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TYPETOGETHER Adelle Sans Extended

A flexible and personable world-ready sans, providing true multilingual font support

Veronika Burian 2019 José Scaglione ADELLE SANS EXTENDED ABOUT

The Adelle Sans Extended font family, José Scaglione alphabet glyphs (IPA), the use of Greek letters or and Veronika Burian’s sans serif, provides a clean and Greek derivative shapes, extensive use of connected spirited take on the traditional grotesque sans for a diacritic marks such as the hook or horn, the use of major part of the global market: Vietnamese, Latin, characters that where originally intended for other and PanAfrican [latin based] languages are included. purposes (like the florin), and character clusters. As is typical with TypeTogether typefaces, the most Rooted in the belief that broad language support demanding editorial design problems were taken is crucial to modern type design, the Extended fam- into consideration when creating Adelle Sans ily is yet another push in TypeTogether’s ongoing Extended. The combination of lively character and multilingual efforts. The naturally clean and spirited unobtrusive appearance inherent to grotesque shapes of Adelle Sans lend themselves to a graceful sans serifs make it an utterly versatile tool for every translation of the structure of African and Vietnamese imaginable situation. Whether for branding, signage, alphabets. Careful research and close collaboration or advertising, the keyword behind Adelle Sans with African type expert Don Osborn yielded typo- Extended’s use is flexibility. graphic consistency, legibility, and cultural awareness Adelle Sans Extended is available in 7 weights with within the Latin-based African languages, as well as matching italics, and includes Latin, Vietnamese, and filling the need for quality PanAfrican and Vietnamese PanAfrican Latin. Each of these 14 styles is a perfect editorial typefaces. counterpart in terms of weight and vertical propor- In addition to the 14 weights, Adelle Sans Extended tions to its language equivalents. This ensures type contains its companion Latin and Vietnamese styles, families fit harmoniously in the same block of text each of which has been engineered to optically match and gives a pleasing change of texture when used the proportions of its counterparts. Together, the full at similar point sizes. Adelle Sans family delivers consistent, flexible, and To support PanAfrican Latin and to ensure coher- personable results in multilingual documents and ence in the entire family, consultant Dr Don Osborn multicultural branding worldwide. Its 1,650 character compiled a character list that would support all Latin- set includes typographic niceties, small caps, several based languages of Africa. These languages use a sets of figures, and support for over 400 languages. wide range of resources to make an efficient notation It also includes a set of 35 icons specially designed system for the necessary sounds for every language. for electronic publications. The complete Adelle Sans For example, the use of floating accents above and family, along with our entire catalogue, has been opti- below the base characters, the use of phonetic mised for today’s varied screen uses.

STYLES Thin Thin Italic Light Light Italic Regular Italic Semibold Semibold Italic Bold Bold Italic Extrabold Extrabold Italic Heavy Heavy Italic

TYPETOGETHER WWW.TYPE-TOGETHER.COM © 2019 ALL RIGHTS RESERVED ADELLE SANS EXTENDED SPECIMEN Afrịka 2019 na karanta wani littafi zamazama GROTESK Piya kpɛzɩ kɛtʋʋ kɩdɩbɩbɩɣʋ nɛ sɩmaɣnɩ kayalɩm yeke u ƙanƙaran afararin Bạn có khỏe không? Ɛyʋ yɔɔdaɣ Super Falcons fi South Korea ṣ’ẹ̀bùn June 12 fún Nàìjíríà KAFƖNDƖYAƔ₂ Những bảo tàng không đụng hàng ở Los Angeles

HEAVY 55PT Ẹgbẹ agbabọọlu

HEAVY 50PT Ẹgbẹ agbabọọlu

BLACK 45PT Ẹgbẹ agbabọọlu

HEAVY 35PT Ẹgbẹ agbabọọlu

HEAVY 30/36PT FIFAWWC: Ṣé Super Falcons ò rugi oyin lọ́wọ́ France lálẹ́ òní báyìí? Ẹgbẹ agbabọọlu obinrin Naijiria, Super Falcons yoo maa na tan bi owo lalẹ oni ọjọ Aje pẹlu akẹgbẹ wọn lati orilẹede France ninu idije ife ẹyẹ agbaye awọn obinrin, FIFA Women’s World Cup.

THIN 55PT Ẹgbẹ agbabọọlu

THIN 50PT Ẹgbẹ agbabọọlu

THIN 45PT Ẹgbẹ agbabọọlu

THIN 35PT Ẹgbẹ agbabọọlu

THIN 30/36PT FIFAWWC: Ṣé Super Falcons ò rugi oyin lọ́wọ́ France lálẹ́ òní báyìí? Ẹgbẹ agbabọọlu obinrin Naijiria, Super Falcons yoo maa na tan bi owo lalẹ oni ọjọ Aje pẹlu akẹgbẹ wọn lati orilẹede France ninu idije ife ẹyẹ agbaye awọn obinrin, FIFA Women’s World Cup.

THIN 25/30PT Duk ‘yan’adan ana haihuwarsu ne a matsayin ‘yantattun ‘ya’ya, kuma

LIGHT 25/30PT Duk ‘yan’adan ana haihuwarsu ne a matsayin ‘yantattun ‘ya’ya, kuma

REGULAR 25/30PT Duk ‘yan’adan ana haihuwarsu ne a matsayin ‘yantattun ‘ya’ya, kuma

SEMIBOLD 25/30PT Duk ‘yan’adan ana haihuwarsu ne a matsayin ‘yantattun ‘ya’ya, kuma

BOLD 25/30PT Duk ‘yan’adan ana haihuwarsu ne a matsayin ‘yantattun ‘ya’ya, kuma

EXTRABOLD 25/30PT Duk ‘yan’adan ana haihuwarsu ne a matsayin ‘yantattun ‘ya’ya, kuma

HEAVY 25/30PT Duk ‘yan’adan ana haihuwarsu ne a matsayin ‘yantattun ‘ya’ya, kuma

THIN 18/22PT Wiën 1 — Raan thök eben aye dhëëth ka lau nhöm kua thöŋ nhiim eyithiic, kua thɛ̈ kic, kua ci yëknhiethku puou, ku bik cëŋ ka ke ye mith etik. Wien 2 — Raan eben alëŋ yic bi liëk eyithiic ku lau enhömic ecɛ̈ ɛ̈ l kenic ka ci tëk-

