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Volume 28, Number 01 (January 1910) James Francis Cooke

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Volume 28, Number 01 (January 1910) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1910 Volume 28, Number 01 (January 1910) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 28, Number 01 (January 1910)." , (1910). https://digitalcommons.gardner-webb.edu/etude/554 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ew Publications THE ETUDE Musical Kindergarten The Very First Pieces Melodic Studies TO OUR READERS THE EDITOR’S COLUMN for the PIANOFORTE For Equalization of the Hands Mpfhnrf SOME NEW YEAR RESOLUTIONS. KINDLY ADDRESS YOUR MAIL . 1UCUIUU Price C nt5 for the Pianoforte The publisher resolves: To make the PROPERLY. For the Nursery &nd the Gl&ss Room 1 gy ^ sartorio numbers of The Etude for 1910 even better In sending letters to The Etude it is highly A MONTHLY JOURNAL FOR THE MUSICIAN, THE than those for 1909. To the skeptical we important that they should be addressee MUSIC STUDENT, AND ALL MUSIC LOVERS. would say that The Etude has never failed to simply thus: Edited by JAMES FRANCIS COOKE “make good” its promises during the entire Theodore Presser Co., Subscription,.$1.50 per year. Sllncle Copies, 15 Cent*. twenty-seven years of its existence. In fact, Publishers, we are continually receiving letters saying: 1712 Chestnut St., “The Etude seems to grow better all the Philadelphia, Pa. time. How do you do it?” We have resolved If the letter or communication or manu¬ ■ulttnneea should be made by post-office or express script is intended for the editorial department, money orders, bank check or draft, or registered to show you how in 1910 by giving you greater letter. United States postage stumps are always value for your $1.50 subscription than you can simply add to the above “Editorial Depart¬ received for cash. Money sent In letters Is dan¬ gerous, and we are not responsible for Its safe find in any other magazine published any¬ ment.” where. This is in spite of the- fact that during The correspondent should never, under any ITT NUANCE.—If ol"inu«thbe sent "u" last year we gave more music and more circumstances, address mail to individuals of articles from world-famed musicians than have the house. By addressing letters to individuals direction* will be ever been published in any musical magazine a delay of several days often arises. Every HE NEW AI..—\o letter that comes to The Etude office receives The subscriber’s resolution: immediate, courteous treatment. We endeavor We earnestly wish that all of our subscribers to give the same interested attention, through the assistance of “Uncle Sam,” that you would MANUSCRIPTS.— manuscripts Intended for publlca- might make the following resolution: ddressed to THE ETUDE, 1712 We resolve to leave nothing undone to per¬ receive if you paid a personal visit to our suade and induce the “Etudeless” to sub¬ offices. Do not send letters addressed to caching and i scribe regularly for the world’s best musical individuals. _ solicited. Those tl journal. We also resolve to give The Etude ADVERTISING HATES will he sent on application. full credit for the musical educational work it HOW TO MAKE FRIENDS. Forms close on 10th of each month for the suc¬ The famous American painted J. M. Whist¬ ceeding month’s Issue. is - conducting, to call the attention of all of THEODOHE PRESSEK, our musical friends to its many fine features ler, once wrote a very satirical book called 1712 Chestnut St., Philadelphia, Pa. and to tell them how very much of our musical “The Gentle Art of Making Enemies.” We Entered at Philadelphia P. O. as Second-class Matter. success is due to the information, inspiration wish that we might recommend to you some Copyright. 1909. by Theodore Presser Co. and entertainment we have received from The book called “The Gentle Art of Making Friends,” for there is nothing that can help you as a teacher, student or music lover so CONTENTS “THE GROWTH OF ‘THE ETUDE.’ ” much as the knack of making friends. The Two years’ ago we told of the phenomenal best way to make friends is by means of help¬ “THE ETUDE”—January, igio. growth of The Etude. From a very modest ing others. Few people are really downright Editorial . beginning it now has grown to have a family ungrateful. Most people are appreciative. It Italian Biographies . of readers larger than the combined families is in this spirit that the founder of The Etude The Paris Conservatory. .Moritz Mosskowski of all its contemporaries in this country. has always conducted his work. The Etude Children of Unmusical Parents.. .A. C. Keller When you introduce The Etude in a new has helped thousands and thousands of earnest Individuality In Playing, lime. Teresa Carreno home do not get the mistaken notion that you students and teachers. The result is that The Personal Recollections of Verdi, Leandro Campanari are working solely for the publisher and not Etude has thousands of friends, friends we are Pen Pictures of Rossini. for yourself. The larger our subscription re¬ proud to have, friends who have become self- The Future of Italian Opera. .Antonio Scotti ceipts, the more we can spend upon improving constituted missionaries of the splendid mu¬ Beginnings of Oratorio and Opera, the publication. This is a matter of vital im¬ James Francis Cooke sical educational work we have been privileged portance to you. In addition to this you will to comltiefr. have the privilege of taking part in the great¬ We find that nearly every friend brings us oslaw de Zielinski 17 est musical educational movement any country in time from three to five others. Not all are Verdi’s Position In Musical Art, Lutie Baker Gum 18 has ever known. The Etude has positively willing to take a copy of The Etude in hand Facts About Famous Italian Musicians. 18 and directly helped more music students, and go to some music lover or parent who Historical View of Italian Musical Art, teachers and music lovers than any school or may be unacquainted with it and say, “Here is F. S. Law 19 Interpretation In Singing. .David Bispham 20 conservatory in existence. You have helped a musical paper that has helped me so much Plano Transcriptions from Famous Italian make the magazine what it is and-we thank that I want all my friends to know about it Operas.William H. Sherwood 21 you most earnestly. ; and take it regularly,” but thousands never Lessons in Analysis.Thomas Tapper 23 fail to say good words for The Etude when¬ Educational Helps on Etude Music, P. TV. Orem 24 PREMIUMS. ever the opportunity offers. Among these are Italy’s Influence on Other Nations. Let us send to every subscriber interested many of the greatest living teachers and virtu¬ Arthur Elson 50 osos. They know that The Etude has always Musical Genius In Youth.Charles Doran 51 in this subject our premium booklet, as well Teachers’ Round Table.A. J. Corey 52 as our new illustrated premium catalogue. been clean; that it has never unjustly attacked Department for Singers. .Giuseppe Campanari 53 Both these booklets contain only articles of any musician or musical system; that it has Department for Organists. .Francesco Vatielti 56 first-class manufacture, books regularly bound, always tried to build up and that it has always Department for Violinists.Robert Braine 58 nothing made for the usual premium giving, stood for the best and highest in musical art. Department for Children.C. A. Browne 60 and we figure these gifts to our subscribers in They are proud to be our friends, and we are Publishers’ Notes . 62 return for their interest in recommending and proud to have them. If we have helped you World of Music . 64 even in a little way won’t you kindly do us Answers to Questions . 66 securing other subscribers for us, according to Answers to Virtuoso Puzzle. 67 the most liberal plan possible. the friendly act of helping to extend our work Following Up Answers to Advertisements. by inducing some musical friend to become a MAGAZINES. regular member of the ever-increasing Etude family? Please don’t forget. erdi. Every household, if musical at all, needs The Etude, and every household, whether mu¬ MUSIC. sical or not, needs one or more other leading GET ONE NEW SUBSCRIBER FOR US Butterfly Waltz...H. Weil Vesper Chimes.Emil Sochtinij magazines. On another page of this issue will THIS MONTH. At the Fair.Emil Kochiing be found the best clubs of one or more maga¬ If every reader of The Etude would deter¬ Quartet from “Rigoletto" (Four Handsl, zines combined with The Etude. Verdi-Engelmann mine to induce some friend to send us a sub¬ ■ No. 1.M. Moszkowski The Etude this year has published a cata¬ scription this month we could double our Highland Lullaby. .Geo. Burdelt logue of magazine combinations, which will subscription and extend the usefulness of The Valsette. C. Florio be sent to anyone making a request. Let Etude two-fold. We know that you are deeply Two Grenadiers.
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