DOCSLIB.ORG

September 2019 in 1989 Vol 29 #3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
September 2019 in 1989 Vol 29 #3 Old Lesbians Organizing for A quarterly publication Change of OLOC Founded September 2019 in 1989 Vol 29 #3 The 2019 OLOC National Gathering by Alix Dobkin, 1940 The 2019 OLOC National Gathering was Then we saw five minutes of Every Room in the greatest I can remember! And not just the House, a film about Ruthie and Connie Kurtz, because I had such a fine time during my 1936–2018, her co-winner. concert, but mostly because of the entire The workshops provided for a variety of event, not to mention seeing our dear Susan interests and passions and enjoyed good Wiseheart again (yay)! attendance and good receptions. Bringing new dimensions of color and In the ever-popular, always welcoming depth to this normally animated cohort, the Hospitality Room, we were entertained and Puerto Rican contingent pumped up the educated with readings by some of our most animation even further. accomplished and noteworthy OLOC authors, such as Carole Anne. They also offered the workshops “Playwriting” with Terry Baum, Photo by Kristi Hildebrand 1946, and “Writing with All Our Senses” with Elana Dykewomon, 1949. Photo by Mev Miller And from the balcony outside our room, the sight of happy Old Lesbians enjoying each other and their custom-made breakfasts Following my concert on Thursday night, every morning filled me with joy. we were lifted from our seats compliments of Wednesday afternoon, we registered María Cora (center in photo) and Azúcar con arriving attendees in the lobby while the Old Aché’s irresistible Latin/Salsa musica. A wild Lesbians of Color did their work in the ballroom. mob of Lesbians dancing to brilliant live music Wednesday night, from an accomplished ensemble of their peers Carol Anne Douglas, inspires a Lesbian energy exchange that creates 1946, winner of the the highest level of vibration possible on this planet 2017 Del Martin Old at this time. Photo by Retts Scauzillo Lesbian Pride Award, Friday night, Karen Williams wove the presented this Gathering theme, Resist and Persist, into her year's Award to pitch-perfect keynote, and on Saturday night, Ruthie Berman, DJ Jamie furnished us with more high-energy 1934 (on left in music, a great ending to a great Gathering! photo). OLOC is a nonprofit 501(c)(3) tax-exempt organization OLOC Reporter is published by Old Introducing OLOC’s Newest Steering Committee Lesbians Organizing for Change: Member! • www.oloc.org; email: [email protected] María Cora was born in 1953 in Philadelphia, • PO Box 834, Woodstock, NY 12498 Pennsylvania, grew up in Puerto Rico, and has been • 888-706-7506 (toll-free) living in the San Francisco Bay Area since 1981. She This newsletter brought to you by Guest Editor: OLOC Member, 1954. is a Black Puerto Rican vocalist, writer, and feminist Proofreader and Copy-editor: Nancy Krody, social change activist. Her focus has 1939. been the empowerment of women Content Review: Alix Dobkin, 1940, Sally and People of Color. She has served Tatnall, 1937, and Jan Griesinger, 1942. in diverse leadership roles at the Design/Layout: Malinda McCain, 1940. Photo Kristi by Hildebrand All of the writers and photographers. Lesbian Health and Research Center Deadline for the next issue is November 1, at the University of California at San 2019. Limit general contributions to 300 words. Francisco, the Aqua Foundation for Contact us for the style guide (revised November 2018). We may edit articles for Women, and the Office of Women’s clarity and/or length. Send articles to Health of the San Francisco OLOC: [email protected]. Department of Public Health. Memorial announcements: only name, She is a founding dyke of Lesbian birth and death years, and city and state of of Color organizations that include the María Cora at the the Lesbian who died. See the E-News for National life stories. NIA Collective, Mujerío, and Ellas en Gathering Steering Committee Members Acción. It has been her pleasure to be the lead vocalist of women’s ensembles such as Co-Directors: Alix Dobkin, 1940, Woodstock, NY, Orquesta Sabrosita, Azúcar y Crema, and Different [email protected], 845-679-7586 Touch, and for the past 10 years, Azúcar Con Aché. Sally Tatnall, 1937, Lyndhurst, OH, María currently coordinates 13 older adult choirs at [email protected], 440-868-5021 the Community Music Center in San Francisco. As Co-Director Emerita: the newest member of the OLOC Steering Jan Griesinger, 1942, Athens, OH, Committee, she looks forward to bringing attention to [email protected], 740-592-1255 the realities of older Lesbians of Color and helping to Steering Committee Members: strengthen OLOC as a crucial national Lesbian Ruth Debra, 1944, Operations Coordinator, Palm