DOCSLIB.ORG

Kritik Sosial Dalam Naskah Drama Obrog Owok-Owok

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kritik Sosial Dalam Naskah Drama Obrog Owok-Owok KRITIK SOSIAL DALAM NASKAH DRAMA OBROG OWOK-OWOK EBREG EWEK-EWEK KARYA DANARTO DAN IMPLIKASINYA PADA PEMBELAJARAN BAHASA DAN SASTRA INDONESIA DI SEKOLAH MENENGAH ATAS (SMA) Skripsi Diajukan kepada Fakultas Ilmu Tarbiyah & Keguruan untuk Memenuhi Salah Satu Syarat Mencapai Gelar Sarjana Pendidikan (S. Pd.) Oleh Chitra Nur Imaniar NIM: 1112013100005 JURUSAN PENDIDIKAN BAHASA DAN SASTRA INDONESIA FAKULTAS ILMU TARBIYAH DAN KEGURUAN UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2019 ′ LEⅣIBAR PENGESAHAN SKRIPSI KRITIK SOSIAL DALAPI NASKAH DRAⅣ IA OBRθG θ″り【 θ″りrttBREC E″ τr KARYA DANART0 "″ DAN IR/1PLIKASINYA PADA PEPIBELAJARAN BAⅡ ASA DAN SASTRA INDONESIA DISEKOLAⅡ ⅣIENENGAⅡ ATAS(SPI劫 Skripsi Dttukan kepada Fakultas 1lmu Tarbiytt dan Kcguruan untuk Memelluhi Pcrsyaratan dalaln Melmperolё h Cclar Sttana PCndidikan(So Pd.) 01eh Chitra rur lma亜ar NIPI:1112013000055 ⅣIe NIP。 197710302008012009 JURUSAN PENDIDIKAN BAHASA DAN SASTRA INDONESIA ・ ， FAKULTASILPIU TARBIYAH DAN KEGURUAN ヽ ′ UNIVERSITAS ISLAⅣ I NEGERISYARIF ⅡIDAYATULLAⅡ JAKARTA 2019 LEPIBAR PENGESAHAN UJIAN MUNAQASAH Skripsi berjudul Kritik Sosial dalam Naskah Dram.a Obrog Owok-Owok Ebreg Ewek-Ewek Karya Danarto dan Implikasinya terhadap Pembelajaran bahasa dan Sastra Indonesia di SMA disusun oleh Chitra Nur Imaniar, Nomor Induk Mahasiswa 1112013000055, diajukan kepada Fakultas Ilmu Tarbiyah dan Keguruan UIN Syarif Hidayatullah Jakarta dan telah dinyatakan lulus dalam ujian Munaqasah pada29 April 2019, dihadapan dewan penguji. Oleh karena itu, penulis berhak memperoleh gelar Sarjana (S. Pd) dalam bidang Pendidikan Bahasa dan Sastra Indonesia. Jakarta, 2019 Panitia Ujian Munaqasah Ketua Pttiua(Ketua Jurusan/Stud) Tallggal Tanda Tangan Dr.Makvlllll Subuki3 M.Hum. a2Mθ ,ュοノθ NIP。 198003052009011015 sekraaris selC∝aris Jurusaly Prod) Toto Edidttmo,MA. NIP.197602252008011020 %..照 グ.卸 . PCnttiI A仙nad Btttiar、 M.Hulll. NIP.197601182009121002 e2 Mei 2619 PenguJl II No宙 Diah Harvanti,M.Hullll. Miei gate NIP。 198411262015032007 aB Mengetahui, Tarbiyah dan Keguruan KEMENTERIAN AGAMA No Dokllmcn i FI・ rK‐ FR.AKD‐ ()89 TgL Terbit I Maret 20lu UIN JAttRTA FORIM(F]時 : IFITK No.Rcvisi: : 01 ″ //■ η凛,ヽ,ガ ぜ´″ 71イ プPルあ″ぶ● “ "′ `″ SURAT PERNYATAAN KARYA SENDIRI Saya yang beianda tangan di ba、 vah ini) Nama i Chitra Nurimaniar Tempat/T'gl.Lahir i Tangerang,19 Mei 1994 NIM :1112013000055 .lurusan I Prodi :Pendidikan 3ahasa dan Sastra 11ldoncsia Jlldul Skripsi :“ lく ritik Sosial dalam Naskah Drama Obrok O、 ″ok… o、、「ok Ebrck E、vck― cwck dan ilnplikasinya lPada Pembclttaran Bahasa ttn Sattra lndonesia di SⅣ 独 '' IDoscn Pcmbimbing :Rosida Erowati、 Ⅳl.lium dcngan ini lncnyatakall bah、 va skripsi yang saya buat benar― bcnar hasil kava scndiri dan saya bcftanggungiaヽ Vab sccara akadclnis atas apa yang saya tは lis Pcrnyataan ini dilDutt scbagtt salah sttu syartt mcncmpuh Чian Munaqasyah .lakarta,29 April 2019 Mahasiswa Ybs. NIⅣI。 