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Guide to the Firebrand Books Records, 1984-2000 Collection Number: 7670
Guide to the Firebrand Books Records, 1984-2000 Collection Number: 7670 Division of Rare and Manuscript Collections Cornell University Library Contact Information: Compiled Date EAD encoding: Division of Rare and Manuscript by: completed: Peter Martinez, April, Collections Brenda Marston March 15, 2001 2002 2B Carl A. Kroch Library Cornell University Ithaca, NY 14853 (607) 255-3530 Fax: (607) 255-9524 [email protected] http://rmc.library.cornell.edu © 2002 Division of Rare and Manuscript Collections, Cornell University Library DESCRIPTIVE SUMMARY Title: Firebrand Books records, 1984-2000 Collection Number: 7670 Creator: Firebrand Books (Ithaca, N.Y.). Quantity: 58 cubic ft. Forms of Material: Manuscripts, financial records, personnel records, computer files, ephemera. Repository: Division of Rare and Manuscript Collections, Cornell University Library Abstract: Files on published books; rejection letters; invoices; distributors' reports; vendor files; files on conferences and events the publisher attended; file from publisher's service on the Advisory Committee to the Human Sexuality Collection, 1991; mailing list; lists of Firebrand employees and interns; summary of financial donations to Firebrand; Firebrand's web site; and posters that decorated the office. Language: Collection material in English ORGANIZATIONAL HISTORY From 1984 to 2000, Firebrand Books published exceptional literary fiction, nonfiction, and poetry on lesbian and feminist themes. Publisher Nancy Bereano won the Publisher's Service Award at the "Lammy" or Lambda Literary -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
Barbara Grier--Naiad Press Collection
BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library. -
More Nice Jewish Girls: Review of <Em>Beyond the Pale</Em> By
DePauw University Scholarly and Creative Work from DePauw University English Faculty publications English 1-1998 More Nice Jewish Girls: Review of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. Meryl Altman DePauw University, [email protected] Follow this and additional works at: http://scholarship.depauw.edu/eng_facpubs Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Altman, Meryl. "More Nice Jewish Girls." Rev. of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. The Women's Review of Books 15.4 (1998): 7-8. This Book Review is brought to you for free and open access by the English at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in English Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. of Joan Rivers, or Jane Fonda's enlarged breasts. Yet it is ordinarypeople, mostly female, paying cash, who keep cosmetic surgeons busy. As expensive as it is, only More nice Jewish giris 30 percentof patientscome from families by MerylAltman earning under $25,000, and another 35 percent earn between $25,000 and Beyond the Pale, by ElanaDykewomon. Vancouver,BC: Press Gang Publishers,1997, $50,000. 403 pp., $15.95 paper. These statistics supportHaiken's con- The Escape Artist, by JudithKatz. Ithaca,NY: FirebrandBooks, 1997, 283 pp., $12.95 clusion that cosmetic surgeryhas been de- paper. mocratized. What is also apparentis that this 65 percent of barely middle-income O F THE MANY SPIRITS workingtheir cosmetic surgery consumers are credu- wayout in lesbianfiction of thelast lous, receptive to popularmedia messages few decades, let me name two extolling the newest, most painless surgi- whichmay appearto be opposite:on the cal techniquesand vulnerableto the prom- one hand,a pulltoward real-life history, a ises inherent in physical transformation. -
Cherrã E Moraga Papers
http://oac.cdlib.org/findaid/ark:/13030/tf496nb05k No online items Guide to the Cherríe Moraga Papers, 1970-1996 Processed by Special Collections staff; machine-readable finding aid created by Stephan J. Potchatek Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 1998 The Board of Trustees of Stanford University. All rights reserved. Guide to the Cherríe Moraga Special Collections M0905 1 Papers, 1970-1996 Guide to the Cherríe Moraga Papers, 1970-1996 Collection number: M0905 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Stephan J. Potchatek, Scott Boehnen, and Special Collections staff Date Completed: 1998 Mar. 28 Encoded by: Stephan J. Potchatek © 1998 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Cherríe Moraga Papers, Date (inclusive): 1970-1996 Collection number: Special Collections M0905 Creator: Moraga, Cherríe Extent: 44 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions: Series 3 (Journals) is restricted, as are Series 4a (Personal Correspondence) and portions of Series 2 (Manuscripts by Moraga) and Series 6 (Manuscripts by others). In addition, selected items have been restricted and removed to parallel files. Publication Rights: Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. -