Springs, CA, organization. [email protected], 760-318-6794 Bonnie Wagner, 1942, Woodstock, NY, OLOC works for change by supporting: [email protected], 845-679-7710 or 845-417-1481 • comprehensive immigration reform Alí Marrero-Calderón, 1948, Oakland, CA, • elimination of violence against women and Bayamon, Puerto Rico, alí@oloc.org, • enactment of universal single-payer 510-365-6745 healthcare for all María Cora, 1953, San Lorenzo, CA, • an end to corporate “personhood” marí[email protected], 510-366-8630 • an end to any curtailment of voting rights Who We Are: OLOC is an organization • the Black Lives Matter movement of Old Lesbians. We are dedicated to preserving and enhancing the Lesbian voice • the Say Her Name! movement as well as increasing Lesbian visibility in a • the civil rights of all indigenous people world that stifles it and threatens to erase it. OLOC Membership (as of 10-23-2015): It is with regret that the Steering Committee National OLOC welcomes as members Old Lesbians who have reached their 60th year. has accepted the resignation of Jan Griesinger, 1942, our former long-time OLOC Support: Anyone who wants us Co-Director. There will be more about Jan in to succeed in our work is welcome as a the December issue. supporter. www.oloc.org Toll free 888-706-7506 Page 2 Photo by Mev Miller Photo by Bernice Photographer Miller Best GATHERING ever. .so uplifting and special. .So many great Old dykes. I had a blast and learned so much. LOC [Lesbians of Color] panel was outrageous; I was so moved and impressed. All the entertainment rocked. .different and great. It was hard to get back to the unreal world. Love you all. Let’s keep the energy going. Retts Scauzillo, 1953 Karen Williams gave Friday night’s keynote address. I only wished it had gone on and on. I felt cared for; I truly did. I'll start working on raising money for Puerto Rican Lesbians and encouraging other women in Photos by Kristi Hildebrand Minnesota to join us in Phoenix in 2021. Mary Jean Mulherin, 1951 Photo Mev by Miller Coming back from the 2019 OLOC Gathering let me think about all the beautiful experiences I had in Columbus, Ohio. Meeting all those powerful Old Lesbian women was something else! Sandra Garcia, 1957 Old Lesbians Resist Photo by Kristi Hildebrand and Persist Photo by Kristi Hildebrand Thanks to everyone for making my first Gathering one of the best adventures of my Lesbian life! Laurie, 1941 Boricua (Borikén) was an early name for the Island of Puerto Rico. Every morning I looked down from my second floor room on the dining area to see beautiful women clustered at tables, greeting Photo by Mev Miller one another with plates of breakfast in one hand and their arms around each other with the other. I heard laughter billowing up to my ears inviting me to join them. I made so many friends, besides seeing old friends. I love you all. Janis Sommers, 1951. [Editor: The rest of Janis's report will be in the Sept. E-News.] Get OLOC merchandise here! t-shirts tanks sweatshirts buttons and pins Check out the beautiful shopping webpage at oloc.org/shop/. www.oloc.org Toll free 888-706-7506 Page 3 Hibernation to Old Lesbian Nation and Chapter Coordinator By Mev Miller, 1955 phone calls. I was intro- I’ve waited many years to be old enough to duced to many other attend an OLOC Gathering. When I moved to Lesbians from around the Photo by Kristi Hildebrand Rhode Island in 2002, there wasn’t an easy way country. And the radical to become connected to Lesbian community; conversations and political my Lesbian activism and connection to disagreements that community went into hibernation. involved me in the 1980s When I turned 60, I joined OLOC. At 62, and 1990s were evolving: I realized I knew enough Old Lesbians in How white Lesbians must Rhode Island to initiate an OLOC-Rhode Island work against racism and Chapter. And this year, I finally attended a become allies to Lesbians Mev Miller Gathering. I was concerned that my hunger of Color, Lesbian invisibility for Lesbian space and high expectations and the need for Lesbian-centered spaces, might be disappointing. butch-femme controversies, women born I discovered that what I wanted and needed women and tensions with transwomen, how to was all here—and not at all disappointing. interact with Lesbians with disabilities, open From the second I went to the registration talk about Lesbian sexuality, radical feminist table and put on my name tag, I knew I was responses to patriarchy and hierarchy, and so about to experience exhilaration. I started much more. I was happy. And I loved every breathing Lesbian air and became intoxicated. minute of it! I reconnected with many Lesbians from I carry with me a renewed sense of around the country that I hadn’t seen for nearly connections to Lesbian community among 20+ years.
