Nothing Without You Wanna-One
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Surviving K-Pop Training by Gary Boyle
Bangkok Post Learning: Test Yourself Test Yourself is where you can improve your reading skills. Whether it’s for tests like University Entrance Exams or IELTS and TOEFL, or even just for fun, these stories help you to read, understand and improve your English. Surviving K-pop training by Gary Boyle Photo by Varuth Hirunyatheb Read the following story by Suwitcha Chaiyong from the Bangkok Post. Then, answer the questions that follow. Kongthap Peak is the only Thai on the Korean show Produce X 101 Idol groups from South Korea like BTS, EXO, Blackpink and Twice seem to come with the whole package -- the talent, the looks and the personality. But before reaching stardom, every one of them went through intense trainings for years. FIGHT FOR SUCCESS Produce X 101 is a popular reality TV programme in South Korea. The show allows viewers to explore how trainees fight their way to become K-pop successes. To qualify as the show's 11 finalists, 101 trainees from several music labels were required to team up to perform as a group, but as individuals they still had to stand out in order to gain votes from Korean viewers. During the show, all trainees were guided by professional singing and dancing coaches who helped enhance their skills. Since 2016, Produce X 101 created four famous temporary pop groups: I.O.I, Wanna One, IZ*ONE and X1. Kongthap Peak, an aspiring actor from Channel 3 and singer from Chandelier Music, was the only Thai trainee who had participated in Produce X 101's latest season, which ended in July. -
B a B Iii Pemaknaan Maskulinitas Dalam
B A B III PEMAKNAAN MASKULINITAS DALAM TAYANGAN WANNA ONE GO IN JEJU Wanna One Go in Jeju merupakan suatu tayangan realitas yang menggambarkan kehidupan Wanna One sebagai seorang artis yang akan mengiklankan produk kecantikan dari brand Innisfree. Tayangan tersebut disiarkan melalui media massa berbasis online, sehingga masyarakat luar Korea pun juga bisa mengakses video tersebut dengan mudah. Media massa berperan sebagai alat penyampaian pesan kepada masyarakat yang mampu membentuk pemaknaan masyarakat. Oleh sebab itu, dalam suatu tayangan biasanya menyimpan suatu makna yang ingin disampaikan kepada masyarakat dan nantinya mampu menjadi suatu hegemoni. Begitu pula dengan Wanna One Go in Jeju yang tentunya juga memiliki pesan yang ingin disampaikan kepada masyarakat. Selain untuk mengiklankan produk Innisfree, tayangan ini juga memberikan pesan tentang maskulinitas laki-laki yang digambarkan oleh member Wanna One. Bab ini mencoba menjelaskan maskulinitas dalam tayangan Wanna One Go in Jeju dengan menggunakan analisis semiotika John Fiske, yaitu melalui level realitas, representasi, dan ideologi. Pada level realitas, teks akan dianalisis seperti penampilan (appearance), kostum (dress), lingkungan, tingkah laku (behavior), cara berbicara (speech), gesture, ekspresi, dan juga suara (Fiske, 1987:4). Setiap scene yang sesuai dengan kategori di atas. Level representasi menganilis hal-hal teknis seperti kamera, pencahayaan, editing, musik, dan suara (Fiske, 1987:4). Terakhir adalah level ideologi yang mencakup hal-hal yang diorganisasikan ke dalam koherensi dan penerimaan sosial oleh kode-kode ideologis seperti individualisme, patriarki, ras, kelas, materialisme, kapitalisme, dan lain-lain. (Fiske, 1987:3). Level ideologi didapatkan melalui hasil analisis pada level realitas dan representasi. Tayangan ini terdiri atas tiga episode dan beberapa scene diantaranya telah dipilih sesuai dengan fokus penelitian. -
Bab I Pendahuluan
BAB I PENDAHULUAN 1.1 Gambaran Umum Subjek Penelitian 1.1.1 Series Produce 101 Produce 101 adalah acara survival dari Korea Selatan yang ditayangkan pada stasiun TV Mnet merupakan proyek berskala besar di mana masyarakat "menghasilkan" sebuah grup dengan cara memilih anggotanya dari 101 peserta yang merupakan trainee dari puluhan perusahaan hiburan Korea Selatan dan para trainee tersebut tidak hanya berasal dari Korea Selatan tetapi juga dari Jepang, China, Taiwan, hingga Thailand. Gambar 1.1 Poster Series Produce 101 Sumber: Allkpop.com diakses pada 04/09/2019 pukul 20.20 WIB Trainee yang berkompetisi untuk debut dalam satu grup ini akan melewati beberapa tahapan seleksi dan disetiap tahapan seleksi tersebut akan ada beberapa peserta yang tereleminasi. Nantinya penampilan para peserta disetiap tahapan seleksi akan disaksikan oleh produser nasional (penonton) yang akan menentukan trainee terbaik pilihan mereka dengan memberikan vote, baik secara langsung saat 1 penampilan evaluasi ataupun melalui sms atau online setelah episode ditayangkan di TV, hal ini juga membantu terbentuknya basis penggemar yang kuat sebelum mereka resmi debut. Grup jebolan Produce 101 dijuluki “National Group” karena hanya warga Korea Selatan saja yang bisa mengikuti voting untuk para peserta di acara ini, dan warga Korea Selatan yang memberikan voting disebut “National Producer”. Berikut adalah tahapan seleksi yang akan dijalani oleh para trainee Series Produce 101: 1. Individual Test Level Pada test ini, para trainee akan tampil per-agensi, kemudian para pelatih dan MC akan berdiskusi dan membagi para trainee menjadi beberapa kelas sesuai kemampuan mereka saat tampil. 2. Group Battle Para trainee akan dibagi menjadi beberapa grup dengan anggota 5-7 orang, kemudian mereka akan menampilkan lagu dari grup-grup K-Pop terkenal, nantinya tiap 2 grup akan menampilkan lagu yang sama (battle) dan ada voting on-scene oleh penonton yang hadir untuk menentukan grup mana yang lebih baik saat menampilkan lagu tersebut. -
Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial Dan Ilmu Politik Universitas Sumatera Utara
KONSTRUKSI CITRA GRUP IDOLA JEPANG AKB48 DALAM PROGRAM ACARA TELEVISI PRODUCE 48 (Analisis Framing Robert Entman Mengenai Citra Grup Idola Jepang AKB48 pada Program Acara Televisi Korea Selatan Produce 48 oleh MNET) SKRIPSI ALDO ARINATA NAINGGOLAN 150904068 Public Relations PROGRAM STUDI ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2019 Universitas Sumatera Utara KONSTRUKSI CITRA GRUP IDOLA JEPANG AKB48 DALAM PROGRAM ACARA TELEVISI PRODUCE 48 (Analisis Framing Robert Entman Mengenai Citra Grup Idola Jepang AKB48 pada Program Acara Televisi Korea Selatan Produce 48 oleh MNET) SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar sarjana Program Strata-1 pada Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Sumatera Utara ALDO ARINATA NAINGGOLAN 150904068 Public Relations PROGRAM STUDI ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2019 i Universitas Sumatera Utara LEMBAR PERSETUJUAN Skripsi ini ditujukan untuk dipertahankan oleh: Nama : Aldo Arinata Nainggolan NIM : 150904068 Judul Skripsi : “Konstruksi Citra Grup Idola Jepang AKB48 dalam Program Acara Televisi Produce 48 (Analisis Framing Robert Entman Mengenai Citra Grup Idola Jepang AKB48 pada Program Acara Televisi Korea Selatan Produce 48 oleh Mnet)” Dosen Pembimbing Ketua Departemen Munzaiman Masril S.Sos., M.I.Kom Dra. Dewi Kurniawati, M.Si., Ph.D NIP. 198011072006042002 NIP. 196505241989032001 Dekan FISIP USU Dr. Muryanto Amin S.Sos, M.Si NIP. 19740930 2005011002 -
180510 PAAF Line-Upv8
Rotunda May 19, 2017 11am - Pan Asian Arts Festival 8pm 10:00am Performers and staffs check-in Information booth open. • Performers are required to check-in at least 30 minutes before their performance time. SEGMENT I Teenage Stage (from 11:00am – 2:00pm) K- POP Dance 11:00 Teenager - Got7 covered by DKPD (Dragons's K-Pop Dance) 11:05 BTS – Mic Drop (HY-ZD) 11:10 Lalala/The Boots(Spade) 11:15 Radio (2U) 11:20 Urban Dance Mix (AKA Crew) 11:25 Catch Me - Up10tion covered by DKPD (Dragons's K-Pop Dance) 11:30 Wanna One – Boomerang (Minnesota Kpop Boy Team) Modern Dance 11:35 Fantastic Toes (La Viva) 11:40 The amethyst (Your Amethyst) 11:45 Wipa and PangDao (2On) 11:50 Zephonix Zephonix is an urban dance crew consisting of seven members. They are a group that strives for improvement from experience and hope to inspire those around them. 11:55 Can’t Stop the FeelinG (AMA Performance Team) Vocal 12:00 Liam Rua Kuv (Hope VanG & Kelper) 12:05 Ua Ntuj TsauG (Robert Thao) 12:10 ntuj es ntuj es Maa I’ve version (Kaylie moua) K – POP Dance 12:15 Red Velvet Mix (Minnesota Kpop Girl Team) 12:20 Minx-Boss+Minx-Bad Girls (Elysian) 12:25 No Time (Andover High School) 12:30 Pentagon – Shine (Minnesota Kpop Boy Team) 12:35 Be Natural (Elysian) 12:40 WannaOne Tribute (Teenfinite- HS) Vocal 12:45 Nơi Tình Yêu Bắt Đầu - Bùi Anh Tuấn (Mariya Ya) 12:50 Ennodu Nee Irundhal (IraguGal/Arjun Venkatakrishman & Archana) 12:55 SinGinG (Summer Moua) 13:00 Prouy Chea Muy Chan (Mariya Ya) K-POP Dance 13:05 K-POP DANCE MEDLEY K-INFIRES is a dance group based off of Park Center Senior High's K-POP CLUB. -
Factors Influencing Viewing Behavior in Live Streaming
