Theories of Everything: Selected, Collected, and Health-Inspected Cartoons, 1978-2006 Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Theories of Everything: Selected, Collected, and Health-Inspected Cartoons, 1978-2006 Pdf FREE THEORIES OF EVERYTHING: SELECTED, COLLECTED, AND HEALTH-INSPECTED CARTOONS, 1978-2006 PDF Roz Chast,David Remnick | 400 pages | 04 Dec 2014 | Bloomsbury Publishing PLC | 9781596915404 | English | New York, United States City Arts & Lectures Presents ROZ CHAST | Books Inc. - The West's Oldest Independent Bookseller Chast got her first big break as a cartoonist in — just a year after graduation — when The New Yorker first published one of and Health- Inspected Cartoons cartoons. Collected after graduation, she quickly amassed a portfolio of cartoons and illustrations and did what every aspiring young artist did at the time: carted her work around Manhattan to show it to magazine editors and anyone else who would look. The one highlight: her parents subscribed to The New Yorker and she found Theories of Everything: Selected morbid wit of Charles Addams among her favorites just what she needed to inspire her to begin drawing her own take on the world. Unlike many aspiring cartoonists, Chast discovered that her lifelong tutelage actually paid off when Theories of Everything: Selected nervously dropped off her first stack of Theories of Everything: Selected at the revered magazine. To her surprise, long-time art editor Lee Lorenz jumped at the opportunity, noting that her work was a breakthrough in the genre. Four decades later, she continues to submit weekly batches to Collected magazine, producing thousands of brilliant cartoons and seeing well over 1, of them published in and on occasion on the cover of the magazine so far. Known for her neurotic view of day-to-day life, Chast uses just the right combination of 1978-2006 and quavery Theories of Everything: Selected to satirize the anxieties and absurdities of 21 st -century America. Her quirky, often twisted cartoons are in a style that remains uniquely her own. Her book Theories of Everything: Selected, Collected, and Health- Inspected Cartoons, — Bloomsbury is a page compendium of her favorite cartoons produced over three decades. Director John W. Choreographed Typography Graphic Design sophomores get outside for an embodied lesson in type design. Drawing Ideas with Roz Chast | National Endowment for the Arts Sinceshe has published more than cartoons in The New Yorker. In recognition of her work, Comics Alliance listed Chast as one of twelve women cartoonists deserving of lifetime achievement recognition. Chast grew up in the Flatbush section of Brooklynthe only child of George Chast, a high school French and Spanish teacher who subscribed to The New Yorker, and Elizabeth, an assistant principal in an elementary school. Her Jewish parents were children during the Great Depressionand she has spoken about their extreme frugality. Chast's subjects often deal with domestic and family life. In a interview with comedian Steve Martin for the New Yorker FestivalChast revealed that she enjoys drawing interior scenes, often involving lamps and accentuated wall paper, to serve as the backdrop for her comics. Her comics reflect a "conspiracy of inanimate objects", an expression she credits to her mother. The cartoon, which Chast describes as "peculiar and personal", shows a small collection of "Little Things"—strangely-named, oddly-shaped small objects such as "chent", "spak", and "tiv". A significant part of the Theories of Everything: Selected in Chast's cartoons appears in the background and the corners of 1978-2006 frames. Her New Yorker cartoons began as small black-and-white panels, but increasingly used more color and her work often appears over several pages. Her and Health-Inspected Cartoons cover for The New Yorker was on August 4,showing a lecturer in a white coat pointing to a family tree of ice cream. One characteristic of her books is that the "author photo" is always a cartoon she draws of, presumably, herself. The title page, including the Library of Congress cataloging information, is also hand-lettered by Chast. Chast lives in Ridgefield, Connecticut [16] [17] [18] with her husband, humor writer Bill Franzen. From Wikipedia, the free encyclopedia. American cartoonist. This list is incomplete ; you can help by expanding it. Bloomsbury, Archived from the original on 9 Theories of Everything: Selected Retrieved 22 November Archived from the original on and Health-Inspected Cartoons Retrieved Our RISD. May 1, Archived from the original on July 22, Retrieved 8 September National Public Radio U. WHYY, Inc. December 30, Collected