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C C (Composition from Deux Poemes De Louis Aragon [Dö Paw-Emm Duh Lôô-Ee Ah-Rah-Gaw6] — Two Poems by Louis Aragon — Set T
C C (composition from Deux poemes de Louis Aragon [dö paw-emm duh lôô-ee ah-rah-gaw6] — Two Poems by Louis Aragon — set to music by Francis Poulenc [frah6-seess pôô-lah6k]) C dur C C Dur C TSAY DOOR C (key of C major, German designation) C moll C c Moll C TSAY MAWL C (key of c minor, German designation) Ca the yowes C Ca’ the Yowes C KAH (the) YOHZ C (poem by Robert Burns [RAH-burt BURNZ] set to music by Ralph Vaughan Williams [RALF VAWN WILL-lihummz]) C (In Britain, Ralph may be pronounced RAYF) Caamano C Roberto Caamaño C ro-VEHR-toh kah-MAH-n’yo Caba C Eduardo Caba C ay-dooAR-doh KAH-vah Cabaletta C {kah-bah-LETT-tah} kah-bah-LAYT-tah Caballe C Montserrat Caballé C mawnt-sehr-RAHT kah-vah-l’YAY Caballero C Manuel Fernández Caballero C mah-nooELL fehr-NAHN-dehth kah-vah-l’YAY- ro Cabanilles C Juan Bautista José Cabanilles C hooAHN bahoo-TEESS-tah ho-SAY kah-vah- NEE-l’yayss Cabecon C Antonio de Cabeçon C ahn-TOH-neeo day kah-vay-SAWN C known also as Antonio de Cabezon [kah-vay-THAWN]) Cabello mas sutil C Del cabello más sutil C dell kah-VELL-l’yo MAHSS soo-TEEL C (Of That Softest Hair) C (song by Fernando J. Obradors [fehr-NAHN-doh (J.) o-VRAH-thawrss]) Cabezon C Antonio de Cabezón C ahn-TOH-neeo day kah-vay-THAWN C (known also as Antonio de Cabeçon [ahn-TOH-neeo day kah-vay-SAWN]) Cabrito C Un cabrito C oon kah-VREE-toh C (a medieval song of the Passover sung by the Jews who were expelled from Spain in 1492 and who settled in Morocco) Caccia C La caccia C lah KAH-chah C (The Hunt) C (allegro [ahl-LAY-gro] number in L’autunno [lahoo-TOON-no] -
Volume 28, Number 01 (January 1910) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1910 Volume 28, Number 01 (January 1910) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 28, Number 01 (January 1910)." , (1910). https://digitalcommons.gardner-webb.edu/etude/554 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ew Publications THE ETUDE Musical Kindergarten The Very First Pieces Melodic Studies TO OUR READERS THE EDITOR’S COLUMN for the PIANOFORTE For Equalization of the Hands Mpfhnrf SOME NEW YEAR RESOLUTIONS. KINDLY ADDRESS YOUR MAIL . 1UCUIUU Price C nt5 for the Pianoforte The publisher resolves: To make the PROPERLY. For the Nursery &nd the Gl&ss Room 1 gy ^ sartorio numbers of The Etude for 1910 even better In sending letters to The Etude it is highly A MONTHLY JOURNAL FOR THE MUSICIAN, THE than those for 1909. To the skeptical we important that they should be addressee MUSIC STUDENT, AND ALL MUSIC LOVERS. would say that The Etude has never failed to simply thus: Edited by JAMES FRANCIS COOKE “make good” its promises during the entire Theodore Presser Co., Subscription,.$1.50 per year. -
Rehearsal and Concert
SYMPHONY HALL, BOSTON HUNTINGTON 6-MASSACHUSETTS AVENUES _, , { Ticket Office, 1492 , {^ , ^ Telephones ^^^^ ^^^ ^ j Administration Offices, 3200 \ THIRTIETH SEASON, 1910 AND 1911 MAX FIEDLER, Conductor Programme of % Tenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, DECEMBER 23 AT 2.30 O'CLOCK SATURDAY EVENING, DECEMBER 24 AT 8.00 O'CLOCK COPYRIGHT, 1910, BY C. A. ELLIS PUBLISHED BY C. A.ELLIS, MANAGER 697 OPERA AMERICA AND ABROAD Mr. H. WINFRED GOFF Frau CLARA WALLENTHIN- Miss EDITH DE LYS London Covent Garden STRANDBERG Stockholm London Covent Garden two seasons America Savage Grand Opera Royal Opera and Dresden M'lan Florence Brussels Rome etCt Mrs. CLARA SEXTON- At present singing in Germany Mr. EARL W. MARSHALL CROWLEY Italy Florence Milan Miss LAURA VAN_ KURAN Italy Florence etc. Barcelona Now singing in America Italy Florence Now in America Now in Italy Mrs. ALICE KRAFT BENSOI Mrs. LOUISE HOMER Mr. MYRON W. WHITNEY France Nantes At present with Aborn Grand Opera Co. New Yori Paris London Brussels Now with Lilian Nordica Concert and Opera Boston Chicago Now singing New York Metropolitan Opera Co. Co. Italy Mme. LENA ABARBANELL Miss FANNY B. LOTT Miss BLANCH FOX (VOLPINI) Austria Hungary Germany etc. Italy Palermo Rimini Pisa etc. Italy Venice Milan Vercelli etc Metropolitan Opera Co. New York Now singing in Italy American Grand Opera Cos. New Now singing " Madam Sherry" N. Y. Miss EDITH FROST STEWART York Chicago San Francisco etc. Mr. HENRY GORRELL To create title role in N'ictor Her- Miss MARY CARSON (KIDD) Italy Florence Genoa Torino etc. -
10-11 Ottobre 2017 FIRENZE
