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Anglican Foundations: from Augustine to Cranmer
Anglican Foundations: From Augustine to Cranmer (yearlong) 2021-2022 ELIGIBLE STUDENTS: Grades 7- 9 Anglican Foundations: From Augustine to Cranmer is for the middle school student who is inter- ested in learning about the history of Anglicanism, and about Anglican doctrine and practices, who will follow instructions on marking a book, writing summaries, and taking notes, and is comfortable writing a 3-5 paragraph essay. Class Dates: Wednesday, September 7, 2021 through Wednesday, May 27, 2022 Class Times: Monday & Wednesday 9:30-10:45 a.m. (Eastern Time) Instructor: Rhea Bright Email: [email protected] Office Hours: Wednesday 8:30-9:30 a.m. and 1:45-3:30 p.m. ET COURSE DESCRIPTION Anglican Foundations: From Augustine to Cranmer studies the history of the church in England from the time when St Augustine of Canterbury arrived on the shores of Kent through to the English Reformation and the development of the distinctively Anglican Book of Common Prayer. We will trace key figures and issues that move the church in England through the Middle Ages and that lead to its break with Rome in the 16th century. We will read occasional primary documents and poetry to taste the flavour of the time. We will study the catechism published by Bishop Alexander Nowell in 1572 in order to understand Anglican teaching on the Law, the Creed, the Lord’s Prayer and the Sacraments. SCHEDULE CLASS SESSIONS DATES: Classes will take place on Monday & Wednesday 9:30-10:45 a.m. (ET) for 32 weeks. Orientation: Monday August 30. Semester 1: September 8, 13, 15, 20, 22, 27, 29 October 4, 6, 11, 13, 18, 20, 25, 27 November 1, 3, 8, 10, 15, 17, 29 [Thanksgiving Break: Nov. -
The Metaphysical Poet: John Donne and His Religious Experience in Poetry
ORIGINAL ARTICLE © UIJIR | ISSN (O) - 2582-6417 June 2020 | Vol. 1 Issue.1 www.uijir.com THE METAPHYSICAL POET: JOHN DONNE AND HIS RELIGIOUS EXPERIENCE IN POETRY DR. MUNA SHRESTHA Assistant Professor of Tribhuvan University, Nepal Mahendra Multiple Campus, Nepalgun, Nepal E-Mail:[email protected] ABSTRACT This paper tries to interpret John Donne’s as a religious poet. His works are better understood through the optic of Biblical knowledge, the backdrop of God’s revelation of Himself. A poet’s heart is filled with sympathy by the Spirit of his Maker and mind is illumined by His Word recognizes a much deeper sense of inspiring reality. In his poems, Donne uses the most effective and intimate of words to express his relation with God. The metaphysical poetry not only explains the existence of earthly things, but also reveals the religious significance of unnoticed or hitherto unappreciated aspects of temporal things. He also portrays satire in his poetry that deal the problem of true religion and it is a matter of great importance to Donne. He argues that it is better to examine carefully one's religious beliefs than blindly to follow any established tradition. Key words: John Donne, metaphysical poetry, religious, God. 1. INTRODUCTION English metaphysical poetry is the richest and most widely ranging in the language. Its style was most enthusiastic in the seventeenth century and it not only brought the best devotional poetry but also the finest lyrics, satires, pastorals and visionary meditations of that era (Edwin Honig). The poets gave the signal to the readers to enter into a new empire of poetry with a sense of attachment and belonging between different objects of nature and human sentiments, feeling and passion. -
Renaissance and Reformation, 1980-81
Donne's "La Corona" and Christ's Mediatorial Office R. R. DUBINSKI Ijy pointing out the affinities between "La Corona" and certain traditional meditative practives, studies by Louis Martz and Helen Gardner have provided important contexts for understanding the poem's structure and organization. Martz contends that the poem "is a complex synthesis of methods and materials from both rehgious and profane poetry, from the Uturgy of the Church, and from all the various ways of meditating on the life of Christ," but the fundamental impulse and outline of the sequence, he emphasizes, is found in the Catholic meditations of the corona.^ Martz draws analogies between "La Corona" and Jesuit treatises (in particular one by Sabin Chambers) to show how the meditations of the corona may have exerted a very strong influence on the construction, divisions, and general procedure of Donne's sequence.