Ancient Greek Art Women in Greek Art

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Ancient Greek Art Women in Greek Art Ancient Greek Art Women in Greek Art Although they are only breath, words which I command are immortal Sappho, early Greek poet Women in Society | Since ancient Greece was a male-ruled society, called a patriarchy, women had a limited voice. Women did not go to school and could only work in certain roles. A woman’s marriage was decided by her father. Rarely the heads of the household, women were instructed to listen to their male family members. In ancient Greece, a woman’s greatest responsibility was supplying a male child who could ensure that Colossal Female Head Cyprus, the family’s property was passed down to the next generation. 550-500 B.C.E., Limestone These factors make the accomplishments of female lyric poet Sappho all the more remarkable. She was born in Lesbos, an island east of the Grecian mainland, probably around 630 B.C. Sappho provides one of the few female voices from the ancient world, though little is known about the details of her life. Her poetry, which survives only in fragments, provides the opportunity to And their feet move gain a female perspective in rhythmically, as tender an era full of men’s art and feet of Cretan girls writing. danced once around an altar of love, crushing a circle in the soft smooth flowering earth Sappho Portrayal | The art in this gallery depicts women in a particular way: we see women portrayed as goddesses and mothers, for instance. Furthermore, there is a major emphasis on women as representative of fertility. As subjects, women were rarely treated as everyday figures; instead, the typical portrayal of a woman in ancient Greece was usually as goddess, royal, or monster. Women in Greek art of the period received honorable portrayals as Olympian deities or queens. Otherwise, women were transformed into monsters meant to be enemies to humans. They were almost Grave Monument – Young never portrayed as everyday citizens of the Greek society. Girl with a Jewelry Box 450- 425 B.C.E., Marble .
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