LIGHT 18/22PT Wiën 1 — Raan thök eben aye dhëëth ka lau nhöm kua thöŋ nhiim eyithiic, kua thɛ̈ kic, kua ci yëknhiethku puou, ku bik cëŋ ka ke ye mith etik. Wien 2 — Raan eben alëŋ yic bi liëk eyithiic ku lau enhömic ecɛ̈ ɛ̈ l kenic ka ci tëk-

REGULAR 18/22PT Wiën 1 — Raan thök eben aye dhëëth ka lau nhöm kua thöŋ nhiim eyithiic, kua thɛ̈ kic, kua ci yëknhiethku puou, ku bik cëŋ ka ke ye mith etik. — Raan eben alëŋ yic bi liëk eyithiic ku lau enhömic ecɛ̈ ɛ̈ l kenic ka ci tëk-

SEMIBOLD 18/22PT Wiën 1 — Raan thök eben aye dhëëth ka lau nhöm kua thöŋ nhiim eyithiic, kua thɛ̈ kic, kua ci yëknhiethku puou, ku bik cëŋ ka ke ye mith etik. Wien 2 — Raan eben alëŋ yic bi liëk eyithiic ku lau enhömic ecɛ̈ ɛ̈ l kenic ka ci tëk-

BOLD 18/22PT Wiën 1 — Raan thök eben aye dhëëth ka lau nhöm kua thöŋ nhiim eyithiic, kua thɛ̈ kic, kua ci yëknhiethku puou, ku bik cëŋ ka ke ye mith etik. Wien 2 — Raan eben alëŋ yic bi liëk eyithiic ku lau enhömic ecɛ̈ ɛ̈ l kenic ka ci tëk-

EXTRABOLD 18/22PT Wiën 1 — Raan thök eben aye dhëëth ka lau nhöm kua thöŋ nhiim eyithiic, kua thɛ̈ kic, kua ci yëknhiethku puou, ku bik cëŋ ka ke ye mith etik. Wien 2 — Raan eben alëŋ yic bi liëk eyithiic ku lau enhömic ecɛ̈ ɛ̈ l kenic ka ci tëk-

HEAVY 18/22PT Wiën 1 — Raan thök eben aye dhëëth ka lau nhöm kua thöŋ nhiim eyithiic, kua thɛ̈ kic, kua ci yëknhiethku puou, ku bik cëŋ ka ke ye mith etik. Wien 2 — Raan eben alëŋ yic bi liëk eyithiic ku lau enhömic ecɛ̈ ɛ̈ l kenic ka ci

THIN 10/13PT THIN 12/15PT As might have been foreseen, Franconia proved to As might have been foreseen, Franconia be an excellent place in which to study the difficult proved to be an excellent place in which to family of flycatchers. All our common eastern Mas- study the difficult family of flycatchers. All sachusetts species were present – the kingbird, the phoebe, the wood pewee, and the least flycatcher our common eastern Massachusetts spe- – and with them the crested flycatcher (not com- cies were present – the kingbird, the phoe- mon), the olive-sided, the traill, and the yellow-bel- be, the wood pewee, and the least flycatch- lied. The phoebe-like cry of the traill was to be heard er – and with them the crested flycatcher constantly from the hotel piazza. The yellow-bellied (not common), the olive-sided, the traill, seemed to be confined to deep and rather swampy and the yellow-bellied. The phoebe-like woods in the valley, and to the mountain-side cry of the traill was to be heard constantly

LIGHT 10/13PT LIGHT 12/15PT As might have been foreseen, Franconia proved to As might have been foreseen, Franconia be an excellent place in which to study the difficult proved to be an excellent place in which to family of flycatchers. All our common eastern Mas- study the difficult family of flycatchers. All sachusetts species were present – the kingbird, the phoebe, the wood pewee, and the least flycatcher– our common eastern Massachusetts spe- and with them the crested flycatcher (not com- cies were present – the kingbird, the phoe- mon), the olive-sided, the traill, and the yellow-bel- be, the wood pewee, and the least flycatch- lied. The phoebe-like cry of the traill was to be heard er– and with them the crested flycatcher constantly from the hotel piazza. The yellow-bellied (not common), the olive-sided, the traill, seemed to be confined to deep and rather swampy and the yellow-bellied. The phoebe-like woods in the valley, and to the mountain-side cry of the traill was to be heard constantly

REGULAR 10/13PT REGULAR 12/15PT As might have been foreseen, Franconia proved to As might have been foreseen, Franconia be an excellent place in which to study the difficult proved to be an excellent place in which family of flycatchers. All our common eastern Mas- to study the difficult family of flycatchers. sachusetts species were present – the kingbird, the phoebe, the wood pewee, and the least flycatcher All our common eastern Massachusetts – and with them the crested flycatcher(not com- species were present – the kingbird, the mon), the olive-sided, the traill, and the yellow- phoebe, the wood pewee, and the least bellied. The phoebe-like cry of the traill was to be flycatcher– and with them the crested fly- heard constantly from the hotel piazza. The yellow- catcher (not common), the olive-sided, the bellied seemed to be confined to deep and rather traill, and the yellow-bellied. The phoebe- swampy woods in the valley, and to the mountain- like cry of the traill was to be heard con-

SEMIBOLD 10/13PT SEMIBOLD 12/15PT As might have been foreseen, Franconia proved to As might have been foreseen, Franconia be an excellent place in which to study the diffi- proved to be an excellent place in which cult family of flycatchers. All our common eastern to study the difficult family of flycatchers. Massachusetts species were present – the kingbird, the phoebe, the wood pewee, and the least All our common eastern Massachusetts flycatcher– and with them the crested flycatcher species were present – the kingbird, the (not common), the olive-sided, the traill, and the phoebe, the wood pewee, and the least yellow-bellied. The phoebe-like cry of the traill flycatcher– and with them the crested fly- was to be heard constantly from the hotel piazza. catcher (not common), the olive-sided, the The yellow-bellied seemed to be confined to deep traill, and the yellow-bellied. The phoebe- and rather swampy woods in the valley, and to the like cry of the traill was to be heard con-

