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Foreign Land's Geography of Exclusion
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Central Archive at the University of Reading Back to the margins in search of the core: foreign land©s geography of exclusion Book or Report Section Published Version Nagib, L. (2013) Back to the margins in search of the core: foreign land©s geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988 Available at http://centaur.reading.ac.uk/32710/ It is advisable to refer to the publisher's version if you intend to cite from the work. Published version at: http://www.uwp.co.uk Publisher: University of Wales Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading's research outputs online Chapter Eight Back to the Margins in Search of the Core: Foreign Land ’s Geography of Exclusion 1 LÚCIA NAGIB ‘The Tagus is fairer than the river flowing through my village, But the Tagus isn’t fairer than the river flowing through my village Because the Tagus isn’t the river flowing through my village.’ Alberto Caeiro (Fernando Pessoa’s heteronym), ‘The Keeper of Flocks’2 ‘Lampião was great, but he often became small.’ Dadá, in Black God, White Devil 3 The crisis of the national project in the early 1990s, caused by a short-lived but disastrous government, led Brazilian art cinema, for the first time, to look at itself as periphery and reapproach the old colonial centre, Portugal. -
Jewish Fates: Richard Fuchs and Karl Wolfskehl
Jewish Fates: Richard Fuchs and Karl Wolfskehl By Friedrich Voit After three years of providing a varied programme of theatre, opera, concerts and lectures the Jüdische Kulturbund in Deutschland (Jewish cultural League in Germany) invited the leaders of its branches to a national conference in Berlin for stocktaking and planning of the future direction of the League. The Kulturbund was founded in 1933, a few months after the Nazi regime had come to power which began to purge the theatres, orchestras and other cultural institution from their „non-Arian‟ Jewish members. Almost overnight hundreds of Jewish actors, singers, musicians etc. found themselves without employment. Two of them having been dismissed from their positions at the operatic stages in Berlin, the production assistant Kurt Baumann and the conductor Kurt Singer, proposed a new organisation serving the Jewish community in Berlin and other major cities where most of the Jewish minority lived. They realized that the roughly 175.000 Jews, most of them well educated and with an active interest in the arts, would provide a big enough audience to support their own cultural institutions (theatre, opera, and orchestras). More importantly they also gained the support of the Nazi authorities, especially of Hans Hinkel, the newly appointed head of the Prussian Theatre commission. Such an institution suited the Nazis for several reasons: The regime would be able to exploit the organization in international propaganda by citing it as evidence that Jews were not being mistreated; it could -
09062299296 Omnislashv5
09062299296 omnislashv5 1,800php all in DVDs 1,000php HD to HD 500php 100 titles PSP GAMES Title Region Size (MB) 1 Ace Combat X: Skies of Deception USA 1121 2 Aces of War EUR 488 3 Activision Hits Remixed USA 278 4 Aedis Eclipse Generation of Chaos USA 622 5 After Burner Black Falcon USA 427 6 Alien Syndrome USA 453 7 Ape Academy 2 EUR 1032 8 Ape Escape Academy USA 389 9 Ape Escape on the Loose USA 749 10 Armored Core: Formula Front – Extreme Battle USA 815 11 Arthur and the Minimoys EUR 1796 12 Asphalt Urban GT2 EUR 884 13 Asterix And Obelix XXL 2 EUR 1112 14 Astonishia Story USA 116 15 ATV Offroad Fury USA 882 16 ATV Offroad Fury Pro USA 550 17 Avatar The Last Airbender USA 135 18 Battlezone USA 906 19 B-Boy EUR 1776 20 Bigs, The USA 499 21 Blade Dancer Lineage of Light USA 389 22 Bleach: Heat the Soul JAP 301 23 Bleach: Heat the Soul 2 JAP 651 24 Bleach: Heat the Soul 3 JAP 799 25 Bleach: Heat the Soul 4 JAP 825 26 Bliss Island USA 193 27 Blitz Overtime USA 1379 28 Bomberman USA 110 29 Bomberman: Panic Bomber JAP 61 30 Bounty Hounds USA 1147 31 Brave Story: New Traveler USA 193 32 Breath of Fire III EUR 403 33 Brooktown High USA 1292 34 Brothers in Arms D-Day USA 1455 35 Brunswick Bowling USA 120 36 Bubble Bobble Evolution USA 625 37 Burnout Dominator USA 691 38 Burnout Legends USA 489 39 Bust a Move DeLuxe USA 70 40 Cabela's African Safari USA 905 41 Cabela's Dangerous Hunts USA 426 42 Call of Duty Roads to Victory USA 641 43 Capcom Classics Collection Remixed USA 572 44 Capcom Classics Collection Reloaded USA 633 45 Capcom Puzzle -