1112013000055 ABSTRAK Chitra Nur Imaniar (1112013000055), “Kritik Sosial dalam Naskah Drama Obrog Owok-Owok Ebreg Ewek-Ewek Karya Danarto dan Implikasinya pada Pembelajaran Bahasa dan Sastra Indonesia”. Jurusan Pendidikan Bahasa dan Sastra Indonesia, Fakultas Ilmu Tarbiyah dan Keguruan, Universitas Islam Negeri Syarif Hidayatullah Jakarta. Dosen Pembimbing: Rosida Erowati, M. Hum. Karya sastra memiliki kecenderungan untuk mencerminkan kondisi sosial masyarakat yang dipotretnya. Oleh karena itu jika didalamnya terdapat kritik sosial, hal ini menandakan bahwa karya sastra tersebut menyikapi sebuah fenomena sosial. Naskah drama Obrog Owok-Owok Ebreg Ewek-Ewek Karya Danarto merupakan salah satu naskah drama yang mengandung kritik sosial di dalamnya. Dengan demikian peneliti menggunakan naskah tersebut sebagai objek penelitian. Penelitian ini bertujuan untuk: (1) merepresentasikan kritik sosial masa orde baru; (2) mengimplikasikannya ke dalam pengajaran Bahasa dan Sastra Indonesia di sekolah. Pendekatan yang digunakan sosiologi sastra yaitu pendekatan yang berupaya mengungkapkan hubungan antara karya sastra dengan kehidupan sosial masyarakat. Metode penelitian yang digunakan dalam penelitian ini adalah metode kualitatif. Hasil penelitian ini menunjukkan terdapat enam kritik sosial yang dikritik pengarang antara lain: (1) Kritik masalah politik terhadap Undang-Undang Permusikan, (2) Kritik masalah pendidikan terhadap rendahnya kreativitas dan mahasiswa yang tidak tahan kritik, (3) Kritik masalah agama terhadap kebobrokan iman, (4) Kritik masalah sosial budaya terhadap perseturuan antara budaya tradisi dan budaya modern, (5) Kritik masalah teknologi terhadap alat mengamen pengamen modern dan konvensional, (6) Kritik masalah moral terhadap keserakahan, penipuan, kebiasaan hidup satu atap tanpa hubungan pernikahan, dan poligami yang ada di masyarakat. Kata kunci: Kritik sosial, Obrog Owok-Owok Ebreg Ewek-Ewek, Pembelajaran Bahasa dan Sastra Indonesia i ABSTRACT Chitra Nur Imaniar, (1112013000055), “Social Criticism in Drama Obrog Owok-Owok Ebreg Ewek-Ewek of Danarto and its Implications on Indonesian Language and Literature Learning”. Major Indonesian Language and Literature Education, Faculty of Science and Teachers Training, Syarif Hidayatullah State Islamic University Jakarta. Advisor: Rosida Erowati, M. Hum. A literary work has a tendency to reflect the social condition of the society it expresses. Therefore, if there's social criticism in it, this indicates that the literary work addresses a social phenomenon. The script of Obrog Owok-Owok Ebreg Ewek-Ewek written by Danarto is one of the drama scripts that contains social criticism in it. Thus, researchers use the text as the object of the research. The aims of this research are: (1) to represent social criticism during the new order; (2) to imply it in teaching Indonesian Language and Literature at school. The approach used in literary sociology is an approach that able to express the relationship between literary work and social life. The method used in this research is a qualitative method. The result of this research indicates that there are six social criticisms concerned by the authors, as following: (1) Criticism of political problems with the Permission Act, (2) Criticism of educational problems on low creativity and students who cannot stand criticism, (3) Criticism of religious problems against faith depravity, (4) Criticism