The Meaning of K-Pop and Self-Concept Transformation of K-Pop Fans in Bandung
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To Higher Heights
Experience Korea Experience Courtesy of CJ ENM ⓒ To Higher Heights K-drama’s Global Boom Falling For Hallyu Whether by choice or quarantine due to The dramas “Autumn in My Heart” (2000) and COVID-19, homebodies worldwide are discovering “Winter Sonata” (2003) were the initial triggers of gems of Korean dramas, especially on Netflix. From Hallyu, or the Korean Wave. The success formula for “Crash Landing on You” to the “Reply” series, works K-dramas at the time was simply romance; doctors feature themes of warm romance to preternatural fell in love in a medical drama while lawyers did fantasy and gripping crime thrillers, and are apparently in a legal drama. Bae Yong-joon, the lead actor in good enough to make international viewers overlook “Winter Sonata,” grew so popular in East Asia that the nuisance of subtitles. Many K-dramas have also he became the first Korean celebrity to be featured inspired remakes around the world, signaling even in the textbooks of Taiwan and Japan. His nickname grander prospects for the industry. “Yonsama” earned from his Japanese fans cemented his overwhelming popularity. A decade after “Autumn” 30 Experience Korea Experience was broadcast in Korea, the Chinese remake “Fall in Love (一不小心 上你)” came out in 2011. Another K-drama,爱 “I’m Sorry, I Love You” (2004), spurred a Chinese remake as a film and a Japanese one as a series. “Temptation to Go Home (回 家的誘惑),” the 2011 Chinese remake of the 2008 K-drama “Temptation of Wife” (2008), starred Korean actress Choo Ja-hyun as the lead in her China debut. -
Korean Television Dramas, Romance, Erotics, and Race
UNIVERSITY OF CALIFORNIA Los Angeles Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Gender Studies by Min Joo Lee 2020 © Copyright by Min Joo Lee 2020 ABSTRACT OF THE DISSERTATION Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race by Min Joo Lee Doctor of Philosophy in Gender Studies University of California, Los Angeles, 2020 Professor Purnima Mankekar, Chair In this dissertation, I examine the gendered and racial politics of women’s transnational sex tourism. I draw on thirteen months of ethnographic fieldwork with women from Europe and North America who travel to South Korea to form intimate relations with South Korean men in a phenomenon known as Hallyu tourism. Hallyu (also known as the Korean Wave) is a transnational phenomenon whereby people from all over the world consume South Korean popular culture including music, films, and television programs. In my dissertation, I focus on the transnational popularity of romantic South Korean television dramas and how they generate erotic desires in their viewers for South Korean men. I build on interdisciplinary debates in the fields of Gender Studies, Asian Studies, and Media Studies to examine the racial, gendered, and sexual politics of the Hallyu tourists’ erotic desires and their intimate relationships with South Korea men. I argue that these transnational relationships of intimacy produce racialized ii discourses of South Korean masculinity emerging at the intersection of South Korean cultural conceptions of gender and transnational discourses of race. Furthermore, I suggest that these intimate encounters between South Korean men and “Western” female Hallyu tourists compel us to reconfigure binary conceptions of West versus East, national versus transnational, sex versus romance, and masculine versus feminine. -
Full House Tv Show Episodes Free Online
Full house tv show episodes free online Full House This is a story about a sports broadcaster later turned morning talk show host Danny Tanner and his three little Episode 1: Our Very First Show.Watch Full House Season 1 · Season 7 · Season 1 · Season 2. Full House - Season 1 The series chronicles a widowed father's struggles of raising Episode Pilot Episode 1 - Pilot - Our Very First Show Episode 2 - Our. Full House - Season 1 The series chronicles a widowed father's struggles of raising his three young daughters with the help of his brother-in-law and his. Watch Full House Online: Watch full length episodes, video clips, highlights and more. FILTER BY SEASON. All (); Season 8 (24); Season 7 (24); Season. Full House - Season 8 The final season starts with Comet, the dog, running away. The Rippers no longer want Jesse in their band. D.J. ends a relationship with. EPISODES. Full House. S1 | E1 Our Very First Show. S1 | E1 Full House. Full House. S1 | E2 Our Very First Night. S1 | E2 Full House. Full House. S1 | E3 The. Watch Series Full House Online. This is a story about a sports Latest Episode: Season 8 Episode 24 Michelle Rides Again (2) (). Season 8. Watch full episodes of Full House and get the latest breaking news, exclusive videos and pictures, episode recaps and much more at. Full House - Season 5 Season 5 opens with Jesse and Becky learning that Becky is carrying twins; Michelle and Teddy scheming to couple Danny with their. Full House (). 8 Seasons available with subscription. -
