DOCSLIB.ORG

Winning Projects

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Winning Projects EMBARGO Aga Khan Award for Architecture UNTIL 6 SEPTEMBER 2013 NOT FOR PUBLICATION OR BROADCAST 2 0 1 3 WINNING PROJECTS Salam Centre for Cardiac Surgery Khartoum, Sudan Architect: Studio Tamassociati Client: Emergency Project Description The Salam Centre for Cardiac Surgery consists of a hospital with 63 beds and 300 local staff, with a separate Medical Staff Accommodation Compound sleeping 150 people. The Centre is built as a pavilion in a garden with both primary buildings organised around large courtyards. The hospital block is of the highest technical standard with complex functions including three operating theatres optimally placed in relation to the diagnostics laboratories and ward. Mixed modes of ventilation and natural light enable all spaces to be intimate yet secure. Seeing the abandoned containers that had been used to transport construction materials for the Salam Centre for Cardiac Surgery, the architects were inspired to reuse them to house the Centre’s staff. Ninety 20-foot containers form the accommodation block, each unit consisting of 1.5 containers, with a bathroom and small veranda facing the garden. Seven 40-foot containers are occupied by a cafeteria and services. Insulation is through an ‘onion system’ of 5-centimetre internal insulating panels and an outer skin comprising a ventilated metal roof and bamboo blinds. A http://www.akdn.org/architecture solar farm powers the water-heating system. The compact state-of-the-art hospital has had a tremendous impact, treating significant numbers of patients not only from Sudan and its neighbours, but from a good 23 other countries as well. In addition, people come to train here and, most importantly, its example and vision have encouraged the establishment of further medical centres of excellence in other African countries. Jury Citation “The Salam Centre for Cardiac Surgery champions the vision and resilience of all involved in delivering a responsible, efficient and inspiring model of health services in a society marred by war, internal conflict and lack of basic needs like water and sanitation. “Intimately linked to surrounding nature, the “self-build” project facilitates an environment of clarity and healing, while providing the fundamental human right of health, free of charge to all. Following a bottom-up design process, this complex project evolved successfully by creatively engaging all its local, political, social, topographical and aesthetic specificities without sacrificing its vision for excellence and function. The compact state-of-the- art hospital also provides an exemplary prototype for the region as well as for the field.” Project Data Client Emergency, Milan, Italy, Gino Strada, founder Total Site Area 40,000 m2 http://www.akdn.org/architecture Hospital Block Architect Studio Tamassociati, Venice, Italy: Raul Pantaleo, Massimo Lepore, Simone Sfriso design team with Sebastiano Crescini; Pietro Parrino, project manager and programme coordinator; Rossella Miccio, programme coordinator; Francesco Steffinlongo, structural engineer; Studio Pasquini, Jean Paul Riviere with Nicola Zoppi, mechanical/services engineer; Franco Binetti, operating theatre design; Roberto Crestan with Alessandro Giacomello, site engineer; Gino Strada, Emiliano Cinelli, Fabrizio Fasano, Andrea Cioffi, feasibility project Project Data Built area 21,500 m2 Cost US$ 18.45 million Commission December 2004 Design December 2004 – May 2007 Construction January 2005 – May 2007 Occupancy May 2007 Medical Staff Accommodation Compound Architect Studio Tamassociati, Venice, Italy: Raul Pantaleo, Massimo Lepore, Simone Sfriso, design team; Pietro Parrino, programme coordinator; Francesco Steffinlongo, structural engineer; Nicola Zoppi, mechanical/services engineer; Roberto Crestan, Alessandro Tamai, Claudio Gatti, site engineers Project Data Built area 2400 m2 Cost US$ 1.370 million Commission March 2006 Design March 2006 Construction December 2007 – February 2009 Occupancy February 2009 http://www.akdn.org/architecture Emergency Emergency is an Italian NGO founded in 1994 by the Italian surgeon, Dr Gino Strada, to provide assistance to civilian victims of war. Emergency has worked in 16 countries, building hospitals, surgical centres, rehabilitation centres, paediatric clinics, first-aid posts, primary health clinics and a maternity centre, as well as the Centre for Cardiac Surgery in Khartoum. Subsequent to requests from local authorities and other organisations, Emergency has also helped to renovate and equip pre-existing health facilities. Since 1994, Emergency teams have provided assistance to 5,439,757 people (as of 31 March 2013). Studio Tamassociati Studio Tamassociati is a professional practice active in the fields of sustainable architecture, urban planning, landscape design, participatory processes, graphic design and social communications. It comprises an Italian team of architects based in Venice since 1996 and it is known worldwide for health-care works carried out on the