of socio-cultural problems towards rivalry between traditional culture and modern culture, (5) Criticism of technological problems with modern and conventional busking buskers, (6) Moral criticism against greed, fraud, one-stop living habits without marital relations, as well as polygamy issues. Keywords: Social Criticism, Obrog Owok-Owok Ebreg Ewek-Ewek, Indonesian Language and Literature Learning in High School. ii KATA PENGANTAR Bismillahirrahmannirahim Syukur Alhamdulillah, segala puji hanya bagi Allah Swt., yang telah memberikan segala rahmat dan anugerah-Nya sehingga penulis dapat menyelesaikan skripsi ini. Selawat serta salam semoga selalu tercurah kepada baginda Nabi Besar Muhammad Saw., keluarga, para sahabatnya, dan para pengikutnya sampai akhir zaman. Skripsi berjudul “Kpitik Sosial dalam Naskah Drama Obrog Owok-Owok Ebreg Ewek-Ewek dan Implikasinya pada Pembelajaran Bahasa dan Sastra Indonesia di SMA”, disusun guna memperoleh gelar Sarjana Pendidikan S-1 pada Jurusan Pendidikan Bahasa dan Sastra Indonesia, Fakultas Ilmu Tarbiyah dan Keguruan, Universitas Islam Negeri Syarif Hidayatullah Jakarta. Penulis menyadari sepenuhnya bahwa dalam proses penyusunan skripsi ini, penulis membutuhkan bimbingan, bantuan, dukungan, dan doa dari berbagai pihak, sehingga dapat menyelesaikan skripsi inidengan baik. Sebagai ungkapan rasa hormat, penulis menyampaikan ucapan terima kasih kepada: 1. Dr. Sururin, M. Ag., selaku Dekan Fakultas Ilmu Tarbiyah dan Keguruan, Universitas Islam Negeri Syarif Hidayatullah Jakarta. 2. Dr. Makyun Subuki, M. Hum., selaku Ketua Jurusan Pendidikan Bahasa dan Sastra Indonesia, Fakultas Ilmu Tarbiyah dan Keguruan. 3. Toto Edidarmo, M. A., selaku Sekretaris Jurusan Jurusan Pendidikan Bahasa dan Sastra Indonesia, Fakultas Ilmu Tarbiyah dan Keguruan. 4. Rosida Erowati, M. Hum., selaku dosen pembimbing akademik sekaligus dosen pembimbing skripsi yang membantu penulis dalam segala proses perkuliahan dan meluangkan waktu di sela-sela kesibukannya untuk memberikan bimbingan, arahan, dan motivasi dalam penyusunan skripsi ini. 5. Teristimewa untuk kedua orang tua tercinta, yang selalu memberikan kasih sayang, doa, dan motivasi demi kesuksesan penulis. iii 6. Kepala sekolah, rekan guru, dan staf Homeschooling Primagama Meruya yang tiada henti mendukung dan memberi izin penulis untuk menyelesaikan skripsi ini. 7. Bangkit Sanjaya, untuk diskusi dan saran kepada penulis. 8. Sahabat dan rekan pada periode sekolah dasar hingga perkuliahan Tibi, Lambe, Caduy, dan khususnya pada Mohammad Aulia Ramadhan atas bantuan dan dukungannya. 9. Teman-teman seperjuangan PBSI 2012 dan lain-lain yang tidak dapat penulis sebutkan satu per satu yang selalu membuat suasana kelas begitu hangat, dan penulis mengucapkan banyak terima kasih atas kebersamaanya. Akhirnya penulis memohon maaf atas segala kekurangan yang terdapat dalam skripsi ini. Penulis menerima kritik serta saran yang membangun. Semoga skripsi ini dapat memberikan manfaat bagi penulis dan para pembaca serta kemajuan ilmu pengetahuan, khususnya di bidang Pendidikan Bahasa dan Sastra Indonesia. Jakarta, 29 April 2019 iv DAFTAR ISI ABSTRAK .....................................................................................................
