John Donne and the Countess of Bedford
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The Elizabethan Diplomatic Service
Quidditas Volume 9 Article 9 1988 The Elizabethan Diplomatic Service F. Jeffrey Platt Northern Arizona University Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Platt, F. Jeffrey (1988) "The Elizabethan Diplomatic Service," Quidditas: Vol. 9 , Article 9. Available at: https://scholarsarchive.byu.edu/rmmra/vol9/iss1/9 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. JRMMRA 9 (1988) The Elizabethan Diplomatic Service by F. Jeffrey Platt Northern Arizona University The critical early years of Elizabeth's reign witnessed a watershed in European history. The 1559 Treaty of Cateau-Cambresis, which ended the long Hapsburg-Valois conflict, resulted in a sudden shift in the focus of international politics from Italy to the uncomfortable proximity of the Low Countries. The arrival there, 30 miles from England's coast, in 1567, of thousands of seasoned Spanish troops presented a military and commer cial threat the English queen could not ignore. Moreover, French control of Calais and their growing interest in supplanting the Spanish presence in the Netherlands represented an even greater menace to England's security. Combined with these ominous developments, the Queen's excommunica tion in May 1570 further strengthened the growing anti-English and anti Protestant sentiment of Counter-Reformation Europe. These circumstances, plus the significantly greater resources of France and Spain, defined England, at best, as a middleweight in a world dominated by two heavyweights. -
Anglican Foundations: from Augustine to Cranmer
Anglican Foundations: From Augustine to Cranmer (yearlong) 2021-2022 ELIGIBLE STUDENTS: Grades 7- 9 Anglican Foundations: From Augustine to Cranmer is for the middle school student who is inter- ested in learning about the history of Anglicanism, and about Anglican doctrine and practices, who will follow instructions on marking a book, writing summaries, and taking notes, and is comfortable writing a 3-5 paragraph essay. Class Dates: Wednesday, September 7, 2021 through Wednesday, May 27, 2022 Class Times: Monday & Wednesday 9:30-10:45 a.m. (Eastern Time) Instructor: Rhea Bright Email: [email protected] Office Hours: Wednesday 8:30-9:30 a.m. and 1:45-3:30 p.m. ET COURSE DESCRIPTION Anglican Foundations: From Augustine to Cranmer studies the history of the church in England from the time when St Augustine of Canterbury arrived on the shores of Kent through to the English Reformation and the development of the distinctively Anglican Book of Common Prayer. We will trace key figures and issues that move the church in England through the Middle Ages and that lead to its break with Rome in the 16th century. We will read occasional primary documents and poetry to taste the flavour of the time. We will study the catechism published by Bishop Alexander Nowell in 1572 in order to understand Anglican teaching on the Law, the Creed, the Lord’s Prayer and the Sacraments. SCHEDULE CLASS SESSIONS DATES: Classes will take place on Monday & Wednesday 9:30-10:45 a.m. (ET) for 32 weeks. Orientation: Monday August 30. Semester 1: September 8, 13, 15, 20, 22, 27, 29 October 4, 6, 11, 13, 18, 20, 25, 27 November 1, 3, 8, 10, 15, 17, 29 [Thanksgiving Break: Nov. -
The Metaphysical Poet: John Donne and His Religious Experience in Poetry
ORIGINAL ARTICLE © UIJIR | ISSN (O) - 2582-6417 June 2020 | Vol. 1 Issue.1 www.uijir.com THE METAPHYSICAL POET: JOHN DONNE AND HIS RELIGIOUS EXPERIENCE IN POETRY DR. MUNA SHRESTHA Assistant Professor of Tribhuvan University, Nepal Mahendra Multiple Campus, Nepalgun, Nepal E-Mail:[email protected] ABSTRACT This paper tries to interpret John Donne’s as a religious poet. His works are better understood through the optic of Biblical knowledge, the backdrop of God’s revelation of Himself. A poet’s heart is filled with sympathy by the Spirit of his Maker and mind is illumined by His Word recognizes a much deeper sense of inspiring reality. In his poems, Donne uses the most effective and intimate of words to express his relation with God. The metaphysical poetry not only explains the existence of earthly things, but also reveals the religious significance of unnoticed or hitherto unappreciated aspects of temporal things. He also portrays satire in his poetry that deal the problem of true religion and it is a matter of great importance to Donne. He argues that it is better to examine carefully one's religious beliefs than blindly to follow any established tradition. Key words: John Donne, metaphysical poetry, religious, God. 1. INTRODUCTION English metaphysical poetry is the richest and most widely ranging in the language. Its style was most enthusiastic in the seventeenth century and it not only brought the best devotional poetry but also the finest lyrics, satires, pastorals and visionary meditations of that era (Edwin Honig). The poets gave the signal to the readers to enter into a new empire of poetry with a sense of attachment and belonging between different objects of nature and human sentiments, feeling and passion. -