Load more

Recommended publications
  • For Love and for Justice: Narratives of Lesbian Activism
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional,
    [Show full text]
  • Barbara Grier--Naiad Press Collection
    BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library.
    [Show full text]
  • More Nice Jewish Girls: Review of <Em>Beyond the Pale</Em> By
    DePauw University Scholarly and Creative Work from DePauw University English Faculty publications English 1-1998 More Nice Jewish Girls: Review of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. Meryl Altman DePauw University, [email protected] Follow this and additional works at: http://scholarship.depauw.edu/eng_facpubs Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Altman, Meryl. "More Nice Jewish Girls." Rev. of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. The Women's Review of Books 15.4 (1998): 7-8. This Book Review is brought to you for free and open access by the English at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in English Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. of Joan Rivers, or Jane Fonda's enlarged breasts. Yet it is ordinarypeople, mostly female, paying cash, who keep cosmetic surgeons busy. As expensive as it is, only More nice Jewish giris 30 percentof patientscome from families by MerylAltman earning under $25,000, and another 35 percent earn between $25,000 and Beyond the Pale, by ElanaDykewomon. Vancouver,BC: Press Gang Publishers,1997, $50,000. 403 pp., $15.95 paper. These statistics supportHaiken's con- The Escape Artist, by JudithKatz. Ithaca,NY: FirebrandBooks, 1997, 283 pp., $12.95 clusion that cosmetic surgeryhas been de- paper. mocratized. What is also apparentis that this 65 percent of barely middle-income O F THE MANY SPIRITS workingtheir cosmetic surgery consumers are credu- wayout in lesbianfiction of thelast lous, receptive to popularmedia messages few decades, let me name two extolling the newest, most painless surgi- whichmay appearto be opposite:on the cal techniquesand vulnerableto the prom- one hand,a pulltoward real-life history, a ises inherent in physical transformation.
    [Show full text]
  • Dissertation Copy to Convert To
    ABSTRACT Title of Document: SPEAKING FROM A STRANGE PLACE: REFIGURING CONTEMPORARY BODIES OF JEWISH AMERICAN WOMEN'S ASSIMILATION Amy Karp, Doctor of Philosophy, 2012 Directed By: Associate Professor, Sheila Jelen, English Department Jewish American assimilation in the United States is considered a finished, and successful, project. This narrative of successful assimilation is used as a foundational example of enculturation in the United States in numerous bodies of study, including whiteness studies, cultural studies, and Jewish studies. The usage of Jewish American male experiences as the basis of this narrative creates the notion that Jewish American women achieved assimilation through their male counterparts. Though this metonymic usage of male experience for all Jewish American experience has largely gone uncontested in scholarship, a plethora of Jewish American women's writing has emerged contemporarily in which this metonymic usage of Jewish male experience for the entire story of Jewish American assimilation is being questioned. In these texts, visual and written, ghostly and strange happenings suggest that for some Jewish American women assimilation may be an ongoing project and that new tools of understanding are necessary to understand their stories, so different from the already sedimented male narratives of the Jewish American assimilation story. In this project, memoir (Prozac Nation by Elizabeth Wurtzel), fiction (Empathy by Sarah Schulman), and television drama (The L Word by Ilene Chaiken) created by Jewish American women writers is examined in order to re-imagine narratives of Jewish American assimilation. With the use of theory from a variety of bodies of study as well as Jewish American women's fiction produced before and after World War II, Jewish American assimilation is illuminated as an ongoing project in which some Jewish American women inhabit the identity of strangers.