Feinberg, Leslie (1949-2014) by Teresa Theophano
Feinberg, Leslie (1949-2014) by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2003, glbtq, inc. Reprinted from http://www.glbtq.com Leslie Feinberg. Courtesy www. Political organizer, grassroots historian, and writer Leslie Feinberg was a pioneer of trangenderwarrior.org. transgender activism and culture. Long a part of the struggle for queer liberation, Feinberg openly identified as transgendered and was outspoken about "hir" experiences living outside of the gender binary. ("Ze" has expressed the need for our language to incorporate alternate pronouns such as "hir" rather than "her" or "his," and "ze" or "sie" as opposed to "he" or "she.") Feinberg was born in Kansas City, Missouri on September 1, 1949, and reared in Buffalo, New York, in a working-class Jewish family. At age 14, ze began supporting hirself by working in the display sign shop of a local department store, and eventually stopped going to hir high school classes, though officially ze received her diploma. It was during this time that ze entered the social life of the Buffalo gay bars. Facing blatant discrimination as a transgender person, ze found it difficult to attain steady work. For most of hir life, ze earned her living through a series of low-wage temporary jobs, including working in a PVC pipe factory and a book bindery, cleaning out ship cargo holds and washing dishes, serving an ASL interpreter, and inputting medical data. Feinberg is perhaps best known as the author of the widely acclaimed novel Stone Butch Blues (Firebrand Books, 1993). In response to the common assumption that the novel is semi-autobiographical, ze insisted that the book is a work of fiction. -
Title Author Publication Year Publisher Format ISBN
Audre Lorde Library Book List Publication Title Author Publisher Format ISBN Year '...And Then I Became Savin-Williams, Ritch Routledge Paperback 9780965699860 Details Gay': Young Men's Stories C ]The Big Gay Book Psy.D., ABPP, John D. 1991 Plume Paperback 0452266211 Details (Plume) Preston ¿Entiendes?: Queer Bergmann, Emilie L; Duke University Readings, Hispanic 1995 Paperback 9780822316152 Details Smith, Paul Julian Press Writings (Series Q) 1st Impressions: A Cassidy James Mystery (Cassidy Kate Calloway 1996 Naiad Pr Paperback 9781562801335 Details James Mysteries) 2nd Time Around (A B- James Earl Hardy 1996 Alyson Books Paperback 9781555833725 Details Boy Blues Novel #2) 35th Anniversary Edition Sarah Aldridge 2009 A&M Books Paperback 0930044002 Details of The Latecomer 1000 Homosexuals: Conspiracy of Silence, or Edmund Bergler 1959 Pagent Books, Inc. Hardcover B0010X4GLA Details Curing and Deglamorizing Homosexuals A Body to Dye For: A Mystery (Stan Kraychik Grant Michaels 1991 St. Martin's Griffin Paperback 9780312058258 Details Mysteries) A Boy I Once Knew: What a Teacher Learned from her Elizabeth Stone 2002 Algonquin Books Hardcover 9781565123151 Details Student A Boy Named Phyllis: A Frank DeCaro 1996 Viking Adult Hardcover 9780670867189 Details Suburban Memoir A Boy's Own Story Edmund White 2000 Vintage Paperback 9780375707407 Details A Captive in Time (Stoner New Victoria Sarah Dreher 1997 Paperback 9780934678223 Details Mctavish Mystery) Publishers Incidents Involving Anna Livia Details Warmth A Comfortable Corner Vincent -
Dissertation Copy to Convert To
ABSTRACT Title of Document: SPEAKING FROM A STRANGE PLACE: REFIGURING CONTEMPORARY BODIES OF JEWISH AMERICAN WOMEN'S ASSIMILATION Amy Karp, Doctor of Philosophy, 2012 Directed By: Associate Professor, Sheila Jelen, English Department Jewish American assimilation in the United States is considered a finished, and successful, project. This narrative of successful assimilation is used as a foundational example of enculturation in the United States in numerous bodies of study, including whiteness studies, cultural studies, and Jewish studies. The usage of Jewish American male experiences as the basis of this narrative creates the notion that Jewish American women achieved assimilation through their male counterparts. Though this metonymic usage of male experience for all Jewish