^ Helen Gardner argues that the sonnets are in- spired by liturgical prayer and praise, especially the meditation on the Fifteen Mysteries of the Rosary adapted by Donne to a meditation on the life of Christ.^ Both Martz and Gardner make it clear that "La Corona" has a strong affinity with the long-standing practice of organized meditations on the life of Christ. Both also notice how Donne's poem is characterized by a mixture of Catholic and Protestant emphases. Gardner points out one Cathohc emphasis: "It is doubtful whether Donne felt there was any- thing particularly Cathohc in concentrating on the Mysteries of Faith, or in addressing his second and third sonnets to the Blessed Virgin, or in apostrophizing St. -
Death, Be Not Proud POEM TEXT THEMES
Get hundreds more LitCharts at www.litcharts.com Death, be not proud POEM TEXT THEMES 1 Death, be not proud, though some have called thee THE POWERLESSNESS OF DEATH 2 Mighty and dreadful, for thou art not so; In this sonnet, often referred to by its first line or as 3 For those whom thou think'st thou dost overthrow “Holy Sonnet 10,” the speaker directly addresses 4 Die not, poor Death, nor yet canst thou kill me. death, seeking to divest it of its powers and emphasize that 5 From rest and sleep, which but thy pictures be, man, though fated to die, is more powerful than death itself. The poem paints a picture of death as prideful—vain, even—and 6 Much pleasure; then from thee much more must flow, works to deflate death’s importance by arguing firstly that 7 And soonest our best men with thee do go, death is nothing more than a rest, and secondly that following 8 Rest of their bones, and soul's delivery. this rest comes the afterlife, which contradicts death’s aim of 9 Thou art slave to fate, chance, kings, and desperate bringing about a final end. With death’s powerlessness proven men, by the end of the poem, it is death itself, not man, who is going 10 And dost with poison, war, and sickness dwell, to die. 11 And poppy or charms can make us sleep as well The speaker clearly argues against death being treated as 12 And better than thy stroke; why swell'st thou then? something strong and important. -
If We Look at Elizabethan Poetry from the Vantage Point of a 21St‐Century
If we look at Elizabethan poetry from the vantage point of a 21st‐century university survey course in English Renaissance literature, it is clearly one of the two most prominent genres, together with Elizabethan drama, that we will have to deal with. If we look deeper, we will discern various subgenres, such as epic, love poetry, erotic poems, religious verse, etc.; or we might as well consider some of the most celebrated poets: Philip Sidney, Edmund Spenser, Christopher Marlowe, William Shakespeare, John Donne, etc. … Naturally, we will do this – but if we are to understand Elizabethan poetry in its own terms, we need to start by taking a closer look at its socio‐political and cultural context. 1 The first cornerstone of the Elizabethan socio‐political and cultural context is humanist education. Humanism, as an educational reform movement, began in Italy in the late 13th and developed throughout the 14th century. Initially, it was characterized by the recovery, study and translation of important works from Greek and Latin antiquity as well as a renewed interest in classical rhetoric and style – as a reaction against the restrictive scholasticism and exegetical practices of medieval education dominated by the Catholic church. It was also associated with the desire of Italian city states (such as the Venetian and Florentine republics) to claim continuity between them and ancient Rome, and by extension ancient Greece. Important early humanists include Francesco Petrarca, Giovanni Boccacio, Leonardo Bruni, Poggio Bracciolini, Marcilio Ficino, Pico della Mirandola, Niccolo Machiavelli. Humanism spread north in the 14th and 15th centuries influencing scholars and teachers in France, Germany, the Netherlands and eventually in the 16th century also in England. -
John Donne and the Countess of Bedford
