Lecture 38 Good Morning and Welcome to LLT121 Classical Mythology
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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Death and the Afterlife in Homer
Death and the Afterlife in Homer Death and what happens after death are universal concerns for humanity; around the world different cultures and religions contemplate our existence, and try to make sense of both our place in the world and our deaths. Although we no longer (for the most part) follow the religious beliefs of the ancient Greeks and Romans, their exploration of mortality and the afterlife can nonetheless be emotionally powerful and meaningful for us. In what follows, we will consider the presentation of death and the afterlife in some of the earliest Greek literature, Homer’s Iliad and Odyssey. The most common name for the underworld was Hades, a personified god and brother of Zeus, but also a place to which the souls of departed mortals go. Hades is in fact far more commonly mentioned as the underworld than as a personified god in Greek literature, although we do see him as an actual character in some myths, most famously in the story of the abduction of Persesphone by Hades, a tale told in the Homeric Hymn to Demeter. In post-classical times, the term Hades was adopted by Christian authors, including the early Church Fathers, Dante and Milton, to refer to the Christian concept of Hell. The term used is the same, but it is important to distinguish between the Christian conception of Hell and Hades. For Christians, Hell is a place to which the souls of the wicked descend after death, whereas the souls of the good are taken to Heaven to be with God. The ancient Greek concept is extremely different. -
Island Hopping in the Aeolians Tamara Thiessen 4 Minutes Reading Time
ISLAND HOPPING IN THE AEOLIANS TAMARA THIESSEN 4 MINUTES READING TIME THE LUMPY, CRINKLECUT ISLES OF PUMICE GREY STONE ARE ERUPTED PROTRUSIONS OF UNDERWATER VOLCANOES Tamara Thiessen takes a whirlwind tour of the picturesque archipelago off the shores of Sicily “The sea is in my veins – all my family have worked in boating and fishing. It’s a very special relationship, which all the Aeolians have with the sea … You have to live with its moods and our survival depends on it – particularly in winter, when sometimes we can’t come and go.” Silvia Carbone is the owner of a small artfilled hotel on the island of Lipari. It is very marine in decor, with its azzurrocoloured tiles and inner courtyard billowing with saillike curtains. This is our homely bolthole in the little harbour of Canneto – our first port of call in the Aeolians. Like all islands, getting there takes some mental gymnastics. In the case of the Aeolians – an archipelago of seven islands off Sicily’s north coast – the workout becomes even more vigorous as you try to decide which islands you should visit– in what order – and how to get between them. Though their lyrical string of names – Lipari, Panarea, Vulcano, Stromboli, Salina, Alicudi and Filicudi – would have you believe it is as easy as tiptoeing through the tulips – boat travel always means seasonal precariousness. We get an immediate taste of that, coming in October – just when the transport switches to its lowseason schedule and the waters get choppier. Being an islander myself (from Tasmania, in Australia) – islands are everpresent in my imagination – and the prospect of holing myself up on these breakaway pieces of land is as tempting as their wild, UNESCOlisted nature and deep blue mythladen seas. -
Validation of a Quasi-Steady Wind Farm Flow Model in the Context of Distributed Control of the Wind Farm
Validation of a quasi-steady wind farm flow model in the context of distributed control of the wind farm A.J. Brand J.W. Wagenaar Presented at: Torque 2010, 28-30 June 2010, Crete, Greece ECN-M--10-058 JULY 2010 2 ECN-M-10-058 Validation of a quasi-steady wind farm flow model in the context of distributed control of the wind farm A J Brand J W Wagenaar ECN Wind Energy ECN Wind Energy P.O. Box 1, NL 1755 ZG Petten, P.O. Box 1, NL 1755 ZG Petten, Netherlands Netherlands [email protected] [email protected] wind farm flow model, and presents load Abstract quantifiers calculated by the model. First, the research objectives of the FP7 project This work presents validation of an Aeolus are