American experience has largely gone uncontested in scholarship, a plethora of Jewish American women's writing has emerged contemporarily in which this metonymic usage of Jewish male experience for the entire story of Jewish American assimilation is being questioned. In these texts, visual and written, ghostly and strange happenings suggest that for some Jewish American women assimilation may be an ongoing project and that new tools of understanding are necessary to understand their stories, so different from the already sedimented male narratives of the Jewish American assimilation story. In this project, memoir (Prozac Nation by Elizabeth Wurtzel), fiction (Empathy by Sarah Schulman), and television drama (The L Word by Ilene Chaiken) created by Jewish American women writers is examined in order to re-imagine narratives of Jewish American assimilation. With the use of theory from a variety of bodies of study as well as Jewish American women's fiction produced before and after World War II, Jewish American assimilation is illuminated as an ongoing project in which some Jewish American women inhabit the identity of strangers. -
This Bridge Called My Back Writings by Radical Women of Color £‘2002 Chenic- L
This Bridge Called My Back writings by radical women of color £‘2002 Chenic- L. Moiaga and Gloria E. Anzaldua. All rights reserved. Expanded and Re vised Third Edition, First Pr nLing 2002 First Edition {'.'1981 Cherrie L. Moraga and Gloria E. Anzaldua Second Edition C 1983 Cherne L. Moraga and Gloria E. Anzaldua All rights reserved under International an d Pan American Copyright Conventions. Published by Third Woman Press. Manufactured in the United Stales o( America. Printed and b ound by M c Na ugh ton & Gunn, Saline, Ml No p art of this book may be reproduced by any me chani cal photographic, or electronic process, or in the form of a phonographic recording nor may it be stored in a retrieval system, transmitted, or otherwise copied, for public or private use, without tne prior written permission of the publisher. Address inquiries to: Third Woman Press. Rights and Permissions, 1329 9th Street, Berkeley, CA 94710 or www.thirdwomanpress.com Cover art: Ana Mendieta, Body Tracks (1974), perfomied bv the artist, blood on white fabric, University of Iowa. Courtesy of the Estate of Ana Mendieta and Galerie Lelong, NYC. Cover design: Robert Barkaloff, Coatli Design, www.coatli.com Library of Congress Cataloging-in-Publication Data This b ridge called my back : writ ines by radical women of color / edi tors, Cherne L. Moraga, Gloria E. AnzaTdua; foreword, Toni Cade Bambara. rev an d expanded 3rd ed. p.cm. (Women of Color Series) Includes bibliographical references. ISBN 0-943219-22-1 (alk. paper) I. Feminism-Literary collections. 2. Women-United States-Literary collections. -
September 2019 in 1989 Vol 29 #3
Old Lesbians Organizing for A quarterly publication Change of OLOC Founded September 2019 in 1989 Vol 29 #3 The 2019 OLOC National Gathering by Alix Dobkin, 1940 The 2019 OLOC National Gathering was Then we saw five minutes of Every Room in the greatest I can remember! And not just the House, a film about Ruthie and Connie Kurtz, because I had such a fine time during my 1936–2018, her co-winner. concert, but mostly because of the entire The workshops provided for a variety of event, not to mention seeing our dear Susan interests and passions and enjoyed good Wiseheart again (yay)! attendance and good receptions. Bringing new dimensions of color and In the ever-popular, always welcoming depth to this normally animated cohort, the Hospitality Room, we were entertained and Puerto Rican contingent pumped up the educated with readings by some of our most animation even further. accomplished and noteworthy OLOC authors, such as Carole Anne. They also offered the workshops “Playwriting” with Terry Baum, Photo by Kristi Hildebrand 1946, and “Writing with All Our Senses” with Elana Dykewomon, 1949. Photo by Mev Miller And from the balcony outside our room, the sight of happy Old Lesbians enjoying each other and their custom-made breakfasts Following my concert on Thursday night, every morning filled me with joy. we were lifted from our seats compliments of Wednesday afternoon, we registered María Cora (center in photo) and Azúcar con arriving attendees in the lobby while the Old Aché’s irresistible Latin/Salsa musica. A wild Lesbians of Color did their work in the ballroom. -
Does a Lesbian Need a Vagina Like a Fish Needs a Bicycle? Or, Wou D the "Rea Lesbian P Ease Stand Up!