Pakistan-U.S. Relations
Pakistan-U.S. Relations K. Alan Kronstadt Specialist in South Asian Affairs July 1, 2009 Congressional Research Service 7-5700 www.crs.gov RL33498 CRS Report for Congress Prepared for Members and Committees of Congress Pakistan-U.S. Relations Summary A stable, democratic, prosperous Pakistan actively combating religious militancy is considered vital to U.S. interests. U.S. concerns regarding Pakistan include regional and global terrorism; Afghan stability; democratization and human rights protection; the ongoing Kashmir problem and Pakistan-India tensions; and economic development. A U.S.-Pakistan relationship marked by periods of both cooperation and discord was transformed by the September 2001 terrorist attacks on the United States and the ensuing enlistment of Pakistan as a key ally in U.S.-led counterterrorism efforts. Top U.S. officials praise Pakistan for its ongoing cooperation, although long-held doubts exist about Islamabad’s commitment to some core U.S. interests. Pakistan is identified as a base for terrorist groups and their supporters operating in Kashmir, India, and Afghanistan. Pakistan’s army has conducted unprecedented and, until recently, largely ineffectual counterinsurgency operations in the country’s western tribal areas, where Al Qaeda operatives and pro-Taliban militants are said to enjoy “safe haven.” U.S. officials increasingly are concerned that indigenous religious extremists represent a serious threat to the stability of the Pakistani state. The United States strongly encourages maintenance of a bilateral cease-fire and a continuation of substantive dialogue between Pakistan and neighboring India, which have fought three wars since 1947. A perceived Pakistan-India nuclear arms race has been the focus of U.S. -
Surviving K-Pop Training by Gary Boyle
Bangkok Post Learning: Test Yourself Test Yourself is where you can improve your reading skills. Whether it’s for tests like University Entrance Exams or IELTS and TOEFL, or even just for fun, these stories help you to read, understand and improve your English. Surviving K-pop training by Gary Boyle Photo by Varuth Hirunyatheb Read the following story by Suwitcha Chaiyong from the Bangkok Post. Then, answer the questions that follow. Kongthap Peak is the only Thai on the Korean show Produce X 101 Idol groups from South Korea like BTS, EXO, Blackpink and Twice seem to come with the whole package -- the talent, the looks and the personality. But before reaching stardom, every one of them went through intense trainings for years. FIGHT FOR SUCCESS Produce X 101 is a popular reality TV programme in South Korea. The show allows viewers to explore how trainees fight their way to become K-pop successes. To qualify as the show's 11 finalists, 101 trainees from several music labels were required to team up to perform as a group, but as individuals they still had to stand out in order to gain votes from Korean viewers. During the show, all trainees were guided by professional singing and dancing coaches who helped enhance their skills. Since 2016, Produce X 101 created four famous temporary pop groups: I.O.I, Wanna One, IZ*ONE and X1. Kongthap Peak, an aspiring actor from Channel 3 and singer from Chandelier Music, was the only Thai trainee who had participated in Produce X 101's latest season, which ended in July. -
Learn About the United States Quick Civics Lessons for the Naturalization Test
Learn About the United States Quick Civics Lessons for the Naturalization Test M-638 (rev. 02/19) Learn About the United States: Quick Civics Lessons Thank you for your interest in becoming a citizen of the United States of America. Your decision to apply for IMPORTANT NOTE: On the naturalization test, some U.S. citizenship is a very meaningful demonstration of answers may change because of elections or appointments. your commitment to this country. As you study for the test, make sure that you know the As you prepare for U.S. citizenship, Learn About the United most current answers to these questions. Answer these States: Quick Civics Lessons will help you study for the civics questions with the name of the official who is serving and English portions of the naturalization interview. at the time of your eligibility interview with USCIS. The USCIS Officer will not accept an incorrect