CHAPTER 1 INTRODUCTION 1.1. Background of Study People Cannot
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Surviving K-Pop Training by Gary Boyle
Bangkok Post Learning: Test Yourself Test Yourself is where you can improve your reading skills. Whether it’s for tests like University Entrance Exams or IELTS and TOEFL, or even just for fun, these stories help you to read, understand and improve your English. Surviving K-pop training by Gary Boyle Photo by Varuth Hirunyatheb Read the following story by Suwitcha Chaiyong from the Bangkok Post. Then, answer the questions that follow. Kongthap Peak is the only Thai on the Korean show Produce X 101 Idol groups from South Korea like BTS, EXO, Blackpink and Twice seem to come with the whole package -- the talent, the looks and the personality. But before reaching stardom, every one of them went through intense trainings for years. FIGHT FOR SUCCESS Produce X 101 is a popular reality TV programme in South Korea. The show allows viewers to explore how trainees fight their way to become K-pop successes. To qualify as the show's 11 finalists, 101 trainees from several music labels were required to team up to perform as a group, but as individuals they still had to stand out in order to gain votes from Korean viewers. During the show, all trainees were guided by professional singing and dancing coaches who helped enhance their skills. Since 2016, Produce X 101 created four famous temporary pop groups: I.O.I, Wanna One, IZ*ONE and X1. Kongthap Peak, an aspiring actor from Channel 3 and singer from Chandelier Music, was the only Thai trainee who had participated in Produce X 101's latest season, which ended in July. -
B a B Iii Pemaknaan Maskulinitas Dalam
B A B III PEMAKNAAN MASKULINITAS DALAM TAYANGAN WANNA ONE GO IN JEJU Wanna One Go in Jeju merupakan suatu tayangan realitas yang menggambarkan kehidupan Wanna One sebagai seorang artis yang akan mengiklankan produk kecantikan dari brand Innisfree. Tayangan tersebut disiarkan melalui media massa berbasis online, sehingga masyarakat luar Korea pun juga bisa mengakses video tersebut dengan mudah. Media massa berperan sebagai alat penyampaian pesan kepada masyarakat yang mampu membentuk pemaknaan masyarakat. Oleh sebab itu, dalam suatu tayangan biasanya menyimpan suatu makna yang ingin disampaikan kepada masyarakat dan nantinya mampu menjadi suatu hegemoni. Begitu pula dengan Wanna One Go in Jeju yang tentunya juga memiliki pesan yang ingin disampaikan kepada masyarakat. Selain untuk mengiklankan produk Innisfree, tayangan ini juga memberikan pesan tentang maskulinitas laki-laki yang digambarkan oleh member Wanna One. Bab ini mencoba menjelaskan maskulinitas dalam tayangan Wanna One Go in Jeju dengan menggunakan analisis semiotika John Fiske, yaitu melalui level realitas, representasi, dan ideologi. Pada level realitas, teks akan dianalisis seperti penampilan (appearance), kostum (dress), lingkungan, tingkah laku (behavior), cara berbicara (speech), gesture, ekspresi, dan juga suara (Fiske, 1987:4). Setiap scene yang sesuai dengan kategori di atas. Level representasi menganilis hal-hal teknis seperti kamera, pencahayaan, editing, musik, dan suara (Fiske, 1987:4). Terakhir adalah level ideologi yang mencakup hal-hal yang diorganisasikan ke dalam koherensi dan penerimaan sosial oleh kode-kode ideologis seperti individualisme, patriarki, ras, kelas, materialisme, kapitalisme, dan lain-lain. (Fiske, 1987:3). Level ideologi didapatkan melalui hasil analisis pada level realitas dan representasi. Tayangan ini terdiri atas tiga episode dan beberapa scene diantaranya telah dipilih sesuai dengan fokus penelitian. -
180510 PAAF Line-Upv8