Load more

Recommended publications
  • Skripsi Sastra, Sastra Indonesia, Fib, Unpad
    SKRIPSI SASTRA, SASTRA INDONESIA, FIB, UNPAD NO NPM NAMA JUDUL BID KAJIAN 1. 180110160060 PARANTI SIMBOL-SIMBOL CELENG DALAM NOVEL MENYUSU CELENG SASTRA KARYA SINDHUNATA SEBAGAI KRITIK TERHADAP PEMERINTAH:PENDEKATAN SEMIOTIKA CHARLES SANDERS PEIRCE 2. 180110150086 NIKITA REMIGIA PUTRI ANALISIS BENTUK, MAKNA, DAN FUNGSI ONOMATOPE SASTRA PUJIYANTO PADA KOMIK TERJEMAHAN CODE BREAKER VOLUME SATU KARYA AKIMINE KAMIJYO 3. 180110150078 HELMI AFAN FAHMI DAMPAK KONFLIK AGRARIA TERHADAP KONDISI PSIKOLOGIS SASTRA TOKOH UTAMA DALAM NOVEL DAWUK KARYA MAHFUD IKHWAN 4. 180110150058 RISWANTO GENDER DALAM PERSPEKTIF KEBUDAYAAN DAYAK BENUAQ SASTRA DALAM NOVEL UPACARA KARYA KORRIE LAYUN RAMPAN 5. 180110150051 JULISA YARNI REPRESENTASI REMAJA TAHUN 1990-AN DAN 2000-AN SASTRA DALAM NOVEL DILAN 1990 KARYA PIDI BAIQ DAN JOMBLO KARYA ADHITYA MULYA 6. 180110150038 LUKMAN HADI RAHMAN INDONESIA PERIODE ORDE BARU PADA NOVEL ORANG- SASTRA ORANG PROYEK KARYA AHMAD TOHARI 7. 180110150012 DZIKRI MAULANA A PENGARUH MODERNISASI PADA MASYARAKAT TORAJA SASTRA MELALUI REPRESENTASI TOKOH DALAM NOVEL PUYA KE PUYA KARYA FAISAL ODDANG 8. 180110140086 IRFAN HADI NUGRAHA ASPEK BIOGRAFIS ACHDIAT KARTA MIHARDJA DALAM NOVEL SASTRA MANIFESTO KHALIFATULLAH SKRIPSI SASTRA, SASTRA INDONESIA, FIB, UNPAD 9. 180110140071 RIZKA KHAERUNNISA MOBILITAS SOSIAL DALAM INDUSTRI KRETEK SASTRA PADA NOVEL GADIS KRETEK KARYA RATIH KUMALA DAN NOVEL SANG RAJA KARYA IKSAKA BANU 10. 180110140070 IHFA FIRDAUSYA DEKONSTRUKSI PENGGAMBARAN PEREMPUAN DALAM SASTRA EMPAT CERPEN INTAN PARAMADITHA DALAM ANTOLOGI KUMPULAN BUDAK SETAN 11. 180110140060 MUHAMAD RIZQI KECEMASAN TOKOH UTAMA DALAM NOVEL DAN SENJA PUN SASTRA HIDAYAT TURUN KARYA NASJAH DJAMIN 12. 180110140044 SUCI PURNAMA PERMASALAHAN SOSIAL DALAM NOVEL DAWUK : KISAH SASTRA CAHYANI KELABU DARI RUMBUK RANDU KARYA MAHFUD IKHWAN 13.
    [Show full text]
  • R. Feener a Re-Examination of the Place of Al-Hallaj in the Development of Southeast Asian Islam
    R. Feener A re-examination of the place of al-Hallaj in the development of Southeast Asian Islam In: Bijdragen tot de Taal-, Land- en Volkenkunde 154 (1998), no: 4, Leiden, 571-592 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/30/2021 12:59:33AM via free access R. MICHAEL FEENER A Re-Examination of the Place of al-Hallaj in the Development of Southeast Asian Islam For decades, the academic study of Islam in Southeast Asia has been domin- ated by a preoccupation with the role of mysticism in the region. From the earliest descriptions in Raffles' History of Java of 1817 to the anthropological writings of Clifford Geertz (Geertz I960, 1968), the mystical orientation of Southeast Asian Islam has been assumed a priori. Such an orientation has dominated the contents of several Leiden dissertations, and eventually led to Professor Johns' thesis concerning the role of Sufi turuq in the Islamization of the region.1 While there is no denying that some schools of Islamic mystic thought have been influential in the development of Islamic civilization in Southeast Asia, it seems inadvisable to continue taking the 'mystical' nature of Islam in the region as a given. Rather, we should refrain from letting the nebulous term 'Sufism' bias us in our investigations of the actual situation in both its historical and contemporary contexts. It was just such a predisposition to find the 'mystical' in Southeast Asian Islam that was evident in the Dutch publications cited by Massignon in his Passion.2 Going by indications in this handful of studies, Massignon came to imagine a much more prominent role of 'Sufism', and of Hallajian elements therein, than it may have actually played.