BOLD 10/13PT BOLD 12/15PT As might have been foreseen, Franconia proved to As might have been foreseen, Franconia be an excellent place in which to study the diffi- proved to be an excellent place in which cult family of flycatchers. All our common eastern to study the difficult family of flycatchers. Massachusetts species were present – the kingbird, the phoebe, the wood pewee, and the least All our common eastern Massachusetts flycatcher – and with them the crested flycatcher species were present – the kingbird, the (not common), the olive-sided, the traill, and the phoebe, the wood pewee, and the least yellow-bellied. The phoebe-like cry of the traill flycatcher – and with them the crested was to be heard constantly from the hotel piazza. flycatcher (not common), the olive-sided, The yellow-bellied seemed to be confined to deep the traill, and the yellow-bellied. The and rather swampy woods in the valley, and to phoebe-like cry of the traill was to be

EXTRABOLD 10/13PT EXTRABOLD 12/15PT As might have been foreseen, Franconia proved to As might have been foreseen, Franconia be an excellent place in which to study the diffi- proved to be an excellent place in which cult family of flycatchers. All our common eastern to study the difficult family of flycatch- Massachusetts species were present – the kingbird, the phoebe, the wood pewee, and the least ers. All our common eastern Massachu- flycatcher – and with them the crested flycatcher setts species were present – the kingbird, (not common), the olive-sided, the traill, and the the phoebe, the wood pewee, and the yellow-bellied. The phoebe-like cry of the traill least flycatcher – and with them the was to be heard constantly from the hotel piazza. crested flycatcher (not common), the The yellow-bellied seemed to be confined to deep olive-sided, the traill, and the yellow- and rather swampy woods in the valley, and to bellied. The phoebe-like cry of the traill

HEAVY 10/13PT HEAVY 12/15PT As might have been foreseen, Franconia proved As might have been foreseen, Franconia to be an excellent place in which to study the proved to be an excellent place in which difficult family of flycatchers. All our common to study the difficult family of flycatch- eastern Massachusetts species were present – the kingbird, the phoebe, the wood pewee, and ers. All our common eastern Massachu- the least flycatcher – and with them the crested setts species were present – the king- flycatcher (not common), the olive-sided, the bird, the phoebe, the wood pewee, and traill, and the yellow-bellied. The phoebe-like the least flycatcher – and with them the cry of the traill was to be heard constantly from crested flycatcher (not common), the the hotel piazza. The yellow-bellied seemed to be olive-sided, the traill, and the yellow- confined to deep and rather swampy woods in bellied. The phoebe-like cry of the traill

HAUSA 9/11PT KABIYE 9/11PT SANGO 9/11PT

A duk faɗin tarayyar ƙasar Najeriya, Laŋhɩzɩyɛ, tɔmʊʊ ŋgʊ paya kɩ-hɩɖɛ Dêpä tî popokodoro tî ndiä tï bata babu al’ummar da ta fi ta Hausawa pɩwɩlɩɣ. Se ɖiɣɖiɣ caɣʊ wɛɛ ɖɔɖɔ nengo terê tï zo takapa. Na hïngängo samun ƙalubale a kan salsalarta da ñaŋga ñaŋga fɛyɩ, ɖama kʊyɩnaʊ bîanî atene nengo terê tî zo na rayuwarta. Ba wani abu ne ya janyo fɛyɩ, you fɛyɩ nɛ ɖɔɖɔ tɔm fɛyɩ. lïngbïngo terê tî ângangü tî lo laâ haka ba illa albarkar da Allah Ya yi Pɩwɩlɩɣ se samaɣ hɛkʊ taa nɩnaʊ sï ayeke na gündâ tî zarä , otî nz nî wa Hausa da Hausanci, ya zamanto wɛɛ nɛ politiki wɛ ɖɔɖɔ camɩyɛ. ngbanga na tî sîrîrî na ndo tî dûnîa. ko ƙaƙa mutum wanda ba Bahaushe Ehoye ɖɔkʊ ɖɩ-nɔɔ yɔɔ Olivier Na hïngängo nî pepee na kengo ne ba ya yi gogayya da Hausawa, ya piliŋga mbʊ wɩlɩɣna se laŋhɩzɩyɛ ândiä tî bata nengo tere tî zo laâ adü iya Hausa, to shi kam zai ɗauki kansa wɛɛ. Samaɣ ɛsɩnda nɛ kɛ-tɛ paɣtʊ kpäle tî birä sô abi ngonzo na bê tî ne a matsayin Bahaushe. Wannan taa lɛ, laŋhɩzɩyɛ tɔmpiye wɩlɩɣ ɛzɩma âhalezo, ngâ sï gängo tî mbênî finî ya saɓa da yadda shi Bahaushen nɩnaʊ wɛɛ ɛyaa hɛkʊ taa yaa samaɣ kodoro sô âhalezo kûe alîngbi tî tene ya kan ɗauki kansa, domin komai hɛkʊ taa kɛ ɛjaɖɛ naɖɩyɛ taa yɔ. tene tî bê tî âla, tî mäbê tî âla afanî jimawar da ya yi a wani wuri, to shi Ɛlɛ pɩɩcoɖuu se paayou, ɛlɛ panɩna tongana taâ ok tä bêkü tî âzo tî ndo