African continent. In 2012, the project was awarded the Honourable Mention in the category Architecture for Emergency at the Gold Medal for Italian Architecture Prize, Triennale of Milan, Italy, following other international awards such as Best of Green Awards 2010 (USA) and Middle East Architect Awards 2010 (Dubai). Main recent exhibitions include 2012 Triennale of Architecture, Milan, Italy, and exhibitions and lectures at the International Biennale of Architecture in 2010 and 2012, Venice, Italy. Websites http://www.salamcentre.emergency.it http://www.emergency.it http://www.tamassociati.org http://www.akdn.org/architecture Aga Khan Award for Architecture 2 0 1 3 WINNING PROJECTS Revitalisation of Birzeit Historic Centre Birzeit, Palestine Architects: Riwaq – Centre for Architectural Conservation, Ramallah, Palestine Client: Birzeit Municipality, Palestine Project Description This five-year project, part of a rehabilitation master plan initiated by the Riwaq – Centre for Architectural Conservation and eventually involving 50 villages that have retained a high degree of historic integrity, has transformed the decaying town of Birzeit, created employment through conservation and revived vanishing traditional crafts in the process. Through focusing on towns and villages in the area under Palestinian civil authority where an estimated 50% of the surviving historic structures of Palestine are located and where most Palestinians live, Riwaq realised that it could save much of Palestine’s remaining heritage, and at the same time have the greatest socio-economic impact. Conservation would create jobs, revitalise local workshops and, ultimately, spark interest and investment in historic village centres. Community involvement was encouraged from the start, including local NGOs, the private sector, owners, tenants and users, all working with the municipality. Five years of work have yielded impressive results: streets have been paved, named and clearly signed; infrastructure upgraded (water) and added to (pipes laid for a future sewer system); facades have been http://www.akdn.org/architecture conserved; and public spaces have been created and rehabilitated. Riwaq pursued a policy of preventive conservation to upgrade the public realm and restore select public/community buildings to accepted international standards, coupled with a creative adaptability in replacing sections of wall remain distinguishable from the original structures, without harming architectural coherence. Affordable traditional techniques and local materials were used throughout. Both historic buildings and public spaces have been rehabilitated into community activity hubs. The successful social, cultural and economic revitalisation of Birzeit undoubtedly stands as an inspiring model for the other villages and rural areas in the “50 Villages” programme and beyond. Jury Citation “The Revitalisation of Birzeit Historic Centre is a dynamic project in which the NGO of Riwaq succeeds in mobilising stakeholders and local craftsmen into a process of healing that is not merely physical but that is social, economic and political. By reversing a process of neglect and erasure within a complex and difficult political context, the project manages to transform not only a neglected historic core but also people’s lives, and restores not only buildings but the dignity of their users. The project offers an alternative to “museified” historic cores and it pioneers the regeneration of Birzeit’s historic centre into cultural infrastructure. It facilitates the reclamation of heritage by the people involved while also allowing them to achieve their self-expressed aspirations. The project is an exemplary dedication to rural heritage that can serve as a model for the 50 villages in which Riwaq is involved, particularly the strategic interventions designed to stimulate long- term development. ” http://www.akdn.org/architecture Project Data Client Birzeit Municipality, Palestine: Yousef Nasser, former mayor; Hasib Al Keileh, mayor; Musa Al Hajj, former director Architects Riwaq – Centre for Architectural Conservation, Ramallah, Palestine: Khaldun Bshara, Fida Touma, co-directors, Suad Amiry, founder and former co-director, Nazmi al Jubeh, former co-director, Farhat Muhawi, Birzeit project director, Iyad Issa, Shata Safi, architect planners, Ruba Saleem, Ghada Mubarak, Bilal Abu Faza’a, Khalil Rabah, Lana Judeh, Sahar Qawasmi, Michel Salameh, Renad Shqeirat, Yousef Taha, architects; Tariq Dar Nasser, Nizam ‘Owaidat, civil engineers Rozana Association, Birzeit,
Load more

Recommended publications
  • Conserving the Palestinian Architectural Heritage