Multimodal Technologies and Interaction Article Factors Influencing Viewing Behavior in Live Streaming: An Interview-Based Survey of Music Fans Minjeong Ham and Sang Woo Lee * Graduate School of Information, Yonsei University, 50 Yonsei-ro, Seodaemun-gu, Seoul 03722, Korea; [email protected] * Correspondence: [email protected] Received: 2 July 2020; Accepted: 11 August 2020; Published: 13 August 2020 Abstract: V Live is a live-streaming service made by South Korean IT company in August 2015. The service provides diverse video contents specific to entertainment content. Most of V Live users are K-pop fans, and they actively express emotions on V Live content by writing comments, pressing “hearts”, and sharing video content. Based on Uses and Gratifications theory, this study investigated why people use live streaming service, and the factors influencing users’ viewing behavior in live streaming. We conducted an in-depth interview with V Live users. Based on the results of the interview, an online survey was conducted. As a result, six factors—“Interpersonal relationship motivation”, “Social presence motivation”, “Celebrity support motivation”, “Celebrity presence motivation”, “Social interaction motivation”, and “Differentiation motivation”—were derived as motivations to use V Live. While “Social presence motivation” and “Differentiation motivation” among V Live use motivations that have been shown to mediate the relationship between fans’ fanship and V Live viewing time, all motivations using V Live have been shown to mediate the relationship between fans’ fanship and V Live viewing participation. Keywords: fanship; V Live; live streaming service; participation 1. Introduction The K-pop boy band BTS held a concert at Wembley Stadium in London, the UK, in June 2019, which was broadcast live on Naver’s live streaming service (LS), V Live. -
Read About Hostility Towards Older People in South Korea
SOUTH KOREA 2020 CUSTOMIZED & CONNECTED IPSOS FLAIR COLLECTION IPSOS FLAIR COLLECTION | SOUTH KOREA 2020 SOUTH KOREA 2020, Customized & Connected Ipsos Editions September 2019 © 2019 - Ipsos 4 CUSTOMIZED & CONNECTED - INDEPENDENT AS WELL AS DEPENDENT Ipsos Flair: Understand to Foresee We are very pleased to publish our first edition of Ipsos Flair focusing on South Korea. Launched in 2005, Ipsos Flair is an international publication that analyzes the values and attitudes of consumers-citizens impacting their view on all the actors of society (brands, advertising, businesses, media, politicians...) to provide substantial analysis and recommend the best strategies. Flair is about instinct and intuition, ability to capture the atmosphere of a country, to perceive the right direction, to know when to act ... It is also another way of looking, considering the surveys’ results as sociological symptoms to understand the real relationship between people and everything around them. This publication summarizes the knowledge and experience gained by our research teams in South Korea. It is part of a series of books published by Ipsos around the world: the Ipsos Flair programme.1 Founded in France in 1975, Ipsos is an independent market research company controlled and managed by research professionals. Ipsos teams assess market potential and interpret market trends, combining a variety of methods from surveys to qualitative and social media sources, to name a few, with know- how and technology. They help clients develop and strengthen brands and build long- term relationships with their customers. They test advertising and study audience responses to various media and they measure public opinion around the globe. -
Magisterarbeit / Master's Thesis
MAGISTERARBEIT / MASTER’S THESIS Titel der Magisterarbeit / Title of the Master‘s Thesis „Sexy Concepts in K-POP – Eine Studie zur Wahrnehmung von Geschlechterrollen in k-pop am Beispiel von Boy Group und Girl Group Performances“ verfasst von / submitted by Jasmin Kolar, Bakk phil. angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil.) Wien, 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066/841 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Magisterstudium Publizistik- und degree programme as it appears on Kommunikationswissenschaft the student record sheet: Betreut von / Supervisor: Assoc.-Prof. Mag. Dr. Gerit Götzenbrucker Sexy Concepts in K-POP Page 2 Sexy Concepts in K-POP EIDESSTATTLICHE ERKLÄRUNG Ich erkläre hiermit an Eides statt, dass ich die vorliegende Arbeit selbstständig verfasst, andere als die angegebenen Quellen/Hilfsmittel nicht benutzt, und die den benutzten Quellen wörtlich und inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, 6. November 2018 Jasmin Kolar STATUTORY DECLARATION I declare that I have authored this thesis independently, that I have not used other than the declared sources / resources, and that I have explicitly marked all material which has been quoted either literally or by content from the used sources. The work has not been submitted in the same or similar form to any other examination authority and has not yet been published. Vienna, November 6, 2018 Jasmin Kolar Page 3 Sexy Concepts in K-POP Page 4 Sexy Concepts in K-POP Table of contents 1. -
