Sabor Cubano En Grammy Latino 2015

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Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown Silvio Rodríguez, uno de los más importantes cantautores cubanos. Autor: Cubasí Publicado: 21/09/2017 | 06:06 pm Sabor cubano en Grammy Latino 2015 Silvio Rodríguez, Alex Cuba y el Septeto Santiaguero fueron merecedores del galardón. Pablo Milanés recibió el lauro a la Excelencia Musical Publicado: Viernes 20 noviembre 2015 | 02:13:28 am. Publicado por: Yelanys Hernández Fusté Los cubanos Silvio Rodríguez, Alex Cuba y el Septeto Santiaguero fueron merecedores del premio Grammy Latino 2015, mientras que Pablo Milanés recibió el lauro a la Excelencia Musical, según dio a conocer este jueves la Academia Latina de la Grabación, en ceremonia celebrada en la estadounidense ciudad de Las Vegas. A Silvio le fue concedido el reconocimiento en el apartado de Mejor Video Musical (versión corta) por el clip del tema Ojos color Sol, junto a los boricuas de Calle 13. Por su parte, Alex Cuba se agenció el galardón en el segmento de Mejor Álbum Cantautor con Healer (Caracol Récords). Mientras No quiero llanto. Tributo a Los Compadres (Egrem-Los Canarios Music) se consagró como Mejor Álbum Tropical Tradicional. Ese compacto, una producción del Septeto Santiaguero y el dominicano José Alberto «el Canario», ya había sido galardonada en Cubadisco 2015. En contacto con JR a través de la red social Facebook, Fernando Dewar, líder del Septeto Santiaguero, dijo que el Grammy Latino lo dedican «a la ciudad de Santiago de Cuba por cumplir en este 2015 sus primeros 500 años. También queremos enviar un afectuoso saludo al maestro Reinaldo Hierrezuelo, “Rey Caney”, quien aún vive en La Habana y consideramos que es poco reconocido para su grandeza. Este premio demuestra que su obra, junto a la de su hermano Lorenzo y la de Compay Segundo, es de lo más relevante de la historia de la música popular cubana». Dewar señaló, además, que el galardón cierra un ciclo de muchos meses de trabajo. «Estamos muy contentos y sobre todo muy aliviados. Debo agradecer a José Alberto por su amor a la música cubana de raíz, por su humildad, por su talento, por todo lo que ha aportado a este proyecto». El virtuoso tresero igualmente destacó el esfuerzo que han hecho todos sus compañeros de grupo, los amigos de Santiago de Cuba que colaboraron de corazón en el proyecto, y los grandes maestros de la música que accedieron a participar. Con unas 47 estatuillas en competencia, la decimosexta ceremonia de entrega de los premios fue realizada ayer en el hotel Grand Garden Arena, de la Las Vegas, Estados Unidos. Al cierre de esta información, ya contaban con sus gramófonos los mexicanos Natalia Lafourcade, Lila Downs, Leonel García y Maná, el boricua Gilberto Santa Rosa, el dominicano Juan Luis Guerra, el panameño Rubén Blades y el brasileño Ivan Lins, entre otros. http://www.juventudrebelde.cu/cultura/2015-11-20/sabor-cubano-en-grammy-latino-2015 Juventud Rebelde | Diario de la juventud cubana Copyright © 2017 Juventud Rebelde.