Affective Disorder: the Politics of Unprincipled Emotion in Glauber Rocha’S Terra Em Transe
The University of Manchester Research Affective Disorder: The Politics of Unprincipled Emotion in Glauber Rocha’s Terra em transe DOI: 10.3828/jrs.2020.5 Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Posso, K. (2020). Affective Disorder: The Politics of Unprincipled Emotion in Glauber Rocha’s Terra em transe. Journal of Romance Studies , 20(1), 91. https://doi.org/10.3828/jrs.2020.5 Published in: Journal of Romance Studies Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:25. Sep. 2021 Karl Posso Affective Disorder: The Politics of Unprincipled Emotion in Glauber Rocha’s Terra em transe ABSTRACT Caetano Veloso claims that the outrage—‘trauma’—Glauber Rocha’s Terra em transe ([Entranced Earth] 1967) provoked, particularly amongst Brazil’s leftwing intelligentsia, precipitated the varied forms of counter-cultural production known collectively as Tropicália. -
Dissident Artists' Associations of Germany 1892-1912
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1984 Dissident Artists' Associations of Germany 1892-1912 Mary Jo Eberspacher Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Eberspacher, Mary Jo, "Dissident Artists' Associations of Germany 1892-1912" (1984). Masters Theses. 2826. https://thekeep.eiu.edu/theses/2826 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Date Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced -
DIALÉTICA DO SERTÃO: Reflexões Em Torno Das Peripécias De Antônio Das Mortes No Cinema Épico De Glauber Rocha
unesp UNIVERSIDADE ESTADUAL PAULISTA “JÚLIO DE MESQUITA FILHO” Faculdade de Ciências e Letras Campus de Araraquara - SP GEISA CRISTINA SEMENSATO DIALÉTICA DO SERTÃO: reflexões em torno das peripécias de Antônio das Mortes no cinema épico de Glauber Rocha ARARAQUARA – SP 2020 GEISA CRISTINA SEMENSATO DIALÉTICA DO SERTÃO: reflexões em torno das peripécias de Antônio das Mortes no cinema épico de Glauber Rocha Dissertação de Mestrado apresentada ao Programa de Estudos Literários da Faculdade de Ciências e Letras – Unesp/Araraquara, como requisito para obtenção do título de Mestre em Estudos Literários. Linha de pesquisa: Relações Intersemióticas Orientadora: Profa. Dra. Renata Soares Junqueira Bolsa: CAPES ARARAQUARA – S.P. 2020 Semensato, Geisa Cristina Dialética do sertão: reflexões em torno das peripécias de Antônio das Mortes no cinema épico de Glauber Rocha / Geisa Cristina Semensato — 2020 106 f. Dissertação (Mestrado em Estudos Literários) — Universidade Estadual Paulista "Júlio de Mesquita Filho", Faculdade de Ciências e Letras (Campus Araraquara) Orientador: Renata Soares Junqueira 1. Rocha, Glauber. 2. Brecht, Bertolt. 3. Cinema. 4. Antônio das Mortes. 5. O Dragão da Maldade contra o Santo Guerreiro. I. Título. GEISA CRISTINA SEMENSATO DIALÉTICA DO SERTÃO: reflexões em torno das peripécias de Antônio das Mortes no cinema épico de Glauber Rocha Dissertação de Mestrado, apresentada ao Programa de Estudos Literários da Faculdade de Ciências e Letras – UNESP/Araraquara, como requisito para obtenção do título de Mestre em Estudos Literários. Linha de pesquisa: Relações Intersemióticas Orientador: Profa. Dra. Renata Soares Junqueira Bolsa: CAPES Data da defesa: 27/07/2020 MEMBROS COMPONENTES DA BANCA EXAMINADORA: Presidente e Orientador: Profa. Dra. Renata Soares Junqueira (UNESP/Araraquara) – Membro Titular: Profa. -
The Blue Rider
THE BLUE RIDER 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 1 222.04.132.04.13 111:091:09 2 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 2 222.04.132.04.13 111:091:09 HELMUT FRIEDEL ANNEGRET HOBERG THE BLUE RIDER IN THE LENBACHHAUS, MUNICH PRESTEL Munich London New York 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 3 222.04.132.04.13 111:091:09 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 4 222.04.132.04.13 111:091:09 CONTENTS Preface 7 Helmut Friedel 10 How the Blue Rider Came to the Lenbachhaus Annegret Hoberg 21 The Blue Rider – History and Ideas Plates 75 with commentaries by Annegret Hoberg WASSILY KANDINSKY (1–39) 76 FRANZ MARC (40 – 58) 156 GABRIELE MÜNTER (59–74) 196 AUGUST MACKE (75 – 88) 230 ROBERT