O Alison Bechdel, published by Firebrand Books, Ann Arbor, M/. Reprinted with permission. CANADIAN WOMAN STUDIESILES CAHIERS DE LA FEMME Does A Lesbian Need a Vagina Like a Fish Needs a Bicycle? Or, Wou d the "Rea Lesbian P ease Stand Up! AMBER DEAN La question de lhpparence de La also points out how trans-identified thor of the On Our Backs personal lesbienne a dpjh btb chaudement people have the subversive potential ad, but what about to others?What contestbe et par moment a btb utilisbe to put identity categories into a tail- about Stuart, the "butch lesbian in pour qualiJer la (( vraie n lesbienne. spin, but (still, and perhaps stub- a straight man's bodyn-would he L 'auteureassure que la visibilitbd'une bornly) identifying as a dyke myself, qualify as a lesbian in anyone? eyes lesbienne est en relation directe avec ce I am more intrigued by the questions but his own? And who gets to de- qui deynit une (( vraie )) lesbienne et the strip raises about who "qualifies" cide whether one "qualifies" as a qui Aide de deynir qui l'est et qui ne as a lesbian these days and for what lesbian or not, anyway? In this pa- l'est pas. reasons (hence it is these questions, per, I attempt t; think throJgh rather than the equally important some of these questions. About five years ago I stumbled upon and challenging questions about the a comic strip from Alison Bechdel's subversive potential of trans-identi- To Be Visible brilliant Dykes to Watch Out For ties, that became the focus of this series that (like so many of her com- paper). -
Kol Isha Atop the Mechitza: Finding a Women's Voice in Jewish
Kol Isha Atop the Mechitza: Finding a Women's Voice in Jewish Transgender Activism by Jess Levine It is said that those who do not learn history are doomed to repeat it, but this aphorism is rarely presented with the necessary corollary: whose history? In a tradition authored largely by and for men, the creation of Jewish women’s history is a fairly recent phenomenon. From the factual to the mythic, the way that we tell our stories does not just describe who we are, but also prescribes how we should be, and even influences what we want to be.1 Given a history written largely in a Jewish man’s voice, it is dangerously easy to take this authorship for granted, and to reinscribe a hierarchy in which Jewish men’s traditions, Jewish men’s practices, and Jewish men’s narratives are subtly given priority, whether intentional or not. Resisting this tendency must be an active practice, in which explicit attention is given to the task of defying it. In a body of law and legend in which men are the assumed subject and which places a literal ban on kol isha—the singing voice of a woman as heard by a man—challenging gendered hierarchies cannot be accomplished by challenging the concept of gender alone, but rather must include an intentional practice of offering a women’s voice that countervails the default and de facto prioritization of men’s history and practice. This dilemma is in not new—Jewish feminism has confronted it since the conception of the movement.