    [Show full text]
  • Reinventing Tradition: New Dance in Indonesia 1 by Sal Murgiyanto
    Reinventing Tradition: New Dance in Indonesia 1 by Sal Murgiyanto Introduction I would like to begin this lecture by expressing my sincerest respect and deepest sorrow for the thousands of people who died as victims of the dreadful earthquake and deadly tsunami in Sri Lanka, India, Thailand, and Aceh, Indonesia. Still, in the midst of the disturbing pictures and reports published in newspapers, and eerie scenes broadcast on television in December 2004, miracles were also told. A two month-old baby girl was sucked into an undertow and thrown back by a tidal wave alive into her mother’s lap. Early in the morning after Christmas, a ten-year-old girl sat beside her father enjoying the beauty of Phuket’s beach in Thailand. Upon seeing the water on the beach receding drastically and, from afar, white tidal waves surging one after the other, Kelly told her dad, “A tsunami is coming in twenty or thirty minutes and there will be disaster!” She had learned this fact in a class prior to her vacation. The wise father told the story to a coastguard who ordered everybody to leave the beach immediately and head back to the hotel. This speedy action saved more than 400 human lives; thirty minutes after the announcement the tsunami destroyed everything standing on the beach. Saving the lives of many, Kelly was called the “Angel of [the] Beach.” 2 There is still one more miracle to relate. Forty kilometers from the epicenter of the December 2004 earthquake sits Simeulue, a small island in the Indian Ocean 150 kilometers off the west coast of the province of Aceh, on the island of Sumatra in Indonesia.
    [Show full text]
  • The Application of Maslahah Mursalah in a Mediation Process Between Disputant Parties
    Journal of Islamic Economic Laws Vol. 3, No. 1 January 2020: 1-14 The Application of Maslahah Mursalah in A Mediation Process Between Disputant Parties Andika Catur Prastyo Institut Agama Islam Negeri (IAIN) Surakarta email: [email protected] ABSTRACT The purpose of this study is to explore how is the mediation process in the Sragen District Court in Sharia economic disputes. It also seeks to determine the suitability of the mediation process in terms of the Maslahah Mursalah. This research is a field research with a qualitative approach. The data source of this study consists of primary data and secondary data. The location of this study is in Sragen District Court. Data collection techniques in this study were using documentation and interviews. This study shows that the mediation process in Islamic economic disputes is not much different from other disputes. This research also reveals that there is a non-compliance with the existing regulations, i.e that peace which is carried out by the parties occurs outside the court and there is no Peace Act. Based on this, it will lead to a different legal effect. Keywords: Mediation Process, Maslahah Mursalah, Sharia Economic Disputes INTRODUCTION It cannot be denied that Islam is a living guidelines. As a guidelines, the teachings of Islam consist of the rules encompassing every aspect of human life. Generally, the rules can be divided into three parts namely Aqida (creeds), Akhlaq (ethics) and Sharia (law). The first two parts, Aqidah and Akhlaq are constant, while Sharia always changes according to the development of human needs and life.
    [Show full text]
  • Contemporary Art’: Propositions of Critical Artistic Practice in Seni Rupa Kontemporer in Indonesia
    CONTEXTUALIZING ‘CONTEMPORARY ART’: PROPOSITIONS OF CRITICAL ARTISTIC PRACTICE IN SENI RUPA KONTEMPORER IN INDONESIA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Amanda Katherine Rath January 2011 © 2011 Amanda Katherine Rath CONTEXTUALIZING ‘CONTEMPORARY ART’: PROPOSITIONS OF CRITICAL ARTISTIC PRACTICE IN SENI RUPA KONTEMPORER IN INDONESIA, 1973-1994 Amanda Katherine Rath, Ph. D. Cornell University 2011 This dissertation contends with the development of seni rupa kontemporer (contemporary art) between 1973 and 1993, with certain case studies extending to the late 1990s. I offer a history and genealogy of concepts of critical artistic practice, examining to what purpose strategies of a contemporary art have been put and from what conditions they emerged. I examine how these have been interpreted to possess criticality in Indonesia. Taking the controversial curatorial essay published for the 9th Jakarta Biennale of Art (1993) as a catalyst rather than as a point of reference, I rethink the possibility and value of a construct of an avant-garde and postmodern in seni rupa kontemporer.I propose a kind of avant-garde without modernism’s tradition of transgressive poetics. The mode of marginality I have in mind is a critical position possible only on this side of the political sea change and depoliticization of the cultural field in Indonesia after 1965. This entails tracing shifting notions of art’s and artistic autonomy, which were largely dependent upon the relation art had with politics and the spheres in which artistic practice was seen to reside.