DELAUNAY (89 – 90) 260 HEINRICH CAMPENDONK (91–92) 266 ALEXEI JAWLENSKY (93 –106) 272 MARIANNE VON WEREFKIN (107–109) 302 ALBERT BLOCH (110) 310 VLADIMIR BURLIUK (111) 314 ADRIAAN KORTEWEG (112 –113) 318 ALFRED KUBIN (114 –118) 324 PAUL KLEE (119 –132) 336 Bibliography 368 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 5 222.04.132.04.13 111:091:09 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 6 222.04.132.04.13 111:091:09 PREFACE 7 The Blue Rider (Der Blaue Reiter), the artists’ group formed by such important fi gures as Wassily Kandinsky, Franz Marc, Gabriele Münter, August Macke, Alexei Jawlensky, and Paul Klee, had a momentous and far-reaching impact on the art of the twentieth century not only in the art city Munich, but internationally as well. Their very particular kind of intensely colorful, expressive paint- ing, using a dense formal idiom that was moving toward abstraction, was based on a unique spiritual approach that opened up completely new possibilities for expression, ranging in style from a height- ened realism to abstraction. -
Nabokov's Details: Making Sense of Irrational Standards
Nabokov's Details: Making Sense of Irrational Standards The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Horgan, Pelagia. 2012. Nabokov's Details: Making Sense of Irrational Standards. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:10114455 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 - Pelagia Jozefowski Horgan All rights reserved. Dissertation Advisor: Professor Philip Fisher Pelagia Jozefowski Horgan Nabokov's Details: Making Sense of Irrational Standards Abstract Vladimir Nabokov’s passion for detail is well-known, central to our very idea of the “Nabokovian.” Yet Nabokov’s most important claims for detail pose a challenge for the reader who would take them seriously. Startlingly extreme and deliberately counterintuitive -- Nabokov called them his “irrational standards” -- these claims push the very limits of reason and belief. Nabokov’s critics have tended to treat his more extravagant claims for detail -- including his assertion that the “capacity to wonder at trifles” is the highest form of consciousness there is -- as just a manner of speaking, a form of italics, a bit of wishful thinking, a mandarin’s glib performance, or an aesthete’s flight of fancy. !is dissertation, by contrast, asserts that Nabokov meant what he said, and sets out to understand what he meant. Nabokov’s passion for detail, I argue, represents more than a stylistic preference or prescription for good noticing. -
Und Klee (Geb
2 ÄUSS e R e Be RÜHRUNGS p UN k T e : Ge G e NS ei T i G e Ei NSCH ä T z UNG UN d Ke NNTN i SNAHM e 6 Rilke (geb. 4. 12. 1875 in Prag) und Klee (geb. 18. 12. 1879 in Bern) kamen 1915 während des Krieges in München in näheren Kontakt miteinander, vermutlich im Kreis um den Dichter und Philosophen sowie Stefan George-Anhänger Karl Wolfs- kehl.7 6 Spannend wäre auch ein Vergleich ihrer Biographien, für die hier nicht genügend Raum ist. Ihrer beider Leben weist Ähnlichkeiten auf, die über das übliche Maß von Zeitgenos- senschaft und ähnlicher Profession hinausgehen: Beide sind im Dezember geboren, beide wählen, aus dem Ausland stammend (Österreich/Tschechien bzw. Schweiz), München als Ausgangspunkt für ihre künstlerische Entwicklung, Rilke kommt 1896 in die Stadt, Klee zwei Jahre darauf, 1898. Rilke heiratet 1901, Klee verlobt sich im Jahr darauf, beide haben ein Kind (in der Einstellung zur Familie unterscheiden sie sich jedoch krass: Während Rilke sich schon nach einem Jahr von seiner Familie wieder trennt, benutzt Klee die Bürgerlich- keit der Ehe als Schutzschild, betreut die ersten Jahre als malender Hausmann den Sohn, während seine Frau mit Klavierstunden Geld verdient). Beide sind von der Kunst Cezan- nes sehr beeindruckt, Rilke 1907, Klee 1909. Beide reisen nach Kairuan, wieder ist Rilke der frühere (1910/11, Klee 1914). Beide lesen mit großer Zustimmung Worringers Buch ‚Abstraktion und Einfühlung‘ (1908 erschienen), sie bewegen sich in München in densel- ben geistigen Kreisen, haben gemeinsame Bekannte (z.B. Hausenstein, Wolfskehl). Beide schließlich sterben in der Schweiz, die sie als Exil und Heimat wählen an einer seltenen Autoimmunkrankheit (Rilke 1926 mit 51 Jahren an Blutkrebs, Klee 1940 mit 60 Jahren an Sklerodermie, wobei die Art der Krankheit ein Spiegel ihrer jeweiligen Lebensführung