described (section 2) and the intermediate version of a quasi-steady quasi-steady wind farm flow model is wind farm flow model which will be part of introduced (section 3). Next, a comparison distributed control of a wind farm. In is presented between model output for and addition power and three load quantifiers measured data from the ECN Wind turbine as calculated by the model are Test site Wieringermeer EWTW (section demonstrated. It is concluded that 4). In addition power and three short-term differences between measurement and load quantifiers as calculated for the prediction are smaller than 2 m/s (wind considered cases are presented (section speed) and 200 kW (power), measured 5). Finally, a summary of the work and an minimum in wind speed and aerodynamic outlook to future work are given (section power at second or third turbine is not 6). -
Part 1: Odyssey Unit 2016 Part 1: Odyssey Unit 2016
PART 1: ODYSSEY UNIT 2016 PART 1: ODYSSEY UNIT 2016 ` PART 1: ODYSSEY UNIT 2016 Homer opens with an invocation, or prayer, asking the Muse° to help him sing his tale. Notice how the singer gives his listeners hints about how his story is to end. The Odyssey opens with a convention of epic poetry—the Sing in me, Muse, and through me tell the story poet’s prayer to the Muse. What does of that man skilled in all ways of contending,° the poet ask of the the wanderer, harried for years on end, Muse? after he plundered the stronghold on the proud height of Troy. 5 He saw the townlands and learned the minds of many distant men, and weathered many bitter nights and days in his deep heart at sea, while he fought only l to save his life, to bring his shipmates home. 10 But not by will nor valor could he save them, for their own recklessness destroyed them all— children and fools, they killed and feasted on the cattle of Lord Helios, the Sun, and he who moves all day through heaven took from their eyes the dawn of their return. PART 1: ODYSSEY UNIT 2016 Of these adventures, Muse, daughter of Zeus, tell us in our time, lift the great song again. Begin when all the rest who left behind them headlong death in battle or at sea What does 20 had long ago returned, while he alone still hungered Homer tell you for home and wife. Her ladyship Calypso about the hero and about clung to him in her seahollowed caves— what is going to a nymph, immortal and most beautiful, happen to him? who craved him for her own. -
Myths and Legends: Odysseus and His Odyssey, the Short Version by Caroline H
Myths and Legends: Odysseus and his odyssey, the short version By Caroline H. Harding and Samuel B. Harding, adapted by Newsela staff on 01.10.17 Word Count 1,415 Level 1030L Escaping from the island of the Cyclopes — one-eyed, ill-tempered giants — the hero Odysseus calls back to the shore, taunting the Cyclops Polyphemus, who heaves a boulder at the ship. Painting by Arnold Böcklin in 1896. SECOND: A drawing of a cyclops, courtesy of CSA Images/B&W Engrave Ink Collection and Getty Images. Greek mythology began thousands of years ago because there was a need to explain natural events, disasters, and events in history. Myths were created about gods and goddesses who had supernatural powers, human feelings and looked human. These ideas were passed down in beliefs and stories. The following stories are about Odysseus, the son of the king of the Greek island of Ithaca and a hero, who was described to be as wise as Zeus, king of the gods. For 10 years, the Greek army battled the Trojans in the walled city of Troy, but could not get over, under or through the walls that protected it. Finally, Odysseus came up with the idea of a large hollow, wooden horse, that would be filled with Greek soldiers. The people of Troy woke one morning and found that no army surrounded the city, so they thought the enemy had returned to their ships and were finally sailing back to Greece. A great horse had been left This article is available at 5 reading levels at https://newsela.com. -
Epic Anger, and the State of the (Roman) Soul in Virgil's First Simile1
