Aurifil Official Color Name Color Code Red Plum 1100 Burgundy 1103
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Study of Fragments of Mural Paintings from the Roman Province Of
Study of fragments of mural paintings from the Roman province of Germania Superior Thesis submitted in partial fulfilment of the requirements of the degree Doctor rer. nat. of the Faculty of Environment and Natural Resources, Albert-Ludwigs-Universität Freiburg im Breisgau, Germany by Rafaela Debastiani Freiburg im Breisgau, Germany 2016 Name of Dean: Prof. Dr. Tim Freytag Name of Supervisor: Prof. Dr. Michael Fiederle Name of 2nd Reviewer: PD Dr. Andreas Danilewsky Date of thesis' defense: 03.02.2017 “The mind is not a vessel to be filled, but a fire to be kindled” Plutarch Contents Nomenclature ........................................................................................................................ 1 Acknowledgment ................................................................................................................... 3 Abstract ................................................................................................................................. 5 Zusammenfassung ................................................................................................................ 7 1. Introduction .................................................................................................................... 9 2. Analytical techniques in the non-destructive analyses of fragments of mural paintings ..13 2.1 X-ray Fluorescence Spectroscopy ..........................................................................13 2.1.1 Synchrotron-based scanning macro X-ray fluorescence (MA-XRF) .................17 -
2017 Seedling Catalog
2017 Seedling Catalog Tomatoes, Peppers & Eggplants 412-501-FARM (3276) www.mygardendreams.com PLEASE NOTE: Seedlings that are good for pots are marked with an * after the variety. OP Type = open pollinated. All tomatoes are indeterminate, unless noted otherwise. New and/or returning varieties are in red! Fruit Size & Days to Type Color Notes Italian Eggplants Shape Maturity Beatrice Hybrid neon violet medium oval 62 High yielding, early and dependable. Black Beauty Heirloom dark purple large oval 90 Sets the standard for all Italian eggplants. purple with white Calliope Hybrid medium oval 64 Unusual and eye catching stripes. stripes Diamond OP dark purple medium oval 78 Productive! Perfect for eggplant parmesan. rosy lavender and Rosa Bianca Heirloom medium round 88 Farm staff favorite! Absolutely gorgeous. white Fruit Size & Days to Type Color Notes Asian Eggplants Shape Maturity Applegreen OP light green medium round 74 Non-bitter, tender and flavorful, mild white flesh. Casper * OP white 6" long 70 No need to peel this non-bitter eggplant. Small fruits are sweet when picked young and Little Fingers OP dark purple 5" long 60 perfect for stir fries. Orient Express Hybrid dark purple 10" long 58 Classic dark purple eggplant in Asian cuisine. Pingtung Long Hybrid light to dark purple 10" long 58 Long, thin pink-purple Asian eggplant. Fruit Size & Days to Type Color Notes Sweet Peppers Shape Maturity Carmen Hybrid red medium horn 70 Best-tasting sweet Italian fryer. Replaces Italia. Bulgarian, Ark of Taste winner. A staff favorite. Deep scarlet Chervena Chushka red medium horn 85 Heirloom with outstanding sweet flavor. -
148 Colour Chart
