Easy Fillet, Barbette, Veil and Wimple Instructions
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Group Kit Contents
GROUP KIT CONTENTS PAGE INFORMATION 2 GENERAL INFORMATION 3 ROOMS 5 RESTAURANTS 11 BARS & DISCOTHEQUE 12 ENTERTAINMENTS AND SPORTS 15 KIDS CLUB 16 GROUP INFORMATION 28 EXCURSIONS 29 DIVING 31 CONTACT US 1 GENERAL INFORMATION VIVA WYNDHAM DOMINICUS BEACH & VIVA WYNDHAM DOMINICUS PALACE QUICK REFERENCE GUIDE Viva Wyndham Dominicus Beach & Viva Wyndham Dominicus Palace Bayahibe , La Romana , Republica Dominicana. Tel.: (809) 6865658 • Fax: (809) 686-5750, (809) 687-8583, (809) 2216805 Email: [email protected] www.vivaresorts.com LOCATION On the southeast coast of the Dominican Republic, facing the gorgeous island of Saona and Catalina. 72 Miles / 115 km, from Las Americas International Airport (approx. 1 hr. 40 min. drive), 62 Miles /100 km, from Punta Cana Airport (approx. 1 hr. 15 min. drive), 11 Miles /18 km, from La Romana International Airport /own (approx. 15 min. drive, 25 min.from La Romana. Voltage 110. The island of La Hispaniola was discovered by Christopher Columbus on December 5, 1492. Which is located in the Center of the Caribbean Sea. It is the second largest of the Greater Antilles, Cuba being the largest. The Island is shared by two nations: The Republic of Haiti and the Dominican Republic.The country has seven airports: Las Américas International and Herrera in Santo Domingo; Punta Aguila and Punta Cana in the Eastern regions; María Montez in Barahona; Gregorio Luperon, Puerto Plata and Del Cibao, in Santiago de los Caballeros. The Main roads that begin in the city of Santo Domingo and conect the entire country are: the Duarte highway towards the South and Southwest regions and Las Américas highway, uniting Santo Domingo with the Southeast. -
Teacher Resource Packet for Vietnamese Students. INSTITUTION Washington Office of the State Superintendent of Public Instruction, Olympia
)xocliMENTRESUME ,ED 118 679 UD 015 707 TITLE- Teacher Resource Packet for Vietnamese Students. INSTITUTION Washington Office of the State Superintendent of Public Instruction, Olympia. PUB DATE Jul 75 NOTE'-. litp.; This document is available in microfiche only 'due to the print size of parts of the original 0 document EDRS PRICE MF-$0.83 Plus Postage. HC Not Available from EDRS. DESCRIPTORS Asian Americans; Bilingual Education; *Bilingual Students; Educational. Resources; Elementary School Students; English (Second Language); *Ethnic Groups;, Guidelines; Immigrants; *Indo hinese; Minority Group Children; Minority Groups; *Re ugees; Resource Guides; Resource Materials; Se ndary School Students; *Student Characterist cs;- Student Needs; Student Problems; Student TeacheRelationship; Teacher Guidance; Teacher Respons bility IDENTIFIERS *Vietnam r ABSTRACT This packet provides information for classroom , teachers who will be working with Vietnamese students Among the subject matter discussed in the history and general in ormation section are the Republic of Vietnam, family loyalty, p ofessional man, politeness and restraint, village life, fruits and vegetables, meat dishes, festivals, and religion. Other sections include a summary of some cultural differences, a Vietnamese language guide, and Asian immigrant impressions. A section on bilingual education information discus es theory, definition, and the legal situation concerning bilingu4lism and English as a second language. Suggestions for interacting with non-English dominant students in all grade levels in either a regular classroom setting or a secondary school setting are provided. Relevant resources, such as materials that can be used for basic instruction in English (as a second language) classes, reading resources, and community resources are enclosed. (Author/AM) **********L********************************************************* Documents acquired by ERIlinclude many informal unpublished * materials not aotailable from ther sources. -
Human Rights of Women Wearing the Veil in Western Europe
Human Rights of Women Wearing the Veil in Western Europe Research Paper I. Introduction The present paper analyses legislation, policies, and case-law surrounding religious attire in a number of countries in Western Europe and how they affect the human rights of women and girls who wear the veil in Western Europe. It also more broadly analyses discrimination and violence experienced by women wearing the veil in Europe learning from their own voice. Throughout the paper, the terminology ‘veil’ is used to refer to a variety of religious attire worn mostly, but not exclusively, by Muslim women. There are different types of clothing that cover the body. This research is focused on manifestations of veils that are the subject of regulation in several Western European Countries. They include the hijab (a piece of clothing that covers the head and neck, but not the face), niqab (a piece of clothing that covers the face, where only the eyes are visible), burqa (a piece of clothing that covers both the face and eyes), jilbab (a loose piece of clothing that covers the body from head to toe), or abaya, kaftan, kebaya (a loose, often black, full body cover overcoat). The head and body covers are often combined. In several countries, some of these clothing are based on traditional costumes rather than religion and are often worn by rural communities in the countries of origins. The paper also uses the terminology ‘full-face veil’ or ‘face-covering veil’ to refer to both niqab and burqa. Furthermore, it refers to burkini, a swimsuit that covers the body from head to ankles, completed by a dress. -
Medieval Hats