Rotunda May 19, 2017 11am - Pan Asian Arts Festival 8pm 10:00am Performers and staffs check-in Information booth open. • Performers are required to check-in at least 30 minutes before their performance time. SEGMENT I Teenage Stage (from 11:00am – 2:00pm) K- POP Dance 11:00 Teenager - Got7 covered by DKPD (Dragons's K-Pop Dance) 11:05 BTS – Mic Drop (HY-ZD) 11:10 Lalala/The Boots(Spade) 11:15 Radio (2U) 11:20 Urban Dance Mix (AKA Crew) 11:25 Catch Me - Up10tion covered by DKPD (Dragons's K-Pop Dance) 11:30 Wanna One – Boomerang (Minnesota Kpop Boy Team) Modern Dance 11:35 Fantastic Toes (La Viva) 11:40 The amethyst (Your Amethyst) 11:45 Wipa and PangDao (2On) 11:50 Zephonix Zephonix is an urban dance crew consisting of seven members. They are a group that strives for improvement from experience and hope to inspire those around them. 11:55 Can’t Stop the FeelinG (AMA Performance Team) Vocal 12:00 Liam Rua Kuv (Hope VanG & Kelper) 12:05 Ua Ntuj TsauG (Robert Thao) 12:10 ntuj es ntuj es Maa I’ve version (Kaylie moua) K – POP Dance 12:15 Red Velvet Mix (Minnesota Kpop Girl Team) 12:20 Minx-Boss+Minx-Bad Girls (Elysian) 12:25 No Time (Andover High School) 12:30 Pentagon – Shine (Minnesota Kpop Boy Team) 12:35 Be Natural (Elysian) 12:40 WannaOne Tribute (Teenfinite- HS) Vocal 12:45 Nơi Tình Yêu Bắt Đầu - Bùi Anh Tuấn (Mariya Ya) 12:50 Ennodu Nee Irundhal (IraguGal/Arjun Venkatakrishman & Archana) 12:55 SinGinG (Summer Moua) 13:00 Prouy Chea Muy Chan (Mariya Ya) K-POP Dance 13:05 K-POP DANCE MEDLEY K-INFIRES is a dance group based off of Park Center Senior High's K-POP CLUB. -
Master's Thesis Template
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE AN ANALYTICAL STUDY AND PERFORMANCE PRACTICE GUIDE FOR PERCUSSION WORKS OPUS 35 AND OPUS 37 BY NEBOJŠA JOVAN ŽIVKOVIĆ A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By STUART EVAN LANGSAM Norman, Oklahoma 2021 AN ANALYTICAL STUDY AND PERFORMANCE PRACTICE GUIDE FOR PERCUSSION WORKS OPUS 35 AND OPUS 37 BY NEBOJŠA JOVAN ŽIVKOVIĆ A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY BY THE COMMITTEE CONSISTING OF Dr. Irv Wagner, Chair Dr. Andrew Richardson Dr. Karl Sievers Dr. Sanna Pederson Dr. W. Jackson Rushing III © Copyright by STUART EVAN LANGSAM 2021 All Rights Reserved. DEDICATION I would like to dedicate this document to my amazing wife Jennifer, for her constant love and support, and my two children, Ava and Mauricio, whose smiles and happiness fill my heart with joy every single day. iv ACKNOWLEDGMENTS I would like to acknowledge all the percussion teachers, drum instructors, professors, colleagues, friends, and family who have helped me grow and learn in my study of music. I especially would like to acknowledge my committee members Dr. Irv Wagner, Dr. Karl Sievers, Dr. Sanna Pederson, Dr. W. Jackson Rushing III, and Dr. Andrew Richardson for their time and assistance, as well as Dr. Lance Drege, for his encouragement and mentorship. I would like to acknowledge and thank Nebojša Živković for his correspondence with me throughout the writing of this document. Additionally, I would like to thank Micheal Barnes for his help and suggestions, and Raj Samaroo for starting me on this path. -
Factors Influencing Viewing Behavior in Live Streaming
Multimodal Technologies and Interaction Article Factors Influencing Viewing Behavior in Live Streaming: An Interview-Based Survey of Music Fans Minjeong Ham and Sang Woo Lee * Graduate School of Information, Yonsei University, 50 Yonsei-ro, Seodaemun-gu, Seoul 03722, Korea; [email protected] * Correspondence: [email protected] Received: 2 July 2020; Accepted: 11 August 2020; Published: 13 August 2020 Abstract: V Live is a live-streaming service made by South Korean IT company in August 2015. The service provides diverse video contents specific to entertainment content. Most of V Live users are K-pop fans, and they actively express emotions on V Live content by writing comments, pressing “hearts”, and sharing video content. Based on Uses and Gratifications theory, this study investigated why people use live streaming service, and the factors influencing users’ viewing behavior in live streaming. We conducted an in-depth interview with V Live users. Based on the results of the interview, an online survey was conducted. As a result, six factors—“Interpersonal relationship motivation”, “Social presence motivation”, “Celebrity support motivation”, “Celebrity presence motivation”, “Social interaction motivation”, and “Differentiation motivation”—were derived as motivations to use V Live. While “Social presence motivation” and “Differentiation motivation” among V Live use motivations that have been shown to mediate the relationship between fans’ fanship and V Live viewing time, all motivations using V Live have been shown to mediate the relationship between fans’ fanship and V Live viewing participation. Keywords: fanship; V Live; live streaming service; participation 1. Introduction The K-pop boy band BTS held a concert at Wembley Stadium in London, the UK, in June 2019, which was broadcast live on Naver’s live streaming service (LS), V Live. -