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1976 John Donne and the Countess of Bedford Marcia Mascolini Brown Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Brown, Marcia Mascolini, "John Donne and the Countess of Bedford" (1976). Dissertations. 1572. https://ecommons.luc.edu/luc_diss/1572 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1976 Marcia Mascolini Brown JOHN DONNE A...~D THE COUNTESS OF BEDFORD by Marcia Mascolini Brown A Dissertation Submitted to the Faculty of the Graduate School of' Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy February 1976 VITA Marcia Mascolini Brow"'Tl is the daughter of the late Virgil G. Mascolini and Gertrude Garbus Mascolini. She was born January 15, 1944, in Wilkes-Barre, Pennsylvania. Her elementary and secondary education was obtained in the public and parochial schools of Dallas, Edwardsville, and Williamsport, Pennsylvania. In September, 1961, she entered College Misericordia, Dallas, Pennsylvania, and in May, 1965, received the degree of Bachelor of Arts with a major in English. She was granted an N.D.E.A. doctoral fellowship and entered Loyola University of Chicago in September, 1965. She received an Arthur J. -
Appendix: a Brief Review of Scholarship
Appendix: A Brief Review of Scholarship The main subjects of the preceding pages—Donne’s Songs and Sonnets , the mechanisms and repercussions of evolution, the fields of Biology and Cognition it led to, and an allied science of Love—are not always easy to understand. I have tried to be comprehensible and to share my contagious interests; my success can only be judged by my readers. Fortunately for all of us, though, some admirably lucid com- mentators have turned their attentions to explaining Donne, Darwin, and desire, and this guide is presented with the aim of clearing up confusions and prompting further inquiry (full citations are found in the Works Cited.) There are extensive—better said, excessive —bodies of scholarship on every minute subtopic touched on here, enough to make the most diehard Holmesian investigator or grad student despair. Mountains of material have been published on, well, everything, down to gold and alchemy, gossip, particular metaphorical schema such as Donne’s compasses, and so forth. No claims for systematic inclusiveness are advanced here. More specifically, let me note that the previous chap- ters have (relatively) few citations to the history of science, to overhasty first-generation efforts at sociobiological literary criticism, and to the masses of twentieth-century work on Donne’s poems, though many of those pieces are topnotch and sometimes stand, at one remove, behind interpretations that are generally accepted today. Donne criticism may be said to have reached its full-blown matu- rity, and now occupies several shelves in most well-stocked university libraries. To boil it down to a single paragraph: the two most influen- tial opponents of Metaphysical verse were John Dryden and Samuel Johnson. -
Time, Death, and Mutability : a Study of Themes in Some Poetry of The
TIME, DEATH, and MUTABILITY: A Study of Themes in Some Poetry of the Renaissance - Spenser, Shakespeare, and Donne Jean Miriam Gerber B.A., Pennsylvania State University, 1961 A THESIS SUBMITTED IN PARTIAL FULFUHE3T OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English Jean Miriam Gerber, 1968 Simon Fraser University J~Y,1968 EXA XINIMG COK4ITTEX APPROVAL (name) Senior Supervisor \ ( name) Examining Cormittoe " - ( name ) Examining Conunittee PARTTAL COPYRIGIIT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Sttldies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/~issertation: Author: (signature ) (name ) (date) ACKNOWLEDGMENTS The author wishes to thank Mr. Clark Cook for his many suggestions and close attention. Special thanks are also due to Mr. James Sandison who read this study in manuscript. Above all I wish to thank Dr. F. B. Candelaria, who supervised the thesis. ABSTRACT This study was undertaken in order to exanine some examples of Renaissance poe+zy in the light of the themes of love, death, time, and mutability. -
John Donne on Repentance