Hats Hats Coif Coif — coifs, which tied under the chin, were considered to be underwear — they were a sign of respectability and no self respecting person would be seen in public with their head uncovered. They were worn underneath formal hats by everybody over 12 except those doing physical labour. They had several practical uses as they would have restricted the spread of head lice, and kept grease, dirt and lice from contaminating more expensive outer hats. Coifs were also worn in bed to keep people warm at night. Coifs were made from linen, a fabric made from the flax plant. How do we know about coifs? There are many illustrations of people at all levels of society wearing coifs in medieval manuscripts, including the Luttrell Psalter, Romance of Alexander, Murthly Hours, and the Queen Mary Psalter. Hats Hood with buttoned front Hood with buttoned front — this could be worn up to cover the head, or down to just keep the neck warm, depending on the season and the weather. It is made form wool, with a linen lining and cast pewter buttons. The medieval hood was worn by men, women, and children. It was very practical cold weather-wear, and also became a fashion item. The liripipe (the point at the back of the head) was extended until it reached outrageous proportions by the end of the 15th Century. The hood can be worn off the head, turned back at the front edge or the wearer could just hide away inside — useful in rainy weather or if the wearer wanted to appear mysterious. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
"Flemish" Hats Or, Why Are You Wearing a Lampshade? by BRIDGET WALKER
Intro to Late Period "Flemish" Hats Or, Why Are You Wearing a Lampshade? BY BRIDGET WALKER An Allegory of Autumn by Lucas Van Valkenborch Grietje Pietersdr Codde by Adriaen (1535-1597) Thomasz. Key, 1586 Where Are We Again? This is the coast of modern day Belgium and The Netherlands, with the east coast of England included for scale. According to Fynes Moryson, an Englishman traveling through the area in the 1590s, the cities of Bruges and Ghent are in Flanders, the city of Antwerp belongs to the Dutchy of the Brabant, and the city of Amsterdam is in South Holland. However, he explains, Ghent and Bruges were the major trading centers in the early 1500s. Consequently, foreigners often refer to the entire area as "Flemish". Antwerp is approximately fifty miles from Bruges and a hundred miles from Amsterdam. Hairstyles The Cook by PieterAertsen, 1559 Market Scene by Pieter Aertsen Upper class women rarely have their portraits painted without their headdresses. Luckily, Antwerp's many genre paintings can give us a clue. The hair is put up in what is most likely a form of hair taping. In the example on the left, the braids might be simply wrapped around the head. However, the woman on the right has her braids too far back for that. They must be sewn or pinned on. The hair at the front is occasionally padded in rolls out over the temples, but is much more likely to remain close to the head. At the end of the 1600s, when the French and English often dressed the hair over the forehead, the ladies of the Netherlands continued to pull their hair back smoothly. -
Mantilla Veil NHV Winners and More
Issue 113 - August 2015 This month... Next Issue: August 19th, 2015 Marketing Hats Caren Lee Make a Mantilla Veil NHV Winners And More... the e-magazine for those who make hats Issue 113 August 2015 Contents: The Hatwalk 2 SJ Brown’s advice for marketing millinery on fashion weeks’ runways. Hat of the Month 6 A Melbourne Cup piece by Caren Lee. Make a Shoulder Length Mantilla Veil 8 A tutorial by Denise Innes-Spencer of The British School of Millinery. The NHV Hat Contest 19 The Dutch Hat Association’s 2015 competition winners. Letter to the Editor 24 Advice on applying stiffener. The Back Page 25 Royal Ascot 2015, HATalk Give Away and how to contact us. Cover/Back Pages: 1 www.hatalk.com Head wear by Denise Innes The Hatwalk: Marketing millinery on fashion weeks’ runways Not every country can boast a ‘Hat handing out thousands of business Week’ like England. As a milliner in cards. Still, I was getting nowhere. the United States, I wish there was a So, how does a milliner sell hats New York Hat Week or Chicago Hat in a country where hats are not so Week, but no such luck. Until those commonplace? As with any good cities take the cue from London and marketing plan, you have to know create their own Hat Weeks, I will be your audience. perfectly content just crashing the party on my local runway. After trying all the normal marketing ploys, I realized the normal American Why am I crashing the ‘fashion week’ woman is not my target audience. -
December 18, 1953
Temple !3 e tl1,-El 6S8 Bro~d St . R. :L~.--------. Rhode lslond's Only Anglo-Jewish Greotest Newspoper Independent In Weekly The JewisffHl'fiJa Rhode Island VOL. XXXVIIl, No. 42 FRIDAY, DECEMBER 18, 1913 PROVIDENCE, R. I TWELVE PAGES 10 CENTS THE COPY Prevention, Control of Family l'roblems to , Be Study Project Technion Starts Capital NEW YORK-Three. American of St. Paul and the Rosenberg communities. each typical of its Foundation of San Francisco. The $100,000 Fund Campaign type, but widely separated as to three new projects will be under geographic location, population, way by January, 1954, and will history and pe-rsonality, have been help check findings concerning selected by the Community Re social problem patterns which Fain, Weisberg search Associates, Inc., to test and were uncovered in the Community demonstrate methods of preven Research Associates' original St. tion and control of family prob Paul study. To Head Drive lems in a new million dollar, four Out of the original study by year project. Community. Research Associates Joseph W. Wunsch, national From East to West. the three are came the startling fact that about president of the American Tech~ Hagerstown, Md., with a popUla six per cent of the population were nton Society, announced today tion of 70.000 and a great h istori absorbing well over half of all that Irving Jay Fain and Mark cal tradition; Winona, Minn., health and welfare funds, both Weisberg have accepted the co typical mid-western town with a public and voluntary. ch airmanship of the Southern New population cf 40,000; and San England Chapter of the American Mateo, Cal., comparatively new Multi-Problem Patterns Technion Society's Capital Fund and fast - growing metropolitan Further, it disclosed that more Campaign. -