grew up in the Depression, or graduated from college into the Depression. They kept notebooks where they kept track of every nickel that they spent. And these habits of frugality, Theories of Everything: Selected having grown up so poor, to having graduating in the Depression, never left them. They were and Health-Inspected Cartoons, they were very careful about money, they used everything up. I remember, my mother would take slivers of soap and put them in a washcloth, and then sew this little soap bag out of the slivers of soap. She made a bathrobe out of towels that she sewed together. Retrieved 12 October How about never--is never good for you? New York. Archived from the original on 1 October Retrieved 6 October Norman Rockwell Museum. 1978-2006 12 October Theories of Everything: Selected via www. The New Yorker. Publishers Weekly. National Book Critics Circle. January 19, Retrieved January 29, New York Times. Retrieved March 12, The Heinz Awards. Retrieved August 24, Comics Beat. Roz Chast: Cartoon Memoirs. Three small books. New York: Kathryn Markel. Last resorts. New York City: Ink Inc. Namespaces Article Talk. Views Read Edit View history. Help Learn and Health-Inspected Cartoons edit Community portal Recent changes Upload file. Download as 1978-2006 Printable version. Wikimedia Commons. With Roz Chast | ourmaninboston I HATE the ice Chast has brought together nearly three decades of work — much of which 1978-2006 appeared in The New Yorker magazine — and the volume gives the reader a keen appreciation of her range as an artist: Collected capacity to limn everything from the existential and Dada-esque an unholy cow who hates being a cow to the mundane and middle-class what happens at a party after you leave. This capacious collection reminds us that her Collected drawings are deceptively childlike, that they are actually shrewdly detailed word and picture concoctions that reinvent the 1978-2006 form, even as they capture the oddness, discontinuity and plain absurdity of the world 1978-2006 us. Chast is adept at the and Health-Inspected Cartoons. There are Collected occasional topical topics. Why did you run? More often Ms. They chronicle sudden changes in the fashion barometer. In the latter sections of the book there are lots of jokes about hitting middle age. A few of the cartoons here feel a tad derivative — one in which Humpty Dumpty sits on a rug and is promptly squashed by a big foot is reminiscent of the old Mr. And her most memorable works hopscotch over Theories of Everything: Selected realm of social observation into hyperspace. Chast gives us a portrait of herself at 9, sitting on her bed, reading the Merck Manual and various books about scurvy, lockjaw and other terrible diseases. Which doubtless Theories of Everything: Selected her youthful enthusiasm for the work of Addams and his ghostly presence in some of these cartoons. In retrospect she has transformed her hypochondriacal dyspepsia into cartoons that not only chronicle her own fears, worries and anxieties but that also show us how we — or at least some New Yorkers and suburbanites — live today. Books Anxiety, Illustrated. Home Page World U..
Recommended publications
  • Why 1,000 Books Before Kindergarten?
    Why 1,000 Books Before Kindergarten? Our hope with this program is to promote reading to newborns, infants, and toddlers; to encourage families to spend quality time together; and to promote pre-literacy and learning so children enter school ready to read, listen and learn. Research shows that reading books and sharing stories with your child is one of the best ways to help them enter school with the language skills they need to be ready to learn and grow. We’ve attached reading logs for your first 100 books to get you started. Simply color/check-off/cross-out the books as you read to your child. You can include stories that your child hears at library storytimes, in preschool and daycare– any and all books and stories count! A list on the back offers some fun suggestions of books to read with your child, but you don’t need to limit yourself to our list! Children often enjoy repeat visits with the same book or story, so feel free to include each additional reading as a book. When you’ve logged 50 titles, bring the completed log back into the library, pick up your prize and get the next Reading Log. When you have reached 1000 books, your child will receive a certificate and can add their name to our 1000 Books Before Kindergarten display. 1000 Books Seems Like a Lot of Books! Although 1,000 books sounds like a huge number, consider this: Read 4 books a week, and your child will have listened to 1,000 stories in five years.