148 colour chart IVORY PRIMROSE BUTTERCUP SOFT LIME TULIP YELLOW LEMON YELLOW CANARY SUNFLOWER ALMOND BLUSH SAFFRON Y418 Y919 Y417 Y828 Y337 Y747 Y657 Y367 Y156 O819 O729 O739 VANILLA PASTEL YELLOW MUSTARD OATMEAL APRICOT HONEYCOMB GOLD AMBER PUMPKIN GINGER BRIGHT ORANGE MANDARIN O929 O949 O948 O628 O538 O547 O555 O567 O467 O136 O177 O277 ORANGE SPICE BURNT ORANGE SATIN DUSKY PINK PUTTY SUNKISSED PINK CORAL SOFT PEACH PEACH MANGO PASTEL PINK R866 O346 R946 Y129 O518 O618 O228 R937 O138 O148 O248 R738 COCKTAIL PINK SALMON PINK ANTIQUE PINK LIPSTICK RED RED BERRY RED RUBY POPPY CRIMSON CARDINAL RED BURGUNDY MAROON R438 R547 R346 R576 R666 R665 R455 R565 R445 R244 R424 M544 PALE PINK BABY PINK ROSE PINK CERISE HOT PINK MAGENTA CARMINE DUSKY ROSE BLOSSOM PINK CARNATION FUCHSIA PINK SLATE R519 R228 M727 M647 R365 M865 R156 R327 M428 M328 M137 V715 AMETHYST PURPLE MULBERRY PLUM AUBERGINE LAVENDER ORCHID LILAC BLUEBELL VIOLET PRUSSIAN BLUE PEARL V626 V546 V865 V735 V524 V518 V528 V327 V127 V245 V464 B528 CORNFLOWER COBALT BLUE CHINA BLUE MIDNIGHT BLUE INDIGO BLUE ROYAL BLUE TRUE BLUE AZURE SKY BLUE CYAN PASTEL BLUE POWDER BLUE B617 B637 B736 B624 V234 V264 B555 B346 B137 C847 C719 B119 ARCTIC BLUE DENIM BLUE AEGEAN FRENCH NAVY COOL AQUA DUCK EGG TURQUOISE MARINE PETROL BLUE HOLLY PINE EMERALD B138 C917 B146 B445 C429 C528 C247 C446 C824 G724 G635 G657 GREEN LUSH GREEN PASTEL GREEN SOFT GREEN MINT GREEN GRASS FOREST GREEN TEA GREEN GREY GREEN MEADOW GREEN APPLE LEAF GREEN G847 G756 G829 G817 G637 G457 G356 G619 G917 G339 G338 G258 BRIGHT GREEN -
Color Chart.Pdf
® Finishing Products Division of RPM Wood Finishes Group Inc. Color Chart The Original Touch Up Company™ Made in the USA Color Chart ® Finishing Products Division of RPM Wood Finishes Group, Inc. Index Aerosols 1-5 Ultra® Classic Toner & Tone Finish Toner 1-3 Colored Lacquer Enamel 3-5 Shadow Toner 5 Touch-Up Markers/Pencils 5-15 Ultra® Mark Markers 5-9 3 in 1 Repair Stick 9 Pro-Mark® Markers 9-10 Quik-Tip™ Markers 10-11 Background Marker Touch-Up & Background Marker Glaze Hang-Up 11-13 Artisan Glaze Markers 13 Vinyl Marker Glaze Hang-Up 14 Brush Tip Graining Markers 14 Accent Pencils 15 Blend-Its 15 Fillers 15-29 Quick Fill® Burn-In Sticks 15-16 Edging/Low Heat Sticks 16 E-Z Flow™ Burn-In Sticks 16-17 PlaneStick® Burn-In Sticks 17-18 Fil-Stik® Putty Sticks 18-25 Hard Fill & Hard Fill Plus 25-27 PermaFill™ 27 Epoxy Putty Sticks 27-28 Patchal® Puttys 28-29 Knot Filler 29 Fil-O-Wood™ Wood Putty Tubes 29 Color Replacement 30-31 Blendal® Sticks 30 Sand Thru Sticks 30-31 Blendal® Powder Stains 31 Bronzing Powders 31 Dye Stains 32 Ultra® Penetrating & Architectural Ultra® Penetrating Stain 32 Dye Concentrate 32 Pigmented Stains 32-34 Wiping Wood™, Architectural Wiping Stain & Wiping Wood™ Stain Aerosols 32-33 Designer Series Stain, Designer Series Radiant Stain 33-34 Glazes 34 Finisher’s Glaze™ Glazing Stain & Aerosols 34 Break-A-Way™ Glaze & Aerosols 34 Leather Repair 35-37 E-Z Flow™ Leather Markers 35 Leather/Vinyl Markers 35 Leather/Vinyl Fil Sticks 35-36 Leather Repair Basecoat Aerosols 36 Leather Repair Toner Aerosols 36 Leather Repair Color Adjuster Aerosols 37 Touch Up Pigment 37 Leather Refinishing 37 Base Coat 37 NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES. -
Liquicolor Permanente Shades 07-10-12.Pdf
LIQUICOLOR PERMANENTE INTENSE INTENSE INTENSE INTENSE GOLD RED NEUTRAL (RN) INTENSE RED (RR) RED VIOLET (RV) RED VIOLET (RRV) BASE INTENSE NEUTRAL (NN) NEUTRAL (N) ASH (A) ASH (A) ASH (AA) ASH (AA) NEUTRAL(GN) GOLD (G) REDPELIRROJO NEUTRAL (RN) RED (R) INTENSEPELIRROJO RED (RR) REDPELIRROJO VIOLET (RV) REDPELIRROJO VIOLET (RRV) NEUTRAL INTENSO NEUTRAL CENIZO CENIZO CENIZO INTENSO CENIZO INTENSO DORADO NEUTRAL GOLDDORADO (G) PELIRROJONEUTRAL PELIRROJORED (R) PELIRROJOINTENSO PELIRROJOVIOLETA VIOLETAPELIRROJO INTENSO LEVEL/NIVEL DORADO NEUTRAL PELIRROJO INTENSO