    Jihad Awad, Int. J. of Herit. Archit., Vol. 1, No. 3 (2017) 451–460 CONSERVING THE PALESTINIAN ARCHITECTURAL HERITAGE JIHAD AWAD Architectural Engineering Department, Ajman University of Science & Technology, United Arab Emirates. ABstract Despite the difficult situation in West Bank, the Palestinians were able to, during the last three decades, preserve a huge part of their architectural heritage. This is mainly due to the notion that this issue was considered as an essential part of the struggle against occupation and necessary to preserve their identity. This paper will concentrate mainly on the conservation efforts and experience in West Bank, Jerusalem, and the Gaza Strip. It covers not only examples from major cities but also some important ones in the villages. Due to the special situation of being occupation, and the absence of a central au- thority responsible for heritage conservation, several entities were established and became involved in conservation, with diverse goals and approaches. Although it started during the last three decades, the Palestinian experience in conservation has received international recognition for some distinguished successful examples. It became in some cases a good reference for others outside Palestine. The main goal of this paper is to present the Palestinian experiment in conservation and to highlight the reasons behind the successful examples and find out the obstacles and difficulties in other cases. It shows that for the Palestinians preserving the architectural heritage became a part of their cultural resistance and efforts to maintain their national identity. This paper depends on a descriptive method based on pub- lications and some site visits, in addition to direct contact with major institutions involved in heritage conservation in Palestine.
    [Show full text]
  • A Mosque Between Significance and Style
    Arts & Architecture A Mosque Between Significance and Style AKEL ISMAIL KAHERA The style of Quranic inscriptions on a The meaning and interpretation of in the development of masjid architec- North American masjid (mosque) in the inscriptions on a mosque in North ture in America.1The first historical doc- North America represents a dialogue America provide some insights into the ument about the Washington masjid between two equally valid frames of concomitant qualities of belief, order, space, was published by Muhammad Abdul- reference; the tradition of Islamic art, and form. Mosque inscriptions reveal the Rauf (1978), former Imam of the Islamic and the Muslim Diaspora. The Islamic American Muslim community’s concern Center of Washington DC; it explained Center of Washington DC represents with the expressive nuances of Islamic art the intriguing history of the building. one of many interesting examples of and architecture, for this community has More recent publications are intended the use of inscriptions in North Amer- long recognized that the extreme stylistic to enable art historians to understand ica. Conceived in 1949, the building characteristics of an inscription—except the “pluralistic” genres of the North was inaugurated by President Eisen- with little variation—can be expressed American community and the complex hower in 1957. The principal client was in any medium. features of aesthetics treatment.2 a Palestinian Muslim, but the financial The genre of aesthetic features em- sponsors of the building were several Muslim ambassadors from the ployed in the Washington masjid can best be understood by studying Middle East, Turkey, and the Indian subcontinent, who were assigned the inscriptions that depict both meaning and style.
    [Show full text]
  • Towards a Deleuzian Approach in Urban Design
    Difference and Repetition in Redevelopment Projects for the Al Kadhimiya Historical Site, Baghdad, Iraq: Towards a Deleuzian Approach in Urban Design A Dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN ARCHITECTURE In the School of Architecture and Interior Design Of the college of Design, Architecture, Art, and Planning 2018 By Najlaa K. Kareem Bachelor of Architecture, University of Technology 1999 Master of Science in Urban and Regional Planning, University of Baghdad 2004 Dissertation Committee: Adrian Parr, PhD (Chair) Laura Jenkins, PhD Patrick Snadon, PhD Abstract In his book Difference and Repetition, the French philosopher Gilles Deleuze distinguishes between two theories of repetition, one associated with the ‘Platonic’ theory and the other with the ‘Nietzschean’ theory. Repetition in the ‘Platonic’ theory, via the criterion of accuracy, can be identified as a repetition of homogeneity, using pre-established similitude or identity to repeat the Same, while repetition in the ‘Nietzschean’ theory, via the criterion of authenticity, is aligned with the virtual rather than real, producing simulacra or phantasms as a repetition of heterogeneity. It is argued in this dissertation that the distinction that Deleuze forms between modes of repetition has a vital role in his innovative approaches to the Nietzschean’s notion of ‘eternal return’ as a differential ontology, offering numerous insights into work on issues of homogeneity and heterogeneity in a design process. Deleuze challenges the assumed capture within a conventional perspective by using German philosopher Friedrich Nietzsche’s conception of the ‘eternal return.’ This dissertation aims to question the conventional praxis of architecture and urban design formalisms through the impulse of ‘becoming’ and ‘non- representational’ thinking of Deleuze.