    [Show full text]
  • CAP UCLA Presents Roz Chast and Her Memoir at Royce Hall Sun, Jan 31
    Press Release Friday, December 11th, 2015 Contact: Ashley Eckenweiler [email protected] CAP UCLA Presents Roz Chast and her memoir at Royce Hall Sun, Jan 31 Center for the Art of Performance at UCLA is proud to present Roz Chast, reading from her memoir Can’t We Talk About Something More Pleasant? Tickets ($19-$49) for Sunday, January 31 at 4 p.m. are available now at cap.ucla.edu, via Ticketmaster and at the UCLA Central Ticket Office at 310.825.2101. Since joining The New Yorker in 1978, Roz Chast has established herself as one of our greatest artistic chroniclers of the anxieties, superstitions, furies, insecurities, and surreal imaginings of modern life. Her works are typically populated by hapless but relatively cheerful “everyfolk,” and she addresses the universal topics of guilt, aging, families, money, real estate, and, as she would say, “much, much more!” More than 1,000 of her cartoons have been printed in The New Yorker since 1978. In this performance, she will read from her first memoir which harnesses her signature wit as she recounts her experience caring for her aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos and documents, and a narrative as rife with laughs as it is with tears, Chast’s memoir is both comfort and comic relief for anyone experiencing the life- altering loss of elderly parents. The evening will showcase the full range of Chast’s talent as cartoonist and storyteller. Following the reading, there will be a Q&A with Chast.
    [Show full text]
  • Norman Rockwell Museum Featured Illustrators, 1993–2008
    Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T.
    [Show full text]
  • LYNDA BARRY Associate Professor in Interdisciplinary Creativity Chazen Family Distinguished Chair in Art [email protected]
    LYNDA BARRY Associate Professor in Interdisciplinary Creativity Chazen Family Distinguished Chair in Art [email protected] EDUCATION 1978 BA The Evergreen State College, Olympia WA RECENT HONORS AND AWARDS: 2020 MacArthur Fellow 2020 Nomination for Cartoonist of the Year – National Cartoonists Society Rubin Award 2019 United States Artist Award 2019 Nomination for Cartoonist of the Year –National Cartoonists Society Ruben Award 2018 Nomination for Cartoonist of the Year –National Cartoonists Society Ruben Award 2017 Milton Caniff Lifetime Achievement Award – National Cartoonists Society 2016 Inducted into the Cartoonist’s Hall of Fame – Ruben awards ComiCon San Diego 2016- Chazen Family Endowment Distinguished Artist Chair 2015 -Doctor of Arts, Honorary Degree, Philadelphia University of Art 2014- Holtz Center Outreach Fellowship -Edna Wiechers Art in Wisconsin Award, Arts Institute -Society of Illustrators 2014 Push and Kicks Award of Excellence in the World of Graphic Books -French Edition of “One Hundred Demons”, official selection of the Angouleme Festival, Agoulême, France -“Freddie Stories” nominated for Ignatz Awards, outstanding Anthology Selected Awards - Two additional William Eisner awards, - The American Library Association’s Alex Award, - The Wisconsin Library Association’s RR Donnelly Award, - Washington State Governor’s Award - Wisconsin Visual Art Lifetime Achievement Award BOOKS 2019 Making Comics (Drawn and Quarterly) 2017 The Good Times are Killing me, revised new hardcover edition with paintings and new afterword
    [Show full text]
  • Roz Chast: Cartoon Memoirs, Celebrating Almost Four Decades of Outstanding Artistic Accomplishment
    ROZROZ CHAST: CHAST: CARTOON CARTOON MEMOIRS MEMOIRS . DISTINGUISHED . ILLUSTRATOR . S ERIES . Like many readers of The New Yorker and other popular publications, I have always been drawn to Roz Chast’s singular wit, and look forward to each new cartoon recounting the exploits of characters whom I feel I have come to know. Inspired, as Norman Rockwell was, by life’s small moments, her intelligent, expressive drawings prove that fact can be stranger than fiction, and that one need not go far to find comic relief in our crazy, irrepressible world. Norman Rockwell Museum is honored to present the art of this distinguished illustration master in Roz Chast: Cartoon Memoirs, celebrating almost four decades of outstanding artistic accomplishment. The exhibition offers the first presentation of original works from her acclaimed visual memoir, Can’t We Talk About Something More Pleasant?, which chronicles the lives of her aging parents with heartfelt humor and emotion. The full range of the Chast’s talents and the breadth of her career are also revealed in her legendary cartoons for The New Yorker; book illustrations for Around the Clock, What I Hate from A to Z, Marco Goes to School, and 101 Two-Letter Words, among others; intricately-painted Ukrainian character eggs; and one-of-a-kind hand-made storytelling rugs. The Distinguished Illustrator Exhibition Series honoring the unique contributions of exceptional visual communicators is presented by the Rockwell Center for American Visual Studies, the nation’s first research institute devoted to the art of illustration. The Distinguished Illustrator series reflects the impact and evolution of published art, and of Norman Rockwell’s beloved profession, which remains vibrant and ever-changing.