VIOLETA VIOLETA INTENSO 12 HIGH-LIFT BLONDE 12N/HL-N 12A/HL-V 12AA-B/HL-B 12AA-BV 12G / HL-G HIGH LIFT HIGH LIFT HIGH LIFT ULTRA HIGH LIFT ULTRA HIGH LIFT GOLDEN BLONDE NEUTRAL BLONDE COOL BLONDE COOL BLONDE BLUE COOL BLONDE BLUE VIOLET 10 LIGHTEST BLONDE RUBIO CLARÍSIMO 10N/12B1 10GN/12G2 OUR FIRST NN 10G / 12G LIGHTEST NEUTRAL BLONDE LIGHTEST GOLD LIQUID COLOR LIGHTEST GOLDEN BLONDE blondest beige NEUTRAL BLONDE blondest blonde blondest gold 9 VERY LIGHT BLONDE RUBIO MUY CLARO 9NN 9N/89N 9A/26D 9A-N/40D 9AA/20D 9AA-BV/30D VERY LIGHT RICH VERY LIGHT VERY LIGHT VERY LIGHT COOL VERY LIGHT ULTRA VERY LIGHT ULTRA COOL NEUTRAL BLONDE NEUTRAL BLONDE COOL BLONDE NEUTRAL BLONDE COOL BLONDE BLONDE BLUE VIOLET lightest neutral blonde winter wheat topaz arctic blonde flaxen blonde 8 LIGHT BLONDE RUBIO CLARO 8NN 8N/88N 8A / 28D 8GN/27G 8RN / 71RG 8R / 29R LIGHT RICH LIGHT LIGHT COOL BLONDE LIGHT GOLD NEUTRAL LIGHT RED NEUTRAL LIGHT RED BLONDE NEUTRAL BLONDE NEUTRAL BLONDE autumn mist BLONDE -
Sienna Glen Maple Acer X Freemanii ‘Sienna’ Height: 50 Ft
Sienna Glen Maple Acer x freemanii ‘Sienna’ Height: 50 ft. Spread: 40 ft. USDA Zone: 3-7 Large Class III shade tree Orange, red, and burgundy fall color Smooth gray bark Full sun to partial shade Swale? -YES Under Utility Lines? - NO Pacific Sunset Maple Acer truncatum x A. platanoides ‘Warrenred’ Height: 30 ft. Spread: 25 ft. USDA Zone: 4-8 Abundance of showy white blooms in early spring Mid-size Class II tree Dark green glossy foliage in the summer Tints of yellow, red, and orange foliage in fall Swale? - YES Under Utility Lines? - NO Field Maple Acer campestre Height: 25-30 ft. Spread: 25-30 ft. USDA Zone: 5-7 Yellow fall color Deciduous shade tree Medium-sized Class II tree Full sun to partial shade Swale? - YES Under Utility Lines? - NO Chokecherry Prunus virginiana ‘Canada Red Select’ Height: 25’ Spread: 15’ USDA Zone: 2 Showy fragrant white flowers in mid spring Foliage emerges green in the spring turning dark red Black fruit is held in large clusters Smooth gray bark Full sun to partial shade Swale? - YES! Under Utility Lines? - NO! Fringe Tree Chionanthus virginicus Height: 20 ft. Spread: 20 ft. USDA Zone: 3-9 Small Class I ornamental tree Creamy white flowers in May/June Fruit can attract wildlife Full sun to partial shade Swale? -NO Under Utility Lines? - YES Eastern Redbud Cercis canadensis Height: 20-30 ft. Spread: 25-35 ft. USDA Zone: 4-8 Small Class I ornamental tree Abundant rose-purple flowers in April Can attract butterflies Full sun to partial shade Swale? -NO Under Utility Lines? - YES Flowering Plum Tree ‘Thundercloud’ Prunus cerasifera ‘Thundercloud’ Height: 15-20 ft. -
Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade -
Plums, Nectarines, Apricots, Cherries, Almonds and Prunus Hybrids
E-612 2-13 Texas Fruit and Nut Production lums, Nectarines, Apricots Cherries, Almonds and Prunus hybrids Larry Stein, Jim Kamas, and Monte Nesbitt Extension Fruit Specialists, The Texas A&M University System s closely related members of the rose family, plums and apricots typically require similar management. Both fruits have performed Amuch better in Texas than nectarines, almonds, sweet cherries, and Prunus hybrids because they are less susceptible to disease, varmints, and crop loss due to premature blooming. Plums The plum tree has white flowers and sets fruit on buds from previous season’s growth (Fig. 1). Usually Figure 1. A plum orchard in full bloom. the fruit has a dusty white coating or wax bloom that is easily rubbed off (Fig. 2). Plums can be sweet to tart; the skin is typically quite tart. The two main species used in the United States are the European plum, Prunus domestica, and the Japanese plum, Prunus salycina. The European plum includes varieties such as ‘Stanley’, which is grown for fresh fruit and often dried for use as prunes. These varieties have produced poorly in Texas because they require cold climates and are susceptible to fungal diseases such as brown rot. The varieties adapted to Texas are usually hybrids Figure 2. The dusty white coating associated with between P. domestica and P. salycina and are known plums is known as wax bloom. 