English Travellers of the Renaissance
FROM THE INCOME OF THE FISKE ENDOWMENT FUND THE BEQUEST OF Ivibrarian of the University 1868-1883 1905 ll.^1).SgM: 4jT0!t ^ff^-ttifnUip Cornell University Library DA 185.H84 English travellers of the renaissance. 3 1924 027 902 349 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924027902349 ENGLISH TRAVELLERS OF THE RENAISSANCE THE ADMIRABLE CRICHTON Fro7ii an. eJigi'aving by J. Hall after Moses Griffith Travelled in 1577, at the age of seventeen, and won the admiration of foreigners by his wit and swordsmanship ENGLISH TRAVELLERS OF THE RENAISSANCE BY CLARE HOWARD LONDON : JOHN LANE, THE BODLEY HEAD NEW YORK : JOHN LANE COMPANY TORONTO : BELL & COCKBURN MCMXIV At.&3g8H Tumbull &• Spears, Priniers, Edinburgh PREFACE THIS essay was written in 1908-19 lo while I was studying at Oxford as Fellow of the Society of American Women in London. Material on the subject of travel in any century is apparently inexhaustible, and one could write many books on the subject without duplicating sources. The following aims no further than to describe one phase of Renais- sance travel in clear and sharp outline, with sufficient illustration to embellish but not to clog the main ideas. In the preparation of this book I incurred many debts of gratitude. I would thank the staff of the Bodleian, especially Mr W. H. B. Somerset, for their kindness during the two years I was working in the library of Oxford University ; and Dr Perlbach, Abteilungsdirektor of the Konigliche Bibliothek at Berlin, who forwarded to me some helpful information concerning the early German books of instructions for travellers ; and Professor Clark S. -
Renaissance and Reformation, 1980-81
Donne's "La Corona" and Christ's Mediatorial Office R. R. DUBINSKI Ijy pointing out the affinities between "La Corona" and certain traditional meditative practives, studies by Louis Martz and Helen Gardner have provided important contexts for understanding the poem's structure and organization. Martz contends that the poem "is a complex synthesis of methods and materials from both rehgious and profane poetry, from the Uturgy of the Church, and from all the various ways of meditating on the life of Christ," but the fundamental impulse and outline of the sequence, he emphasizes, is found in the Catholic meditations of the corona.^ Martz draws analogies between "La Corona" and Jesuit treatises (in particular one by Sabin Chambers) to show how the meditations of the corona may have exerted a very strong influence on the construction, divisions, and general procedure of Donne's sequence.^ Helen Gardner argues that the sonnets are in- spired by liturgical prayer and praise, especially the meditation on the Fifteen Mysteries of the Rosary adapted by Donne to a meditation on the life of Christ.^ Both Martz and Gardner make it clear that "La Corona" has a strong affinity with the long-standing practice of organized meditations on the life of Christ. Both also notice how Donne's poem is characterized by a mixture of Catholic and Protestant emphases. Gardner points out one Cathohc emphasis: "It is doubtful whether Donne felt there was any- thing particularly Cathohc in concentrating on the Mysteries of Faith, or in addressing his second and third sonnets to the Blessed Virgin, or in apostrophizing St. -
John Donne 1 John Donne
John Donne 1 John Donne John Donne John Donne Born between 24 January and 19 June [1] 1572 London, England Died 31 March 1631 (aged 59) London, England Occupation Poet, priest, lawyer Nationality English Alma mater Oxford University Genres Satire, Love poetry, elegy, sermons Subjects Love, sexuality, religion, death Literary movement Metaphysical Poetry John Donne (/ˈdʌn/ DUN) (between 24 January and 19 June 1572[1] – 31 March 1631) was an English poet, satirist, lawyer and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. His works are noted for their strong, sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially compared to that of his contemporaries. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of British society and he met that knowledge with sharp criticism. Another important theme in Donne’s poetry is the idea of true religion, something that he spent much time considering and theorising about. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.[2] Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. -
If We Look at Elizabethan Poetry from the Vantage Point of a 21St‐Century