    [Show full text]
  • For the Fiscal Year Ending September 30, 2011 ANNUAL REPORT of the LIBRARIAN of CONGRESS for the Fiscal Year Ending September 30, 2011
    Annual Report of the Librarian of Congress For the Fiscal Year Ending September 30, 2011 ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS For the Fiscal Year Ending September 30, 2011 Library of Congress Washington, D.C. 2012 CONTENTS A Letter from the Librarian of Congress ...................... v Appendices A. Library of Congress Advisory Bodies............... 44 Library of Congress Officers ....................................... vi B. Publications ....................................................... 50 Library of Congress Committees ............................... vii C. Selected Acquisitions ........................................ 52 Facts at a Glance ........................................................... x D. Exhibitions ........................................................ 54 E. Statistical Tables ............................................... 57 Mission Statement ....................................................... xi 1. Appropriations for 2011 .........................57 2. Appropriations for 2012 .........................57 Organization Chart ..................................................... xii 3. Financial Statistics: Summary Statement .. 58 4. Additions to the Collections—Items .......61 Serving the Congress..................................................... 1 5. Additions to the Collections—Titles .......63 6. Unprocessed Arrearages .........................63 Collecting, Preserving and 7. Cataloging Workload ..............................64 Providing Access to Knowledge .................................
    [Show full text]
  • Roz Chast in Conversation October 29 at Marlene Meyerson JCC Manhattan Event Part of NYC’S Reimagine End of Life Festival
    FOR IMMEDIATE RELEASE Contact: Allison Rosen, [email protected] | 646.505.4493 Roz Chast in Conversation October 29 At Marlene Meyerson JCC Manhattan Event Part of NYC’s Reimagine End of Life Festival New York, NY (October 12, 2018) – Since starting at The New Yorker in 1978, Roz Chast has established herself as one of the greatest chroniclers of the anxieties, superstitions, furies, and insecurities of modern life. Join Chast in conversation with Rabbi David Ingber. The talk will take place at the Marlene Meyerson JCC Manhattan on Monday, October 29 at 7:30 p.m, followed by a book signing cohosted by Book Culture. The event is part of the New York City Reimagine End of Life Festival, and is cosponsored by What Matters: Caring Conversations About End of Life, a program of the JCC. Tickets are $25 and can be purchased here. Chast, a Brooklyn native, is the author/artist of more than a dozen books, including the best-selling “Can’t We Talk About Something More Pleasant?”, which chronicles her relationship with her aging parents as they shifted from independence to dependence. She has also authored numerous children’s books, including “The Alphabet from A to Y with Bonus Letter Z!” with humorist Steve Martin. She received her BFA from the Rhode Island School of Design with studies in graphic design and painting. At age 24, The New Yorker added her to their roster of approximately 40 artists under contract, and has published her work ever since. She had provided cartoons and editorial illustrations for nearly 50 magazines and journals.
    [Show full text]
  • Funny Or French: How Humor Varies Across Cultures
    University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 5-2014 Funny or French: how humor varies across cultures Audrey Mefford University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the Comparative Literature Commons, European Languages and Societies Commons, and the French and Francophone Language and Literature Commons Recommended Citation Mefford, Audrey, "Funny or French: how humor varies across cultures" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. Funny or French: How Humor Varies Between Cultures Audrey Mefford Departmental Thesis The University of Tennessee at Chattanooga Humanities Project Director: Dr. Victoria Steinberg March 26, 2014 Dr. Verbie Prevost, Dr. Stylianos Chatzimanolis, Karen Buntin Signatures: X Project Director X Departmental Examiner X Departmental Examiner X Liaison, Departmental Honors Committee X Chair, Departmental Honors Committee 1 The cartoons of Claire Bretécher, Roz Chast, Jean-Jacques Sempé, and Saul Steinberg provide insight into the mode of humor employed by their respective cultures. By comparing the work of these four cartoonists with each other, I have been able to discover some of the similarities and differences that seem to exist between the humor of the French artists with that of the American artists, revealing perhaps some aspects of humor which are intrinsic to those cultures in general.
