7 Register of Historic Places. Begun in 1851 to house • Phone | Tues, Dec 11 the Ursuline Convent & Academy, the structures oPEN REGISTRATIoN eventually became the home for our nationally • Online | Wed, Dec 12 | 9:00am recognized community art school. For a guided • Mail/Fax/Phone | Thurs, Dec 13 tour of the buildings for 20 or more people, And ongoing throughout the term arrangements should be made in advance by calling 210.224.1848, ext. 323. accessibility facilities rental Handicapped parking spaces are available on both The beautiful, historic facilities of the Southwest campuses for students with disabilities. The School School of Art provide the perfect setting for continues to modify its historic Ursuline Campus parties, dinners, lectures, private or corporate to increase access for visitors and students with meetings, and weddings. The Gothic chapel disabilities. The Navarro Campus is wheelchair and two landscaped gardens, as well as a large accessible. If you are disabled and wish to board room, are among the spaces available for participate in school activities, please call ahead for rental on the Ursuline Campus, while additional assistance. Please NOTe: The following studios on conference and meeting space is available at the the Ursuline Campus are not wheelchair accessible: Navarro Campus. For more information and date Priest House 2nd Floor and the Block, Blumenthal, availability, please contact the Rentals Manager Bowers, Briscoe, Hendrie, and Kimbro Studios. at 210.224.1848, ext. 311. security A professional security guard is on campus during evening classes and daytime weekend classes. parking NoTICE: A limited amount of free parking is available at Photographers are often on the premises during classes and special events to capture the Ursuline Campus on a first-come, first-served images for the Southwest School of Art’s archives and for basis. Additional parking is available nearby on use in our publicity materials. If you prefer not to have the street, in self-pay lots, and at the Central your photo taken for such purposes, please notify the Library’s parking garage. photographer at that time. 02 book arts.papermaking The Paper and Book Arts Department offers both traditional and explorative classes at all levels in papermaking, bookbinding, decorative paper techniques and letterpress printing. Ages 15 and up may register in book arts and papermaking studio classes book arts with parental All Levels permission. 4110 | Book Structures Beck Whithead Book Structures will introduce the beginning book binder the School by the opportunity to learn some basic book binding techniques while River Press allowing those with binding experience the opportunity to work on School by the River their own projects. Experienced binders may explore personal vision Press is a fine art press and jump-start a new book or complete one that’s been languishing. based at the Southwest Bring your ideas and materials to the first class. Whitehead will give School of Art. Broadsides, binding demonstrations and individually guide students to help solve chapbooks, quartos and structure and content problems. As projects are unique, students will prints with the Press’ need to provide most materials; materials will be discussed in class. imprint are available Some materials will be provided. from the Paper and Book Arts Department or by Mon, Jan 28 – Mar 4 | 6:00 – 9:00pm | Book Arts Studio | Navarro contacting Gemini Ink, Tuition: $200 (Members: $185) | 6 sessions a writers’ non-profit, which often collaborates NEW | All Levels with the Press. Sale of work benefits the Book 4308 | Letterpress Skills Arts Program. School by the River Press can be Eléonore Lee reached at 210.224.1848, Letterpress celebrates the tactile beauty of the printed word, as the ext. 419. letters are pressed deep into the paper and not just printed upon, but embossed into, the page. The instructor will focus on good technique: polymer plates, two-color printing, design of text and image, and troubleshooting. Students may bring ideas for the subject and format of their print work including images or choose from some suggested projects. This course requires preparation outside of class to complete most projects; studio access is available for preparation outside of class. Binding and any other relevant techniques will be taught as necessary. Materials and tools needed for individual projects will be discussed in class. A $100 check deposit for type distribution is required from anyone using type and will be returned at the end of class. No printing or binding experience is required. Class sizes are Tues, Jan 29 – Apr 9 | 6:00 – 9:00pm (No class Tues, Mar 12) limited. To ensure Picante Paper Studio & Book Arts Studio | Navarro enrollment, Tuition: $300 (Members: $285) | 10 sessions please register early. 03 NEW | All Levels 4405 | Introduction to Scherenschnitte Laura Schultz Scherenschnitte, or “scissor cuts” in German, is a traditional form of art in cut paper. Most often cut in black or white paper, it frequently includes symmetry as a primary design element, and can encompass everything from delicate silhouettes and love letters to complex landscapes and scenes from everyday life. In this class, students will design and cut their own patterns in folded paper, producing several works of art while being inspired by historical and contemporary examples of this humble yet extraordinary folk art form. See SSA website for a materials list. Anne Embree. Laced Limp Binding, artist-made book Sat, Feb 2 | 9:30am – 4:30pm | Book Arts Studio | Navarro Tuition: $90 (Members: $75) | 1 session VISITING ARTIST | Special Class | All Levels ANNA EMBREE is Associate Professor at 4248 | Limp Vellum & Paper Bindings the University of Alabama Anna Embree | Tuscaloosa, AL where she teaches bookbinding in the School Laced limp bindings are elegant and durable structures that date of Library and Information to the 15th century.
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