    [Show full text]
  • Kol Isha Atop the Mechitza: Finding a Women's Voice in Jewish
    Kol Isha Atop the Mechitza: Finding a Women's Voice in Jewish Transgender Activism by Jess Levine It is said that those who do not learn history are doomed to repeat it, but this aphorism is rarely presented with the necessary corollary: whose history? In a tradition authored largely by and for men, the creation of Jewish women’s history is a fairly recent phenomenon. From the factual to the mythic, the way that we tell our stories does not just describe who we are, but also prescribes how we should be, and even influences what we want to be.1 Given a history written largely in a Jewish man’s voice, it is dangerously easy to take this authorship for granted, and to reinscribe a hierarchy in which Jewish men’s traditions, Jewish men’s practices, and Jewish men’s narratives are subtly given priority, whether intentional or not. Resisting this tendency must be an active practice, in which explicit attention is given to the task of defying it. In a body of law and legend in which men are the assumed subject and which places a literal ban on kol isha—the singing voice of a woman as heard by a man—challenging gendered hierarchies cannot be accomplished by challenging the concept of gender alone, but rather must include an intentional practice of offering a women’s voice that countervails the default and de facto prioritization of men’s history and practice. This dilemma is in not new—Jewish feminism has confronted it since the conception of the movement.
    [Show full text]
  • Download the Book List and Author Bios
    Still Here: Lesbian Writers Continuing on from the 70s OLOC Zoom Presentation April 26, 2021 Detailed Author Bios Cheryl Clarke, 1947, is a Black Lesbian feminist poet Kitty Tsui, 1952, was born in the year of the dragon in and the author of five books of poetry, chapbooks, and the city of nine dragons, Kowloon, Hong Kong. The collected work. Living as a Lesbian was reprinted by daughter and granddaughter of immigrants, she is a Sinister Wisdom and Midsummer Night Presses as a long-time activist, working and marching for civil rights, Sapphic Classic in 2015. women's rights, and rights for LGBTQ people. A multi- hyphenate, she loves her rescue dogs as much as her Since 1979, her writing has appeared in numerous work. Her poetry, drawn from personal experience, is journals and anthologies, including Conditions, Sinister also a celebration of Lesbian love in chaotic political Wisdom, Callaloo: A Journal of African American and times. African Arts and Letters, and African American Literary Review, and the anthologies This Bridge Called My Back: She is the subject of Nice Chinese Girls Don’t, an award- Writings By Radical Women of Color, Home Girls: A winning documentary introducing Tsui, a poet-writer- Black Feminist Anthology, and The World In Us: Lesbian activist-artist-bodybuilder. She wrote the and Gay Poetry of the Next Wave. groundbreaking book, Words of a Woman Who Breathes Fire; was a founding member of UnboundFeet, After 41 years, she retired from Rutgers University in and is considered to be one of the foremothers of the 2013. Since then, she has been one of the co-organizers Asian Pacific Islander (API) Lesbian feminist movement.
    [Show full text]
  • September 2013, Membership Statement: Content Review: Alix Dobkin, 1940, and Jan OLOC Is an Organization of Old Lesbians
    OldOld LesbiansLesbians OrganizingOrganizing forfor ChangeChange Founded in 1989 25 Years of Old Lesbians By Alix Dobkin, 1940 When I began to write this cover story Keynoters Dorothy Allison, Cherríe Moraga, about the 25th Anniversary OLOC National and Chrystos moved hearts and challenged Gathering, I remembered the great feedback minds. The Writers’ Night, featuring a Tribute we have been getting about it and thought, to Pat Parker and 10 outstanding writer-activists, why not let the Lesbians who attended write kept the full house riveted all Thursday night— it? I couldn’t say it better than they did. rivaled only by the kick-ass energy of Saturday’s First, for a general rundown we turn to our Bay Area Lesbian Legends/Women’s Liberation own Elana Dykewomon, who wrote this for the Boogie Dance Band. Over 50 workshops, a (SF) Bay TImes: day-long intensive, “More than 300 plenaries on class, Lesbians over 60 Lesbians of Color, came together to inter-generational plot the end of communication/ patriarchy in community, and joyful and cranky OLOC’s founding (how not?) rounded out a very full weekend. reunions. Writers Canyon Sam, Elana Dykewomon, Dorothy Allison, Jewelle Gomez, Cherríe Moraga. Photo by Diane Sabin. And, just a few comments from the attendees: “What a treat that was. It was like a dream. .” “There were so many highlights and intense, thoughtful offerings over the five days. Many, many women have told me how absorbing and inspiring it was, and how much they learned.” “(M)y very deep appreciation for the very enjoyable and politically inspiring OLOC Gathering, we had the best time and are still feeling the aftermath of all the discussions, the speakers, the dance, the readings, the workshops, the hospitality room, the Lesbian energy and the undeniably inspiring companionship of Old Lesbians.” “I had a wonderfully positive and affirming time at OLOC .