John Donne on Repentance: Thou hast made me, and shall thy work decay? 1572 – 1631 John Donne’s Life 1571/72 Born of a mother from an eminent Roman Catholic family 1576 His father dies 1584 Begins study at Hart Hall, Oxford 1592 Studies law at Lincoln’s Inn (as a Roman Catholic, could not receive an Oxford degree); begins writing “secular poetry”; becomes a “man about town,” an admirer of “fair women.” 1593 Donne’s brother Henry dies in Newgate Prison after sheltering a Roman Catholic priest; Donne tends toward scepticism 1596/97 “Military Adventure”: serves Earl of Essex in expedition against Cadiz, in the Azores 1598? Conforms to Church of England; becomes secretary to Sir Thomas Edgerton 1601-1615 Secretly marries Ann More, niece of Edgerton’s wife, a minor (age 17); Donne is briefly imprisoned and they live in poverty. Ann gives birth to 12 children, five of whom die; Donne writes religious poetry and controversial religious writings: Pseudo-Martyr; Essays in Divinity John Donne’s Life 1615 Ordained to C of E at King James’s encouragement 1616 Divinity Reader, Lincoln’s Inn 1617 Ann More dies in childbirth (age 33); Donne deeply affected by her death 1621 Dean of St. Paul’s Cathedral 1623 Devotions Upon Emergent Occasions (during an illness) 1631 Preaches “Death’s Duel,” his final sermon; Dies March 31 Donne’s Writings • Religious Poetry • Prose – La Corona – Essays in Divinity – Holy Sonnets – Sermons (Ten Volumes) “Batter my heart, three – Devotions Upon Emergent person’d God . .” Occasions – A Litanie – The Crosse – Hymne to God My God, in My Sicknesse – A Hymne to God the Father • “Wilt thou forgive that sinne . -
Download Full Issue
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 214, Autumn 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews), Deena Rymhs (Reviews) Past Editors: George Woodcock (1959–1977), W. H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Kristina Fagan Bidwell University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa -
A Psychobiography of John Donne
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-1995 "Contraryes Meete in One": A Psychobiography of John Donne Lisa Anderson University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Anderson, Lisa, ""Contraryes Meete in One": A Psychobiography of John Donne" (1995). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. "Contraryes Meete In One": A Psychobiography of John Donne by Lisa Anderson Tennessee Scholars Senior Project & English Honors Thesis Project Director: Dr. Rob Stillman Second Readers: Dr. Al Burstein Dr . Jack Reese April 28, 1995 1 John Donne and his poetry have long been a tremendous source of interest for readers and scholars alike. Once more, with the development of psychoanalytic theory and its application to works of art and literature, John Donne's life and poetry have become, not surprisingly, a subject for analysis. One reason for psychoanalytic critics to be concerned with Donne is the complex nature of his poems, reflecting a struggle between dichotomous emotions influenced by the forces of sex and death. One example of Donne's poetry that displays this complex quality and illustrates the potential inherent in a psychoanalytic reading is Holy Sonnet XVII: Since she whome I lovd, hath payd her last debt To Nature, and to hers, and my good is dead And her Soule early into heaven ravished, Wholy in heavenly things my mind in sett. -
John Donne: the Nitchp.M Years, 1606-1611 John Donne: the Mitcham Years, 1606-1611
JOHN DONNE: THE NITCHP.M YEARS, 1606-1611 JOHN DONNE: THE MITCHAM YEARS, 1606-1611 BY JENNIFER REYNOLDS TAYLOR, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Naster of Arts McMaster University October, 1973 o Jennifer Reynolds Taylor, 1973 ~~STER OF ARTS (1973) Mc~~STER UNIVERSITY (English) Hamilton, Ontario TITLE: John Donne: The Mitcham Years, 1606-1611 AUTHOR: Jennife.r Reynolds Taylor, B.A. (McMaster University) SUPERVISOR: A. W. Brink NU}lliER OF PAGES: v, 137 ii ABSTRACT This thesis represents an attempt to define the nature of the intense personal crisis Donne suffered in the Mitcham years, 1606-1611. Interpreted as a modified spiritual autobiography, the poetry written in these years reflects the crisis itself and the ensuing search for resolution of personal conflicts. The years 1607-1609 were a period of transition: the earliest divine poems reflect an att~mpted self-accorrrmodation to formal religious devotion, while the late love lyrics reveal the disillusion accompanying the failure of sustained human relation in love of woman. Significant in this period is Donne's intense personal relationship with Lucy, Countess of Bedford. The collapse of this relationship in 1609 contributed to a crisis compounded of poverty, illness, and profound dejection of spirit. Donne's sen$e of inner incompletion, the need for the security and assurance of a sustaining personal relation, is poignantly expressed in the late lyrics and in the 'Holy Sonnets': love of woman and love of God appear as opposite foci in the search for a sufficient personal object of devotion.