ist: die Exaltiertheit des Gefühls bei Rilke, die Zurücknahme und Verschlossenheit des Gefühls bei Klee). -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36265 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Mosaics of the Self: Kantian Objects and Female Subjects in the Work of Claire Goll and Paula Ludwig Rachel Jones Submitted for the degree of PhD at the University of Warwick Department of Philosophy (Philosophy and Literature) September 1997 II Contents Introduction Journeying into the Darkness 1 Fart One Subjects of Dissolution 17 Chapter One The Dissolution of Woman: Lyotard, Difference and the Postmodem Sublime 18 Chapter Two The Dissolution of Man: German Expressionism and the Post-human Sublime 63 Interlude 125 Chapter 3 Interlude: Another Expressionism 126 Fart Two Manifold Selves 166 Chapter Four Claire Aischmann/ Studei( Go!!: Acrobatic Space-Time 167 Chapter Five The Glass Garden: Mosaic Mirrorings 214 Chapter Six Bodies of Resonance: Eurydice, Music and Darkness 276 Chapter Seven Transformative Touch: The Poetry of Paula Ludwig 315 From Postmodem Patchworks to a Conclusion Mosaics of the Self 362 Appendix 1 377 Appendix 2 384 Appendix 3 388 Bibliography 390 U' Acknowledgements I would like to thank all those, family and friends, who have supported and encouraged me over the last four years. In particular, I would like to thank Valerie Bafico and Mair and Vince Jones for their continual support; my sisters, Beki and Naomi, for theft unflagging encouragement and challenging questions; Catherine Constable, Georgina Paul and Christine Battersby for providing me with endless inspiralion my mother, June Jones, without whom this would not have been written; and AdrianArmstrong, for his endless energy and enthusiasm. -
Stephanie Hemelryk Donald Is Australian Research Council Future Fellow and Professor of Comparative Film and Cultural Studies at the University of New South Wales
P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 Stephanie Hemelryk Donald is Australian Research Council Future Fellow and Professor of Comparative Film and Cultural Studies at the University of New South Wales. Christoph Lindner is Professor of Media and Culture and Director of the Amsterdam School for Cultural Analysis at the University of Amsterdam. P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 Inert Cities Globalization, Mobility and Suspension in Visual Culture Edited by Stephanie Hemelryk Donald and Christoph Lindner P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 Published in 2015 by I.B.Tauris & Co. Ltd 6SalemRoad,LondonW24BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Stephanie Hemelryk Donald and Christoph Lindner, 2014 The right of contributors to be identifed as the authors of this work has been asserted by authors in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of -
Lifting the Lid on Video Games
ALL FORMATS LIFTING THE LID ON VIDEO GAMES Issue 16 £3 wfmag.cc The Full Monty Paintings come to Pythonesque life in The Procession to Calvary Out of the box Going indie Point-and- click The escape room From triple-A Exploring the handmade genre returns to startup duo world of LUNA UPGRADE TO LEGENDARY AG273QCX 2560x1440 Beyond Designed Experiences ver a chill autumn weekend in 1997, play, whether it’s by exposing the limits of the game my best friend and I crushed Castlevania: and exploiting them, imposing our own additional Symphony of the Night. We took turns, constraints, or outright cheating. O staying awake, fuelled by Pizza Hut and I’m also thinking of Walker’s permadeath streams of Tahitian Treat, for as long as we could. One of us would Breath of the Wild. Speedrunners. Or the innumerable sleep while the other kept playing. It’s not exactly what DIA LACINA games I’ve modded, made myself immortal in, granted people think of when they think of couch co-op. At each myself the powers of flight or to walk through walls. Dia Lacina is a hand-off, we’d have to recount the adventure up to that Or how we’ve all seen just how many cheese wheels queer indigenous point. Detailing plot beats, boss encounters, zones that trans woman writer, our computers can send rolling down the side of a had been traversed. We’d forget things. Doorways to photographer and mountain in Skyrim. come back to. What was really going on with Maria founding editor of None of which is intended, but which extend our , and Richter.