answer. There are 100 civics (history and government) questions on the naturalization test. During your naturalization interview, you will be asked up to 10 questions from the list of 100 questions. You must answer correctly 6 of the 10 questions to pass the civics test. More Resources to Help You Study Applicants who are age 65 or older and have been a permanent resident for at least 20 years at the time of Visit the USCIS Citizenship Resource Center at filing the Form N-400, Application for Naturalization, uscis.gov/citizenship to find additional educational are only required to study 20 of the 100 civics test materials. Be sure to look for these helpful study questions for the naturalization test. -
B a B Iii Pemaknaan Maskulinitas Dalam
B A B III PEMAKNAAN MASKULINITAS DALAM TAYANGAN WANNA ONE GO IN JEJU Wanna One Go in Jeju merupakan suatu tayangan realitas yang menggambarkan kehidupan Wanna One sebagai seorang artis yang akan mengiklankan produk kecantikan dari brand Innisfree. Tayangan tersebut disiarkan melalui media massa berbasis online, sehingga masyarakat luar Korea pun juga bisa mengakses video tersebut dengan mudah. Media massa berperan sebagai alat penyampaian pesan kepada masyarakat yang mampu membentuk pemaknaan masyarakat. Oleh sebab itu, dalam suatu tayangan biasanya menyimpan suatu makna yang ingin disampaikan kepada masyarakat dan nantinya mampu menjadi suatu hegemoni. Begitu pula dengan Wanna One Go in Jeju yang tentunya juga memiliki pesan yang ingin disampaikan kepada masyarakat. Selain untuk mengiklankan produk Innisfree, tayangan ini juga memberikan pesan tentang maskulinitas laki-laki yang digambarkan oleh member Wanna One. Bab ini mencoba menjelaskan maskulinitas dalam tayangan Wanna One Go in Jeju dengan menggunakan analisis semiotika John Fiske, yaitu melalui level realitas, representasi, dan ideologi. Pada level realitas, teks akan dianalisis seperti penampilan (appearance), kostum (dress), lingkungan, tingkah laku (behavior), cara berbicara (speech), gesture, ekspresi, dan juga suara (Fiske, 1987:4). Setiap scene yang sesuai dengan kategori di atas. Level representasi menganilis hal-hal teknis seperti kamera, pencahayaan, editing, musik, dan suara (Fiske, 1987:4). Terakhir adalah level ideologi yang mencakup hal-hal yang diorganisasikan ke dalam koherensi dan penerimaan sosial oleh kode-kode ideologis seperti individualisme, patriarki, ras, kelas, materialisme, kapitalisme, dan lain-lain. (Fiske, 1987:3). Level ideologi didapatkan melalui hasil analisis pada level realitas dan representasi. Tayangan ini terdiri atas tiga episode dan beberapa scene diantaranya telah dipilih sesuai dengan fokus penelitian. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Chapter 2. Analysis of Korean TV Dramas
저작자표시-비영리-변경금지 2.0 대한민국 이용자는 아래의 조건을 따르는 경우에 한하여 자유롭게 l 이 저작물을 복제, 배포, 전송, 전시, 공연 및 방송할 수 있습니다. 다음과 같은 조건을 따라야 합니다: 저작자표시. 귀하는 원저작자를 표시하여야 합니다. 비영리. 귀하는 이 저작물을 영리 목적으로 이용할 수 없습니다. 변경금지. 귀하는 이 저작물을 개작, 변형 또는 가공할 수 없습니다. l 귀하는, 이 저작물의 재이용이나 배포의 경우, 이 저작물에 적용된 이용허락조건 을 명확하게 나타내어야 합니다. l 저작권자로부터 별도의 허가를 받으면 이러한 조건들은 적용되지 않습니다. 저작권법에 따른 이용자의 권리는 위의 내용에 의하여 영향을 받지 않습니다. 이것은 이용허락규약(Legal Code)을 이해하기 쉽게 요약한 것입니다. Disclaimer Master’s Thesis of International Studies The Comparison of Television Drama’s Production and Broadcast between Korea and China 중한 드라마의 제작 과 방송 비교 August 2019 Graduate School of International Studies Seoul National University Area Studies Sheng Tingyin The Comparison of Television Drama’s Production and Broadcast between Korea and China Professor Jeong Jong-Ho Submitting a master’s thesis of International Studies August 2019 Graduate School of International Studies Seoul National University International Area Studies Sheng Tingyin Confirming the master’s thesis written by Sheng Tingyin August 2019 Chair 박 태 균 (Seal) Vice Chair 한 영 혜 (Seal) Examiner 정 종 호 (Seal) Abstract Korean TV dramas, as important parts of the Korean Wave (Hallyu), are famous all over the world. China produces most TV dramas in the world. Both countries’ TV drama industries have their own advantages. In order to provide meaningful recommendations for drama production companies and TV stations, this paper analyzes, determines, and compares the characteristics of Korean and Chinese TV drama production and broadcasting. -
Viu Clinches Regional Deal with CJ ENM on Highly Anticipated Korean