If we look at Elizabethan poetry from the vantage point of a 21st‐century university survey course in English Renaissance literature, it is clearly one of the two most prominent genres, together with Elizabethan drama, that we will have to deal with. If we look deeper, we will discern various subgenres, such as epic, love poetry, erotic poems, religious verse, etc.; or we might as well consider some of the most celebrated poets: Philip Sidney, Edmund Spenser, Christopher Marlowe, William Shakespeare, John Donne, etc. … Naturally, we will do this – but if we are to understand Elizabethan poetry in its own terms, we need to start by taking a closer look at its socio‐political and cultural context. 1 The first cornerstone of the Elizabethan socio‐political and cultural context is humanist education. Humanism, as an educational reform movement, began in Italy in the late 13th and developed throughout the 14th century. Initially, it was characterized by the recovery, study and translation of important works from Greek and Latin antiquity as well as a renewed interest in classical rhetoric and style – as a reaction against the restrictive scholasticism and exegetical practices of medieval education dominated by the Catholic church. It was also associated with the desire of Italian city states (such as the Venetian and Florentine republics) to claim continuity between them and ancient Rome, and by extension ancient Greece. Important early humanists include Francesco Petrarca, Giovanni Boccacio, Leonardo Bruni, Poggio Bracciolini, Marcilio Ficino, Pico della Mirandola, Niccolo Machiavelli. Humanism spread north in the 14th and 15th centuries influencing scholars and teachers in France, Germany, the Netherlands and eventually in the 16th century also in England. -
Geneva, April–August 1593
chapter 7 Geneva, April–August 1593 Thomson seems to have left Christmann’s house in Heidelberg in March 1593. We do not know when he arrived in Geneva, but he was certainly there by August. Henri Estienne, the great Greek scholar and Isaac Casaubon’s difficult father-in-law, was in Geneva during Thomson’s stay.1 Estienne had been absent from the city for eight or nine months when Casaubon wrote to Thomson in April 1594, a statement which allows us to deduce that Thomson had reached Geneva before August 1593.2 Thomson may have heard Casaubon speak pub- licly on the subject of the New World during this visit.3 In Geneva he knew the man who taught Casaubon Hebrew, Pierre Cheva- lier. Their acquaintance, however, cannot have extended beyond Thomson’s time in Geneva: he sent his regards to Chevalier in a letter of December 1593, and is informed of his death by Casaubon in April 1594.4 In his letter of April 1594, Casaubon also sends greetings from Jacques de Lect, a Genevan historian, lawyer and magistrate, and from Paul Estienne, the son of Casaubon’s father-in- 1 Casaubon married Estienne’s daughter Florence, but her father never allowed his son-in- law to enter his library: see Casaubon’s letter to Scaliger of 2 September 1598, in Botley and Van Miert, eds, Scaliger Correspondence, 2012, 3, p. 195; Pattison, Casaubon, 1892, pp. 30–32. Scaliger said: ‘H. Estienne ne voulut point voir sa fille femme de Casaubon. Il n’aymoit point son gendre’ (Scaliger, Secunda Scaligerana, 1740, p. -
Firmness, Commodity, and Delight: Architecture in Special Collections
1 FIRMNESS, COMMODITY, AND DELIGHT: ARCHITECTURE IN SPECIAL COLLECTIONS Writing near the end of the first century B.C.E., Roman architect Vitruvius Pollio identified three elements necessary for a well-designed building: firmitas, utilitas,and venustas. Firmness or physical strength secured the building’s structural integrity. Utility provided an efficient arrangement of spaces and mechanical systems to meet the functional needs of its occupants. And venustas, the aesthetic quality associated with the goddess Venus, imparted style, proportion, and visual beauty. Rendered memorably into English by Henry Wotton, a seventeenthcentury translator, “firmness, commodity, and delight” remain the essential components of all successful architectural design. Architecture has been a part of the Library’s holdings since 1891, when President William Rainey Harper purchased the complete stock of a Berlin book dealer for the University of Chicago. Among the treasures acquired for the Library with this collection were early editions of works on classical architecture, sculpture, and design, along with a 15th-century manuscript of Leon Battista Alberti’s influential architectural treatise, De re aedificatoria. Subsequent gifts, acquisitions, and archival transfers have brought added distinction and variety to the Library’s architecture collections: theoretical works and popular manuals, records of the University’s physical development, papers of urban planners, postcards and ephemera, photographs, and architectural drawings and blueprints. Based on the holdings of the Special Collections Research Center, the architectural selections displayed in this exhibition suggest the diversity of these resources and their rich potential for research across a broad range of topics in the arts of building and design. “Firmness, Commodity, and Delight” celebrates the opening of the new Special Collections Research Center Exhibition Gallery and the completion of the Joe and Rika Mansueto Library. -
Doctrinal and Stylistic Elements in the Sermons of John Donne, Richard Hooker and Lancelot Andrewes