1 Figure 4. Eating a ripe, juicy Figure 5. ‘Bruce’ plums. ‘Methley’ plum right off the tree. as Japanese or Japanese hybrid varieties. Most plum varieties are not self-fruitful. -
ORCHIDACEAE: PLEUROTHALLIDINAE) from the EASTERN ANDES of COLOMBIA and ECUADOR Lankesteriana International Journal on Orchidology, Vol
Lankesteriana International Journal on Orchidology ISSN: 1409-3871 [email protected] Universidad de Costa Rica Costa Rica Vieira-Uribe, Sebastián; Jost, Lou COLORFUL NEW SPECIES OF NEOOREOPHILUS (ORCHIDACEAE: PLEUROTHALLIDINAE) FROM THE EASTERN ANDES OF COLOMBIA AND ECUADOR Lankesteriana International Journal on Orchidology, vol. 15, núm. 3, octubre, 2015, pp. 213-217 Universidad de Costa Rica Cartago, Costa Rica Available in: http://www.redalyc.org/articulo.oa?id=44343538005 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative LANKESTERIANA 15(3): 213–217. 2015. doi: http://dx.doi.org/10.15517/lank.v15i3.21752 A COLORFUL NEW SPECIES OF NEOOREOPHILUS (ORCHIDACEAE: PLEUROTHALLIDINAE) FROM THE EASTERN ANDES OF COLOMBIA AND ECUADOR SEBASTIÁN VIEIRA-URIBE1,2,4 & LOU JOST3 1 Sociedad Colombiana de Orquideología, Medellín, Colombia 2 Grupo de Investigación en Orquídeas, Ecología y Sistemática Vegetal, Universidad Nacional, sede Palmira, Colombia 3 Fundación EcoMinga, Baños, Tungurahua, Ecuador 4 Corresponding author: [email protected] ABSTRACT. A new species of Neooreophilus from the eastern Andes of Colombia and Ecuador is described and illustrated. Neooreophilus chaoae is related to a group of species that includes N. cordilabius, N. chelosepalus and N. werneri characterized by having an obovate, pubescent dorsal sepal and spread or reflexed, non-pubescent lateral sepals ending with an apiculum. The new species can be distinguished by its narrowly triangular lateral sepals and its lip with lateral lobes not extending beyond the column. -
Ygb(I)V: Horizontal Color in the New York Subway
Robert R. Stenson Intro to Archaeology Joanna S. Smith 25 October 2007 R(o)ygb(i)v: Horizontal Color in the New York Subway The subway arrives in color. In our minds, our stations, and our maps, the New York City subway system arrives in colors: red, blue, orange, green, purple, etc. Whether you are holding a map, navigating the station, or standing on the platform, deciphering this subway means using color as a tool of instantaneous and conscious differentiation. That is, when we trace a line with our finger, spot a sign, or peer into the tunnel, we are consciously looking for a specific color, and can know instantaneously whether or not a train is “ours.” But the nature of this scheme is to operate in a “vertical” orientation. As we ride toward our destination, we ride with a color; as we glide north and south beneath the grey city, moving against the horizontal grid of cross-streets, the A train remains blue and the 1 remains red—no matter what station, either West 4th or 200th. But little-known in the New York subway complex is a limited, enigmatic system of “horizontal” color, bands of colored tile on station walls—a system which, theoretically, gives us the sense not of moving with a color, but through changing colors: green at West 4th, red at 200th etc. As a result of poor documentation and limited use, however, what we know of the colors is preserved primarily on the subway station walls; a once-modern scheme has silently become archaic, found only in an archaeological context. -