GONNELLI CASA D’ASTE FIRENZE GONNELLI CASA D’ASTE 10-11 Ottobre 2017 10-11 Ottobre ASTA 23 ASTA ASTA 23 LIBRI E GRAFICA PARTE II: Libri, Manoscritti & Autografi Via Ricasoli, 6-14/r | 50122 FIRENZE CASA D’ASTE tel +39 055 268279 fax +39 055 2396812 | www.gonnelli.it - [email protected] 10-11 Ottobre 2017 Gonnelli Casa d’Aste è un marchio registrato da Libreria Antiquaria Gonnelli FIRENZE GONNELLI GONNELLI CASA D’ASTE Via Ricasoli, 6-14/r | 50122 FIRENZE tel +39 055 268279 fax +39 055 2396812 www.gonnelli.it - [email protected] LEGENDA Ove non diversamente specificato tutti i testi (2): il numero fra parentesi dopo la descrizione del lotto indica la e le immagini appartengono a Gonnelli Casa quantità fisica dei beni che lo compongono. Ove non indicato si d’Aste, senza alcuna limitazione di tempo e di intende che il lotto è composto da un singolo bene. confini. Pertanto essi non possono essere ripro- dotti in alcun modo senza autorizzazione scritta L’elenco delle citazioni abbreviate utilizzate nelle descrizioni e le di Gonnelli Casa d’Aste. relative bibliografie estese sono consultabili sul nostro sito internet. Alla fine del catalogo sono presenti l’Indice degli Autori, l’Indice degli In copertina particolare del lotto 967 Editori e l’Indice dei Soggetti. Per lo stato di conservazione delle opere si pregano gli acquirenti di prendere direttamente visione delle stesse o richiedere specifiche informazioni alla Gonnelli Casa d’Aste. Le commissioni per i diritti d’asta dovute a Gonnelli Casa d’Aste dall’Aggiudicatario sono pari al 25% del prezzo di aggiudicazione GONNELLI CASA D’ASTE fino a 100.000 € e al 22% sulla cifra eccedente e sono comprensive di diritti di asta e di IVA. -
CATALOGO TEMATICO DELLE OPERE (Tesi
UNIVERSITÀ DEGLI STUDI DI PAVIA Scuola di Paleografia e Filologia Musicale - Cremona Tesi di laurea in Musicologia PIETRO FLORIDIA (1860 - 1932) CATALOGO TEMATICO DELLE OPERE Relatore: Dott. Pietro Zappalà Tesi di Laurea di: Dario Adamo Matr. N. 213653/15 Anno Accademico 1999-2000 1 2 INDICE GENERALE Premessa p. 4 Cap.1: Biografia p. 5 Catalogo p. 23 Criteri (p. 24) Cap.2: La produzione pianistica (p. 26) Cap.3: La produzione sinfonica (p. 77) Cap.4: La produzione operistica (p. 86) Cap.5: Altra produzione vocale (p. 174) Cap.6: Libretti e traduzioni (p. 183) Scritti - Articoli di Floridia sulle rappresentazioni wagneriane p. 188 - Epistolario della famiglia Floridia p. 205 - Reportage di Floridia sui funerali di Giuseppe Verdi p. 218 Documenti - Le opere di Floridia nella pubblicistica del tempo p. 223 - Apparato fotografico p. 228 Bibliografia - Bibliografia e discografia p. 235 - Articoli di giornali coevi p. 241 Cronologia e indici Cronologia della produzione p. 250 Indici Indice dei titoli p. 252 Tabella dei numeri d’opera p. 256 Indice dei nomi p. 258 3 Premessa Il catalogo tematico delle opere di Pietro Floridia (1860 - 1932) è il primo passo per studiare la produzione del dimenticato compositore siciliano. Vissuto tra Italia e Stati Uniti a cavallo tra Otto e Novecento, scrisse per il pianoforte e per l’orchestra (le pagine più importanti la Suite nella forma antica del 1891 per pianoforte e la Sinfonia in re minore del 1888), godendo di una certa notorietà nel periodo in cui lavorò per il teatro ( Maruzza del 1894, La colonia libera del 1899 e Paoletta del 1910). -
THE PROFESSIONAL LIFE and PEDAGOGY of CLEMENT BARONE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degre
THE PROFESSIONAL LIFE AND PEDAGOGY OF CLEMENT BARONE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Emily J. Butterfield, M.M. * * * * * The Ohio State University 2003 Document Committee: Professor Katherine Borst Jones, Adviser Approved by Professor R. J. David Frego Professor Donald Gibson ___________________________ Adviser Professor Christopher Weait School of Music Copyright by Emily J. Butterfield 2003 ABSTRACT Orchestral musician and teacher Clement Barone (1921-), played piccolo in the Detroit Symphony Orchestra and the Houston Symphony Orchestra for over forty years. A native of Philadelphia, Barone plays an open g-sharp system, which he learned from his first teacher, his flutist-father Clemente Barone. Subsequent teachers included Joseph La Monaca, Frank Versaci, Fernando Morrone, and the eminent William Kincaid, who recommended Barone for his first major orchestral position: piccolo and assistant first flute in the Houston Symphony Orchestra. While playing in Houston, Barone secured and refined his piccolo technique performing for conductors Efrem Kurtz, Sir Thomas Beecham, and Leopold Stokowski. In 1959 Barone moved to Detroit to play piccolo in the Detroit Symphony Orchestra under principal conductor Paul Paray. During his thirty-two year career in Detroit, Barone collaborated with fellow flutists Albert Tipton, Irvin Gilman, and later members, Ervin Monroe, Shaul Ben-Meir, and Robert Patrick. In addition to presenting