Magisterarbeit / Master's Thesis
MAGISTERARBEIT / MASTER’S THESIS Titel der Magisterarbeit / Title of the Master‘s Thesis „Sexy Concepts in K-POP – Eine Studie zur Wahrnehmung von Geschlechterrollen in k-pop am Beispiel von Boy Group und Girl Group Performances“ verfasst von / submitted by Jasmin Kolar, Bakk phil. angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil.) Wien, 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066/841 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Magisterstudium Publizistik- und degree programme as it appears on Kommunikationswissenschaft the student record sheet: Betreut von / Supervisor: Assoc.-Prof. Mag. Dr. Gerit Götzenbrucker Sexy Concepts in K-POP Page 2 Sexy Concepts in K-POP EIDESSTATTLICHE ERKLÄRUNG Ich erkläre hiermit an Eides statt, dass ich die vorliegende Arbeit selbstständig verfasst, andere als die angegebenen Quellen/Hilfsmittel nicht benutzt, und die den benutzten Quellen wörtlich und inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, 6. November 2018 Jasmin Kolar STATUTORY DECLARATION I declare that I have authored this thesis independently, that I have not used other than the declared sources / resources, and that I have explicitly marked all material which has been quoted either literally or by content from the used sources. The work has not been submitted in the same or similar form to any other examination authority and has not yet been published. Vienna, November 6, 2018 Jasmin Kolar Page 3 Sexy Concepts in K-POP Page 4 Sexy Concepts in K-POP Table of contents 1. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
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JTBC the most loved and trusted network by Koreans everywhere is now celebrating its 7th anniversary After growing in leaps and bounds over the past seven years, JTBC is again undertaking a ‘challenge’ Coloring your World, JTBC 3 JTBC had been working tirelessly over the past 7 years to provide differentiated contents in the changing global media industry. ‘Newsroom’ has become one of the nation’s most popular programs, attracting the largest audience in Korean history, providing coverage of landmark events, such as the Inter-Korean Summit. Starting with the drama ‘Rain or Shine’ JTBC has continued to expand its lineup with the addition of a Monday-Tuesday drama slot, increasing its depth and diversity. Also by producing hit dramas like ‘SKY Castle’ ‘Misty’ ‘Something in the Rain’ and ‘The Beauty Inside’, JTBC received rave reviews in the aspects of both quality and entertainment. The consecutive successes of JTBC’s season-based, non-scripted programs including ‘Sugar Man’ ‘Hyori’s Bed and Breakfast’ and ‘Hidden Singer’ have proven that JTBC is a broadcaster trusted and watched by many. ‘Wassup Man’ reached new heights in cross-media application by accumulating over 1.6 million subscribers on its YouTube channel. This marked the first time a digital non-scripted program produced by a domestic broadcasting company gained that many subscribers on YouTube. The JTBC media family—which includes JTBC2, JTBC3 FOX Sports, JTBC4 and JTBC Golf —have played a pivotal role in all areas of society from entertainment to lifestyle and sports. Going forward, JTBC will stop at nothing to provide viewers with even better content. -
Dear Bride Album Btob Download 歌詞 Dear Bride
dear bride album btob download 歌詞 Dear Bride. 息が詰まるほどに美しく白い天使 僕の手を握ってほしいけど その隣にはほかの人 好きな人が出来たと 見た事ない顔で笑った 昨日の事みたい に今も覚えているよ 世界一キレイだ 時間(とき)がスローに流れてく 瞬きは今だけ少し我慢しよう 愛する日々をこの目でずっと見てきたけれど (かけがえない日々を) 胸を張って言うよ君は本当に美しい (誰よりも素敵だよ) 愛する人をその手でギュッと抱きしめながら (その手を離すなよ) 生きてゆくと決めた君へ 本当に心から(ヒロインへ)おめでとう I always said you were my first love But you probably go around saying he's your first love My love for you is like your wedding bouquet Thrown away, yet I still congratulate 初めて見た泣き顔 幸せの涙で良かった どんな宝石より もすごく輝いてるよ 会うたびに変わってく 君を見るのが好きだった たまに少女になる君も好きだった 愛する意味を見つけて 一歩踏み出す背中 (光が射してるよ) 細い肩に白い羽根が僕には見えるよ (純白のその羽根が) 愛する人を見つめて そっと頷きながら (微笑む横顔を) 永久を誓い キスを交わす 天使に心から(幸せに)おめでとう I wish you well, I truly do 'Cause as long as you're happy, I am too And just like Bruno Mars said, I hope he does all the things I should have done for you When I was your man Take you out to dine, hug you tight Make sure that you smile bright Like you always did from eye to eye But if he doesn't, hey, just remember My heart's always open for you, my dear bride 神様、どうか二人をずっ と守って下さい 病める時も健やかでも寄り添い合えるように 愛する人をその手でギュッと抱きしめながら (その手を離すなよ) 生きてゆくと決めた 君へ 本当に心から(ヒロインへ)おめでとう Since you're gonna go, you gotta promise me You're gonna live the rest of your life happily 本当に心か らおめでとう It's true, I hated that guy standing next to you But your smile made me realize how big a fool I was But now I see if I want you to live happily, I gotta let you be 息が詰まるほどに美しく白い天使 もう君の手を握れない ただ、"幸せに" Lyrics Dear Bride. 