VAI 9/11PT YORUBA 9/11PT VIETNAMESE 9/11PT

Ibhóla tiya kiya kpɛlɛyáhale.́ Wá ko Ìkéde káriayé uf n ẹ̀ tọ́ ọmọniyan Ngôn ngữ là hệ thống phức tạp con a kɛ mu lá nyɛnyɛ ɓɛ fɔɔyɔ amu Ọ̀ rọ̀ akọ́ sọ. Bi ó ti jẹ́ pé ṣie akiyèsi người sử dụng để liên lạc hay giao wáháti kuluŋ ɓa a jáwo mɔ kɛ́ ndɛ́. iyi tó jẹ́a bimọ́ fun ẹ̀ dá ati idọ́ gba ẹ̀ tiếp với nhau cũng như chỉ chính Nu ma hĩ kɛ́ ndɛ́ feŋ mu nu kpãha tọ́ ṭi kò seé mu kurò ti ẹ̀ dá kọ̀ ọ̀ kan năng lực của con người có khả năng mɔ kɛ́ ndɛ́ nu la anuã ɓɛ́ kiiyɛ fɛ ni, ni òkuta ipilẹ̀ fun òminira, idájọ́ sử dụng hệ thống như vậy. Là hệ (yɔ́ kpɔŋ, goréla, hĩ woló) amu kiya òdodo ati alaáfí lágbaáyé. Bi ó ti jẹ́ thống thông tin liên lạc được sử ɓhii na ibhóla varɔ́ si wá fɛ. Aha nyɛ́ pé àka awọn ẹ̀ tọ́ ọmọniyan si ati dụng bởi một cộng đồng hoặc quốc nyɛ́ ɓɛ kɛ fɔɔyɔ amu a kuŋ mɔ faha ikẹ́ gan awọn ẹ̀ tọ́ wọ̀ nyi ti se okunfa gia cụ thể, cách thức hoặc phong wáháti kundu ɓu lɔ, kɛ́ mɔ kuŋ ɓóló fun awọn iwa buburu kan, tó mu ẹ̀ cách của một đoạn văn bản hoặc kpemgbáha a jáha. I suma kɛmu i ri-ọkan ẹ̀ dá gbọgbẹ́ , tó si jẹ́ pé ibẹ̀ lời nói. Ngành khoa học nghiên cứu má tuu ji feŋ gbi la a kɛmuĩ́ ɓɔ ibhóla rẹ̀ igbé ayé titun, ninu èyi ti awọn khoa học về ngôn ngữ được gọi là mɔɔ̃́ ɓuunaã lɔ ɔ mɔ um ibhóla èniyan yóò ti ni òminira òrọ̀ i s sọa ti ngôn ngữ học. Ước tính số lượng kiyaha ɓɛ a la. Mɔ muĩ́ kpãha mɔ lɛ́ òminira láti gba ohun tó báu w wọ́ n ngôn ngữ trên thế giới dao động

VENDA 9/11PT ZULU 9/11PT DINKA 9/11PT

TshiVenḓa ndi luambo lu no am- Ngokunjalo ukwamukelwa ngoku- Thiɔrëɣɔ̈ c ee thëm thëm wëu ke luɔi biwa Afurika Tshipembe. Ludovha zuzwa kwesithunzi samalungelo rac. ɣɔ̈ c de käŋ ku luɔɔi aaye wëu hafhu lwa ambiwa nga vhanwe vha alinganayo najwayelekile awow- juëc göör, ke wëu kë aaye dhuk piny vhathu vhare kha shango la tsini onke amalunga omndeni wesintu në kë ba looi ku kë ba ɣɔɔc. Mënyic ë line lavha Zimbabwe. Ndi luṅwe kuyisisekelo senkululeko, sobulung- maac ë käŋ ee käŋ deet të nɔŋ raan lwa dzinyambo dza tshiofisiri kha iswa noxolo emhlabeni. Ngokun- ɣɔ̈ c käŋ, nyic yen thiɔɔr ë ɣɔ̈ c. Abë la Afurika Tshipembe na khala jalo ukunganakwa nokwedelelwa naŋ piath ku rɛ̈ ɛ̈ c yen thiɔ̈ r ë ɣɔɔc. Zimbabwe. Tshivenḓa tshi ambiwa kwamalungelo esintu kube nom- Ka ye thiɔ̈ r ɣɔ̈ c bɛ̈ ɛ̈ i. Të cïï wëu bɛ̈ n nga Vhavenḓa. Tshi ya dovha hafhu phumela wezenzo zobuqaba esez- të në nyiɛ̈ ɛ̈ c ë maac ë käŋ (ye wëu tsha kwashekanyiwa tsha vha na iqede unembeza kubantu, kanye ɣɔ̈ c ë käŋ eke juak röt arët, ke wëu luambo lwa Musanda. Itsho ndi nomhlaba obhekwe isintu ukuba adhiil ë dhuk piny. Aye, mënyic ë Tshivenḓa tshi no ambiwa Thavhani/ senamele inkululeko yokukhuluma maac ë käŋ kedhiɛ tak, ajuɛ̈ k ë wëu Pfamoni/Musanda nahone nga nokukholwa, inkululeko yokungesabi ee rɔt juak (wëëth thiɔr ɣɔɔc), aaye

AKAN 9/11PT EWE 9/11PT VAI 9/11PT

Koo Nimo yɛ abakɔnnwom mu Le blema kɔnuwo nula, esrɔɖelawo Ibhóla tiya kiya kpɛlɛyáhalé wá ko nimdeɛni titiriw a ofi Ghana. Ɔsan me nyana wonoɛ wo o vaseɖe esime a kɛ mú lá nyɛnyɛ ɓɛ fɔɔyɔ amu nso bɔ nnwom a ɛde abibimaneɛ woɖea wonɔɛ wo o. Aleke kɔnuawo wáhátí kúluŋ ɓa a jáwo mɔ kɛ́ndɛ́ ne amanɔne nneyɛe ɛfra. Koo Nimo va yina enye esi ; ɖevi ŋtsuvila ƒe nú ma hĩ kɛ́ndɛ́ feŋ mú nú kpãha mɔ (a wɔsan frɛ no Daniel Amponsah, ƒomea dzina nyɔnuvi si woaɖe la kɛ́ndɛ́ nú la anúã ɓɛ́ kiiyɛ fɛ (yɔ́ kpɔŋ, wɔ mmere a ɔwɔ Britain man mu nɛ eye wo dena gbɔme zi etɔ eye goréla, hĩ woló) amu kiya ɓhií na no) yɛ ɔdehye esan sɛ ne nuabea emegbe la wo wɔna esrɔ ɖeɖe ƒe ibhóla varɔ́si wá fɛ. Aha nyɛ́nyɛ́ ɓɛ waree ɔhene. Ahenfie na osuaa kɔnuwo. Aleke wo dea gbɔme ɖoe kɛ fɔɔyɔ amu a kuŋ mɔ faha wáhátí sɛnea wɔbɔ kete nnonnoo. Ansa !ne miagblɛ kpuiɖe ko la, gbɔme kúndú ɓú lɔ, kɛ́ mɔ kuŋ ɓóló kpemg- odii mfe du-nkron nsan sɛ ne nua- dede gɔme enye be woa biata ne báha a jáha. I suma kɛmú í má tuu bea waree ɔhene. Ahenfie na osuaa nyɔnuvi si ɖegbe ƒomea gbɔna la ne jí feŋ gbi la a kɛmúĩ́ ɓɔ ibhóla mɔɔ̃́ sɛnea wɔbɔ kete nnonnoo. Ansa wo ƒe vi ŋtsuvi la. Zi alesi miegblɔɛ ɓúunaã lɔ ɔ mɔ mú ibhóla kiyaha odii mfe du-na kosnnwom tew ne ho vayi la, gbɔme dede nye enu tɔhɛ ɓɛ a la. Mɔ múĩ́ kpãha mɔ lɛ́i mɛɛ̃ la,