    [Show full text]
  • A Historical Reflection of the University of Rabe Rashidi, Iran
    African Journal of History and Culture (AJHC) Vol. 3(9), pp. 140-147, December 2011 Available online at http://www.academicjournals.org/AJHC DOI: 10.5897/AJHC11.032 ISSN 2141-6672 ©2011 Academic Journals Full Length Research Paper A historical reflection of the University of Rabe Rashidi, Iran N. Behboodi 1*, A. Kiani 2, A. Heydari 2 1Department of Archaeology, University of Zabol, Zabol, Iran. 2Department of Geography and Urban Planning, University of Zabol, Zabol, Iran. Accepted 16 November, 2011 Rabe Rashidi has a large collection of academics and residents in the North West of Iran which return to Mughul patriarch periods. It was built in AH 8 century by Rashid al-Din Fadlallah in the government center of Tabriz. Based on proofs, Rashidabad city consist of two separate parts: Rabe Rashidi as one part and Rashidi city as the other part. Rube Rashidi as a castle was located in the central part of the city and it has some functions such as educational, religious and therapeutic. In order to achieve the main purpose of this paper, a reflection was made on the historical University of Rashidi city in ancient Tabriz region. Therefore, in the first stage of this paper, the physical system of Rashidi city was studied. Based on the data achieved from endowment design, a schematic assumption of Rashidi city was made. The methods applied on this research are content analysis and option idea through trial and multiple hypotheses. The analysis of the water supply system in its kind which uniquely helped to form basic fields of the city is schematic.
    [Show full text]
  • Hana Taragan HISTORICAL REFERENCE in MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS's BUILDINGS in PALESTINE
    the israeli academic center in cairo ¯È‰˜· Èχ¯˘È‰ ÈÓ„˜‡‰ ÊίӉ Hana Taragan HISTORICAL REFERENCE IN MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS’S BUILDINGS IN PALESTINE Hana Taragan is a lecturer in Islamic art at Tel Aviv University, where she received her Ph.D. in 1992. Her current research concerns Umayyad and Mamluk architecture in Eretz Israel in the medieval period. She is the author of Art and Patronage in the Umayyad Palace in Jericho (in Hebrew) and of numerous articles in the field of Islamic art. In the year 1274, al-Malik al-Zahir also changed a structure’s function Baybars, the first Mamluk ruler of from church to mosque, as he did Palestine (1260–1277), ordered the in Qaqun.5 addition of a riwaq (porch) to the Baybars’s choice of Yavne may tomb of Abu Hurayra in Yavne.1 be explained by the ruin of the The riwaq, featuring a tripartite coastal towns, or by Yavne’s loca- portal and six tiny domes, had two tion on the main road from Cairo arches decorated with cushion to Damascus. However, it seems to voussoirs and one with a zigzag me that above and beyond any frieze (Figure 1). Baybars also strategic and administrative con- installed a dedicatory inscription siderations, Baybars focused on naming himself as builder of the this site in an attempt to exploit riwaq.2 The addition of a portal to Abu Hurayra’s tomb as a means of the existing tomb structure typifies institutionalizing the power of the Baybars’s building policy in Pales- Mamluk dynasty in general and tine.