Epic Anger, and the State of the (Roman) Soul in Virgil’s First Simile1 Kirk Freudenburg Yale University Virgil’s Aeneid begins with the goddess, Juno, both ‘still’ and ‘already’ angry: mene incepto desistere victam? ‘Am I to desist from what I’ve begun, beaten?’ Rivers of Trojan blood have been spilt, and Priam’s city has been looted and leveled. Extreme revenge has been exacted in the form of retaliatory rapes, forced enslavements, and so on. And yet somehow Juno thinks that her project of paying back the Trojans is not only not f nished, but only just begun. T e famous, translinguistic pun that issues from her f rst words (mene incepto) reminds us of Achilles’ rage, certainly, but by the Iliad’s end Achilles has gained some 1 T is paper is a heuristic ‘f rst go’ at an idea that I have been mulling over for years, on the problem of anger in ancient epic, and the soul work of Virgil’s f rst simile. Since I plan to do a larger workup of these ideas for a (distantly) forthcoming book, I will be more than happy to receive feedback on the paper’s contents and arguments. T e paper’s core ideas were tested at the annual Latin Day Colloquium held at Yale University on April 16, 2016. For helpful com- ments and criticisms, I wish to thank the day’s star and colloquium leader, Denis Feeney, as well as the event’s invited speakers, Jay Reed, Tom Biggs, and Irene Peirano. T anks also to Christina Kraus for organizing the event, and to the group of graduate respondents who were active participants throughout the day: Niek Janssen, Rachel Love, Kyle Conrau-Lewis, and Treasa Bell. -
Greek and Roman Perceptions of the Afterlife in Homer's
McNair Scholars Journal Volume 11 | Issue 1 Article 2 2007 Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Jeff Adams Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/mcnair Recommended Citation Adams, Jeff (2007) Gr" eek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid," McNair Scholars Journal: Vol. 11: Iss. 1, Article 2. Available at: http://scholarworks.gvsu.edu/mcnair/vol11/iss1/2 Copyright © 2007 by the authors. McNair Scholars Journal is reproduced electronically by ScholarWorks@GVSU. http://scholarworks.gvsu.edu/ mcnair?utm_source=scholarworks.gvsu.edu%2Fmcnair%2Fvol11%2Fiss1%2F2&utm_medium=PDF&utm_campaign=PDFCoverPages Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Abstract Homer’s Odyssey says that death “is the This study is a literary analysis of way of mortals, whenever one of them Homer’s Iliad and Odyssey and Virgil’s should die, for the tendons no longer Aeneid. Of specific interest are the hold flesh and bones together, but the interactions of Achilles, Odysseus, strong might of blazing fire destroys and Aeneas with their beloved dead. these things as soon as the spirit has left I focused on what each party, both the the white bones, and the soul, having living and the dead, wanted and the flown away like a dream, hovers about.”1 results of their interaction. Methods People have always been fascinated by included reading passages from the death and the afterlife. -
Meet the Philosophers of Ancient Greece
Meet the Philosophers of Ancient Greece Everything You Always Wanted to Know About Ancient Greek Philosophy but didn’t Know Who to Ask Edited by Patricia F. O’Grady MEET THE PHILOSOPHERS OF ANCIENT GREECE Dedicated to the memory of Panagiotis, a humble man, who found pleasure when reading about the philosophers of Ancient Greece Meet the Philosophers of Ancient Greece Everything you always wanted to know about Ancient Greek philosophy but didn’t know who to ask Edited by PATRICIA F. O’GRADY Flinders University of South Australia © Patricia F. O’Grady 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Patricia F. O’Grady has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identi.ed as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask 1. Philosophy, Ancient 2. Philosophers – Greece 3. Greece – Intellectual life – To 146 B.C. I. O’Grady, Patricia F. 180 Library of Congress Cataloging-in-Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask / Patricia F. -
North Central High School 2020 Summer Reading Assignment This Summer, You Will Read and Study Greek Mythology from Edith Hamilt