Comparative Response of the Hepatic Transcriptomes of Domesticated and Wild Turkey to Aflatoxin B1
toxins Article Comparative Response of the Hepatic Transcriptomes of Domesticated and Wild Turkey to Aflatoxin B1 Kent M. Reed 1,* ID , Kristelle M. Mendoza 1, Juan E. Abrahante 2 and Roger A. Coulombe 3 1 Department of Veterinary and Biomedical Sciences, College of Veterinary Medicine, University of Minnesota, Saint Paul, MN 55108, USA; [email protected] 2 University of Minnesota Informatics Institute, University of Minnesota, Minneapolis, MN 55455, USA; [email protected] 3 Department of Animal, Dairy and Veterinary Sciences, College of Agriculture, Utah State University, Logan, UT 84322, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-612-624-1287; Fax: +1-612-625-0204 Received: 29 November 2017; Accepted: 10 January 2018; Published: 13 January 2018 Abstract: The food-borne mycotoxin aflatoxin B1 (AFB1) poses a significant risk to poultry, which are highly susceptible to its hepatotoxic effects. Domesticated turkeys (Meleagris gallopavo) are especially sensitive, whereas wild turkeys (M. g. silvestris) are more resistant. AFB1 toxicity entails bioactivation by hepatic cytochrome P450s to the electrophilic exo-AFB1-8,9-epoxide (AFBO). Domesticated turkeys lack functional hepatic GST-mediated detoxification of AFBO, and this is largely responsible for the differences in resistance between turkey types. This study was designed to characterize transcriptional changes induced in turkey livers by AFB1, and to contrast the response of domesticated (susceptible) and wild (more resistant) birds. Gene expression responses to AFB1 were examined using RNA-sequencing. Statistically significant differences in gene expression were observed among treatment groups and between turkey types. Expression analysis identified 4621 genes with significant differential expression (DE) in AFB1-treated birds compared to controls. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Hallyu at a Crossroads: the Clash of Korea's Soft Power Success and China's Hard Power Threat in Light of Terminal High
Asian International Studies Review Vol. 18 No.1 (June 2017): 153-169 153 Received March 15, 2017 Revised May 10, 2017 Accepted May 20, 2017 Hallyu at a Crossroads: The Clash of Korea’s Soft Power Success and China’s Hard Power Threat in Light of Terminal High Altitude Area Defense (THAAD) System Deployment HANNAH JUN* The past two decades have witnessed the remarkable success of Hallyu, or the Korean Wave, with Korea welcoming a large influx of foreign visitors and benefiting from massive consumption of products ranging from Korean television and film, K-pop and lifestyle products. A more recent announcement by CJ E&M points to an even more aggressive plan for regional ubiquity, as encapsulated by Hallyu 4.0. Simultaneously, we have already felt some of the effect of policy changes in China – a core Hallyu market – as a response to Korea’s plan to deploy a Terminal High Altitude Area Defense (THAAD) system. In this sense, we see the stirrings of a clash between Korean soft power and Chinese hard power, and are uncertain who will emerge on top. This paper examines the broad success of Hallyu from key theoretical perspectives, while addressing linkages between Korean corporations and cultural power/influence that have led to an announcement such as Hallyu 4.0. This paper also highlights the recent tensions between Korea and China, specifically with respect to THAAD deployment, and outlines potential implications for businesses and policymakers through preliminary scenarios. Keywords: Nuclear Taboo, Nuclear Arms, Deterrence, Norms, Proliferation, Just War * Assistant Professor, Ewha Womans University, Seoul, South Korea; E-mail: [email protected]; DOI: 10.16934/isr.18.1.201706.153 Downloaded from Brill.com09/28/2021 03:33:20PM via free access 154 Hallyu at a Crossroads I.