    [Show full text]
  • Central Java 1 Bantul Bambanglipuro Mulyodadi Carikan Rt 02 213Ed0107p000007 Noura Cell Bagus Edi Santoso Pension Bantul
    REGION KABUPATEN KECAMATAN KELURAHAN ALAMAT AGEN AGEN ID NAMA AGEN PIC AGEN JARINGAN_KANTOR CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI CARIKAN RT 02 213ED0107P000007 NOURA CELL BAGUS EDI SANTOSO PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI GAYAMAN KRATON RT 006 213ED0107P000026 MINIMIZE TRI MINTARJO PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI GAYAMAN KRATON RT 006 MULYODADI BAMBANGLIPURO 213ED0107P000086 YUNI ONLINE SHOP YUNI EKI WINARSIH PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI JIPANGAN JOMBLANG 006 MULYODADI BAMBANGLIPURO BANTUL 213ED0106P005035 PPOB SINAR BANGKIT JAYA SUMARNO PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI NGENTAK NGAMBAH 001 MULYODADI BAMBANGLIPURO 213ED0106P000091 LUNAR MEDIA SEJAHTERA MUJIYANTO PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI PAKER RT 004 213ED0107P000058 MAYLA CELL MARYADI PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI PAKER RT 004 RW 000 MULYODADI BAMBANGLIPURO BANTUL YOGYAKARTA 213ED0106P005043 WARUNG BU TUKIJEM TUKIJEM PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI PLUMUTAN RT 003/RW000 MULYODADI BAMBANGLIPURO 213ED0110P000081 FEBRI CORPORATION FEBRI GUNAWAN PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI SRIBIT RT 001 RW 000 MULYODADI BAMBANGLIPURO BANTUL 213ED0107P000092 TEGAR CELL TRI SUPRIYANTO PENSION BANTUL CENTRAL JAVA 1 BANTUL BAMBANGLIPURO MULYODADI TANGKANG NGAMBAH 003 MULYODADI BAMBANGLIPURO BANTUL 213ED0106P000112 WARUNG BU TINI SUWARTINI PENSION BANTUL CENTRAL
    [Show full text]
  • University of California Santa Cruz a Liquid
    UNIVERSITY OF CALIFORNIA SANTA CRUZ A LIQUID WORLD: FIGURING COLONIALITY IN THE INDIES A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY OF CONSCIOUSNESS with an emphasis in VISUAL STUDIES by Raissa DeSmet Trumbull September 2013 The Dissertation of Raissa DeSmet Trumbull is approved: _____________________________ Distinguished Professor Emeritus James Clifford _____________________________ Associate Professor Jennifer González _____________________________ Distinguished Professor Emerita Donna Haraway _____________________________ Assistant Professor Boreth Ly ___________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Raissa DeSmet Trumbull 2013 Contents List of Figures iv Abstract v Acknowledgments vii Introduction 1 The Grove 13 The Underwater Body 48 The Underwater Eye 96 Chasing the Goddess 139 The Waves 203 Bibliography 211 iii List of Figures 1. After the Tsunami 13 2. The Poison Tree from Macassar 27 3. The Upas Tree or Poison Tree on the Isle of Java 41 4. Expulsion from Paradise, Masaccio 44 5. A naga at Angkor Wat 93 6. Meditation tower, Kraton Kasunanan, Surakarta 99 7. Nyai Roro Kidul by Basuki Abdullah 107 8. The road to Parangtritis 121 9. Offerings at Parangkusumo 123 10. Conducting a labuhan ritual 124 11. Stone with flower offerings 124 12. Bedhaya Semang, Kassian Cephas 181 13. Waves at Parangtritis, December 2011 210 iv Abstract A Liquid World: Figuring Coloniality in the Indies Raissa DeSmet Trumbull, University of California Santa Cruz This dissertation explores the history of colonial representations of the Dutch East Indies and analyzes the tropes that undergird those representations. The relentless damp of the tropics, it argues, suffuses European evocations of the Indies; from drenched forests and malarial clouds to the lush figure of the concubine, the islands of the archipelago have long been made synonymous with natural abundance and tireless sensuality.