    [Show full text]
  • The Whole Naked Truth of Our Lives: Lesbian-Feminist Print Culture from 1969 Through 1989
    ABSTRACT Title of Document: THE WHOLE NAKED TRUTH OF OUR LIVES: LESBIAN-FEMINIST PRINT CULTURE FROM 1969 THROUGH 1989 Julie R. Enszer, Doctor of Philosophy, 2013 Directed By: Professor Deborah S. Rosenfelt, Women’s Studies, & Professor Martha Nell Smith, English During the 1970s and the 1980s, lesbian-feminists created a vibrant lesbian print culture, participating in the creation, production, and distribution of books, chapbooks, journals, newspapers, and other printed materials. This extraordinary output of creative material provides a rich archive for new insights about the Women’s Liberation Movement (WLM), gay liberation (the LGBT movement), and recent U.S. social history. In The Whole Naked Truth of Our Lives, I construct and analyze historical narratives of lesbian-feminist publishers in the United States between 1969 and 1989. Interdisciplinary in its conception, design, and execution, The Whole Naked Truth of Our Lives is the only sustained examination of lesbian print culture during the 1970s and 1980s; it extends the work of Simone Murray on feminist print culture in the United Kingdom as well as the work of literary scholars Kim Whitehead, Kate Adams, Trysh Travis, Bonnie Zimmerman, and Martha Vicinus, and historians Martin Meeker, Marcia Gallo, Rodger Streitmatter, Abe Peck, John McMillian, and Peter Richardson. From archival material, including correspondence, publishing ephemera such as flyers and catalogues, and meeting notes, oral history interviews, and published books, I assemble a history of lesbian-feminist publishing that challenges fundamental ideas about the WLM, gay liberation, and U.S. social history as well as remapping the contours of current historical and literary narratives. In the excitement of the WLM, multiple feminist practices expressed exuberant possibilities for a feminist revolution.
    [Show full text]
  • Report Dear Friend
    2015 annual report Dear Friend, 2015 begged the question: What do we do the stamina and with the violent contradictions we face as a urgent needs community? of our people, everywhere. This year, while many of us were celebrating our hard-earned victories, Astraea continued to connect activists many others were mourning the egregious and technologists around the globe. We loss of life and criminalization of the worked with local activists to design same bodies we will forever occupy. How communications, technology, community can our loves be affirmed but our lives building, and self-care imperatives at our not be? Around the world, we scored CommsLabs Kenya, while we furthered major victories in the fights for same-sex our instutional and political commitment marriage and adoption, and we were torn to an open society with equal access to apart by the brutal loss of too many queer, information, freedom of speech, freedom gender nonconforming and people of color to gather, free from surveillance, with equal across the world. How too, do we honor access to information for all. the joy and courage this time has spurred? Activists and artists have risen up against Our ongoing philanthropic partnerships injustice, taken to the mics and streets, with the Funding Queerly Giving Circle, the demanding accountability and change. Global Philanthropy Project and the LGBTQ So when we reference the Movement for Racial Justice Fund mobilized critical new Black Lives, Southerners On New Ground resources for LGBTQI movements in the or the Queer African Youth Network, we U.S. and across the globe. We continued aren’t just naming groups to whom we’ve to support nascent movements, launching made grants, we are acknowledging the the world’s first Intersex Human Rights strategic thought leadership most needed Fund with support from the Arcus in our movements at this time.