such seeds of eternity So worthie a part of divine service we should greatlie wronge, :if we did not esteeme preaclringe as the blessed ordinance of God, sermons as Keyes to the kingdom of heaven, as winges to the soule, as spurres to the good affections of m an, unto the sound and healthie as foode, as phisicke unto diseased mindes. Hooker, V, 22.1, Laws II, p. 87. II ••• such seeds of eternity II DOCTRINAL AND STYIJSTIC ELEMENTS IN THE SERMONS OF JOHN DONNE, RICHARD HOOKER AND LANCELOT ANDREWES by JOSEPH RICH ARD GIBSON, B.A. A Thesis Submitted to the School of Graduate Studies :in Partial. Fulfilment of the Requirements for the Degree of M aster of Arts Me Master University October, 1979. M ASTER OF ARTS (1979) McM ASTER UNIVERSITY (English Literature) Hamflton, Ontario TITLE: Doctrinal and Stylistic Elements in the Sermons of John Donne, Richard Hooker and Lancelot Andrewes AUTHOR: Joseph Richard Gibson, B.A. (Guelph) SU PER VISO R: Professor G. Roebuck NU MBER OF PAGES: 116. ii ABSTRACT This thesis focuses upon doctrinal and trinitarian elements. and their influence on style, in selected sermons of Richard Hooker, John Donne and Lancelot Andrewes c The thesis concentrates upon the rational aspects of each man's doctrine and the rhetorical aspects of their style, as these emerge from the sermonso Hooker's notion of reason tends to locate itself within the Thomistic traditions of Scholastic thought.. Conaequently, Hooker, a radically conservative thinkert fastens upon the image of God the Father, the God of generative reason and Logos, in his approaches to the Trinityo It is argued that Hooker does this in order to confound the increasingly fideistic and pyrrhonistic notions of many of his contemporarieso Thus, he seeks to counteract a rising tide of Augustinian thought in English letters . -
Lindsay A. Mann Sacred and Profane Love in Donne Despite a Number Of
Lindsay A. Mann Sacred and Profane Love in Donne Our business is, to rectifie Nature, to what she was ... ("To Sir Edward Herbert at Julyers," 11. 33-4) Despite a number of recent studies arguing for continuity in Donne's career, the common interpretation of Donne's treatment of love and marriage still depends on the drawing of a sharp distinction between the sceptical naturalism of his early satirical and erotic verse and the asceticism of his devotional poetry and prose, with some of the more mature and suffering of the love poems (usually associated with Donne's marriage) providing an uneasy hyphen which only serves to emphasize the dichotomy. 1 This dichotomized reading of Donne's career issues in, or is sustained by, mar ked differences of opinion in the interpretation of the basic intention and essential implications of Donne's treatment of love. These problems of interpretation are further confused by and contribute to contradictory interpretations of Donne's relation to the main intellectual traditions of the period, whether essentially medieval or Augustinian or modern and sceptical or, just now, Calvinist.2 The dominant view, though not unchallenged, is still Bredvold's reading of a fundamental dualism (as between body and soul, faith and reason, the natural and the spiritual) in Donne.3 My examination of Donne's portrayals of human and divine love in some characteristic early and later work, in the light of consistent principles developed in his prose, supports current efforts to see a deeper consistency in Donne's work than is generally acknowledged. Although I can present only a summary of the evidence here, I hope the reader will find it suggestive enough to pursue the argument further. -
John Evelyn As Modern Architect and Ancient Gardener: 'Lessons of Perpetual Practice'
John Evelyn as modern architect and ancient gardener: 'lessons of perpetual practice' Book or Report Section Accepted Version Bullard, P. (2016) John Evelyn as modern architect and ancient gardener: 'lessons of perpetual practice'. In: Bullard, P. and Tadié, A. (eds.) Ancients and moderns in Europe: comparative perspectives. Oxford University Studies in the Enlightenment. Voltaire Foundation. University of Oxford, Oxford, pp. 171-188. ISBN 9780729411776 Available at http://centaur.reading.ac.uk/65804/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Voltaire Foundation. University of Oxford All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online <rh.verso>Paddy Bullard</rh.verso> <rh.recto>9. John Evelyn as modern architect and ancient gardener</rh.recto> <ch.head>9. John Evelyn as modern architect and ancient gardener: ‘Lessons of perpetual practice’</ch.head> <svec.auth1><sc>Paddy Bullard</sc></svec.auth1> The arts of gardening and of building – frequently treated as a pair by early modern writers – play a minor but significant part in the Quarrel between the Ancients and Moderns: they are often there somewhere in the background of the dispute, furnishing analogies and colouring its figurative language. In a quarrel over modernisation and primitivism, this is no more than one would expect.