    [Show full text]
  • Al-Azhar and the Orders of Knowledge
    Al-Azhar and the Orders of Knowledge Dahlia El-Tayeb M. Gubara Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Dahlia El-Tayeb M. Gubara All rights reserved ABSTRACT Al-Azhar and the Orders of Knowledge Dahlia El-Tayeb M. Gubara Founded by the Fatimids in 970 A.D., al-Azhar has been described variously as “the great mosque of Islam,” “the brilliant one,” “a great seat of learning…whose light was dimmed.” Yet despite its assumed centrality, the illustrious mosque-seminary has elicited little critical study. The existing historiography largely relies on colonial-nationalist teleologies charting a linear narrative of greatness (the ubiquitous ‘Golden Age’), followed by centuries of decline, until the moment of European-inspired modernization in the late nineteenth century. The temporal grid is in turn plotted along a spatial axis, grounded in a strong centrifugal essentialism that reifies culturalist geographies by positioning Cairo (and al-Azhar) at a center around which faithfully revolve concentric peripheries. Setting its focus on the eighteenth century and beyond, this dissertation investigates the discursive postulates that organize the writing of the history of al-Azhar through textual explorations that pivot in space (between Europe and non-Europe) and time (modernity and pre- modernity). It elucidates shifts in the entanglement of disciplines of knowledge with those of ‘the self’ at a particular historical juncture and location, while paying close attention to the act of reading itself: its centrality as a concept and its multiple forms and possibilities as a method.
    [Show full text]
  • 53 Original Article the GREAT MOSQUE of TIZNIT
    Egyptian Journal of Archaeological and Restoration Studies An international peer-reviewed journal published bi-annually www.ejars.sohag-univ.edu.eg Original article THE GREAT MOSQUE OF TIZNIT: AN ARCHAEOLOGICAL ARCHITECTURAL STUDY Aglan, A. Islamic Archaeology dept, Faculty of Archaeology, Sohag Univ., Sohag, Egypt E-mail address: [email protected] Article info. EJARS – Vol. 11 (1) – June. 2021: 53-70 Article history: Abstract: Received: 23-9-2020 The great mosque is an important monument in Tiznit because of Accepted: 17-3-2021 its archaeological foundations, historical value, and significant Doi: 10.21608/ejars.2021.179497 scientific prestige. It has all features, including its architectural elements and units, to play its due role. For example, it includes riwaqs for prayer, a minbar (pulpit), a mihrab, a minaret, etc. The Mosque comprises a court, four riwaqs, a room for orator, a room for pulpit, and a minaret. An ablution fountain was attached to the southeast side. The walls were built using Tapia (compressed dry mud), and the ceilings were made of wood. The present study aims to highlight the archaeological and architectural - in addition Keywords: to the religious and scientific- values of the Mosque. This issue Mosque helps keep the mosque with its original architectural elements and Tiznit enhance the tourist attraction of the city. Using the historic, desc- riptive, and analytical approaches, the study describes, documents, Islamic Architecture and analyzes all architectural and decorative elements of the Morocco Architecture mosque. 1. Introduction Tiznit is a town in the southern Moroccan water and many waterholes. The city of region of Souss-Massa.
    [Show full text]
  • The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
    The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos.
    [Show full text]
  • The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia
    The International Journal of Engineering and Science (IJES) || Volume || 7 || Issue || 12 Ver.I || Pages || PP 08-16 || 2018 || ISSN (e): 2319 – 1813 ISSN (p): 23-19 – 1805 The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia Budiono Sutarjo1, Endang Titi Sunarti Darjosanjoto2, Muhammad Faqih2 1Student of Doctoral Program, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia 2Senior Lecturer, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia Corresponding Author : Budiono Sutarjo --------------------------------------------------------ABSTRACT---------------------------------------------------------- The mosque architecture that deserves to use as a starting point in the analysis of architectural changes in Indonesian mosques is the Wali mosque as an early generation mosque in Indonesia. As a reference, the architectural element characteristic of Wali mosque (local mosque) needs to be known, so that this paper aims to find a description of a local mosque (Wali mosque), and also description of architectural elements of non- local mosques (mosques with foreign cultural context) because one of the causes of changes in mosque architecture is cultural factors. The findings of this paper are expected to be input for further studies on the details of physical changes in the architectural elements of mosques in Indonesia. The study subjects taken were 6 Wali mosques that were widely known by the Indonesian Muslim community as Wali mosques and 6 non-local mosques that were very well known and frequently visited by Indonesian Muslim communities. Data obtained from literature studies, interviews and observations. The analysis is done by sketching from visual data, critiquing data, making interpretations, making comparisons and compiling the chronology of the findings.