Viu clinches regional deal with CJ ENM on highly anticipated Korean romance drama series Encounter, starring Song Hye Kyo and Park Bo Gum Continues its streak of offering the most extensive premium Korean dramas and variety shows across Asia PCCW (SEHK:0008) HONG KONG, November 5, 2018 — Viu, a leading pan-regional OTT video service by PCCW Media Group, announces a regional deal with South Korea’s entertainment conglomerate CJ ENM on the highly anticipated new romance K- drama series Encounter, acquiring its exclusive OTT rights in Asia. The drama will be premiered on November 28, 2018 in Korea and will be streamed on Viu in Hong Kong, Malaysia, Indonesia, the Philippines, Singapore and Thailand, fully subtitled in local languages and as fast as four hours after telecast in Korea. Produced by Korea’s top drama production house, Studio Dragon, a subsidiary of CJ ENM, which has made numerous hit series including What’s Wrong with Secretary Kim, Goblin and Bride of the Water God, Encounter boasts an all-star team with a renowned cast, director and script writer. The lead actress and actor of Encounter are prominent hallyu (“Korean wave”) celebrities Song Hye Kyo, best known for her leading role in the pre-eminent series Descendants of the Sun, and Park Bo Gum, famous for Reply 1998 and Love in the Moonlight. Helming the show is director and producer, Park Shin Woo, who also directed Jealousy Incarnate, as well as script writer Yoo Young Ah, from My Annoying Brother, Bel Ami and Entertainer. Ms. Janice Lee, Managing Director of PCCW Media Group, said, “Our strategic collaboration with CJ ENM has grown since the launch of Viu to now cover 13 markets in Southeast Asia and the Middle East. -
180510 PAAF Line-Upv8
Rotunda May 19, 2017 11am - Pan Asian Arts Festival 8pm 10:00am Performers and staffs check-in Information booth open. • Performers are required to check-in at least 30 minutes before their performance time. SEGMENT I Teenage Stage (from 11:00am – 2:00pm) K- POP Dance 11:00 Teenager - Got7 covered by DKPD (Dragons's K-Pop Dance) 11:05 BTS – Mic Drop (HY-ZD) 11:10 Lalala/The Boots(Spade) 11:15 Radio (2U) 11:20 Urban Dance Mix (AKA Crew) 11:25 Catch Me - Up10tion covered by DKPD (Dragons's K-Pop Dance) 11:30 Wanna One – Boomerang (Minnesota Kpop Boy Team) Modern Dance 11:35 Fantastic Toes (La Viva) 11:40 The amethyst (Your Amethyst) 11:45 Wipa and PangDao (2On) 11:50 Zephonix Zephonix is an urban dance crew consisting of seven members. They are a group that strives for improvement from experience and hope to inspire those around them. 11:55 Can’t Stop the FeelinG (AMA Performance Team) Vocal 12:00 Liam Rua Kuv (Hope VanG & Kelper) 12:05 Ua Ntuj TsauG (Robert Thao) 12:10 ntuj es ntuj es Maa I’ve version (Kaylie moua) K – POP Dance 12:15 Red Velvet Mix (Minnesota Kpop Girl Team) 12:20 Minx-Boss+Minx-Bad Girls (Elysian) 12:25 No Time (Andover High School) 12:30 Pentagon – Shine (Minnesota Kpop Boy Team) 12:35 Be Natural (Elysian) 12:40 WannaOne Tribute (Teenfinite- HS) Vocal 12:45 Nơi Tình Yêu Bắt Đầu - Bùi Anh Tuấn (Mariya Ya) 12:50 Ennodu Nee Irundhal (IraguGal/Arjun Venkatakrishman & Archana) 12:55 SinGinG (Summer Moua) 13:00 Prouy Chea Muy Chan (Mariya Ya) K-POP Dance 13:05 K-POP DANCE MEDLEY K-INFIRES is a dance group based off of Park Center Senior High's K-POP CLUB. -
Why Korean Dramas Are Popular in China
International Journal of Arts and Commerce Vol. 5 No. 9 December 2016 Why Korean Dramas are Popular in China Junxiong Wei Institute of Marxism, China West Normal University, No. 1 Shi Da Road, Nanchong, 637009, Sichuan, China. E-mail: [email protected] Abstract The fundamental reason of Korean dramas’ success in China is that they meet Chinese needs which include cultural and psychological contentment, spiritual satisfaction, aesthetic gratification and visual enjoyment. Besides, there is the perfect combination of tradition and modernity in South Korean dramas, displaying the essence of traditional culture in a modern manner. Key words: Korean dramas; Chinese spiritual and ethical needs; cultural identity I. Introduction The popularity of the Heirs and My Love from the Stars in China shows that Korean dramas return in a revitalized form. Lee Minho, the chief actor of the Heirs, became the first South Korean artist participating in CCTV Spring Festival Gala Evening. My Love from the Stars was better and had created a craze in China. Iqiyi is a well-known video network platform, and had purchased the broadcast rights to My Love from the Stars. According to the statistical data of Iqiyi, “the amount of play broke through ten millions on Iqiyi and PPS during the first week, and it was streamed more than 1 billion when the last episode was played on February 19, 2014”(Yang Weijia 王蔚佳, 2014, March 3).My Love from the Stars had not been retreated while Descendants of the sun, lived in February 2016, started a new round of more intense agitation. This drama simulcast by China and South Korea got more than 2 billion 680 million viewers on Iqiyi and broke the record set by My Love from the Stars.