    [Show full text]
  • Suatu Kajian Karya Tari Kontemporer Di Pusat Kesenian Jakarta-Taman Ismail Marzuki 1968–1987
    UNIVERSITAS INDONESIA PERKEMBANGAN KOREOGRAFI DI INDONESIA: SUATU KAJIAN KARYA TARI KONTEMPORER DI PUSAT KESENIAN JAKARTA-TAMAN ISMAIL MARZUKI 1968–1987 DISERTASI R.AJ. SITI NURCHAERANI KUSUMASTUTI NPM 1106126522 FAKULTAS ILMU PENGETAHUAN BUDAYA PROGRAM STUDI ILMU SEJARAH DEPOK 2016 ii Universitas Indonesia Perkembangan koreografi..., R Aj Siti Nurchaerani Kusumastuti, FIB UI, 2017. Perkembangan koreografi..., R Aj Siti Nurchaerani Kusumastuti, FIB UI, 2017. Perkembangan koreografi..., R Aj Siti Nurchaerani Kusumastuti, FIB UI, 2017. Perkembangan koreografi..., R Aj Siti Nurchaerani Kusumastuti, FIB UI, 2017. v UCAPAN TERIMA KASIH Bismillahirrahmanirrahim Puji syukur kepada-Mu, Ya Allah, penguasa semesta alam yang telah mengaruniai perlindungan, kemampuan dan kesehatan selama penulis menempuh studi dan kemudian mewujudkan disertasi ini. Berkat rahmat dan kasih sayang-Mu, semua kesulitan dan halangan bisa penulis lalui dengan baik. Penelitian untuk disertasi ini sempat memberikan keraguan dalam diri penulis karena kurang melimpahnya data sehingga seperti menghambat. Namun kemudian keraguan berubah menjadi tantangan bahkan harapan karena dalam proses penelitian tumbuh kesadaran bahwa pekerjaan ini tidak semestinya ditunda mengingat keberadaan data bisa semakin sulit dilacak bila diundur-undur. Sebuah proses yang tidak mudah, namun dengan penuh harapan dan tanggung jawab serta didukung banyak pihak di sekitar penulis, disertasi ini dapat tampil seperti adanya sekarang ini. Sepatutnya, dengan ketulusan hati, penulis haturkan terima kasih
    [Show full text]
  • Gagasan Tasawuf Dalam Kumpulan Cerpen Godlob Karya Danarto Dan Implikasinya Terhadap Pembelajaran Sastra Di Sekolah
    GAGASAN TASAWUF DALAM KUMPULAN CERPEN GODLOB KARYA DANARTO DAN IMPLIKASINYA TERHADAP PEMBELAJARAN SASTRA DI SEKOLAH Skripsi Diajukan kepada Fakultas Ilmu Tarbiyah dan Keguruan untuk Memenuhi Syarat Mencapai Gelar Sarjana Pendidikan Oleh Muhamad Adi Alvian 1111013000062 PROGRAM STUDI PENDIDIKAN BAHASA DAN SASTRA INDONESIA FAKULTAS ILMU TARBIYAH DAN KEGURUAN UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2018 LEMBAR PENGESAIIAN PEMBIMBING SKRIPSI GAGASAN TASAWI「 DALAM KUMPLAN CERPEN CaDZ" KARKYA DANARTO DAN IPTLIKASINYA TERIIADAP PEMBELAJARAN SASi□ し仁DISEKOLAⅡ Skripsi Dittukan kepada Fakultas 1lmu Tarbiyah dan Keguruan untuk卜 femcnuhi Syarat Mccapai Gelar Sttana Pendidikan(S.Po C)leh NIP.197601182009121002 JURUSAN PENDIDttN BAHASA DAN SAS「 ⅡυLINDOⅢ SIA FAKIILTASILMU TARBIYAH DAN K=GURUAN LINIVERSITAS ISLAM NttGERI SYARIF I‐ IIDAYATULLAH JAKARTA 2018 LEMBAR FENGESAHAN UJIAN MUNAQASAH Skipsi berjudul "Gagasan Tasawuf dalam Kumpulan Cerpen Godlob Karya Danarto dan Implikasinya terhadap Pembelajaran Sastra di Sekolah", disusun oleh Muhamad Adi Alvian, NIM 1111013000062, diajukan kepada Fakultas llmu Tarbiyah dan Keguruan UIN Syarif Hidayatullah Jakarta dan telah dinyatakan lulus dalam ujian munaqasah pada 16 Mei 2018, dihadapan dewan penguji. Oleh karena itu, penulis berhak memperol6h gelar Sarjana (S. Pd) dalam bidang Pendidikan Bahasa dan Sastra Indonesia. Jakarta, Mci 2018 Panitia Ujian Munaqasah Ketua Panttia(Kema Jums鋤 /stLldi) Tanggal Tanda Tangan Dr.Makvun Subuki.M.Hum 1.〕ЧLえ .lcg NIP.19800305200901 1015 Sckretaris(Sekretaris Jurllsan)
    [Show full text]
  • Traditions Redirecting Contemporary Indonesian Cultural Productions
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/319644365 Traditions Redirecting Contemporary Indonesian Cultural Productions Book · July 2017 CITATIONS READS 0 233 1 author: Monika Arnez University of Hamburg 19 PUBLICATIONS 109 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Environmentalism in Java and East Kalimantan: transregional dimensions of integration (EU-funded project SEATIDE) View project Education and morality: concepts of orders in Islamic contemporary literature in Indonesia (German Research Foundation) View project All content following this page was uploaded by Monika Arnez on 12 September 2017. The user has requested enhancement of the downloaded file. Traditions Redirecting Contemporary Indonesian Cultural Productions Traditions Redirecting Contemporary Indonesian Cultural Productions Edited by Jan van der Putten, Monika Arnez, Edwin P. Wieringa and Arndt Graf Traditions Redirecting Contemporary Indonesian Cultural Productions Edited by Jan van der Putten, Monika Arnez, Edwin P. Wieringa and Arndt Graf This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Jan van der Putten, Monika Arnez, Edwin P. Wieringa, Arndt Graf and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8993-8 ISBN (13): 978-1-4438-8993-3 TABLE OF CONTENTS List of Illustrations ...................................................................................