    [Show full text]
  • Arts & Letters Live Spring 2020 Brochure 0.Pdf
    29TH SEASON | JANUARY–MAY 2020 LITERARY & PERFORMING ARTS SERIES DMA.org/ALL 1 HOW TO ORDER TICKETS DMA.org/ALL This is the FASTEST way to get your tickets! 214-922-1818 Purchase at the Guest Services Desk anytime during Museum hours. Give the gift of Arts & Letters Live tickets to your family and friends! "Love this series, so many BOOKS AND SIGNINGS wonderful authors!" All purchases made in the DMA Store support the Museum. DMA Members and —Arts & Letters Live attendee Arts & Letters Live Season Supporters receive discounts on book purchases. Book signings follow most events. DMA MEMBERS DMA Members get more. More benefits. More access. More fun! Join or renew today and get • FREE parking • FREE special exhibition tickets • Discounts in the DMA Store and DMA Cafe and on select programming, including Arts & Letters Live! DMA.org/members All programs, participants, pricing, and venues are subject to change. Tickets are nonrefundable. Ticket holders receive half-price parking in the DMA's garage. For information on venues, parking, dining, services for the hearing impaired, and the DMA Store, visit DMA.org. “I love the Arts & Letters Check DMA.org/ALL for more details and newly added events. Live experience! The interviewers are well STAFF Director of Arts & Letters Live: Carolyn Bess; Program Manager: Michelle informed and intelligent Witcher; Audience Relations Coordinator: Jennifer Krogsdale; Administrative and speakers are "Brilliant in every way, thank you!" Coordinator: Carolyn Hartley; Volunteer Coordinator: Andi Orkin; McDermott Intern: fascinating and often —Arts & Letters Live attendee Lillie Burrow COVER IMAGE: Hans Hofmann, Untitled (Yellow Table on Green) (detail), 1936, oil on board, Dallas Museum of Art, fractional gift inspiring.
    [Show full text]
  • Vasilios (Bill) Kartalopoulos 990 Bushwick Avenue #4C • Brooklyn, NY 11221 917 209-7267 • [email protected] • On-Panel.Com
    Vasilios (Bill) Kartalopoulos 990 Bushwick Avenue #4C • Brooklyn, NY 11221 917 209-7267 • [email protected] • on-panel.com Bill Kartalopoulos is an internationally-recognized comics professional with extensive curatorial, editorial, pedagogical and organizational experience. He uniquely brings together intimate knowledge of contemporary comics, deep understanding of comics history, and broad engagement with the international comics scene. He constantly seeks opportunities across multiple platforms to communicate with a general audience about the aesthetics and history of the comics form. EDUCATION Dartmouth College, Hanover, New Hampshire • Bachelor of Arts in History, 1999 • Co-Editor and Founder of student comics anthology The New School University, New York • MA in Media Studies, 2013 TEACHING The School of Visual Arts, MFA Visual Narrative program, Faculty Member, 2014 to present • “The History of Visual Storytelling” The New School University, Part-Time Lecturer, 2008 to 2012 and 2015 to present • “Reading Graphic Novels” • “The History of Illustration” • “Comics History” • “Comics: Theory & Practice” CURRENT BOOK PROJECT Comics: A History of the Art Form in America from the Nineteenth Century to the Present • Forthcoming from Princeton University Press SELECTED PROFESSIONAL EXPERIENCE The Best American Comics, Series Editor, Fall 2012 to present • Series editor of New York Times best-selling annual anthology series published by Houghton Mifflin Harcourt, beginning with 2014 edition. • Responsible for closely tracking new releases across all areas of contemporary comics to produce an annual pool of material for consideration. • Editorial collaboration with Guest Editors Scott McCloud, Jonathan Lethem, Roz Chast, Ben Katchor, Phoebe Gloeckner and Jillian Tamaki. • Collaboration with in-house editors, designers, art directors, publicists and other personnel at Houghton Mifflin Harcourt to produce and promote a complex anthology on an annual schedule.