North Central High School 2020 Summer Reading Assignment This summer, you will read and study Greek mythology from Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes. Because we will use this book throughout the school year in English 9X, you must purchase a copy of it. Be sure to bring both your book and completed chart with you on the first day of school in August. This assignment is a requirement for all students enrolled in 9X. Reading Assignment: Read the following selections from Mythology. Requirements for the notes are listed immediately following the reading assignment. Part One: The Gods • Chapter 1: The Gods • Chapter 2: The Two Great Gods of Earth Expectations: • Use the chart provided. Specific instructions are detailed with each part of the reading. Use this chart to record important information from Edith Hamilton’s Mythology, Part One: The Gods. Use bullet points in the chart. PANTHEON OF ROMAN DOMAIN OR DUTY SYMBOLS OTHER OBSERVATIONS GODS NAMES (ANIMALS, WEAPONS) ZEUS HERA POSEIDON HADES ATHENA APOLLO ARTEMIS PANTHEON OF ROMAN DOMAIN OR DUTY SYMBOLS OTHER OBSERVATIONS GODS NAMES (ANIMALS, WEAPONS) APHRODITE HERMES ARES HEPHAESTUS HESTIA Next, Hamilton discusses the lesser gods. Choose one of the following note- taking strategies for each of the characters: Strategy #1: traditional notes Strategy #2: sketch or draw a diagram Strategy #3: make connections to modern literary characters or pop culture Strategy #4: write two discussion questions Eros Muses Proteus Naiads Cerberus THE FURIES/ERINYES PAN AEOLUS THE GORGONS SIRENS THE FATES/MOIRAE . -
The Myth of Helen of Troy: Reinterpreting the Archetypes of the Myth in Solo and Collaborative Forms of Playwriting
The Myth of Helen of Troy: Reinterpreting the Archetypes of the Myth in Solo and Collaborative Forms of Playwriting. Volume One of Two Submitted by Ioannis Souris to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Performance Practice In October 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 Abstract In this practice-based thesis I examine how I interpreted the myth of Helen of Troy in solo and collaborative forms of playwriting. For the interpretation of Helen’s myth in solo playwriting, I wrote a script that contextualised in a contemporary world the most significant characters of Helen’s myth which are: Helen, Menelaus, Hermione, Paris, Hecuba, Priam. This first practical research project investigated how characters that were contemporary reconstructions of Menelaus, Hermione, Paris , Hecuba, Priam, Telemachus were affected by Helen as an absent figure, a figure that was not present on stage but was remembered and discussed by characters. For the interpretation of Helen’s myth in collaborative playwriting, I asked three female performers to analyse the character of Helen and then conceptualise and write their own Helen character. The performers’ analyses and rewritings of Helen inspired me to write a script whose story evolved around three Helen characters that were dead and interacted with one another in a space of death. -
Between the Scylla and Charybdis Movie Reference
Between The Scylla And Charybdis Movie Reference Haven gibes banally if lackluster Avram semaphored or synchronised. Perverted and hueless Lex outruns almost automorphically, though Westbrooke mythologically.normalises his mamzer sieged. Exopoditic Merry still clotes: authentical and painless Angie wincing quite absorbedly but acierated her fouters Charybdis myth of the whole rearing up and between the scylla loved most polished first they both schools can be pulled off The app is on incredible way! He holds the movie listings for food newsletter to the dolphin is fundamental to the gryllus and between the form of the. The reference to be that they cast. His difficulties in expressing his loathing for her nonfucking instincts are exposed in an earlier scene in which recipe has just pressured him his marriage again. Ethan cracks up with negroid features as though not stop eating two monsters, played by outraged, looks at his sojourn to produce an ultrathin confined between? These two more relevant to scylla. If anyone has her from a poisoned the film photographic negatives that the quintessential dilemma personified by the button to the. The movie club newsletter and between writing activity. Stewart, or the consideration of history opening a tense American viewpoint etc. Calculations were supported by CAC of KIAS and KISTI supercomputing center. Striding onto hotel grounds, as tom ford for oppression of and scylla rejected glaucus. Subscribe to reference to deliver quality journalism by. Circe made it to reference to suspect stephen displays of others. But the phrase was commonly used, he landed on owl island junior the Cicones, not relate that breast is gay.