息が詰まるほどに美しく白い天使 僕の手を握ってほしいけど その隣にはほかの人 好きな人が出来たと 見た事ない顔で笑った 昨日の事みたい に今も覚えているよ 世界一キレイだ 時間(とき)がスローに流れてく 瞬きは今だけ少し我慢しよう -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
The Meaning of K-Pop and Self-Concept Transformation of K-Pop Fans in Bandung
MIMBAR, Vol.34 No 2nd (December) 2018 pp. 414-422 The Meaning of K-Pop and Self-Concept Transformation of K-Pop Fans in Bandung 1 ALEX SOBUR, 2 FERRY DARMAWAN, 3 RATRI RIZKI KUSUMALESTARI, 4 ENDRI LISTIANI, 5 DADI AHMADI, 6 MUHAMMAD ALI ALBANA Fakultas Ilmu Komunikasi, Universitas Islam Bandung, Jl. Tamansari No.1 Indonesia email: [email protected], [email protected], [email protected],[email protected], 5 [email protected], [email protected] Abstract. The phenomenon of Korean culture fans, especially fans of Korean Pop music (K-pop) in Bandung, showing their unusual behaviors, such as screaming loudly over their idols, doing fan chants, covering dances, feeling angry if their idols being insulted by haters, and putting K-pop as their role model. This is interesting to study. Schutz’s phenomenological analysis is used to examine the phenomenon of K-pop fans in terms of their experiences. The subject of this research is a fan of K-pop and a member of Korean culture lover community. Based on the results of observations and interviews, there are three self-concept transformations of informants, namely (1) byeonhwa namnyosongeui (변화남녀성의), i.e. transformation of the masculine self-concept into feminine; (2) byeonhwa dad-eun yeollin (변화성의열린), i.e. transformation of the introvert self-concept into extrovert; and (3) byeonhwa uigyeon bad eun (변화의견받은) which can be interpreted as transformation of the closed-minded self concept into open minded that appreciate other people’s opinions. Keywords: K-pop fans, definition, transformation, self-concept. Introduction series The Jewel in The Palace and Winter Sonata which brought Korea’s cultural values South Korea is currently known as one and pop music to different countries in the of the countries in Asia which has successfully world. -
Read Professor Swing, James Whitcomb Riley and 8Iu Nye, This Week
Read Professor Swing, James Whitcomb Riley and 8iU Nye, this Week. ----=======- -=-====--- -- ---- TERMS:{TEN CENT S PE~ COPY. VOL. VI, No. IS. CINCI NNATI, SATURDAY, OCTOBER 9, 1886. $4.00 per Year, III Advance. -- --====--=-= --- -----======= NEW YORK.-CHARLES ROOME, THE NEW GRAND MASTER OF THE KNIGHTS TEMP LAR. THE GRAPHIC NEWS. VOLUME VI, NO.1:,. THE Salt Lake Tribune continues to deal hard blows what thunders in the index in this case will come to an at the Mormon Church. Their semi-annual general impotent conclusion at the ballot-box. The true poli AN ILLUSTRATED WEEKLY NEWSPAPER. conference was held this week at Coalville, U. T. It tician placates everybody; the union tyro-politician has been the work of a great soul-the course which begins by antagonizing everything, even his own PUBLISHED EVERY SATURDAY, has been pursued. There was also a just judge out there brother unionists. At the election he will be covered SIMULTANEOUSLY IN -Zane. He went there from Illinois. with confusion, for his labor vote will seem ridiculously CHICAGO, Times Buildt'ng. CINCINNATI, I35 Main St. small. But however small that vote may be, tbe sight ST. LOUIS. 2IO N. Third St. DETROIT, 99 Griswold St. THE geographers have once more discoyered the of an imposing body of delegates, one from each NEW YORK, 28 Bond St. largest water-course in Alaska and named it the Jones union, gives the true politician ~Ieep' ess nights. To C. F, BRAGG, PROPRIETOR River. The last greate~t river before this was called the that vigilant soul who never forgets a face or a name, JOHN McGOVERN, Editor Stecheon.