    [Show full text]
  • Introduction National Literature, Regional Perspective
    CHAPTER I Introduction National literature, regional perspective Indonesia’s literary world is heterogeneous, but based on language use and form its literature can be broadly divided into two sections: national literature and regional literature. National literature, also known as modern Indonesian literature, is that which is written in the Indonesian language, while regional literature is written in regional languages such as Javanese, Sundanese, Balinese and Buginese. The term ‘regional literature’ is ambiguous, because apart from referring to literature written in regional languages, it is also used somewhat pejoratively to refer to literature in Indonesian that originates at a regional rather than a national level. In this context, the term regional literature is defi ned in ‘a negative way as being of appeal only to restricted audiences’ (Kratz 1991:193). Similarly, the term ‘regional writers’ often has an inferior connotation when comparison is made with ‘writers from the centre’ – a term that refers to writers who live in the capital, Jakarta (formerly Batavia), have been nationally recognized or have written work regarded as part of the Indonesian literary canon. Both regional literature and its writers are considered, in post-colonial terminology, as ‘an inferior Other’ (Newton 1997:283). The study of Indonesian literature continues to concentrate predominantly on its canon, a body of work written by nationally recognized writers and published in Jakarta – the political, economic and cultural centre of Indonesia. Good examples of this are the intensely studied novels of Pramoedya Ananta Toer and more recently those of Seno Gumira Ajidarma and Ayu Utami. Studies that focus on this canon exclude much signifi cant work I Nyoman Darma Putra - 9789004253636 Downloaded from Brill.com09/27/2021 08:06:50PM via free access 2 A literary mirror from outside the capital and reinforce the idea that Jakarta is the centre of all literary activity (Sumardjo 1979 cited in Hellwig 1994:4; Hill 1993:246-7, 253).
    [Show full text]
  • The New Tradition of Putu Wijaya 105
    The N ew Tradition of Putu W ijaya Ellen Rafferty Introduction Putu Wijaya is one of Indonesia's most prominent and prolific authors, contributing numerous novels, short stories, dramas, and film scripts to Indonesian literature.1 He is Balinese by birth and Jakartan by choice having spent the past twenty years there. The marriage of Balinese and Jakartan cultures is reflected in his literary style which is char­ acterized by a departure from the conventions of realism, an eagerness to borrow from traditional and folk genres,2 * and a black and biting humor. This style draws on elements commonly found in regional genres, such as wayang, arja, ludruk, ketoprak, lenong, and Srimulat * creating artistic forms that are reminiscent of Javanese and Balinese cultures, while remaining rooted in contemporary Jakarta. His language is colloquial, peppered with Jakartanese and Javanese expressions; his syntax is bare, direct, even shockingly abrupt. His themes, often arising out of urban settings, include feelings of alienation, 2Putu Wijaya was a Fulbright scholar at the University of Wisconsin, Madison during the 1985-1986 aca­ demic year. I am grateful to him and to two anonymous readers for their comments on this essay. 2By "traditional genres" I mean the contemporary cultural expressions of ethnic groups such as Javanese, Sundanese, Balinese, etc., not the performance traditions of past eras. Since performance traditions may be learned and performed by anyone of a particular region, the Indonesian term kesenian daerah or "regional arts" is a more appropriate term because it avoids the distinction between ethnic affiliation and regional group identity. The term "folk" characteristically is used to identify cultural performances associated with the lower class.
    [Show full text]