GERMAN 9/11PT FRENCH 9/11PT CZECH 9/11PT

Im speziellen Sinn bezeichnet das Les gestes sont la méthode de Vědecký obor zabývající se zkou- Wort Sprache eine bestimmte Ein- communication la plus connue, máním jazyka se nazývá lingvistika. zelsprache wie Deutsch, Japanisch utilisée par diverses espèces dont Otázky týkající se filosofie jazyka oder Swahili etc. Die gesprochenen l’ensemble des primates. C’est éga- byly pokládány již ve starověkém Sprachen der Menschheit werden lement le cas des abeilles et leurs Řecku, byly zde otázky typu zda gemäß ihrer genetischen Verwandt- danses : lorsqu’une abeille explo- mohou slova reprezentovat zkuše- schaft in Sprachfamilien gegliedert. ratrice revient vers sa ruche après nost nebo motivovanost obsahu Jede einzelne Sprache wird dabei avoir trouvé une source de nectar, slov, konkrétními památkami jsou anhand der sogenannten Language elle peut effectuer une danse en například Platónovy dialogy Gorgias Codes nach den ISO-639-Teilnormen rond indiquant que cette source se a Faidros. Ještě časnějším dokladem international eindeutig klassifiziert. situe à moins de 50 mètres, ou une uvažování o jazyku jsou gramatiky Von den heute rund 6500 gezähl- danse en huit indiquant que cette sanskrtu, nejranější záznamy o kodi- ten Einzelsprachen – laut National source est plus lointaine. De plus, fikaci liturgického jazyka a uspořá-

PORTUGUESE 9/11PT NORWEGIAN 9/11PT VIETNAMESE 9/11PT

Linguagem pode se referir tanto à Et språk er et dynamisk sett av synli- Ngôn ngữ là hệ thống phức tạp con capacidade especificamente huma- ge, hørbare eller følbare symboler for người sử dụng để liên lạc hay giao na para aquisição e utilização de sis- kommunikasjon og elementer som tiếp với nhau cũng như chỉ chính temas complexos de comunicação, brukes for å manipulere dem. Språk năng lực của con người có khả năng quanto a uma instância específica kan også henvise til bruken av slike sử dụng hệ thống như vậy. Là hệ de um sistema de comunicação systemer som et generelt fenomen. thống thông tin liên lạc được sử complexo. O estudo científico da Eksempler på språk er naturlig språk dụng bởi một cộng đồng hoặc quốc linguagem, em qualquer um de seus (menneskelige enkeltspråk, for gia cụ thể, cách thức hoặc phong sentidos, é chamado linguística. eksempel norsk), kunstige språk (for cách của một đoạn văn bản hoặc Atualmente, entre 3000 e 6000 eksempel esperanto) og program- lời nói. Ngành khoa học nghiên cứu línguas são usadas pela espécie hu- meringsspråk (for eksempel Java). khoa học về ngôn ngữ được gọi là mana, e um número muito maior era Menneskespråk omtales vanligvis ngôn ngữ học. Ước tính số lượng usado no passado. As línguas natu- som naturlige språk, og vitenskapen ngôn ngữ trên thế giới dao động

TURKISH 9/11PT SWEDISH 9/11PT POLISH 9/11PT

İnsanlar arasındaki anlaşmayı Språk eller tungomål är en del av Język służy do przedstawiania sağlayan bir araç olarak tanımlana- olika system för kommunikation, rzeczywistości dotyczącej przedmio- bilir. Bu bağlamda dil, kelimelerden som används av människor och som tów, czynności czy abstrakcyjnych oluşan, yani vücut dili gibi sözlü vi börjar tillägna stora bitar av redan pojęć za pomocą znaków. Zbiór zna- olmayan iletişim biçimlerinin yanı under våra första levnadsår.Barn lär ków w języku jest otwarty. Wynika to sıra insanların en etkili iletişim şekli sig använda språk lika naturligt, som z faktu, że znakiem językowym jest olan sözlü iletişimi tanımlar. Dil, ses de lär sig att gå. Språket kommu- każdy tekst, każda sformułowana dalgaları aracılığıyla akustik olarak niceras exempelvis via talat språk, wypowiedź, posiadająca znaczenie. ve kelimeler aracılığıyla veya işaret teckenspråk, kognitioner och skrift, Jednostka posługująca się językiem dilinde olduğu gibi işaretler aracılı- som är bärare av språk i en rad olika może więc za pomocą jego systemu ğıyla görsel olarak aktarılır (“İşaret kommunikationssystem. Begreppet tworzyć nieskończoną liczbę no- dili” ile karşılaştırınız). Ayrıca dokun- språk har två nära sammanbundna wych znaków, także takich, z którymi ma vasıtasıyla dokunsal işaretlerle men ändå separata betydelser; dels nigdy się wcześniej nie zetknęła.