Honour Killing in Sindh Men's and Women's Divergent Accounts
Honour Killing in Sindh Men's and Women's Divergent Accounts Shahnaz Begum Laghari PhD University of York Women’s Studies March 2016 Abstract The aim of this project is to investigate the phenomenon of honour-related violence, the most extreme form of which is honour killing. The research was conducted in Sindh (one of the four provinces of Pakistan). The main research question is, ‘Are these killings for honour?’ This study was inspired by a need to investigate whether the practice of honour killing in Sindh is still guided by the norm of honour or whether other elements have come to the fore. It is comprised of the experiences of those involved in honour killings through informal, semi- structured, open-ended, in-depth interviews, conducted under the framework of the qualitative method. The aim of my thesis is to apply a feminist perspective in interpreting the data to explore the tradition of honour killing and to let the versions of the affected people be heard. In my research, the women who are accused as karis, having very little redress, are uncertain about their lives; they speak and reveal the motives behind the allegations and killings in the name of honour. The male killers, whom I met inside and outside the jails, justify their act of killing in the name of honour, culture, tradition and religion. Drawing upon interviews with thirteen women and thirteen men, I explore and interpret the data to reveal their childhood, educational, financial and social conditions and the impacts of these on their lives, thoughts and actions. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
A Don West Reader West End Press
Lincoln Memorial University LMU Digital Commons Copyright-Free Books Collection Special Collections 1985 In a Land of Plenty: A Don West Reader West End Press Don West Constance Adams West Follow this and additional works at: https://digitalcommons.lmunet.edu/csbc Part of the Appalachian Studies Commons, and the Poetry Commons Recommended Citation End Press, West; West, Don; and West, Constance Adams, "In a Land of Plenty: A Don West Reader" (1985). Copyright-Free Books Collection. 1. https://digitalcommons.lmunet.edu/csbc/1 This Book is brought to you for free and open access by the Special Collections at LMU Digital Commons. It has been accepted for inclusion in Copyright-Free Books Collection by an authorized administrator of LMU Digital Commons. For more information, please contact [email protected]. With sketches Constance Adams West No Grants This book is not supported any grant, governmental, corporate or PS 3545 .E8279 16 1985 private. It is paid for, directly or indirectly, by the people who support and In a land of plenty have Don West's vision, and it both reflects and proves their best - The publisher No Purposely this book is not copyrighted. Poetry and other creative efforts should be levers, weapons to be used in the people's struggle for understanding, human rights, and decency. "Art for Art's Sake" is a misnomer. The poet can never be neutral. In a hungry world the struggle between oppressor and oppressed is unending. There is the inevitable question: "Which side are you on?" To be content with as they are, to be "neutral," is to take sides with the oppressor who also wants to keep the status quo. -
Hat, Cap, Hood, Mitre
CHAPTER 1 Headgear: Hat, Cap, Hood, Mitre Introduction down over his shoulders;4 and in Troilus and Criseyde Pandarus urges his niece, a sedate young widow, to Throughout the later Middle Ages (the twelfth to early cast off her face-framing barbe, put down her book and sixteenth centuries), if we are to believe the evidence of dance.5 art, some kind of headgear was worn by both sexes in- In art of the middle medieval period (from about doors and out: at dinner, in church, even in bed. This is the eighth to the eleventh centuries), headgear is less understandable if we consider the lack of efficient heat- well attested. Men are usually depicted bareheaded. ing in medieval buildings, but headgear was much more Women’s heads and necks are wrapped in voluminous than a practical item of dress. It was an immediate mark- coverings, usually depicted as white, so possibly linen is er of role and status. In art, it is possible to distinguish being represented in most cases. There is no clue to the immediately the head of a man from that of woman, as shape of the piece of cloth that makes up this headdress, for example in a fourteenth-century glass panel with a sa- how it is fastened, or whether there is some kind of cap tirical depiction of a winged serpent which has the head beneath it to which it is secured. Occasionally a fillet is of a bishop, in a mitre, and a female head, in barbe* and worn over, and more rarely under, this veil or wimple.