    [Show full text]
  • Press Release
    Press Release For Immediate Release Media Contact Karen Schwarz Interim Director of Marketing and Communications 203 413-6735 | [email protected] Being, Nothingness and Much, Much More: Roz Chast, Beyond The New Yorker July 12 – October 19, 2014 Bruce Museum, One Museum Drive, Greenwich, Connecticut GREENWICH, CT, July 7, 2014 – The Bruce Museum launches a new exhibition on July 12 entitled Being, Nothingness and Much, Much More: Roz Chast, Beyond The New Yorker. The show will present approximately 30 works by Roz Chast, an American cartoonist, best known for her contributions of cartoons and cover art for The New Yorker magazine. The works by Roz Chast, on loan from the artist and the archives of The New Yorker, will include many examples of Ms. Chast’s iconic work from The New Yorker, as well as prints and drawings from other projects. “We are delighted to be showing the work of our friend and fellow Connecticut resident Roz Chast,” says Peter C. Sutton, Executive Director of the Bruce Museum. “We are fortunate to have such a talent right in our backyard. Roz’s works bring humor as well as wit and charm to the Museum.” In addition to Ms. Chast’s cartoons, prints and drawings, also on display will be tapestries and painted eggs decorated with the artist’s signature images in the pysanky tradition. Easter egg, or pysanka, decorating is an expression of traditional Ukrainian folk art. This tradition’s beginnings reach back to antiquity, when in attempting to understand creation, ancient people developed myths in which the egg was perceived as the source of life, the sun and the universe.
    [Show full text]
  • How About Never Is Never Good for You?
    Henry Holt and Company, LLC Publishers since 1866 175 Fifth Avenue New York, New York 10010 www .henryholt .com Henry Holt® and ® are registered trademarks of Henry Holt and Company, LLC. Copyright © 2014 by Bob Mankoff All rights reserved. Library of Congress Cataloging- in- Publication Data Mankoff , Robert. How about never— is never good for you? : my life in cartoons / Bob Mankoff . — First edition. pages cm ISBN 978- 0- 8050- 9590- 6 (hardback)—ISBN 978- 0- 8050- 9591- 3 (electronic book) 1. Mankoff , Robert. 2. Cartoonists— United States— Biography. 3. Periodical editors— United States— Biography. 4. New Yorker (New York, N.Y. : 1925) I. Title. NC1429.M358A2 2014 741.5′6973—dc23 [B] 2013021129 Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets. First Edition 2014 Designed by Toshiya Masuda Printed in the United States of America 1 3 5 7 9 10 8 6 4 2 020-55629_ch00_7P.indd vi 1/23/14 6:11 AM Dedicated to everyone who has ever done a cartoon for Th e New Yorker Charles Addams, John Agee, Alain, Constantin Alajalov, Edward H. Allison, Gideon Amichay, C. W. An- derson, Geroge Annand, Robb Armstrong, Ed Arno, Peter Arno, Andrea Arroyo, Jose Arroyo, Jose Aruego, Niculae Asciu, Van Ass, T. K. Atherton, Aaron Bacall, Tom Bachtell, Peggy Bacon, Howard Baer, Bruce Bairnsfather, Ernest Hamlin Baker, Cyrus Baldridge, Perry Barlow, Bob Barnes, H. Barnes, Charles Bar- sotti, Donna Barstow, Ralph Barton, H. M. Bateman, Ross Bateup, Roland Baum, Glen Baxter, Ben Hur Baz, Alex Beam, Kate Beaton, Frank Beaven, Ludwig Bemelmans, Nora Benjamin, Bill Berg, Erik Berg- strom, Mike Berry, François Berthoud, Daniel Beyer, Michael Biddle, Reginald Birch, Kenneth Bird, Abe Birnbaum, Mahlon Blaine, Harry Bliss, Barry Blitt, A.
    [Show full text]