ICELANDIC 9/11PT SPANISH 9/11PT FINNISH 9/11PT

Mál er kerfi merkja, tákna, hljóða og Un lenguaje (del provenzal lenguat- Kieli on järjestelmä, jossa ihminen orða sem notuð eru saman til þess ge y del latín lingua) es un sistema ilmaisee ajatuksensa kielellisillä að lýsa hugtökum, hugmyndum, de comunicación estructurado para merkeillä, abstraktioilla. Näitä merk- merkingum og hugsunum. el que existe un contexto de uso y kejä nimitetään kielellisiksi ilmauk- Málfræðingar eru þeir sem að ciertos principios combinatorios siksi. Puhutuissa kielissä kuuluvia rannsaka mál, en í nútímanum formales. Existen contextos tanto (auditiivisia) merkkejä tuotetaan var málfræði fyrst kynnt sem naturales como artificiales. Desde puhe-elimillä. Kirjoitetussa kielessä vísindagrein af Ferdinand de un punto de vista más amplio, el kielelliset ilmaukset on tehty silmin Saussure. Þeir sem að tala mál, eða lenguaje indica una característica nähtäviksi eli luettaviksi. Viitotuissa nota það á annan hátt, eru taldir común a los humanos y a otros ani- kielissä kielelliset ilmaukset ovat með sem hluti af málsamfélagi males (animales no simbólicos) para visuaalisia, eivät auditiivisia. Eri þess máls. Tungumál er hugtak expresar sus experiencias y comu- kieliä tutkii kielitiede. Kognitiotiede sérstaklega notað um þau mál nicarlas a otros mediante el uso de tutkii kieltä hieman erilaisesta

SMALL CAPS

¿Para texto? ¿Para texto? 1708 A–b [Ende] H@I 1708 a–b [Ende] H@I

ALL SMALL CAPS

¿Para texto? ¿Para texto? 1708 A–b [Ende] H@I 1708 A–b [Ende] H@I

ALL CAPS

¿Para texto? ¿PARA TEXTO? 1708 A–b [Ende] H@I 1708 A–B [ENDE] H@I

LIGATURES

Affiliate, físico, fjord, cïï Affiliate, físico, fjord,c ïï

DISCRETIONARY LIGATURES

The, Häckeln, contact, estaño The, Häckeln, contact, estaño

PROPORTIONAL OLDSTYLE FIGURES

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PROPORTIONAL LINING FIGURES (DEFAULT)

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TABULAR OLDSTYLE & SLASHED ZERO

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TABULAR LINING & SLASHED ZERO

00123456789$¢£¥ƒ₺�� 00123456789$¢£¥ƒ₺��

NUMERATOR/DENOMINATOR

345(x+y)/678, 89/120 345(x+y)/678, 89/120

FRACTIONS

1/2 3/4 1/46 5/7 2/98 1/2 3/4 1/46 5/7 2/98

SUPERIOR/INFERIOR

H2O xb8 y3+5 aIndex H2O xb8 y3+5 aIndex

ORDINALS

1st 2nd 3rd Mlle 2e 85th Ma No. 1st 2nd 3rd Mlle 2e 85th Ma No.

HISTORICAL FORMS

That is the question That iſ the queſtion

STYLISTIC SET O1 (ARROWS & GEOMETRIC)

A B C D E F G H I J K L M A B C D E F G H I J K L M N O P Q R S T U V W N O P Q R S T U V W a b c d e f g h i j k l m n a b c d e f g h i j k l m n o p q r s t u v o p q r s t u v

STYLISTIC SET O2 (ICONS & SYMBOLS)

a b c d e f g i j k l m n a b c d e f g i j k l m n o p r s t u v w x y z o p r s t u v w x y z A B C D E F G I J K L M A B C D E F G I J K L M

STYLISTIC SET O3 (UPPERCASE ENG)

KALƖŊGBAƔ KALƖŊGBAƔ

TURKISH/AZERI/CRIMEAN TATAR

Kırtasiye, kırtasiye, KIRTASIYE Kırtasiye, kırtasiye, KIRTASIYE

ROMANIAN/MOLDAVIAN

Timiş, bucureşti, MULŢUMESC Timiş, bucureşti, MULŢUMESC

CATALAN

Il·lusió, col·labora, CAL·LIGRAFIA Il·lusió, col·labora, CAL·LIGRAFIA

DUTCH

Bíjna, víjf, BÍJNA Bíjna, víjf, BÍJNA,

CONTEXTUAL ALTERNATES

gj jj qĵ gj jj qĵ

UPPERCASE PROPORTIONAL OLDSTYLE FIGURES

A � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � % ‰ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � PROPORTIONAL LINING FIGURES (DEFAULT) � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � % ‰ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ì � � � � � � � � � � � � � ÍJ � � � � � � � � � � TABULAR OLDSTYLE FIGURES � � L· � � � � � � � � � � � � � � � � � � � � � � � � 0 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � TABULAR LINING FIGURES � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � � � � � � � � � � � � � � � � � � � � � � �� FIGURES (SMALL CAPS) LOWERCASE 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺� � � � % ‰ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � á � â ä � � � � � ã � � � � � � � � � � � � � � � � � � � � � � SUPERSCRIPTS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � é H 0 1 2 3 4 5 6 7 8 9 + − = ( ) - , . � � ê � � è � � � � � � � � � � � � � � � � � � � � � ẽ � � � � � � � H a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � � � � � � � � � � î ï � � � � ĩ � � � � � � � � �

� íj � � � � � � � � � � � � � l· � � � � � � � � � � � � � � � � � ñ � � � SUBSCRIPTS � � � � � ó � ô � ò � � � � � � � � � � � � � � � ọ � � � � � � H 0 1 2 3 4 5 6 7 8 9 + − = ( ) - , . � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � H a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � ṭ � � � � � û ü � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � NUMERATOR/DENOMINATOR � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 1 2 3 4 5 6 7 8 9 + − = ( ) - , . / 0 1 2 3 4 5 6 7 8 9

SMALL CAPS FRACTIONS

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 1/2 ⅓ ⅔ 1/4 3/4 ⅛ ⅜ ⅝ ⅞ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ORDINALS � � � � � � � � � �� No. a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � íj

� � � � � � � � � � � � l· � � � � � � � � � � � � � � � � � � � � ORDINALS (SMALL CAPS) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � h � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �� MATHEMATICAL OPERATORS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ⁄ − ∕ ∙ ≈ ≠ ≤ ≥ < = > ¬ + ± ÷ × ∂ ∆ ∏ ∑ √ ∞ ∫ Ω μ π � � � � � � � � � � � � � � � � � � � � DIACRITICAL MARKS LIGATURES � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ff fi fl fk fb fh ft fj ffj ffi ffl ffk ffb ffh fft fí ïï tt � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