    [Show full text]
  • A Queer and Trans Fat Activist Timeline Zine
    A Queer and Trans Fat Activist Timeline Charlotte Cooper 1 A Queer and Trans Fat Activist Timeline In 2010 I proposed and facilitated people. And it's about me and the a workshop at the NOLOSE things I do. gathering in Oakland, California, where a timeline was collectively Many thanks to: all the workshop produced. This zine is a product participants, Bildwechsel, Deb of that workshop, although I hope Burgard, ESRC Fat Studies and that it has a life far beyond that Health At Every Size Seminar particular time and place. participants, Kay Hyatt, Simon Murphy, NOLOSE, Rebel Bellies, This is a zine about a movement, Bill Savage, Villa Magdalena K, ideas, experiences, a workshop, Cookie Woolner, Alexis Yalon, a conference, zines, histories, people who encouraged me, and places, collective memory, queer trans fat activists community, critical reflection, everywhere, past present and cultural imperialism, dialogue, future. texts, feminism, archives, many things, and stuff I haven't Charlotte Cooper considered too. It's also about fat April 2011 people, queer people, and trans Hamburg and East London 2 What's in this zine? 1. An explanation. 2. A zine version of a timeline that was made at a workshop. The original timeline was drawn by many people in coloured pens on a roll of wallpaper, it is very long when unfurled, and looks like this: 3 Who made this zine? My name is Charlotte Cooper, I the genre, and a few that aren't, live in London, in the UK, and am such as my gang, The British though don't feel much Chubsters.
    [Show full text]
  • Lesbians and Work $6 US Publisher: Sinister Wisdom, Inc
    Wisdom Sinister 67 sinister wisdom 67 Summer 2006 Lesbians and Work $6 US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 67 Summer 2006 Submission Guidelines Editor: Fran Day Submissions and correspondence for SW #69/70 and #72 should be sent to Layout and Design: Kim P. Fusch [email protected] or mailed to SW c/o Fran Day, POB 1180, Sebastopol, CA Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, 95473-1180. See page 4 for details. Also see page 4 for information about SW Susan Levinkind, Fran Day, Shaba Barnes. #71. Please read the submission guidelines below before sending material. Everything else should be sent to Sinister Wisdom, POB 3252, Berke- Coordinator: Susan Levinkind ley, CA 94703. Check our website at www.sinisterwisdom.org. Proofreaders: Fran Day and Sandy Tate Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #66: Linda Bacci, Fran Day, Roxanna Fiamma,Casey Submissions may be in any style or form, or combination of forms. Fisher, Sheridan Gold, Dianna Grayer, jody jewdyke, Susan Levinkind, Maximum submission: five poems, two short stories or essays, or one Barbara Link, Moire Martin, Kim Rivers, Stacee Shade, and Sandy Tate. longer piece of up to 2,500 words. We prefer that you send your work by Special Thanks to: Roxanna Fiamma, Alix Greenwood and Rose email in Word. If sent by mail, submissions must be mailed flat (not folded) Provenzano. with your name and address on each page. We prefer you type your work Front Cover Art: “Woman Welder” San Francisco, 1976 by Cathy Cade.
    [Show full text]
  • Conference Booklet
    3rd NATIONAL CONFERENCE CONVERSATIONS BUILD COMMUNITIES August 15-18, 2013 Oakland Marriott City Center 1001 Broadway | Oakland, CA www.BUTCHvoices.com #BV13 WELCOME TO BUTCH VOICES We are very excited that you are here to take part in what promises to be an amazing event. This weekend is going to be stimulating, educational, and life changing for so many of us. BUTCH Voices seeks to bring together our diverse communities, build bridges, make connections, and use our collective voices to gain better understanding of each other while promoting positive visibility for the identities that fall within our larger communities. Bringing this event to a reality has been identities and backgrounds to share in no small feat -- we are a volunteer-run this event with us. It is not a requirement conference and board with full-time jobs to identify as butch, stud, aggressive, and busy lives. We only meet virtually or tomboi, MoC, or any other variation on via conference call. We are from all over these identities to participate, present, or the US, some with years of participating attend. We do ask that people respect in our communities, and others just that this space is invested in creating coming into the mix. We have various dialogues that are focused on the issues identities, races, ethnicities, ages, surrounding the various identities in which classes, and pronouns of choice. While the spirit of this conference and we all share commonalities within our organization is intended, and to be identities, we are also quite different -- respectful of the different ways this is that has been integral to shaping this presented and communicated.
    [Show full text]