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Seccion 03 L
LOS ANGLOPERSAS((¿) 1930 Brunsw 41206 Lamento africano EL 1930 Brunsw 41206 El manisero MS LOS ARAGÓN(Me?) 1961 Dimsa 45-4249 Sacuchero de la Habana 1961 Mus 4298 Guantanamera JF ORQ. LOS ARMÓNICOS (ve) Lp Discolando 8096 (con licencia Discomoda, ve) “La tachuela – Orq. Los Armónicos” Incluímos los números cantados por Manolo Monterrey (MM); Osvaldo Rey (OR) y Frank Rivas (FR). ca.196_. La tachuela / paseito E. Herrera MM Contigo en la distancia / b CPL OR Pasillaneando / tn La Riva MM Mosaico: Dónde está Miguel, MM,OR, Arrebatadora. FR Mosaico de merengues MM,OR, FM De corazón a corazón / b FM OR Mosaico de congas: Los MM componedores, Una dos y tres, Carnaval de Oriente, La conga se va. TRÍO LOS ASES(Me) 1952 rca 23-5960 Me Comienzo GU 1952 rca 23-5960 Me Juana Reverbero GU 1953 rca 75-1927 Me Contigo en la distancia/c CPL 1953 rca 75-8951 Me Comienzo GU 1953 rca 75-8951 Me Juana Reverbero GU 1953 rca 23-6154 Me Contigo en la distancia CPL 1 1953 rca 23-6154 Me Mil congojas JPM 1955 rca 23-6964 Me Sufre mas JAM 1954 rca 75-9452 Me Yo sabía que un día/ch Ant.Sánchez 1954 rca 75-9452 Me Yo no camino mas/ch N.Mondejar 1955 rca 23-6566 Me Yo no camino más/ch N.Mondéjas 1955 rca 23-6595 Me Tú mi adoración JAM 1955 rca 75-9497 Me Tú mi adoración JAM 1955 rca 75-9830 Me Sufre mas JAM 1955 rca 23-6668 Me Rico Vacilón RRuiz jr 1955 rca 23.6668 Me Para que tu lo bailes Fellove 1955 rca 75-9552 Me Para que tu lo bailes Fellove 1955 rca 23-6682 Me Nuestra cobardía JAM 1955 rca 75-9571 Me Nuestra cobardía JAM 1955 rca 23-6911 Me Delirio CPL 1955 rca 75-7980 Me Delirio CPL 1955 rca 75-9552 Me Rico vacilón/ch RRjr 1956 rca 76-0050 Me Tu me acostumbraste/c FD 1958 rca 23-7220 Me Tu me acostumbraste/c FD 1957 rca 79-0205 Me Mil congojas JPM 1957 rca 23-7430 Realidad y fantasía/c CPL CONJUNTO LOS ASTROS Ver: Conjunto René Álvarez TRIO LOS ASTROS (Me) 195? Vik 45-0240 Me Inolvidable/b JG TRIO LOS ATÓMICOS (Me) 1949 Pee 3037 Me Amor de media noche OS 1950 Pee 3143 Me Afrodita GU LOS BAMBUCOS (ar) (orq.
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Introduction Bola’s Invitation: Details to Follow Piano keys are gently pressed. You listen along as the player’s hands begin to wander the instrument. The invitational and intimate notes signal the not- quite beginning of a show. It is a music of preparation, not a demonstration of mastery over an instrument. The sound is open, hospitable, and warm. You are not sure what direction it will go, or where you, the listener, will end up. The notes affect your stride; add gusto to your gestures. Your timing is adjusted. For the performer who is playing, the music helps to announce: I am not quite here and neither are you. The sound settles you in, not to dis- cipline you into a model audience, but so you can pour another drink, hang your purse on the back of a chair, nod to someone in the room, get another kiss, make sure the signal is strong. You are given some time to find a place in the event as it begins. What I begin to describe here is a moment from a performance by the Cuban composer and musician named Ignacio Villa, also known as Bola de Nieve. The nickname “Bola de Nieve” (Snowball) was offhandedly given to him by Rita Montaner, the great musical star of stage, radio, and screen as an ironic comment on his black skin and round face.1 His intimate salon style of performing and queer charisma made him one of the most magnetic and beloved Cuban musicians of any century. He was as known for his live, late- night shows during midcentury Cuban nightlife as for his radio appearances Downloaded from https://read.dukeupress.edu/books/chapter-pdf/86664/9780822378877-001.pdf by YALE UNIV user on 01 February 2018 that aired throughout Latin America.
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