DISCRETIONARY LIGATURES SYMBOLS

HISTORICAL FORMS SYMBOLS (SMALL CAPS) ſ � � � � CONTEXTUAL ALTERNATES

� � ARROWS & GEOMETRIC SHAPES (SS01) a b c d e f g h i j k l m n o p q r s t u v PUNCTUATION w x y z A B C D E F G H I J K L M N O P Q R S T U V W ‘ “ “ ‘ ’‚ “ ” „ - , . : ; ¿? ! ¡ [ ] ( ) { } \ / _ « » ‹ › • … · – — - ICONS & SYMBOLS (SS02) PUNCTUATION (SMALL CAPS) a b c d e f g h i j k l m n o p q r � � � � �� s t u v w x y z A B C D E F G H I J K L M

UPPERCASE PROPORTIONAL OLDSTYLE FIGURES

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � % ‰ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � PROPORTIONAL LINING FIGURES (DEFAULT) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � % ‰ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �� TABULAR OLDSTYLE FIGURES � � � � � � � � � � � � � � � � � � � � � � � � � � 0 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � TABULAR LINING FIGURES � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � � � � � � � � � � � � � � � � � � � � � � � � � � FIGURES (SMALL CAPS) LOWERCASE 0 1 2 3 4 5 6 7 8 9 $ € ¢ £ ¥ ƒ ₺ � � � � % ‰ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � SUPERSCRIPTS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � H 0 1 2 3 4 5 6 7 8 9 + − = ( ) - , . � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � H a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � SUBSCRIPTS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � H 0 1 2 3 4 5 6 7 8 9 + − = ( ) - , . � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � H a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � NUMERATOR/DENOMINATOR � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 1 2 3 4 5 6 7 8 9 + − = ( ) - , . / 0 1 2 3 4 5 6 7 8 9

SMALL CAPS FRACTIONS

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ORDINALS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � No. a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ORDINALS (SMALL CAPS) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � h � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � MATHEMATICAL OPERATORS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ⁄ − ∕ ∙ ≈ ≠ ≤ ≥ < = > ¬ + ± ÷ × ∂ ∆ ∏ ∑ √ ∞ ∫ Ω μ π � � � � � � �� DIACRITICAL MARKS LIGATURES � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ff fi fl fk fb fh ft fj ffj ffi ffl ffkffbffhfftfí�tt � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

DISCRETIONARY LIGATURES SYMBOLS

HISTORICAL FORMS SYMBOLS (SMALL CAPS) ſ � � � � CONTEXTUAL ALTERNATES

SUPPORTED LATIN LANGUAGES (EXTENDED) SUPPORTED LATIN LANGUAGES

Abidji, Acholi, Adioukrou, Adja, Agni Sanvi, Ahlõ (Igo), Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Akan, Akoose (Bakoosi), Angas, Anufo (Tchokossi), Alsatian, Amis, Anuta, Aragonese, Aranese, Ashe, Avokaya, Ayizo, Babungo, Bafanji, Bafut (Fut), Aromanian, Arrernte, Arvanitic (Latin), Asturian, Baka, Bakaka (Mkaa), Balante, Bambara, Bandi, Atayal, Aymara, Bashkir (Latin), Basque, Belarusian Bandial (Eegima), Baoule, Bariba, Bassa, Bassar (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, (N’Tcham), Bassari (Onyan), Bedik (Ménik), Belanda Cape Verdean Creole, Catalan, Cebuano, Chamorro, Bor, Belwi, Bemba, Berom, Bété, Bɛŋ (Ngain), Bhele, Chavacano, Chichewa, Chickasaw, Cimbrian, Biali, Bimoba, Bisa, Bissa, Bobo (Bwa), Bongo (Dor), Cofán, Cornish, Corsican, Creek, Crimean Tatar Boussa (Boko), Bozo, Budu, Bulu, Caning (Shatt), (Latin), Croatian, Czech, Danish, Dawan, Delaware, Cerma (Gouin), Chewa, Chumburung, Cibalke, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Cicopi, Cinyanja, Cinyungue, Cisena, Ciyao, Daba, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Dagare, Dagbani, Dagera, Northern Dagara, Dan, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Dan (Yacouba), Dangaléat, Dangme (Adangme), Genoese, German, Gikuyu, Gooniyandi, Greenlandic Daza, Degema, Dendi, Dholuo (Luo), Dida, Dii (Duru), (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Dinka (Thuɔŋjäŋ), Dioula (Jula), Ditammari, Djimini, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk Doayo (Dowayo), Dogon, Duala, Duruma, E. Ijo, (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Ebira, Echuwabo, Edo (Bini), Efik, Elip (Nulibie), Emai, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Engenni, Engwo, Ewe, Ewondo, Ezaa, Fe’efe’e, Fon, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Fula (Fulfulde), Fula (Pular), Fulfulde, Fur, Ga, Gaam, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Gangam, Gbaya, Gɛn-Mina, Gitonga, Godié, Guɗe, Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Gulmancema (Gourma), Gun, Gusilay, Hadza, Hanga, Kiribati, Kirundi, Kurdish (Latin), Ladin, Latin, Hassaniya, Hausa, Hun-Saare, Ibibio, Ife, Igbo, Igede, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Ik, Ikizu, Ikwo, Izere, Izi, Jur Mödö, Kabiye, Kabwa, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Kabyle, Kakɔ, Kambari, Kanuri, Kaonde, Karaboro, Manx, Māori, Marquesan, Megleno-Romanian, Karamojong, Karaŋ (Karang), Kasem, Kassena, Kasim, Meriam Mir, Mirandese, Mohawk, Moldovan, Kasena, Kemedzung, Kikuyu, Kimwani, Kisiei, Kom, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Komo, Konkomba, Kɔɔzime (Nzime&Badwe), Kpelle, Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Kpɛlɛwoo (Kpelle), Kposo, Kresh, Krio, Kroumen Tépo, Noongar, Norwegian, Novial, Occidental, Occitan, Kulango, Kuria, Kusal (Kusasi), Laalaa (Lehar), Lama, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Latege, Lele, Lendu, Ligbi, Limba, Limbum, Lingala, Piedmontese, Polish, Portuguese, Potawatomi, Loko, Lokpa (Dompago), Lopit, Lozi, Lɔgɔmagooi Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, (Loma), Lubwisi, Luganda, Lugbara, Lugungu, Lunda, Rotokas, Sami, Sango, Saramaccan, Sardinian, Lyélé, Malagasy, Mambila, Mampruli, Manding, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Manding (Mandinka), Mangbetu (Meje), Maninkakan, Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Manjak (Manjaque), Mankanya (Mancagne), Mboó, Slovenian, Slovio (Latin), Somali, Sorbian, Sotho Mbuko, Mbule, Mbum (Buna), Mekaa (Byep), Membe, (Northern), Sotho (Southern), Spanish, Sranan, Metta, Mɛnde, Mina (Gɛn-Mina), Minyanka, Mmala, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Mmen, Mo (Deg), Mofu-Gudur, Mokolle, Mooré Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, (Mossi), Muan, Mundani, Mundari, Mündü, Murle, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen Mwaghavul, Nafaanra, Naro, Nawdm, Ngambay (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, (Sara), Ngbaka, Ngbandi, Ngyembɔɔŋ (Ngiemboon), Vepsian, Volapük, Võro, Wallisian, Walloon, Waray- Niaboua, Njyem, Nkonya, Noni (Noone), Noon, Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Northern Sotho (Sepedi), Nɔmaándé (Mandi), Nso’, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Nuer (Thok Nath), Nugunu (Gunu), Nuni (Nʋnɩ), Zapotec, Zulu, Zuni, … Nyanja, Pandikeri (Ma’di), Podoko (Parkwa), Reel (Atwot), Rendille, Saafi (Saafen), Sabaot, Sari, EXTENDED TYPOGRAPHIC FEATURES: Senoufo (Senari), Sereer, Setswana, Shilluk (Cøllø), All small caps, basic ligatures, case-sensitive forms, Shimakonde, Shona, Sisaala, Songhoy, Soninke, class kerning, contextual alternates, discretionary Sooninke, Soso (Susu/Sousou), Supyire, Swahili, Swo, ligatures, denominators & numerators, fractions, Tamasheq, Tamasheq (Tamajaq), Tamazight, Tarok, alternative fractions, historical forms, 5 sets of Teda, Téén (Loron), Tem (Kotokoli), Temne, Teso, figures (oldstyle numerals, lining figures, proportional Tikar, Toffin (Tɔfin), Tonga, Toposa, Toura, Toussian, figures, tabular figures, and small caps), localised Tusya, Tuki, Vagala, Venda, Vute, Waama, Wan, West. forms, ordinals, ornaments, small capitals, small Ejagham, Wobé, Wolof, Xironga, Xitshwa, Xitsonga, capitals from capitals, stylistic sets (SS01, SS02, Yamba, Yambeta, Yangben, Yaouré, Yemba, Yom (Pila- SS03, etc), superiors & inferiors, slashed zero, … Pila), Yoruba, Zarma (Djerma) / Soŋay, Zulgo, …