    [Show full text]
  • A Study of the Design of Mosques of the Ministry of Awqaf and Islamic A€Airs in Kuwait
    Kuwait J. Sci. Eng. 29(1) pp.135 - 159, 2002 A study of the design of mosques of the ministry of Awqaf and Islamic aairs in Kuwait OMAR KHATTAB Department of Architecture, Faculty of Engineering & Petroleum, Kuwait University, Kuwait. e-mail:[email protected] ABSTRACT The mosque is the prominent and perhaps only religious building in Islam. It is a building type which often re¯ects the impact of the manifestation of local architectural traditions, which later on formed the core of Islamic architecture. Indeed the mosque is sometimes considered the prime symbol of a country's religious stance, or national identity. In an attempt to assert its national identity, the State of Kuwait has constructed numerous mosques over the past few decades. Through various ministerial agencies, funds were raised for mosque-building schemes. This paper attempts to provide a visual and architectural survey of the mosques built by the Ministry of Awqaf & Islamic Aairs [MAIA] in Kuwait. It investigates the similarities and dierences in the design patterns, and searches for underlying endeavours to create distinctive styles that re¯ect traditional values of Kuwaiti mosque architecture. The primary objective of this paper is to document the design process of MAIA mosques as well as to provide a glimpse of their architectural features. With the intention of searching for underlying similarities and dierences in their design patterns. There are very few documented studies on mosque architecture in general in Kuwait (Al Roumy 1988). But certainly there is no study, whatsoever, on the MAIA mosques. which represent one third of government mosques and around 14% of all existing mosques in Kuwait.
    [Show full text]
  • Cultural Heritage in Palestine RIWAQ New Experience and Approaches
    Cultural Heritage in Palestine RIWAQ New Experience and Approaches Nazmi Ju’beh∗ Ramallah-Palestine June 2009 Introduction Cultural Heritage in Palestine was for more than one century a monopole of western foreign scholarship. It is just in the last two decades that Palestinians began to establish national infrastructure to deal with the different components of cultural heritage. The terminology “cultural heritage” in itself is also very recent, the locally used terminologies were “antiquities” and “heritage”. The first terminology was a legal one, meaning all kinds of movable and immovable remains of cultural heritage which existed before the year 1700, and for local Palestinian population it meant a source of income, either through working for foreign missions as cheap unskilled labor or through illicit excavations, selling the artifacts in the black market. The second terminology was nothing except ethnographic objects with a lot on nostalgia meanings. In the last two decades a tremendous development, in spite of all kinds of difficulties, took place in Palestine. The experience is in general very recent, but very rich and the number of involved institutions is growing rapidly; as well do the number of involved individuals in different components of cultural heritage. It is very important to bear in mind that cultural heritage in Palestine, unfortunately, is still a very sensitive, ideologically and politically oriented “science” and practice. Cultural heritage research in Palestine is to be understood in the context of the area’s historic developments since 1850 until today. Therefore, to process the history of the various groups, whether local or foreign, it is important to examine the historical factors that have developed in the area.
    [Show full text]
  • The Sources of Ibn Tulun's Soffit Decoration
    American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2015 The sources of Ibn Tulun's soffit decoration Pamela Mahmoud Azab Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Azab, P. (2015).The sources of Ibn Tulun's soffit decoration [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/621 MLA Citation Azab, Pamela Mahmoud. The sources of Ibn Tulun's soffit decoration. 2015. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/621 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences The Sources of Ibn Tulun’s Soffit Decoration A Thesis Submitted to Department of Arab and Islamic Civilizations Islamic Art and Architecture in Partial Fulfillment of the Requirement for the Degree of Master of Arts by Pamela Mahmoud Azab Under the Supervision of Dr. Bernard O’Kane December 2015 Acknowledgments I would like to dedicate this thesis to my late mother who encouraged me to pursue my masters. Unfortunately she passed away after my first year in the program, may her soul rest in peace. For all the good souls we lost these past years, my Mum, my Mother-in-law and my sister-in-law. I would like to thank my family, my dad, my brother, my husband, my sons Omar, Karim and my little baby girl Lina.
    [Show full text]