Vegetable House Inventory
TYPE ITEM VARIETY COLOR AVAILABLE POT 1 Available POT 2 Available POT 3 vegetable tomato 4th of July red 4.5" green pot 3" 4 pack vegetable tomato Jet Star red 4.5" green pot 3" 4 pack vegetable tomato Big Dena (big bite) red 4.5" green pot 3" 4 pack vegetable tomato Early Girl red 4.5" green pot 3" 4 pack vegetable tomato Big Boy red 3" 4 pack vegetable tomato Better Boy red 3" 4 pack vegetable tomato Defiant (red defender) red 3" 4 pack vegetable tomato Big Beef red 3" 4 pack vegetable tomato Lunch Box (patio) red 4.5" green pot 3" 4 pack vegetable tomato (d) yellow beefsteak yellow 3" 4 pack vegetable roma/plum tomatoSan Marzano red 3" 4 pack vegetable roma/plum tomatoDaytona red 3" 4 pack vegetable roma/plum tomatomariana red 3" 4 pack vegetable roma/plum tomatohalley red 3" 4 pack vegetable roma/plum tomatogranadero red 3" 4 pack vegetable roma/plum tomatoorange icicle orange 3" vegetable roma/plum tomatoyellow roma yellow 3" 4 pack vegetable roma/plum tomatosweet cream creamy yellow 3" vegetable roma/plum tomatocream sausage pale yellow 3" vegetable cherry/grape tomatoSweet 100 red 4.5" green pot 3" 4 pack vegetable cherry/grape tomatoswt million red 3" 4 pack vegetable cherry/grape tomatowashington cherry red 3" 4 pack vegetable cherry/grape tomatojuliette red 3" 4 pack vegetable cherry/grape tomatored grape (ruby crush) red 3" 4 pack vegetable cherry/grape tomatored torch hybrid red/gold 3" vegetable cherry/grape tomatosweet treats pink 3" vegetable cherry/grape tomatosweet carneros pink 3" 4 pack vegetable cherry/grape tomatoSungold -
CODE of COLOR
CODE of COLOR TABLE OF CONTENTS COLOR THEORY Color Perception The Color Wheel The Language Of Hair Color - ANATOMY The Anatomy Of Hair Hair Strand Growth Hair Strand Abundance Hair Strand Formation Hair Strand Coloration Hair Strand Condition - HAIR COLOR TECHNOLOGY Hair Color Chemical Attributes Hair Color Developer Attributes Choosing And Understanding Color Systems - THE MECHANICS OF SUCCESS The L’ANZA Healing Color Mechanics Of Success Understanding L’ANZA Healing Colors Successful Color Formulation Conducting A Patch Test Preparing The Hair For A Color Service Corrective Color Post Color Services COLOR THEORY Color Perception – The Color Wheel – The Language of Hair Color COLOR THEORY COLOR PERCEPTION The human eye interprets color in a unique way. Our perception of color is ruled by light wavelengths, and how they absorb or reflect from a surface. Our eyes are sensitive to light, so color perception depends on how individual light wavelengths react to a surface, creating visible light. Humans see hair color based on how individual light wavelengths are absorbed or reflect from each hair strand. Color Perceptions WHITE LIGHT SPECTRUM The electromagnetic spectrum of light that passes through our atmosphere is known as the visible (or white light) spectrum. The white light spectrum is a combination of all visible saturated color wavelengths the human eye and brain can distinguish. Black is a total absence of light. LIGHT WAVELENGTHS & COLOR The visible spectrum corresponds directly to individual light wavelengths, ranging from 400 to 700 nanometers (nm), and a color range of violet through dark red. Every surface absorbs, diffuses, combines and/or reflects each light wavelength, enabling the human eye and brain to perceive color.