THE DESIGNERS CREDITS

Veronika Burian studied Industrial Design in Munich Lead design and concept and worked in that capacity in Vienna and Milan over Veronika Burian a few years. Discovering her true passion for type, she José Scaglione graduated in 2003 with distinction from the MA in Typeface Design course in Reading, UK. Veronika then Assistant designer worked as a type designer at DaltonMaag in London Roxane Gataud for a few years, spent some time in Boulder, USA, and then her hometown, Prague, and is now enjoying life Engineering in sunny Cataluña, Spain. Azza Alameddine Veronika is a type designer and the co-founder Joancarles Casasín of the independent type foundry TypeTogether with Jose Scaglione, publishing award-winning Quality assurance typefaces and collaborating on tailored typefaces Azza Alameddine for a variety of clients. She is also involved with Alphabettes.org, a showcase for work and research Language consultancy on lettering, typography, and type design by women, Dr Don Osborn and she continues to give lectures and workshops at international conferences and universities. Graphic design Elena Veguillas José Scaglione is a graphic designer, typeface designer, and co-founder of the independent type Copywriting foundry TypeTogether with Veronika Burian, where Joshua Farmer they have published numerous award- winning type families. He teaches typography at the University of Buenos Aires, Argentina, and is frequently invited AWARDS (ADELLE SANS LATIN) to lecture about typography and to lead workshops on typeface design at international conferences and – Typographica’s Best Typefaces of 2012 academic institutions. Jose co- authored the book – Yearbook of Type I, 2013 Cómo Crear Tipografías: Del Boceto a la Pantalla, – Premio Clap 2013 and collaborated with Jorge de Buen Unna on his – ISTD 2014 book Introducción al Estudio de la Tipografía. – Rutenia 2014 In 2012 Jose acted as chairman of the Letter.2 type design competition and conference and he was appointed president of the Association Typographique Internationale (ATypI) from 2013 to 2017.

FAMILY UPGRADES ADELLE SANS EXTENDED

Buy a single weight (or more) now and get reimbursed Design: Veronika Burian, José Scaglione if you buy the entire font bundle at a later time. www.type-together.com/adelle-sans-extended This is a great way to explore a new typeface without © TypeTogether 2019 full commitment. To take advantage of the upgrade, Adelle Sans is a registered trademark of TypeTogether. please email [email protected]. All rights reserved.

CUSTOM WORK TEXT CREDITS

We offer custom font solutions tailored to your needs. As I walked out one midsummer morning, This includes developing new typefaces from scratch, by Laurie Lee (London, 1969). modifying existing typefaces, extending language Wilt, by Tom Sharpe (1976). support, and creating logotypes. Please contact us Foot-path way, by Bradford Torrey (Boston, 1892). for details at [email protected]. Nineteen Eighty-Four,by George Orwell (1949). ‘Rhythm & Reaction’ gets under the skin of a British LICENSING love affair with American jazz, in Eye Magazine blog. Wikipedia.org; Bbc.com. Our complete font catalogue, along with the Universal Declaration of Human Rights at ohchr.org presented type family here, are available for print, self-hosted web applications, and app embedding from TypeTogether’s online store. For other types ABOUT THIS SPECIMEN of licences and more information, please contact us This specimen has been set using Ebony Light, at [email protected]. Ebony Bold and Adelle Sans Extended. If you print this specimen, please be kind to the environment and TESTING OUR FONTS consider printing only the pages you need.

TypeTogether actively seeks ongoing dialogue with all type users and therefore offers free temporary licences to test any of our typefaces. The test fonts are fully functional and include the entire character set and OpenType features. To request test fonts, please contact us at [email protected].

EDUCATIONAL & CHARITY DISCOUNT

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